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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 117 175 it is the complementary color RGB 120 138 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 117 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 117 175 shade: RGB 140 117 170, RGB 157 135 189, RGB 174 153 208, RGB 191 171 227 and RGB 208 189 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 117 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 117 175 shade: RGB 135 117 175, RGB 118 99 156, RGB 101 81 137, RGB 84 63 118 and RGB 67 45 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 117 175 shade: RGB 134 115 174, RGB 150 115 174, RGB 166 115 174, RGB 174 115 167 and RGB 174 115 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 117 175 shade: RGB 134 115 174, RGB 118 115 174 and RGB 115 115 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 117 175 shade matches the following richer shades: RGB 134 115 174, RGB 127 98 192, RGB 120 80 210, RGB 113 62 228 and RGB 107 44 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 117 175 shade: RGB 134 115 174, RGB 140 133 157, RGB 147 151 139, RGB 154 168 121 and RGB 161 186 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 117 175 shade: RGB 115 129 174, RGB 117 115 174, RGB 133 115 174, RGB 149 115 174 and RGB 165 115 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 117 175 shade: RGB 93 75 132, RGB 111 91 158, RGB 134 115 174, RGB 156 141 190 and RGB 179 168 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 117 175 shade: RGB 135 117 175, RGB 174 115 145 and RGB 121 174 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 117 175 shade: RGB 135 117 175, RGB 174 133 115 and RGB 115 174 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 117 175 shade: RGB 135 117 175, RGB 174 115 145, RGB 157 174 115 and RGB 115 174 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 117 175 shade: RGB 135 117 175, RGB 174 115 127, RGB 157 174 115 and RGB 115 174 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

Complementary color

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 18 / 31 / 0 / 33

HEX #8C75AA

RGB 140 117 170

HSL 266.04, 0.24%, 0.56%

LAB 53.17, 19.78, -24.97

 

CMYK 17 / 29 / 0 / 26

HEX #9D87BD

RGB 157 135 189

HSL 264.44, 0.29%, 0.64%

LAB 60.04, 19.17, -25.13

 

CMYK 16 / 26 / 0 / 18

HEX #AE99D0

RGB 174 153 208

HSL 262.91, 0.37%, 0.71%

LAB 66.78, 18.63, -25.31

 

CMYK 16 / 25 / 0 / 11

HEX #BFABE3

RGB 191 171 227

HSL 261.43, 0.5%, 0.78%

LAB 73.38, 18.13, -25.51

 

CMYK 15 / 23 / 0 / 4

HEX #D0BDF6

RGB 208 189 246

HSL 260, 0.76%, 0.85%

LAB 79.87, 17.67, -25.73

 

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 24 / 37 / 0 / 39

HEX #76639C

RGB 118 99 156

HSL 260, 0.22%, 0.5%

LAB 45.87, 20.08, -28.25

 

CMYK 26 / 41 / 0 / 46

HEX #655189

RGB 101 81 137

HSL 261.43, 0.26%, 0.43%

LAB 38.65, 20.88, -28.26

 

CMYK 29 / 47 / 0 / 54

HEX #543F76

RGB 84 63 118

HSL 262.91, 0.3%, 0.35%

LAB 31.23, 21.81, -28.31

 

CMYK 32 / 55 / 0 / 61

HEX #432D63

RGB 67 45 99

HSL 264.44, 0.38%, 0.28%

LAB 23.58, 22.87, -28.4

 

CMYK 23 / 34 / 0 / 32

HEX #8673AE

RGB 134 115 174

HSL 259.32, 0.27%, 0.57%

LAB 52.27, 20, -28.72

 

CMYK 14 / 34 / 0 / 32

HEX #9673AE

RGB 150 115 174

HSL 275.59, 0.27%, 0.57%

LAB 53.82, 25.09, -26.21

 

CMYK 5 / 34 / 0 / 32

HEX #A673AE

RGB 166 115 174

HSL 291.86, 0.27%, 0.57%

LAB 55.51, 30.3, -23.46

 

CMYK 0 / 34 / 4 / 32

HEX #AE73A7

RGB 174 115 167

HSL 307.12, 0.27%, 0.57%

LAB 56.14, 31.6, -18.37

 

CMYK 0 / 34 / 13 / 32

HEX #AE7397

RGB 174 115 151

HSL 323.39, 0.27%, 0.57%

LAB 55.58, 28.75, -9.94

 

CMYK 23 / 34 / 0 / 32

HEX #8673AE

RGB 134 115 174

HSL 259.32, 0.27%, 0.57%

LAB 52.27, 20, -28.72

 

CMYK 32 / 34 / 0 / 32

HEX #7673AE

RGB 118 115 174

HSL 243.05, 0.27%, 0.57%

LAB 50.88, 15.13, -30.99

 

CMYK 34 / 34 / 0 / 32

HEX #7373AE

RGB 115 115 174

HSL 240, 0.27%, 0.57%

LAB 50.64, 14.25, -31.38

 

CMYK 23 / 34 / 0 / 32

HEX #8673AE

RGB 134 115 174

HSL 259.32, 0.27%, 0.57%

LAB 52.27, 20, -28.72

 

CMYK 34 / 49 / 0 / 25

HEX #7F62C0

RGB 127 98 192

HSL 258.51, 0.43%, 0.57%

LAB 48.33, 32.65, -45.39

 

CMYK 43 / 62 / 0 / 18

HEX #7850D2

RGB 120 80 210

HSL 258.46, 0.59%, 0.57%

LAB 44.78, 46.17, -61.49

 

CMYK 50 / 73 / 0 / 11

HEX #713EE4

RGB 113 62 228

HSL 258.43, 0.75%, 0.57%

LAB 42.09, 59.09, -76.19

 

CMYK 56 / 82 / 0 / 4

HEX #6B2CF5

RGB 107 44 245

HSL 258.81, 0.91%, 0.57%

LAB 40.44, 70.29, -88.54

 

CMYK 23 / 34 / 0 / 32

HEX #8673AE

RGB 134 115 174

HSL 259.32, 0.27%, 0.57%

LAB 52.27, 20, -28.72

 

CMYK 11 / 15 / 0 / 38

HEX #8C859D

RGB 140 133 157

HSL 257.5, 0.11%, 0.57%

LAB 56.87, 7.51, -11.83

 

CMYK 3 / 0 / 8 / 41

HEX #93978B

RGB 147 151 139

HSL 80, 0.05%, 0.57%

LAB 61.83, -3.72, 5.81

 

CMYK 8 / 0 / 28 / 34

HEX #9AA879

RGB 154 168 121

HSL 77.87, 0.21%, 0.57%

LAB 66.71, -13.17, 22.7

 

CMYK 13 / 0 / 45 / 27

HEX #A1BA67

RGB 161 186 103

HSL 78.07, 0.38%, 0.57%

LAB 72.01, -21.98, 39.14

 

CMYK 34 / 26 / 0 / 32

HEX #7381AE

RGB 115 129 174

HSL 225.76, 0.27%, 0.57%

LAB 54.45, 5.92, -25.47

 

CMYK 33 / 34 / 0 / 32

HEX #7573AE

RGB 117 115 174

HSL 242.03, 0.27%, 0.57%

LAB 50.8, 14.84, -31.12

 

CMYK 24 / 34 / 0 / 32

HEX #8573AE

RGB 133 115 174

HSL 258.31, 0.27%, 0.57%

LAB 52.18, 19.69, -28.87

 

CMYK 14 / 34 / 0 / 32

HEX #9573AE

RGB 149 115 174

HSL 274.58, 0.27%, 0.57%

LAB 53.71, 24.77, -26.37

 

CMYK 5 / 34 / 0 / 32

HEX #A573AE

RGB 165 115 174

HSL 290.85, 0.27%, 0.57%

LAB 55.4, 29.97, -23.64

 

CMYK 30 / 43 / 0 / 48

HEX #5D4B84

RGB 93 75 132

HSL 258.95, 0.28%, 0.41%

LAB 36.03, 20.81, -29.37

 

CMYK 30 / 42 / 0 / 38

HEX #6F5B9E

RGB 111 91 158

HSL 257.91, 0.27%, 0.49%

LAB 43.26, 23.33, -33.59

 

CMYK 23 / 34 / 0 / 32

HEX #8673AE

RGB 134 115 174

HSL 259.32, 0.27%, 0.57%

LAB 52.27, 20, -28.72

 

CMYK 18 / 26 / 0 / 25

HEX #9C8DBE

RGB 156 141 190

HSL 258.37, 0.27%, 0.65%

LAB 61.51, 15.64, -23.45

 

CMYK 13 / 18 / 0 / 20

HEX #B3A8CD

RGB 179 168 205

HSL 257.84, 0.27%, 0.73%

LAB 70.87, 11.22, -17.38

 

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 0 / 34 / 17 / 32

HEX #AE7391

RGB 174 115 145

HSL 329.49, 0.27%, 0.57%

LAB 55.38, 27.74, -6.74

 

CMYK 30 / 0 / 34 / 32

HEX #79AE73

RGB 121 174 115

HSL 113.9, 0.27%, 0.57%

LAB 66.19, -29.23, 24.87

 

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 0 / 24 / 34 / 32

HEX #AE8573

RGB 174 133 115

HSL 18.31, 0.27%, 0.57%

LAB 58.99, 13.15, 15.77

 

CMYK 34 / 0 / 24 / 32

HEX #73AE85

RGB 115 174 133

HSL 138.31, 0.27%, 0.57%

LAB 66.22, -28.01, 15.08

 

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 0 / 34 / 17 / 32

HEX #AE7391

RGB 174 115 145

HSL 329.49, 0.27%, 0.57%

LAB 55.38, 27.74, -6.74

 

CMYK 10 / 0 / 34 / 32

HEX #9DAE73

RGB 157 174 115

HSL 77.29, 0.27%, 0.57%

LAB 68.52, -15.97, 28.38

 

CMYK 34 / 0 / 17 / 32

HEX #73AE91

RGB 115 174 145

HSL 150.51, 0.27%, 0.57%

LAB 66.49, -25.6, 8.85

 

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 0 / 34 / 27 / 32

HEX #AE737F

RGB 174 115 127

HSL 347.8, 0.27%, 0.57%

LAB 54.86, 24.95, 3

 

CMYK 10 / 0 / 34 / 32

HEX #9DAE73

RGB 157 174 115

HSL 77.29, 0.27%, 0.57%

LAB 68.52, -15.97, 28.38

 

CMYK 34 / 0 / 6 / 32

HEX #73AEA3

RGB 115 174 163

HSL 168.81, 0.27%, 0.57%

LAB 66.95, -21.63, -0.45

 

Description

Color code: RGB 135 117 175 | qconv.com Color code: RGB 135 117 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 117 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 117 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 33 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 33% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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