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Color name
RGB 120 138 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 138 80 it is the complementary color RGB 135 117 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 138 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 138 80 shade: RGB 125 138 75, RGB 142 156 94, RGB 159 174 113, RGB 176 192 132 and RGB 193 210 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 138 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 138 80 shade: RGB 120 138 80, RGB 103 120 61, RGB 86 102 42, RGB 69 84 23 and RGB 52 66 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 138 80 shade: RGB 120 139 80, RGB 136 139 80, RGB 139 125 80, RGB 139 109 80 and RGB 139 93 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 138 80 shade: RGB 120 139 80, RGB 104 139 80, RGB 88 139 80, RGB 80 139 87 and RGB 80 139 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 138 80 shade matches the following richer shades: RGB 120 139 80, RGB 127 156 62, RGB 134 174 44, RGB 141 192 26 and RGB 147 210 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 138 80 shade: RGB 120 139 80, RGB 114 121 97, RGB 107 103 115, RGB 100 86 133 and RGB 93 68 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 138 80 shade: RGB 139 125 80, RGB 137 139 80, RGB 121 139 80, RGB 105 139 80 and RGB 89 139 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 138 80 shade: RGB 75 86 49, RGB 98 113 64, RGB 120 139 80, RGB 143 163 96 and RGB 161 179 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 138 80 shade: RGB 120 138 80, RGB 80 139 109 and RGB 133 80 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 138 80 shade: RGB 120 138 80, RGB 80 121 139 and RGB 139 80 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 138 80 shade: RGB 120 138 80, RGB 80 139 109, RGB 97 80 139 and RGB 139 80 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 138 80 shade: RGB 120 138 80, RGB 80 139 127, RGB 97 80 139 and RGB 139 80 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

Complementary color

CMYK 23 / 33 / 0 / 31

HEX #8775AF

RGB 135 117 175

HSL 258.62, 0.27%, 0.57%

LAB 52.92, 19.38, -28.3

 

CMYK 9 / 0 / 46 / 46

HEX #7D8A4B

RGB 125 138 75

HSL 72.38, 0.3%, 0.42%

LAB 55.12, -15.14, 32.04

 

CMYK 9 / 0 / 40 / 39

HEX #8E9C5E

RGB 142 156 94

HSL 73.55, 0.25%, 0.49%

LAB 61.94, -15.33, 30.81

 

CMYK 9 / 0 / 35 / 32

HEX #9FAE71

RGB 159 174 113

HSL 74.75, 0.27%, 0.56%

LAB 68.63, -15.46, 29.62

 

CMYK 8 / 0 / 31 / 25

HEX #B0C084

RGB 176 192 132

HSL 76, 0.32%, 0.64%

LAB 75.2, -15.56, 28.48

 

CMYK 8 / 0 / 28 / 18

HEX #C1D297

RGB 193 210 151

HSL 77.29, 0.4%, 0.71%

LAB 81.66, -15.63, 27.4

 

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 14 / 0 / 49 / 53

HEX #67783D

RGB 103 120 61

HSL 77.29, 0.33%, 0.35%

LAB 47.82, -16.47, 30.16

 

CMYK 16 / 0 / 59 / 60

HEX #56662A

RGB 86 102 42

HSL 76, 0.42%, 0.28%

LAB 40.65, -16.23, 31.39

 

CMYK 18 / 0 / 73 / 67

HEX #455417

RGB 69 84 23

HSL 74.75, 0.57%, 0.21%

LAB 33.28, -15.8, 32.32

 

CMYK 21 / 0 / 94 / 74

HEX #344204

RGB 52 66 4

HSL 73.55, 0.89%, 0.14%

LAB 25.67, -15.08, 32.37

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

CMYK 2 / 0 / 42 / 45

HEX #888B50

RGB 136 139 80

HSL 63.05, 0.27%, 0.43%

LAB 56.37, -10.45, 31.12

 

CMYK 0 / 10 / 42 / 45

HEX #8B7D50

RGB 139 125 80

HSL 45.76, 0.27%, 0.43%

LAB 52.66, -1.4, 26.47

 

CMYK 0 / 22 / 42 / 45

HEX #8B6D50

RGB 139 109 80

HSL 29.49, 0.27%, 0.43%

LAB 48.27, 7.78, 20.73

 

CMYK 0 / 33 / 42 / 45

HEX #8B5D50

RGB 139 93 80

HSL 13.22, 0.27%, 0.43%

LAB 44.08, 17.15, 15.11

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

CMYK 25 / 0 / 42 / 45

HEX #688B50

RGB 104 139 80

HSL 95.59, 0.27%, 0.43%

LAB 54.01, -23.48, 27.65

 

CMYK 37 / 0 / 42 / 45

HEX #588B50

RGB 88 139 80

HSL 111.86, 0.27%, 0.43%

LAB 53.08, -29.34, 26.26

 

CMYK 42 / 0 / 37 / 45

HEX #508B57

RGB 80 139 87

HSL 127.12, 0.27%, 0.43%

LAB 52.79, -30.84, 21.95

 

CMYK 42 / 0 / 26 / 45

HEX #508B67

RGB 80 139 103

HSL 143.39, 0.27%, 0.43%

LAB 53.11, -27.77, 13.35

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

CMYK 19 / 0 / 60 / 39

HEX #7F9C3E

RGB 127 156 62

HSL 78.51, 0.43%, 0.43%

LAB 60.46, -24.87, 44.86

 

CMYK 23 / 0 / 75 / 32

HEX #86AE2C

RGB 134 174 44

HSL 78.46, 0.6%, 0.43%

LAB 66.15, -31.96, 58.23

 

CMYK 27 / 0 / 86 / 25

HEX #8DC01A

RGB 141 192 26

HSL 78.43, 0.76%, 0.43%

LAB 71.85, -38.15, 68.48

 

CMYK 30 / 0 / 96 / 18

HEX #93D209

RGB 147 210 9

HSL 78.81, 0.92%, 0.43%

LAB 77.47, -44.06, 75.66

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

CMYK 6 / 0 / 20 / 53

HEX #727961

RGB 114 121 97

HSL 77.5, 0.11%, 0.43%

LAB 49.64, -7.21, 12.3

 

CMYK 7 / 10 / 0 / 55

HEX #6B6773

RGB 107 103 115

HSL 260, 0.06%, 0.43%

LAB 44.32, 4.09, -6.15

 

CMYK 25 / 35 / 0 / 48

HEX #645685

RGB 100 86 133

HSL 257.87, 0.21%, 0.43%

LAB 39.68, 16.41, -24.22

 

CMYK 38 / 55 / 0 / 41

HEX #5D4497

RGB 93 68 151

HSL 258.07, 0.38%, 0.43%

LAB 35.39, 30.48, -41.99

 

CMYK 0 / 10 / 42 / 45

HEX #8B7D50

RGB 139 125 80

HSL 45.76, 0.27%, 0.43%

LAB 52.66, -1.4, 26.47

 

CMYK 1 / 0 / 42 / 45

HEX #898B50

RGB 137 139 80

HSL 62.03, 0.27%, 0.43%

LAB 56.45, -10.02, 31.24

 

CMYK 13 / 0 / 42 / 45

HEX #798B50

RGB 121 139 80

HSL 78.31, 0.27%, 0.43%

LAB 55.18, -16.72, 29.38

 

CMYK 24 / 0 / 42 / 45

HEX #698B50

RGB 105 139 80

HSL 94.58, 0.27%, 0.43%

LAB 54.08, -23.1, 27.75

 

CMYK 36 / 0 / 42 / 45

HEX #598B50

RGB 89 139 80

HSL 110.85, 0.27%, 0.43%

LAB 53.13, -28.99, 26.34

 

CMYK 13 / 0 / 43 / 66

HEX #4B5631

RGB 75 86 49

HSL 77.84, 0.27%, 0.26%

LAB 34.75, -11.34, 20.11

 

CMYK 13 / 0 / 43 / 56

HEX #627140

RGB 98 113 64

HSL 78.37, 0.28%, 0.35%

LAB 45.33, -14.44, 25.32

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

CMYK 12 / 0 / 41 / 36

HEX #8FA360

RGB 143 163 96

HSL 77.91, 0.27%, 0.51%

LAB 64.06, -18.31, 32.47

 

CMYK 10 / 0 / 32 / 30

HEX #A1B37A

RGB 161 179 122

HSL 78.95, 0.27%, 0.59%

LAB 70.33, -16.03, 27.1

 

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 42 / 0 / 22 / 45

HEX #508B6D

RGB 80 139 109

HSL 149.49, 0.27%, 0.43%

LAB 53.25, -26.49, 10.1

 

CMYK 4 / 42 / 0 / 45

HEX #85508B

RGB 133 80 139

HSL 293.9, 0.27%, 0.43%

LAB 42.14, 32.24, -23.76

 

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 0 / 42 / 13 / 45

HEX #8B5079

RGB 139 80 121

HSL 318.31, 0.27%, 0.43%

LAB 42.16, 30.82, -12.7

 

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 42 / 0 / 22 / 45

HEX #508B6D

RGB 80 139 109

HSL 149.49, 0.27%, 0.43%

LAB 53.25, -26.49, 10.1

 

CMYK 30 / 42 / 0 / 45

HEX #61508B

RGB 97 80 139

HSL 257.29, 0.27%, 0.43%

LAB 38.1, 20.81, -30.37

 

CMYK 0 / 42 / 22 / 45

HEX #8B506D

RGB 139 80 109

HSL 330.51, 0.27%, 0.43%

LAB 41.74, 28.79, -5.97

 

CMYK 13 / 0 / 42 / 46

HEX #788A50

RGB 120 138 80

HSL 78.62, 0.27%, 0.43%

LAB 54.81, -16.6, 28.9

 

CMYK 42 / 0 / 9 / 45

HEX #508B7F

RGB 80 139 127

HSL 167.8, 0.27%, 0.43%

LAB 53.71, -22.28, 0.38

 

CMYK 30 / 42 / 0 / 45

HEX #61508B

RGB 97 80 139

HSL 257.29, 0.27%, 0.43%

LAB 38.1, 20.81, -30.37

 

CMYK 0 / 42 / 35 / 45

HEX #8B505B

RGB 139 80 91

HSL 348.81, 0.27%, 0.43%

LAB 41.19, 26.11, 4.34

 

Description

Color code: RGB 120 138 80 | qconv.com Color code: RGB 120 138 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 138 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 138 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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