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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 111 66 it is the complementary color RGB 123 144 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 111 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 111 66 shade: RGB 137 111 61, RGB 154 129 80, RGB 171 147 99, RGB 188 165 118 and RGB 205 183 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 111 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 115 93 47, RGB 98 75 28, RGB 81 57 9 and RGB 64 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 132 93 66, RGB 132 75 66 and RGB 132 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 132 129 66, RGB 117 132 66, RGB 100 132 66 and RGB 82 132 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 111 66 shade matches the following richer shades: RGB 132 111 66, RGB 148 117 50, RGB 164 123 34, RGB 180 128 18 and RGB 196 134 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 116 105 82, RGB 100 99 98, RGB 83 93 114 and RGB 67 87 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 111 66 shade: RGB 132 75 66, RGB 132 92 66, RGB 132 110 66, RGB 132 127 66 and RGB 119 132 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 111 66 shade: RGB 77 65 38, RGB 104 88 52, RGB 132 111 66, RGB 159 134 80 and RGB 178 154 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 75 132 66 and RGB 84 66 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 66 132 110 and RGB 110 66 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 75 132 66, RGB 66 88 132 and RGB 123 66 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 111 66 shade: RGB 132 111 66, RGB 66 132 77, RGB 66 88 132 and RGB 132 66 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

Complementary color

CMYK 35 / 24 / 0 / 26

HEX #7B90BD

RGB 123 144 189

HSL 220.91, 0.33%, 0.61%

LAB 59.74, 3.56, -25.83

 

CMYK 0 / 19 / 55 / 46

HEX #896F3D

RGB 137 111 61

HSL 39.47, 0.38%, 0.39%

LAB 48.29, 3.73, 31.44

 

CMYK 0 / 16 / 48 / 40

HEX #9A8150

RGB 154 129 80

HSL 39.73, 0.32%, 0.46%

LAB 55.23, 2.86, 30.04

 

CMYK 0 / 14 / 42 / 33

HEX #AB9363

RGB 171 147 99

HSL 40, 0.3%, 0.53%

LAB 62.02, 2.16, 28.71

 

CMYK 0 / 12 / 37 / 26

HEX #BCA576

RGB 188 165 118

HSL 40.29, 0.34%, 0.6%

LAB 68.69, 1.58, 27.46

 

CMYK 0 / 11 / 33 / 20

HEX #CDB789

RGB 205 183 137

HSL 40.59, 0.4%, 0.67%

LAB 75.23, 1.08, 26.3

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 19 / 59 / 55

HEX #735D2F

RGB 115 93 47

HSL 40.59, 0.42%, 0.32%

LAB 40.7, 2.88, 29.45

 

CMYK 0 / 23 / 71 / 62

HEX #624B1C

RGB 98 75 28

HSL 40.29, 0.56%, 0.25%

LAB 33.38, 4.1, 30.84

 

CMYK 0 / 30 / 89 / 68

HEX #513909

RGB 81 57 9

HSL 40, 0.8%, 0.18%

LAB 25.85, 5.78, 31.6

 

CMYK 0 / 39 / 100 / 75

HEX #402700

RGB 64 39 0

HSL 36.56, 1%, 0.13%

LAB 18.1, 8.16, 26.34

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 30 / 50 / 48

HEX #845D42

RGB 132 93 66

HSL 24.55, 0.33%, 0.39%

LAB 42.95, 12.52, 21.8

 

CMYK 0 / 43 / 50 / 48

HEX #844B42

RGB 132 75 66

HSL 8.18, 0.33%, 0.39%

LAB 38.43, 23.1, 15.83

 

CMYK 0 / 50 / 50 / 48

HEX #844242

RGB 132 66 66

HSL 0, 0.33%, 0.39%

LAB 36.36, 28.23, 13.03

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 2 / 50 / 48

HEX #848142

RGB 132 129 66

HSL 57.27, 0.33%, 0.39%

LAB 52.95, -8.22, 34.28

 

CMYK 11 / 0 / 50 / 48

HEX #758442

RGB 117 132 66

HSL 73.64, 0.33%, 0.39%

LAB 52.6, -16.35, 33.56

 

CMYK 24 / 0 / 50 / 48

HEX #648442

RGB 100 132 66

HSL 89.09, 0.33%, 0.39%

LAB 51.39, -23.36, 31.81

 

CMYK 38 / 0 / 50 / 48

HEX #528442

RGB 82 132 66

HSL 105.45, 0.33%, 0.39%

LAB 50.32, -30.16, 30.26

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 21 / 66 / 42

HEX #947532

RGB 148 117 50

HSL 41.02, 0.49%, 0.39%

LAB 50.98, 4.43, 40.56

 

CMYK 0 / 25 / 79 / 36

HEX #A47B22

RGB 164 123 34

HSL 41.08, 0.66%, 0.39%

LAB 54.21, 7.5, 51.41

 

CMYK 0 / 29 / 90 / 29

HEX #B48012

RGB 180 128 18

HSL 40.74, 0.82%, 0.39%

LAB 57.26, 11.5, 59.66

 

CMYK 0 / 32 / 99 / 23

HEX #C48602

RGB 196 134 2

HSL 40.82, 0.98%, 0.39%

LAB 60.6, 15.13, 65.77

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 9 / 29 / 55

HEX #746952

RGB 116 105 82

HSL 40.59, 0.17%, 0.39%

LAB 44.84, 0.42, 14.53

 

CMYK 0 / 1 / 2 / 61

HEX #646362

RGB 100 99 98

HSL 30, 0.01%, 0.39%

LAB 42.02, 0.19, 0.7

 

CMYK 27 / 18 / 0 / 55

HEX #535D72

RGB 83 93 114

HSL 220.65, 0.16%, 0.39%

LAB 39.38, 1.34, -13.18

 

CMYK 48 / 33 / 0 / 49

HEX #435782

RGB 67 87 130

HSL 220.95, 0.32%, 0.39%

LAB 37.15, 4.96, -26.53

 

CMYK 0 / 43 / 50 / 48

HEX #844B42

RGB 132 75 66

HSL 8.18, 0.33%, 0.39%

LAB 38.43, 23.1, 15.83

 

CMYK 0 / 30 / 50 / 48

HEX #845C42

RGB 132 92 66

HSL 23.64, 0.33%, 0.39%

LAB 42.69, 13.11, 21.46

 

CMYK 0 / 17 / 50 / 48

HEX #846E42

RGB 132 110 66

HSL 40, 0.33%, 0.39%

LAB 47.56, 2.54, 27.67

 

CMYK 0 / 4 / 50 / 48

HEX #847F42

RGB 132 127 66

HSL 55.45, 0.33%, 0.39%

LAB 52.37, -7.11, 33.59

 

CMYK 10 / 0 / 50 / 48

HEX #778442

RGB 119 132 66

HSL 71.82, 0.33%, 0.39%

LAB 52.75, -15.49, 33.78

 

CMYK 0 / 16 / 51 / 70

HEX #4D4126

RGB 77 65 38

HSL 41.54, 0.34%, 0.23%

LAB 28.11, 0.9, 18.34

 

CMYK 0 / 15 / 50 / 59

HEX #685834

RGB 104 88 52

HSL 41.54, 0.33%, 0.31%

LAB 38.15, 1.22, 23.23

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 13 / 43 / 30

HEX #B29A66

RGB 178 154 102

HSL 41.05, 0.33%, 0.55%

LAB 64.59, 1.59, 30.54

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 43 / 0 / 50 / 48

HEX #4B8442

RGB 75 132 66

HSL 111.82, 0.33%, 0.39%

LAB 49.97, -32.57, 29.75

 

CMYK 36 / 50 / 0 / 48

HEX #544284

RGB 84 66 132

HSL 256.36, 0.33%, 0.39%

LAB 32.8, 23.85, -34.54

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 50 / 0 / 17 / 48

HEX #42846E

RGB 66 132 110

HSL 160, 0.33%, 0.39%

LAB 50.44, -26.7, 5.44

 

CMYK 17 / 50 / 0 / 48

HEX #6E4284

RGB 110 66 132

HSL 280, 0.33%, 0.39%

LAB 35.75, 31.52, -29.69

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 43 / 0 / 50 / 48

HEX #4B8442

RGB 75 132 66

HSL 111.82, 0.33%, 0.39%

LAB 49.97, -32.57, 29.75

 

CMYK 50 / 33 / 0 / 48

HEX #425884

RGB 66 88 132

HSL 220, 0.33%, 0.39%

LAB 37.49, 4.71, -27.24

 

CMYK 7 / 50 / 0 / 48

HEX #7B4284

RGB 123 66 132

HSL 291.82, 0.33%, 0.39%

LAB 37.43, 35.5, -26.92

 

CMYK 0 / 16 / 50 / 48

HEX #846F42

RGB 132 111 66

HSL 40.91, 0.33%, 0.39%

LAB 47.84, 1.96, 28.02

 

CMYK 50 / 0 / 42 / 48

HEX #42844D

RGB 66 132 77

HSL 130, 0.33%, 0.39%

LAB 49.73, -33.64, 23.37

 

CMYK 50 / 33 / 0 / 48

HEX #425884

RGB 66 88 132

HSL 220, 0.33%, 0.39%

LAB 37.49, 4.71, -27.24

 

CMYK 0 / 50 / 8 / 48

HEX #844279

RGB 132 66 121

HSL 310, 0.33%, 0.39%

LAB 38.17, 36.21, -18.89

 

Description

Color code: RGB 132 111 66 | qconv.com Color code: RGB 132 111 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 111 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 111 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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