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Color name
RGB 159 134 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 134 80 it is the complementary color RGB 96 121 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 134 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 134 80 shade: RGB 164 134 75, RGB 181 152 94, RGB 198 170 113, RGB 215 188 132 and RGB 232 206 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 134 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 142 116 61, RGB 125 98 42, RGB 108 80 23 and RGB 91 62 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 159 113 80, RGB 159 91 80 and RGB 159 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 159 155 80, RGB 141 159 80, RGB 120 159 80 and RGB 99 159 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 134 80 shade matches the following richer shades: RGB 159 134 80, RGB 178 141 60, RGB 198 148 41, RGB 217 155 22 and RGB 236 162 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 140 127 99, RGB 120 120 119, RGB 101 113 138 and RGB 81 105 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 134 80 shade: RGB 159 92 80, RGB 159 113 80, RGB 159 134 80, RGB 159 155 80 and RGB 142 159 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 134 80 shade: RGB 104 88 52, RGB 131 111 66, RGB 159 134 80, RGB 178 154 102 and RGB 192 172 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 89 159 80 and RGB 102 80 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 80 159 134 and RGB 134 80 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 89 159 80, RGB 80 105 159 and RGB 150 80 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 134 80 shade: RGB 159 134 80, RGB 80 159 94, RGB 80 105 159 and RGB 159 80 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

Complementary color

CMYK 45 / 31 / 0 / 31

HEX #6079AF

RGB 96 121 175

HSL 221.01, 0.33%, 0.53%

LAB 50.99, 5.65, -31.53

 

CMYK 0 / 18 / 54 / 36

HEX #A4864B

RGB 164 134 75

HSL 39.78, 0.37%, 0.47%

LAB 57.51, 3.94, 35.78

 

CMYK 0 / 16 / 48 / 29

HEX #B5985E

RGB 181 152 94

HSL 40, 0.37%, 0.54%

LAB 64.23, 3.11, 34.41

 

CMYK 0 / 14 / 43 / 22

HEX #C6AA71

RGB 198 170 113

HSL 40.24, 0.43%, 0.61%

LAB 70.83, 2.41, 33.11

 

CMYK 0 / 13 / 39 / 16

HEX #D7BC84

RGB 215 188 132

HSL 40.48, 0.51%, 0.68%

LAB 77.33, 1.81, 31.88

 

CMYK 0 / 11 / 35 / 9

HEX #E8CE97

RGB 232 206 151

HSL 40.74, 0.64%, 0.75%

LAB 83.72, 1.3, 30.72

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 18 / 57 / 44

HEX #8E743D

RGB 142 116 61

HSL 40.74, 0.4%, 0.4%

LAB 50.19, 3.12, 33.85

 

CMYK 0 / 22 / 66 / 51

HEX #7D622A

RGB 125 98 42

HSL 40.48, 0.5%, 0.33%

LAB 43.16, 4.23, 35.22

 

CMYK 0 / 26 / 79 / 58

HEX #6C5017

RGB 108 80 23

HSL 40.24, 0.65%, 0.26%

LAB 35.96, 5.67, 36.29

 

CMYK 0 / 32 / 96 / 64

HEX #5B3E04

RGB 91 62 4

HSL 40, 0.92%, 0.19%

LAB 28.59, 7.56, 36.53

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 29 / 50 / 38

HEX #9F7150

RGB 159 113 80

HSL 25.06, 0.33%, 0.47%

LAB 51.57, 14.13, 25.47

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 50 / 50 / 38

HEX #9F5050

RGB 159 80 80

HSL 0, 0.33%, 0.47%

LAB 43.78, 32.69, 15.15

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 3 / 50 / 38

HEX #9F9B50

RGB 159 155 80

HSL 56.96, 0.33%, 0.47%

LAB 62.84, -9.25, 39.51

 

CMYK 11 / 0 / 50 / 38

HEX #8D9F50

RGB 141 159 80

HSL 73.67, 0.33%, 0.47%

LAB 62.54, -18.9, 38.81

 

CMYK 25 / 0 / 50 / 38

HEX #789F50

RGB 120 159 80

HSL 89.62, 0.33%, 0.47%

LAB 61.11, -27.27, 36.73

 

CMYK 38 / 0 / 50 / 38

HEX #639F50

RGB 99 159 80

HSL 105.57, 0.33%, 0.47%

LAB 59.91, -34.91, 35

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 21 / 66 / 30

HEX #B28D3C

RGB 178 141 60

HSL 41.19, 0.5%, 0.47%

LAB 60.64, 5.1, 47.24

 

CMYK 0 / 25 / 79 / 22

HEX #C69429

RGB 198 148 41

HSL 40.89, 0.66%, 0.47%

LAB 64.44, 9.18, 59.62

 

CMYK 0 / 29 / 90 / 15

HEX #D99B16

RGB 217 155 22

HSL 40.92, 0.82%, 0.47%

LAB 68.21, 13.23, 69.04

 

CMYK 0 / 31 / 99 / 7

HEX #ECA202

RGB 236 162 2

HSL 41.03, 0.98%, 0.47%

LAB 72.01, 17.48, 75.71

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 9 / 29 / 45

HEX #8C7F63

RGB 140 127 99

HSL 40.98, 0.17%, 0.47%

LAB 53.66, 0.36, 17.05

 

CMYK 0 / 0 / 1 / 53

HEX #787877

RGB 120 120 119

HSL 60, 0%, 0.47%

LAB 50.4, -0.2, 0.54

 

CMYK 27 / 18 / 0 / 46

HEX #65718A

RGB 101 113 138

HSL 220.54, 0.15%, 0.47%

LAB 47.51, 1.51, -15.18

 

CMYK 48 / 33 / 0 / 38

HEX #51699D

RGB 81 105 157

HSL 221.05, 0.32%, 0.47%

LAB 44.64, 5.97, -30.99

 

CMYK 0 / 42 / 50 / 38

HEX #9F5C50

RGB 159 92 80

HSL 9.11, 0.33%, 0.47%

LAB 46.45, 26.08, 18.75

 

CMYK 0 / 29 / 50 / 38

HEX #9F7150

RGB 159 113 80

HSL 25.06, 0.33%, 0.47%

LAB 51.57, 14.13, 25.47

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 3 / 50 / 38

HEX #9F9B50

RGB 159 155 80

HSL 56.96, 0.33%, 0.47%

LAB 62.84, -9.25, 39.51

 

CMYK 11 / 0 / 50 / 38

HEX #8E9F50

RGB 142 159 80

HSL 72.91, 0.33%, 0.47%

LAB 62.61, -18.49, 38.91

 

CMYK 0 / 15 / 50 / 59

HEX #685834

RGB 104 88 52

HSL 41.54, 0.33%, 0.31%

LAB 38.15, 1.22, 23.23

 

CMYK 0 / 15 / 50 / 49

HEX #836F42

RGB 131 111 66

HSL 41.54, 0.33%, 0.39%

LAB 47.74, 1.51, 27.86

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 13 / 43 / 30

HEX #B29A66

RGB 178 154 102

HSL 41.05, 0.33%, 0.55%

LAB 64.59, 1.59, 30.54

 

CMYK 0 / 10 / 32 / 25

HEX #C0AC82

RGB 192 172 130

HSL 40.65, 0.33%, 0.63%

LAB 71.09, 0.91, 24.27

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 44 / 0 / 50 / 38

HEX #599F50

RGB 89 159 80

HSL 113.16, 0.33%, 0.47%

LAB 59.43, -38.19, 34.3

 

CMYK 36 / 50 / 0 / 38

HEX #66509F

RGB 102 80 159

HSL 256.71, 0.33%, 0.47%

LAB 39.69, 27.77, -39.89

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 50 / 0 / 16 / 38

HEX #509F86

RGB 80 159 134

HSL 161.01, 0.33%, 0.47%

LAB 60.09, -30.53, 5.62

 

CMYK 16 / 50 / 0 / 38

HEX #86509F

RGB 134 80 159

HSL 281.01, 0.33%, 0.47%

LAB 43.22, 36.86, -34.07

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 44 / 0 / 50 / 38

HEX #599F50

RGB 89 159 80

HSL 113.16, 0.33%, 0.47%

LAB 59.43, -38.19, 34.3

 

CMYK 50 / 34 / 0 / 38

HEX #50699F

RGB 80 105 159

HSL 221.01, 0.33%, 0.47%

LAB 44.68, 6.35, -32.12

 

CMYK 6 / 50 / 0 / 38

HEX #96509F

RGB 150 80 159

HSL 293.16, 0.33%, 0.47%

LAB 45.25, 41.59, -30.74

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 50 / 0 / 41 / 38

HEX #509F5E

RGB 80 159 94

HSL 130.63, 0.33%, 0.47%

LAB 59.26, -38.73, 26.63

 

CMYK 50 / 34 / 0 / 38

HEX #50699F

RGB 80 105 159

HSL 221.01, 0.33%, 0.47%

LAB 44.68, 6.35, -32.12

 

CMYK 0 / 50 / 9 / 38

HEX #9F5090

RGB 159 80 144

HSL 311.39, 0.33%, 0.47%

LAB 45.8, 41.54, -20.83

 

Description

Color code: RGB 159 134 80 | qconv.com Color code: RGB 159 134 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 134 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 134 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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