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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 19 200 it is the complementary color RGB 127 236 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 19 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 19 200 shade: RGB 133 19 195, RGB 150 37 214, RGB 167 55 233, RGB 184 73 252 and RGB 201 91 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 19 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 19 200 shade: RGB 128 19 200, RGB 111 1 181, RGB 94 0 162, RGB 77 0 143 and RGB 60 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 19 200 shade: RGB 128 18 200, RGB 177 18 200, RGB 200 18 174, RGB 200 18 125 and RGB 200 18 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 19 200 shade: RGB 128 18 200, RGB 79 18 200, RGB 30 18 200 and RGB 18 18 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 19 200 shade matches the following richer shades: RGB 128 18 200 and RGB 131 0 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 19 200 shade: RGB 128 18 200, RGB 124 36 182, RGB 120 54 165, RGB 117 71 147 and RGB 113 89 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 19 200 shade: RGB 30 18 200, RGB 79 18 200, RGB 127 18 200, RGB 176 18 200 and RGB 200 18 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 19 200 shade: RGB 79 11 125, RGB 104 15 162, RGB 128 18 200, RGB 151 26 233 and RGB 168 64 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 19 200 shade: RGB 128 19 200, RGB 200 18 55 and RGB 18 200 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 19 200 shade: RGB 128 19 200, RGB 200 127 18 and RGB 18 200 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 19 200 shade: RGB 128 19 200, RGB 200 18 55, RGB 91 200 18 and RGB 18 200 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 19 200 shade: RGB 128 19 200, RGB 200 36 18, RGB 91 200 18 and RGB 18 182 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

Complementary color

CMYK 46 / 0 / 77 / 7

HEX #7FEC37

RGB 127 236 55

HSL 96.13, 0.83%, 0.57%

LAB 84.37, -59.7, 72.01

 

CMYK 32 / 90 / 0 / 24

HEX #8513C3

RGB 133 19 195

HSL 278.86, 0.82%, 0.42%

LAB 36.73, 68.9, -65.82

 

CMYK 30 / 83 / 0 / 16

HEX #9625D6

RGB 150 37 214

HSL 278.31, 0.71%, 0.49%

LAB 42.25, 70.88, -67.73

 

CMYK 28 / 76 / 0 / 9

HEX #A737E9

RGB 167 55 233

HSL 277.75, 0.8%, 0.56%

LAB 48.05, 71.81, -69.03

 

CMYK 27 / 71 / 0 / 1

HEX #B849FC

RGB 184 73 252

HSL 277.21, 0.97%, 0.64%

LAB 54.01, 72.05, -69.9

 

CMYK 21 / 64 / 0 / 0

HEX #C95BFF

RGB 201 91 255

HSL 280.24, 1%, 0.68%

LAB 59.08, 68.58, -63.27

 

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

CMYK 39 / 99 / 0 / 29

HEX #6F01B5

RGB 111 1 181

HSL 276.67, 0.99%, 0.36%

LAB 31.2, 66.19, -66.74

 

CMYK 42 / 100 / 0 / 36

HEX #5E00A2

RGB 94 0 162

HSL 274.81, 1%, 0.32%

LAB 26.7, 60.62, -62.8

 

CMYK 46 / 100 / 0 / 44

HEX #4D008F

RGB 77 0 143

HSL 272.31, 1%, 0.28%

LAB 22.16, 54.79, -58.68

 

CMYK 52 / 100 / 0 / 51

HEX #3C007C

RGB 60 0 124

HSL 269.03, 1%, 0.24%

LAB 17.53, 48.87, -54.42

 

CMYK 36 / 91 / 0 / 22

HEX #8012C8

RGB 128 18 200

HSL 276.26, 0.83%, 0.43%

LAB 36.35, 69.46, -69.39

 

CMYK 12 / 91 / 0 / 22

HEX #B112C8

RGB 177 18 200

HSL 292.42, 0.83%, 0.43%

LAB 44.16, 76.41, -56.34

 

CMYK 0 / 91 / 13 / 22

HEX #C812AE

RGB 200 18 174

HSL 308.57, 0.83%, 0.43%

LAB 46.67, 76.53, -36.86

 

CMYK 0 / 91 / 38 / 22

HEX #C8127D

RGB 200 18 125

HSL 324.73, 0.83%, 0.43%

LAB 44.51, 70.84, -10.64

 

CMYK 0 / 91 / 62 / 22

HEX #C8124C

RGB 200 18 76

HSL 340.88, 0.83%, 0.43%

LAB 43.11, 67.01, 17.96

 

CMYK 36 / 91 / 0 / 22

HEX #8012C8

RGB 128 18 200

HSL 276.26, 0.83%, 0.43%

LAB 36.35, 69.46, -69.39

 

CMYK 61 / 91 / 0 / 22

HEX #4F12C8

RGB 79 18 200

HSL 260.11, 0.83%, 0.43%

LAB 30.07, 64.63, -79.97

 

CMYK 85 / 91 / 0 / 22

HEX #1E12C8

RGB 30 18 200

HSL 243.96, 0.83%, 0.43%

LAB 26.39, 62.26, -86.2

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 36 / 91 / 0 / 22

HEX #8012C8

RGB 128 18 200

HSL 276.26, 0.83%, 0.43%

LAB 36.35, 69.46, -69.39

 

CMYK 40 / 100 / 0 / 15

HEX #8300DA

RGB 131 0 218

HSL 276.06, 1%, 0.43%

LAB 37.64, 75.86, -77.7

 

CMYK 36 / 91 / 0 / 22

HEX #8012C8

RGB 128 18 200

HSL 276.26, 0.83%, 0.43%

LAB 36.35, 69.46, -69.39

 

CMYK 32 / 80 / 0 / 29

HEX #7C24B6

RGB 124 36 182

HSL 276.16, 0.67%, 0.43%

LAB 35.84, 60.39, -59.67

 

CMYK 27 / 67 / 0 / 35

HEX #7836A5

RGB 120 54 165

HSL 275.68, 0.51%, 0.43%

LAB 36.65, 48.33, -48.25

 

CMYK 20 / 52 / 0 / 42

HEX #754793

RGB 117 71 147

HSL 276.32, 0.35%, 0.43%

LAB 38.54, 34.24, -34.39

 

CMYK 12 / 31 / 0 / 49

HEX #715981

RGB 113 89 129

HSL 276, 0.18%, 0.43%

LAB 41.6, 17.95, -18.72

 

CMYK 85 / 91 / 0 / 22

HEX #1E12C8

RGB 30 18 200

HSL 243.96, 0.83%, 0.43%

LAB 26.39, 62.26, -86.2

 

CMYK 61 / 91 / 0 / 22

HEX #4F12C8

RGB 79 18 200

HSL 260.11, 0.83%, 0.43%

LAB 30.07, 64.63, -79.97

 

CMYK 37 / 91 / 0 / 22

HEX #7F12C8

RGB 127 18 200

HSL 275.93, 0.83%, 0.43%

LAB 36.2, 69.34, -69.64

 

CMYK 12 / 91 / 0 / 22

HEX #B012C8

RGB 176 18 200

HSL 292.09, 0.83%, 0.43%

LAB 43.99, 76.25, -56.62

 

CMYK 0 / 91 / 12 / 22

HEX #C812B0

RGB 200 18 176

HSL 307.91, 0.83%, 0.43%

LAB 46.77, 76.8, -37.88

 

CMYK 37 / 91 / 0 / 51

HEX #4F0B7D

RGB 79 11 125

HSL 275.79, 0.84%, 0.27%

LAB 21.51, 48.34, -48.41

 

CMYK 36 / 91 / 0 / 36

HEX #680FA2

RGB 104 15 162

HSL 276.33, 0.83%, 0.35%

LAB 29.14, 59.02, -58.74

 

CMYK 36 / 91 / 0 / 22

HEX #8012C8

RGB 128 18 200

HSL 276.26, 0.83%, 0.43%

LAB 36.35, 69.46, -69.39

 

CMYK 35 / 89 / 0 / 9

HEX #971AE9

RGB 151 26 233

HSL 276.23, 0.82%, 0.51%

LAB 43.06, 77.47, -77.25

 

CMYK 29 / 73 / 0 / 7

HEX #A840ED

RGB 168 64 237

HSL 276.07, 0.83%, 0.59%

LAB 49.62, 69.51, -68.71

 

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

CMYK 0 / 91 / 73 / 22

HEX #C81237

RGB 200 18 55

HSL 347.8, 0.83%, 0.43%

LAB 42.74, 65.97, 30.54

 

CMYK 91 / 0 / 73 / 22

HEX #12C837

RGB 18 200 55

HSL 132.2, 0.83%, 0.43%

LAB 70.67, -68.5, 57.64

 

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

CMYK 0 / 37 / 91 / 22

HEX #C87F12

RGB 200 127 18

HSL 35.93, 0.83%, 0.43%

LAB 59.44, 20.93, 62.38

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

CMYK 0 / 91 / 73 / 22

HEX #C81237

RGB 200 18 55

HSL 347.8, 0.83%, 0.43%

LAB 42.74, 65.97, 30.54

 

CMYK 55 / 0 / 91 / 22

HEX #5BC812

RGB 91 200 18

HSL 95.93, 0.83%, 0.43%

LAB 71.94, -58.38, 69.06

 

CMYK 91 / 0 / 18 / 22

HEX #12C8A4

RGB 18 200 164

HSL 168.13, 0.83%, 0.43%

LAB 72.31, -49.51, 6.45

 

CMYK 36 / 91 / 0 / 22

HEX #8013C8

RGB 128 19 200

HSL 276.13, 0.83%, 0.43%

LAB 36.41, 69.28, -69.29

 

CMYK 0 / 82 / 91 / 22

HEX #C82412

RGB 200 36 18

HSL 5.93, 0.83%, 0.43%

LAB 43.63, 61.43, 50.94

 

CMYK 55 / 0 / 91 / 22

HEX #5BC812

RGB 91 200 18

HSL 95.93, 0.83%, 0.43%

LAB 71.94, -58.38, 69.06

 

CMYK 91 / 9 / 0 / 22

HEX #12B6C8

RGB 18 182 200

HSL 185.93, 0.83%, 0.43%

LAB 67.84, -31.07, -19.86

 

Description

Color code: RGB 128 19 200 | qconv.com Color code: RGB 128 19 200 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 19 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 19 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 91 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 91% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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