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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 200 127 it is the complementary color RGB 237 55 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 200 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 200 127 shade: RGB 23 200 122, RGB 40 218 141, RGB 57 236 160, RGB 74 254 179 and RGB 91 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 200 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 1 182 108, RGB 0 164 89, RGB 0 146 70 and RGB 0 128 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 18 200 78, RGB 18 200 29, RGB 56 200 18 and RGB 105 200 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 18 200 176, RGB 18 175 200, RGB 18 126 200 and RGB 18 77 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 200 127 shade matches the following richer shades: RGB 18 200 127 and RGB 0 218 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 36 182 124, RGB 54 165 120, RGB 71 147 117 and RGB 89 129 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 200 127 shade: RGB 18 200 27, RGB 18 200 76, RGB 18 200 124, RGB 18 200 173 and RGB 18 179 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 200 127 shade: RGB 11 125 79, RGB 15 162 103, RGB 18 200 127, RGB 26 233 150 and RGB 64 237 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 18 58 200 and RGB 200 52 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 124 18 200 and RGB 200 124 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 18 58 200, RGB 200 18 94 and RGB 200 161 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 200 127 shade: RGB 18 200 127, RGB 33 18 200, RGB 200 18 94 and RGB 185 200 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

Complementary color

CMYK 0 / 77 / 46 / 7

HEX #ED3780

RGB 237 55 128

HSL 335.93, 0.83%, 0.57%

LAB 54.34, 72.09, 2.84

 

CMYK 89 / 0 / 39 / 22

HEX #17C87A

RGB 23 200 122

HSL 153.56, 0.79%, 0.44%

LAB 71.48, -58.79, 27.72

 

CMYK 82 / 0 / 35 / 15

HEX #28DA8D

RGB 40 218 141

HSL 154.04, 0.71%, 0.51%

LAB 77.59, -60.14, 26.05

 

CMYK 76 / 0 / 32 / 7

HEX #39ECA0

RGB 57 236 160

HSL 154.53, 0.82%, 0.57%

LAB 83.65, -61.1, 24.52

 

CMYK 71 / 0 / 30 / 0

HEX #4AFEB3

RGB 74 254 179

HSL 155, 0.99%, 0.64%

LAB 89.67, -61.77, 23.11

 

CMYK 64 / 0 / 22 / 0

HEX #5BFFC6

RGB 91 255 198

HSL 159.15, 1%, 0.68%

LAB 90.7, -55.56, 14.87

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 99 / 0 / 41 / 29

HEX #01B66C

RGB 1 182 108

HSL 155.47, 0.99%, 0.36%

LAB 65.39, -56.2, 26.97

 

CMYK 100 / 0 / 46 / 36

HEX #00A459

RGB 0 164 89

HSL 152.56, 1%, 0.32%

LAB 59.23, -53.57, 28.95

 

CMYK 100 / 0 / 52 / 43

HEX #009246

RGB 0 146 70

HSL 148.77, 1%, 0.29%

LAB 52.95, -50.73, 30.96

 

CMYK 100 / 0 / 60 / 50

HEX #008033

RGB 0 128 51

HSL 143.91, 1%, 0.25%

LAB 46.55, -47.63, 32.94

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 91 / 0 / 61 / 22

HEX #12C84E

RGB 18 200 78

HSL 139.78, 0.83%, 0.43%

LAB 70.86, -66.12, 48.49

 

CMYK 91 / 0 / 86 / 22

HEX #12C81D

RGB 18 200 29

HSL 123.63, 0.83%, 0.43%

LAB 70.54, -70.16, 65.22

 

CMYK 72 / 0 / 91 / 22

HEX #38C812

RGB 56 200 18

HSL 107.47, 0.83%, 0.43%

LAB 71, -66.2, 67.89

 

CMYK 48 / 0 / 91 / 22

HEX #69C812

RGB 105 200 18

HSL 91.32, 0.83%, 0.43%

LAB 72.47, -54.31, 69.7

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 91 / 0 / 12 / 22

HEX #12C8B0

RGB 18 200 176

HSL 172.09, 0.83%, 0.43%

LAB 72.61, -46.34, 0.39

 

CMYK 91 / 13 / 0 / 22

HEX #12AFC8

RGB 18 175 200

HSL 188.24, 0.83%, 0.43%

LAB 65.72, -27.63, -23.1

 

CMYK 91 / 37 / 0 / 22

HEX #127EC8

RGB 18 126 200

HSL 204.4, 0.83%, 0.43%

LAB 50.94, -0.7, -46.14

 

CMYK 91 / 62 / 0 / 22

HEX #124DC8

RGB 18 77 200

HSL 220.55, 0.83%, 0.43%

LAB 37.13, 30.77, -68.45

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 100 / 0 / 40 / 15

HEX #00DA83

RGB 0 218 131

HSL 156.06, 1%, 0.43%

LAB 77.15, -64.25, 30.56

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 80 / 0 / 32 / 29

HEX #24B67C

RGB 36 182 124

HSL 156.16, 0.67%, 0.43%

LAB 65.97, -50.6, 19.24

 

CMYK 67 / 0 / 27 / 35

HEX #36A578

RGB 54 165 120

HSL 155.68, 0.51%, 0.43%

LAB 60.83, -42.08, 14.38

 

CMYK 52 / 0 / 20 / 42

HEX #479375

RGB 71 147 117

HSL 156.32, 0.35%, 0.43%

LAB 55.57, -31.04, 8.76

 

CMYK 31 / 0 / 12 / 49

HEX #598171

RGB 89 129 113

HSL 156, 0.18%, 0.43%

LAB 50.71, -17.62, 4.23

 

CMYK 91 / 0 / 87 / 22

HEX #12C81B

RGB 18 200 27

HSL 122.97, 0.83%, 0.43%

LAB 70.54, -70.24, 65.65

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 91 / 0 / 38 / 22

HEX #12C87C

RGB 18 200 124

HSL 154.95, 0.83%, 0.43%

LAB 71.48, -58.69, 26.66

 

CMYK 91 / 0 / 14 / 22

HEX #12C8AD

RGB 18 200 173

HSL 171.1, 0.83%, 0.43%

LAB 72.53, -47.15, 1.9

 

CMYK 91 / 11 / 0 / 22

HEX #12B3C8

RGB 18 179 200

HSL 186.92, 0.83%, 0.43%

LAB 66.93, -29.61, -21.24

 

CMYK 91 / 0 / 37 / 51

HEX #0B7D4F

RGB 11 125 79

HSL 155.79, 0.84%, 0.27%

LAB 46.05, -40.54, 17.1

 

CMYK 91 / 0 / 36 / 36

HEX #0FA267

RGB 15 162 103

HSL 155.92, 0.83%, 0.35%

LAB 58.9, -49.3, 21.01

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 89 / 0 / 36 / 9

HEX #1AE996

RGB 26 233 150

HSL 155.94, 0.82%, 0.51%

LAB 82.22, -64.73, 27.64

 

CMYK 73 / 0 / 30 / 7

HEX #40EDA7

RGB 64 237 167

HSL 155.72, 0.83%, 0.59%

LAB 84.2, -59.16, 21.69

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 91 / 71 / 0 / 22

HEX #123AC8

RGB 18 58 200

HSL 226.81, 0.83%, 0.43%

LAB 32.54, 42.93, -76

 

CMYK 0 / 74 / 91 / 22

HEX #C83412

RGB 200 52 18

HSL 11.21, 0.83%, 0.43%

LAB 45.33, 56.67, 52.11

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 38 / 91 / 0 / 22

HEX #7C12C8

RGB 124 18 200

HSL 274.95, 0.83%, 0.43%

LAB 35.77, 68.98, -70.37

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 91 / 71 / 0 / 22

HEX #123AC8

RGB 18 58 200

HSL 226.81, 0.83%, 0.43%

LAB 32.54, 42.93, -76

 

CMYK 0 / 91 / 53 / 22

HEX #C8125E

RGB 200 18 94

HSL 334.95, 0.83%, 0.43%

LAB 43.54, 68.18, 7.23

 

CMYK 0 / 20 / 91 / 22

HEX #C8A112

RGB 200 161 18

HSL 47.14, 0.83%, 0.43%

LAB 67.88, 2.44, 68.78

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 84 / 91 / 0 / 22

HEX #2112C8

RGB 33 18 200

HSL 244.95, 0.83%, 0.43%

LAB 26.52, 62.34, -85.97

 

CMYK 0 / 91 / 53 / 22

HEX #C8125E

RGB 200 18 94

HSL 334.95, 0.83%, 0.43%

LAB 43.54, 68.18, 7.23

 

CMYK 8 / 0 / 91 / 22

HEX #B9C812

RGB 185 200 18

HSL 64.95, 0.83%, 0.43%

LAB 77.08, -24.12, 75.36

 

Description

Color code: RGB 18 200 127 | qconv.com Color code: RGB 18 200 127 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 200 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 200 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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