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Color name
RGB 127 40 75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 40 75 it is the complementary color RGB 128 215 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 40 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 40 75 shade: RGB 132 40 70, RGB 149 58 89, RGB 166 76 108, RGB 183 94 127 and RGB 200 112 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 40 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 110 22 56, RGB 93 4 37, RGB 76 0 18 and RGB 59 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 127 40 52 and RGB 127 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 127 40 99, RGB 127 40 122, RGB 109 40 127 and RGB 85 40 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 40 75 shade matches the following richer shades: RGB 127 40 75, RGB 141 26 72 and RGB 155 13 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 114 54 78, RGB 100 67 80, RGB 87 81 83 and RGB 73 94 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 40 75 shade: RGB 127 40 123, RGB 127 40 100, RGB 127 40 76, RGB 127 40 53 and RGB 127 50 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 40 75 shade: RGB 65 20 38, RGB 96 30 57, RGB 127 40 75, RGB 159 50 94 and RGB 190 60 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 127 108 40 and RGB 40 111 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 76 127 40 and RGB 40 76 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 127 108 40, RGB 40 127 91 and RGB 40 59 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 40 75 shade: RGB 127 40 75, RGB 120 127 40, RGB 40 127 91 and RGB 47 40 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

Complementary color

CMYK 40 / 0 / 16 / 16

HEX #80D7B4

RGB 128 215 180

HSL 155.86, 0.52%, 0.67%

LAB 79.89, -34.18, 9.1

 

CMYK 0 / 70 / 47 / 48

HEX #842846

RGB 132 40 70

HSL 340.43, 0.53%, 0.34%

LAB 31.5, 41.7, 3.65

 

CMYK 0 / 61 / 40 / 42

HEX #953A59

RGB 149 58 89

HSL 339.56, 0.44%, 0.41%

LAB 38.09, 41.27, 1.31

 

CMYK 0 / 54 / 35 / 35

HEX #A64C6C

RGB 166 76 108

HSL 338.67, 0.37%, 0.47%

LAB 44.74, 40.53, -0.48

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 0 / 44 / 27 / 22

HEX #C87092

RGB 200 112 146

HSL 336.82, 0.44%, 0.61%

LAB 57.98, 38.81, -3.11

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 80 / 49 / 57

HEX #6E1638

RGB 110 22 56

HSL 336.82, 0.67%, 0.26%

LAB 24.24, 40.35, 2.04

 

CMYK 0 / 96 / 60 / 64

HEX #5D0425

RGB 93 4 37

HSL 337.75, 0.92%, 0.19%

LAB 18.13, 38.86, 6.22

 

CMYK 0 / 100 / 76 / 70

HEX #4C0012

RGB 76 0 18

HSL 345.79, 1%, 0.15%

LAB 13.11, 34.1, 12.38

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 69 / 59 / 50

HEX #7F2834

RGB 127 40 52

HSL 351.72, 0.52%, 0.33%

LAB 30.1, 38.35, 13.41

 

CMYK 0 / 69 / 69 / 50

HEX #7F2828

RGB 127 40 40

HSL 0, 0.52%, 0.33%

LAB 29.87, 37.5, 20.91

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 69 / 22 / 50

HEX #7F2863

RGB 127 40 99

HSL 319.31, 0.52%, 0.33%

LAB 31.65, 43.79, -15.11

 

CMYK 0 / 69 / 4 / 50

HEX #7F287A

RGB 127 40 122

HSL 303.45, 0.52%, 0.33%

LAB 32.78, 47.53, -27.98

 

CMYK 14 / 69 / 0 / 50

HEX #6D287F

RGB 109 40 127

HSL 287.59, 0.52%, 0.33%

LAB 30.16, 43.93, -35.45

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 82 / 49 / 45

HEX #8D1A48

RGB 141 26 72

HSL 336, 0.69%, 0.33%

LAB 31.51, 49.65, 2.57

 

CMYK 0 / 92 / 55 / 39

HEX #9B0D46

RGB 155 13 70

HSL 335.92, 0.85%, 0.33%

LAB 33.35, 56.09, 6.91

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 53 / 32 / 55

HEX #72364E

RGB 114 54 78

HSL 336, 0.36%, 0.33%

LAB 31.27, 29.38, -2.29

 

CMYK 0 / 33 / 20 / 61

HEX #644350

RGB 100 67 80

HSL 336.36, 0.2%, 0.33%

LAB 32.49, 16.43, -2.01

 

CMYK 0 / 7 / 5 / 66

HEX #575153

RGB 87 81 83

HSL 340, 0.04%, 0.33%

LAB 35.07, 2.87, -0.29

 

CMYK 22 / 0 / 9 / 63

HEX #495E56

RGB 73 94 86

HSL 157.14, 0.13%, 0.33%

LAB 38.01, -9.82, 1.97

 

CMYK 0 / 69 / 3 / 50

HEX #7F287B

RGB 127 40 123

HSL 302.76, 0.52%, 0.33%

LAB 32.83, 47.7, -28.52

 

CMYK 0 / 69 / 21 / 50

HEX #7F2864

RGB 127 40 100

HSL 318.62, 0.52%, 0.33%

LAB 31.69, 43.94, -15.68

 

CMYK 0 / 69 / 40 / 50

HEX #7F284C

RGB 127 40 76

HSL 335.17, 0.52%, 0.33%

LAB 30.76, 40.73, -1.47

 

CMYK 0 / 69 / 58 / 50

HEX #7F2835

RGB 127 40 53

HSL 351.03, 0.52%, 0.33%

LAB 30.12, 38.43, 12.78

 

CMYK 0 / 61 / 69 / 50

HEX #7F3228

RGB 127 50 40

HSL 6.9, 0.52%, 0.33%

LAB 31.68, 32.66, 23.13

 

CMYK 0 / 69 / 42 / 75

HEX #411426

RGB 65 20 38

HSL 336, 0.53%, 0.17%

LAB 14.2, 23.89, -0.95

 

CMYK 0 / 69 / 41 / 62

HEX #601E39

RGB 96 30 57

HSL 335.45, 0.52%, 0.25%

LAB 22.69, 32.61, -1.24

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 69 / 41 / 38

HEX #9F325E

RGB 159 50 94

HSL 335.78, 0.52%, 0.41%

LAB 38.66, 48.64, -0.82

 

CMYK 0 / 68 / 41 / 25

HEX #BE3C70

RGB 190 60 112

HSL 336, 0.52%, 0.49%

LAB 46.11, 55.93, -0.47

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 15 / 69 / 50

HEX #7F6C28

RGB 127 108 40

HSL 46.9, 0.52%, 0.33%

LAB 46.16, -0.8, 39.53

 

CMYK 69 / 13 / 0 / 50

HEX #286F7F

RGB 40 111 127

HSL 191.03, 0.52%, 0.33%

LAB 43.29, -16.48, -15.33

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 40 / 0 / 69 / 50

HEX #4C7F28

RGB 76 127 40

HSL 95.17, 0.52%, 0.33%

LAB 48.09, -32.95, 40.42

 

CMYK 69 / 40 / 0 / 50

HEX #284C7F

RGB 40 76 127

HSL 215.17, 0.52%, 0.33%

LAB 32.15, 4.89, -32.67

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 0 / 15 / 69 / 50

HEX #7F6C28

RGB 127 108 40

HSL 46.9, 0.52%, 0.33%

LAB 46.16, -0.8, 39.53

 

CMYK 69 / 0 / 28 / 50

HEX #287F5B

RGB 40 127 91

HSL 155.17, 0.52%, 0.33%

LAB 47.48, -34.82, 12.2

 

CMYK 69 / 54 / 0 / 50

HEX #283B7F

RGB 40 59 127

HSL 226.9, 0.52%, 0.33%

LAB 27.05, 16.47, -40.84

 

CMYK 0 / 69 / 41 / 50

HEX #7F284B

RGB 127 40 75

HSL 335.86, 0.52%, 0.33%

LAB 30.73, 40.61, -0.87

 

CMYK 6 / 0 / 69 / 50

HEX #787F28

RGB 120 127 40

HSL 64.83, 0.52%, 0.33%

LAB 51.07, -14.63, 44.45

 

CMYK 69 / 0 / 28 / 50

HEX #287F5B

RGB 40 127 91

HSL 155.17, 0.52%, 0.33%

LAB 47.48, -34.82, 12.2

 

CMYK 63 / 69 / 0 / 50

HEX #2F287F

RGB 47 40 127

HSL 244.83, 0.52%, 0.33%

LAB 22.49, 30.5, -48.22

 

Description

Color code: RGB 127 40 75 | qconv.com Color code: RGB 127 40 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 40 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 40 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 41 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 41% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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