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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 94 127 it is the complementary color RGB 72 161 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 94 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 94 127 shade: RGB 188 94 122, RGB 205 112 141, RGB 222 130 160, RGB 239 148 179 and RGB 255 166 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 94 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 94 127 shade: RGB 183 94 127, RGB 166 76 108, RGB 149 58 89, RGB 132 40 70 and RGB 115 22 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 94 127 shade: RGB 182 93 126, RGB 182 93 102 and RGB 182 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 94 127 shade: RGB 182 93 126, RGB 182 93 150, RGB 182 93 174, RGB 166 93 182 and RGB 142 93 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 94 127 shade matches the following richer shades: RGB 182 93 126, RGB 201 74 121, RGB 220 55 116 and RGB 239 36 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 94 127 shade: RGB 182 93 126, RGB 163 112 131, RGB 144 131 135, RGB 125 150 140 and RGB 106 169 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 94 127 shade: RGB 182 93 174, RGB 182 93 151, RGB 182 93 127, RGB 182 93 103 and RGB 182 106 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 94 127 shade: RGB 133 59 86, RGB 161 72 105, RGB 182 93 126, RGB 195 121 148 and RGB 207 150 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 94 127 shade: RGB 183 94 127, RGB 182 165 93 and RGB 93 162 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 94 127 shade: RGB 183 94 127, RGB 127 182 93 and RGB 93 127 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 94 127 shade: RGB 183 94 127, RGB 182 165 93, RGB 93 182 148 and RGB 93 109 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 94 127 shade: RGB 183 94 127, RGB 171 182 93, RGB 93 182 148 and RGB 103 93 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

Complementary color

CMYK 55 / 0 / 20 / 37

HEX #48A180

RGB 72 161 128

HSL 157.75, 0.38%, 0.46%

LAB 60.27, -34.8, 9.21

 

CMYK 0 / 50 / 35 / 26

HEX #BC5E7A

RGB 188 94 122

HSL 342.13, 0.41%, 0.55%

LAB 51.95, 40.8, 1.97

 

CMYK 0 / 45 / 31 / 20

HEX #CD708D

RGB 205 112 141

HSL 341.29, 0.48%, 0.62%

LAB 58.5, 39.9, 0.62

 

CMYK 0 / 41 / 28 / 13

HEX #DE82A0

RGB 222 130 160

HSL 340.43, 0.58%, 0.69%

LAB 64.99, 39.02, -0.54

 

CMYK 0 / 38 / 25 / 6

HEX #EF94B3

RGB 239 148 179

HSL 339.56, 0.74%, 0.76%

LAB 71.41, 38.18, -1.56

 

CMYK 0 / 35 / 22 / 0

HEX #FFA6C6

RGB 255 166 198

HSL 338.43, 1%, 0.83%

LAB 77.64, 37.03, -2.65

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 0 / 54 / 35 / 35

HEX #A64C6C

RGB 166 76 108

HSL 338.67, 0.37%, 0.47%

LAB 44.74, 40.53, -0.48

 

CMYK 0 / 61 / 40 / 42

HEX #953A59

RGB 149 58 89

HSL 339.56, 0.44%, 0.41%

LAB 38.09, 41.27, 1.31

 

CMYK 0 / 70 / 47 / 48

HEX #842846

RGB 132 40 70

HSL 340.43, 0.53%, 0.34%

LAB 31.5, 41.7, 3.65

 

CMYK 0 / 81 / 56 / 55

HEX #731633

RGB 115 22 51

HSL 341.29, 0.68%, 0.27%

LAB 25.13, 41.42, 6.88

 

CMYK 0 / 49 / 31 / 29

HEX #B65D7E

RGB 182 93 126

HSL 337.75, 0.38%, 0.54%

LAB 51.01, 39.72, -1.89

 

CMYK 0 / 49 / 44 / 29

HEX #B65D66

RGB 182 93 102

HSL 353.93, 0.38%, 0.54%

LAB 50.37, 36.83, 11.52

 

CMYK 0 / 49 / 49 / 29

HEX #B65D5D

RGB 182 93 93

HSL 0, 0.38%, 0.54%

LAB 50.17, 35.9, 16.6

 

CMYK 0 / 49 / 31 / 29

HEX #B65D7E

RGB 182 93 126

HSL 337.75, 0.38%, 0.54%

LAB 51.01, 39.72, -1.89

 

CMYK 0 / 49 / 18 / 29

HEX #B65D96

RGB 182 93 150

HSL 321.57, 0.38%, 0.54%

LAB 51.81, 43.2, -14.94

 

CMYK 0 / 49 / 4 / 29

HEX #B65DAE

RGB 182 93 174

HSL 305.39, 0.38%, 0.54%

LAB 52.76, 47.21, -27.54

 

CMYK 9 / 49 / 0 / 29

HEX #A65DB6

RGB 166 93 182

HSL 289.21, 0.38%, 0.54%

LAB 51.05, 44.01, -35.01

 

CMYK 22 / 49 / 0 / 29

HEX #8E5DB6

RGB 142 93 182

HSL 273.03, 0.38%, 0.54%

LAB 48.21, 37.13, -39.69

 

CMYK 0 / 49 / 31 / 29

HEX #B65D7E

RGB 182 93 126

HSL 337.75, 0.38%, 0.54%

LAB 51.01, 39.72, -1.89

 

CMYK 0 / 63 / 40 / 21

HEX #C94A79

RGB 201 74 121

HSL 337.8, 0.54%, 0.54%

LAB 50.33, 54.48, 0.45

 

CMYK 0 / 75 / 47 / 14

HEX #DC3774

RGB 220 55 116

HSL 337.82, 0.7%, 0.54%

LAB 50.93, 66.56, 4.75

 

CMYK 0 / 85 / 54 / 6

HEX #EF246F

RGB 239 36 111

HSL 337.83, 0.86%, 0.54%

LAB 52.69, 75.79, 10.76

 

CMYK 0 / 49 / 31 / 29

HEX #B65D7E

RGB 182 93 126

HSL 337.75, 0.38%, 0.54%

LAB 51.01, 39.72, -1.89

 

CMYK 0 / 31 / 20 / 36

HEX #A37083

RGB 163 112 131

HSL 337.65, 0.22%, 0.54%

LAB 52.96, 23.08, -2.26

 

CMYK 0 / 9 / 6 / 44

HEX #908387

RGB 144 131 135

HSL 341.54, 0.06%, 0.54%

LAB 56, 5.65, -0.38

 

CMYK 17 / 0 / 7 / 41

HEX #7D968C

RGB 125 150 140

HSL 156, 0.11%, 0.54%

LAB 59.95, -10.91, 2.33

 

CMYK 37 / 0 / 14 / 34

HEX #6AA991

RGB 106 169 145

HSL 157.14, 0.27%, 0.54%

LAB 64.55, -25.81, 6.02

 

CMYK 0 / 49 / 4 / 29

HEX #B65DAE

RGB 182 93 174

HSL 305.39, 0.38%, 0.54%

LAB 52.76, 47.21, -27.54

 

CMYK 0 / 49 / 17 / 29

HEX #B65D97

RGB 182 93 151

HSL 320.9, 0.38%, 0.54%

LAB 51.85, 43.36, -15.47

 

CMYK 0 / 49 / 30 / 29

HEX #B65D7F

RGB 182 93 127

HSL 337.08, 0.38%, 0.54%

LAB 51.04, 39.85, -2.44

 

CMYK 0 / 49 / 43 / 29

HEX #B65D67

RGB 182 93 103

HSL 353.26, 0.38%, 0.54%

LAB 50.4, 36.93, 10.96

 

CMYK 0 / 42 / 49 / 29

HEX #B66A5D

RGB 182 106 93

HSL 8.76, 0.38%, 0.54%

LAB 53, 28.92, 20.41

 

CMYK 0 / 56 / 35 / 48

HEX #853B56

RGB 133 59 86

HSL 338.11, 0.39%, 0.38%

LAB 35.57, 34.78, -0.78

 

CMYK 0 / 55 / 35 / 37

HEX #A14869

RGB 161 72 105

HSL 337.75, 0.38%, 0.46%

LAB 43.11, 40.44, -1.12

 

CMYK 0 / 49 / 31 / 29

HEX #B65D7E

RGB 182 93 126

HSL 337.75, 0.38%, 0.54%

LAB 51.01, 39.72, -1.89

 

CMYK 0 / 38 / 24 / 24

HEX #C37994

RGB 195 121 148

HSL 338.11, 0.38%, 0.62%

LAB 59.36, 32.5, -2.32

 

CMYK 0 / 28 / 17 / 19

HEX #CF96AB

RGB 207 150 171

HSL 337.89, 0.37%, 0.7%

LAB 68.03, 24.54, -2.47

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 0 / 9 / 49 / 29

HEX #B6A55D

RGB 182 165 93

HSL 48.54, 0.38%, 0.54%

LAB 67.76, -3.6, 39.33

 

CMYK 49 / 11 / 0 / 29

HEX #5DA2B6

RGB 93 162 182

HSL 193.48, 0.38%, 0.54%

LAB 62.97, -16.3, -17.1

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 30 / 0 / 49 / 29

HEX #7FB65D

RGB 127 182 93

HSL 97.08, 0.38%, 0.54%

LAB 68.58, -34.03, 39.43

 

CMYK 49 / 30 / 0 / 29

HEX #5D7FB6

RGB 93 127 182

HSL 217.08, 0.38%, 0.54%

LAB 52.82, 3.44, -32.71

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 0 / 9 / 49 / 29

HEX #B6A55D

RGB 182 165 93

HSL 48.54, 0.38%, 0.54%

LAB 67.76, -3.6, 39.33

 

CMYK 49 / 0 / 19 / 29

HEX #5DB694

RGB 93 182 148

HSL 157.08, 0.38%, 0.54%

LAB 67.96, -34.91, 9.16

 

CMYK 49 / 40 / 0 / 29

HEX #5D6DB6

RGB 93 109 182

HSL 229.21, 0.38%, 0.54%

LAB 47.81, 14.36, -40.6

 

CMYK 0 / 49 / 31 / 28

HEX #B75E7F

RGB 183 94 127

HSL 337.75, 0.38%, 0.54%

LAB 51.39, 39.68, -1.92

 

CMYK 6 / 0 / 49 / 29

HEX #ABB65D

RGB 171 182 93

HSL 67.42, 0.38%, 0.54%

LAB 71.49, -17.04, 43.65

 

CMYK 49 / 0 / 19 / 29

HEX #5DB694

RGB 93 182 148

HSL 157.08, 0.38%, 0.54%

LAB 67.96, -34.91, 9.16

 

CMYK 43 / 49 / 0 / 29

HEX #675DB6

RGB 103 93 182

HSL 246.74, 0.38%, 0.54%

LAB 44.36, 26.7, -46.03

 

Description

Color code: RGB 183 94 127 | qconv.com Color code: RGB 183 94 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 94 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 94 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 31 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 31% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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