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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 231 142 it is the complementary color RGB 132 24 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 231 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 231 142 shade: RGB 128 231 137, RGB 145 249 156, RGB 162 255 175, RGB 179 255 194 and RGB 196 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 231 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 231 142 shade: RGB 123 231 142, RGB 106 213 123, RGB 89 195 104, RGB 72 177 85 and RGB 55 159 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 231 142 shade: RGB 121 230 140, RGB 131 230 121, RGB 161 230 121, RGB 190 230 121 and RGB 219 230 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 231 142 shade: RGB 121 230 140, RGB 121 230 170, RGB 121 230 199, RGB 121 230 228 and RGB 121 202 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 231 142 shade matches the following richer shades: RGB 121 230 140 and RGB 108 243 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 231 142 shade: RGB 121 230 140, RGB 134 217 148, RGB 146 204 157, RGB 159 192 165 and RGB 172 179 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 231 142 shade: RGB 161 230 121, RGB 132 230 121, RGB 121 230 139, RGB 121 230 168 and RGB 121 230 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 231 142 shade: RGB 51 217 80, RGB 86 224 110, RGB 121 230 140, RGB 156 236 170 and RGB 191 243 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 231 142 shade: RGB 123 231 142, RGB 121 190 230 and RGB 230 121 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 231 142 shade: RGB 123 231 142, RGB 139 121 230 and RGB 230 139 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 231 142 shade: RGB 123 231 142, RGB 121 190 230, RGB 230 121 212 and RGB 230 161 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 231 142 shade: RGB 123 231 142, RGB 121 157 230, RGB 230 121 212 and RGB 230 194 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

Complementary color

CMYK 0 / 82 / 14 / 48

HEX #841871

RGB 132 24 113

HSL 310.56, 0.69%, 0.31%

LAB 31.23, 52.85, -24.65

 

CMYK 45 / 0 / 41 / 9

HEX #80E789

RGB 128 231 137

HSL 125.24, 0.68%, 0.7%

LAB 83.73, -49.05, 36.64

 

CMYK 42 / 0 / 37 / 2

HEX #91F99C

RGB 145 249 156

HSL 126.35, 0.9%, 0.77%

LAB 89.94, -48.87, 35.42

 

CMYK 36 / 0 / 31 / 0

HEX #A2FFAF

RGB 162 255 175

HSL 128.39, 1%, 0.82%

LAB 92.71, -43.49, 29.74

 

CMYK 30 / 0 / 24 / 0

HEX #B3FFC2

RGB 179 255 194

HSL 131.84, 1%, 0.85%

LAB 93.88, -35.19, 21.86

 

CMYK 23 / 0 / 16 / 0

HEX #C4FFD5

RGB 196 255 213

HSL 137.29, 1%, 0.88%

LAB 95.19, -26.57, 14.11

 

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

CMYK 50 / 0 / 42 / 16

HEX #6AD57B

RGB 106 213 123

HSL 129.53, 0.56%, 0.63%

LAB 77.33, -49.76, 35.21

 

CMYK 54 / 0 / 47 / 24

HEX #59C368

RGB 89 195 104

HSL 128.49, 0.47%, 0.56%

LAB 70.98, -49.77, 36.54

 

CMYK 59 / 0 / 52 / 31

HEX #48B155

RGB 72 177 85

HSL 127.43, 0.42%, 0.49%

LAB 64.55, -49.62, 37.93

 

CMYK 65 / 0 / 58 / 38

HEX #379F42

RGB 55 159 66

HSL 126.35, 0.49%, 0.42%

LAB 58.04, -49.19, 39.31

 

CMYK 47 / 0 / 39 / 10

HEX #79E68C

RGB 121 230 140

HSL 130.46, 0.69%, 0.69%

LAB 83.21, -50.08, 34.4

 

CMYK 43 / 0 / 47 / 10

HEX #83E679

RGB 131 230 121

HSL 114.5, 0.69%, 0.69%

LAB 83.34, -50.05, 44.02

 

CMYK 30 / 0 / 47 / 10

HEX #A1E679

RGB 161 230 121

HSL 97.98, 0.69%, 0.69%

LAB 84.77, -40.51, 46.11

 

CMYK 17 / 0 / 47 / 10

HEX #BEE679

RGB 190 230 121

HSL 82.02, 0.69%, 0.69%

LAB 86.47, -30.16, 48.58

 

CMYK 5 / 0 / 47 / 10

HEX #DBE679

RGB 219 230 121

HSL 66.06, 0.69%, 0.69%

LAB 88.46, -19.08, 51.47

 

CMYK 47 / 0 / 39 / 10

HEX #79E68C

RGB 121 230 140

HSL 130.46, 0.69%, 0.69%

LAB 83.21, -50.08, 34.4

 

CMYK 47 / 0 / 26 / 10

HEX #79E6AA

RGB 121 230 170

HSL 146.97, 0.69%, 0.69%

LAB 83.74, -44.76, 19.73

 

CMYK 47 / 0 / 13 / 10

HEX #79E6C7

RGB 121 230 199

HSL 162.94, 0.69%, 0.69%

LAB 84.37, -38.68, 5.44

 

CMYK 47 / 0 / 1 / 10

HEX #79E6E4

RGB 121 230 228

HSL 178.9, 0.69%, 0.69%

LAB 85.13, -31.77, -8.74

 

CMYK 47 / 12 / 0 / 10

HEX #79CAE6

RGB 121 202 230

HSL 195.41, 0.69%, 0.69%

LAB 77.29, -17.43, -21.57

 

CMYK 47 / 0 / 39 / 10

HEX #79E68C

RGB 121 230 140

HSL 130.46, 0.69%, 0.69%

LAB 83.21, -50.08, 34.4

 

CMYK 56 / 0 / 46 / 5

HEX #6CF384

RGB 108 243 132

HSL 130.67, 0.85%, 0.69%

LAB 86.48, -59.69, 42.48

 

CMYK 47 / 0 / 39 / 10

HEX #79E68C

RGB 121 230 140

HSL 130.46, 0.69%, 0.69%

LAB 83.21, -50.08, 34.4

 

CMYK 38 / 0 / 32 / 15

HEX #86D994

RGB 134 217 148

HSL 130.12, 0.52%, 0.69%

LAB 80.09, -39.5, 26.25

 

CMYK 28 / 0 / 23 / 20

HEX #92CC9D

RGB 146 204 157

HSL 131.38, 0.36%, 0.69%

LAB 77.12, -28.15, 17.55

 

CMYK 17 / 0 / 14 / 25

HEX #9FC0A5

RGB 159 192 165

HSL 130.91, 0.21%, 0.69%

LAB 74.69, -16.4, 9.95

 

CMYK 4 / 0 / 3 / 30

HEX #ACB3AD

RGB 172 179 173

HSL 128.57, 0.04%, 0.69%

LAB 72.25, -3.58, 2.2

 

CMYK 30 / 0 / 47 / 10

HEX #A1E679

RGB 161 230 121

HSL 97.98, 0.69%, 0.69%

LAB 84.77, -40.51, 46.11

 

CMYK 43 / 0 / 47 / 10

HEX #84E679

RGB 132 230 121

HSL 113.94, 0.69%, 0.69%

LAB 83.38, -49.76, 44.08

 

CMYK 47 / 0 / 40 / 10

HEX #79E68B

RGB 121 230 139

HSL 129.91, 0.69%, 0.69%

LAB 83.19, -50.24, 34.88

 

CMYK 47 / 0 / 27 / 10

HEX #79E6A8

RGB 121 230 168

HSL 145.87, 0.69%, 0.69%

LAB 83.7, -45.15, 20.72

 

CMYK 47 / 0 / 14 / 10

HEX #79E6C5

RGB 121 230 197

HSL 161.83, 0.69%, 0.69%

LAB 84.32, -39.13, 6.43

 

CMYK 76 / 0 / 63 / 15

HEX #33D950

RGB 51 217 80

HSL 130.48, 0.69%, 0.53%

LAB 76.62, -68.03, 54.24

 

CMYK 62 / 0 / 51 / 12

HEX #56E06E

RGB 86 224 110

HSL 130.43, 0.69%, 0.61%

LAB 79.85, -60.63, 44.64

 

CMYK 47 / 0 / 39 / 10

HEX #79E68C

RGB 121 230 140

HSL 130.46, 0.69%, 0.69%

LAB 83.21, -50.08, 34.4

 

CMYK 34 / 0 / 28 / 7

HEX #9CECAA

RGB 156 236 170

HSL 130.5, 0.68%, 0.77%

LAB 86.98, -37.67, 24.44

 

CMYK 21 / 0 / 18 / 5

HEX #BFF3C8

RGB 191 243 200

HSL 130.38, 0.68%, 0.85%

LAB 91.39, -24.74, 15.39

 

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

CMYK 47 / 17 / 0 / 10

HEX #79BEE6

RGB 121 190 230

HSL 202.02, 0.69%, 0.69%

LAB 73.94, -11.16, -26.69

 

CMYK 0 / 47 / 37 / 10

HEX #E67992

RGB 230 121 146

HSL 346.24, 0.69%, 0.69%

LAB 63.81, 44.69, 5.86

 

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

CMYK 40 / 47 / 0 / 10

HEX #8B79E6

RGB 139 121 230

HSL 249.91, 0.69%, 0.69%

LAB 56.96, 32.53, -53.16

 

CMYK 0 / 40 / 47 / 10

HEX #E68B79

RGB 230 139 121

HSL 9.91, 0.69%, 0.69%

LAB 67.03, 32.73, 24.42

 

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

CMYK 47 / 17 / 0 / 10

HEX #79BEE6

RGB 121 190 230

HSL 202.02, 0.69%, 0.69%

LAB 73.94, -11.16, -26.69

 

CMYK 0 / 47 / 8 / 10

HEX #E679D4

RGB 230 121 212

HSL 309.91, 0.69%, 0.69%

LAB 65.94, 54.03, -28.31

 

CMYK 0 / 30 / 47 / 10

HEX #E6A179

RGB 230 161 121

HSL 22.02, 0.69%, 0.69%

LAB 72.02, 21.04, 31.04

 

CMYK 47 / 0 / 39 / 9

HEX #7BE78E

RGB 123 231 142

HSL 130.56, 0.69%, 0.69%

LAB 83.61, -49.64, 33.93

 

CMYK 47 / 32 / 0 / 10

HEX #799DE6

RGB 121 157 230

HSL 220.18, 0.69%, 0.69%

LAB 64.88, 7.11, -40.73

 

CMYK 0 / 47 / 8 / 10

HEX #E679D4

RGB 230 121 212

HSL 309.91, 0.69%, 0.69%

LAB 65.94, 54.03, -28.31

 

CMYK 0 / 16 / 47 / 10

HEX #E6C279

RGB 230 194 121

HSL 40.18, 0.69%, 0.69%

LAB 80.06, 3.55, 41.33

 

Description

Color code: RGB 123 231 142 | qconv.com Color code: RGB 123 231 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 231 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 231 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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