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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 17 / 0 / 10 it is the complementary color CMYK 0 / 51 / 81 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 17 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 44 / 16 / 0 / 12, CMYK 41 / 15 / 0 / 4, CMYK 37 / 11 / 0 / 0, CMYK 30 / 4 / 0 / 0 and CMYK 24 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 17 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 50 / 18 / 0 / 17, CMYK 54 / 20 / 0 / 25, CMYK 59 / 21 / 0 / 32 and CMYK 65 / 23 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 47 / 30 / 0 / 10, CMYK 47 / 43 / 0 / 10, CMYK 38 / 47 / 0 / 10 and CMYK 26 / 47 / 0 / 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 47 / 30 / 0 / 10, CMYK 47 / 43 / 0 / 10 and CMYK 47 / 47 / 0 / 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 47 / 17 / 0 / 10 shade matches the following richer shades: CMYK 47 / 17 / 0 / 10 and CMYK 55 / 20 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 38 / 14 / 0 / 15, CMYK 28 / 10 / 0 / 20, CMYK 16 / 6 / 0 / 25 and CMYK 3 / 1 / 0 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 0 / 8 / 10, CMYK 47 / 5 / 0 / 10, CMYK 47 / 17 / 0 / 10, CMYK 47 / 30 / 0 / 10 and CMYK 47 / 42 / 0 / 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 76 / 28 / 0 / 15, CMYK 61 / 23 / 0 / 13, CMYK 47 / 17 / 0 / 10, CMYK 34 / 13 / 0 / 7 and CMYK 21 / 8 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 20 / 47 / 0 / 10 and CMYK 0 / 1 / 47 / 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 0 / 47 / 17 / 10 and CMYK 17 / 0 / 47 / 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 20 / 47 / 0 / 10, CMYK 0 / 30 / 47 / 10 and CMYK 27 / 0 / 47 / 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 47 / 17 / 0 / 10 shade: CMYK 47 / 17 / 0 / 10, CMYK 6 / 47 / 0 / 10, CMYK 0 / 30 / 47 / 10 and CMYK 41 / 0 / 47 / 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

Complementary color

CMYK 0 / 51 / 81 / 48

HEX #854119

RGB 133 65 25

HSL 22.22, 0.68%, 0.31%

LAB 35.67, 26.29, 36.26

 

CMYK 44 / 16 / 0 / 12

HEX #7FBEE1

RGB 127 190 225

HSL 201.43, 0.62%, 0.69%

LAB 74.05, -11.09, -23.79

 

CMYK 41 / 15 / 0 / 4

HEX #90D0F4

RGB 144 208 244

HSL 201.6, 0.82%, 0.76%

LAB 80.5, -11.29, -24.09

 

CMYK 37 / 11 / 0 / 0

HEX #A1E2FF

RGB 161 226 255

HSL 198.51, 1%, 0.82%

LAB 86.6, -13.45, -20.58

 

CMYK 30 / 4 / 0 / 0

HEX #B2F4FF

RGB 178 244 255

HSL 188.57, 1%, 0.85%

LAB 92.3, -17.97, -11.92

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

CMYK 50 / 18 / 0 / 17

HEX #69ACD3

RGB 105 172 211

HSL 202.08, 0.55%, 0.62%

LAB 67.44, -10.59, -26.35

 

CMYK 54 / 20 / 0 / 25

HEX #589AC0

RGB 88 154 192

HSL 201.92, 0.45%, 0.55%

LAB 60.77, -10.16, -26.08

 

CMYK 59 / 21 / 0 / 32

HEX #4788AD

RGB 71 136 173

HSL 201.76, 0.42%, 0.48%

LAB 53.99, -9.61, -25.81

 

CMYK 65 / 23 / 0 / 40

HEX #36769A

RGB 54 118 154

HSL 201.6, 0.48%, 0.41%

LAB 47.07, -8.86, -25.52

 

CMYK 47 / 17 / 0 / 10

HEX #7ABDE5

RGB 122 189 229

HSL 202.43, 0.67%, 0.69%

LAB 73.67, -10.67, -26.56

 

CMYK 47 / 30 / 0 / 10

HEX #7AA0E5

RGB 122 160 229

HSL 218.69, 0.67%, 0.69%

LAB 65.7, 5.34, -38.89

 

CMYK 47 / 43 / 0 / 10

HEX #7A83E5

RGB 122 131 229

HSL 234.95, 0.67%, 0.69%

LAB 58.06, 22.27, -50.92

 

CMYK 38 / 47 / 0 / 10

HEX #8D7AE5

RGB 141 122 229

HSL 250.65, 0.67%, 0.69%

LAB 57.31, 32.17, -52.03

 

CMYK 26 / 47 / 0 / 10

HEX #AA7AE5

RGB 170 122 229

HSL 266.92, 0.67%, 0.69%

LAB 60, 39.72, -47.59

 

CMYK 47 / 17 / 0 / 10

HEX #7ABDE5

RGB 122 189 229

HSL 202.43, 0.67%, 0.69%

LAB 73.67, -10.67, -26.56

 

CMYK 47 / 30 / 0 / 10

HEX #7AA0E5

RGB 122 160 229

HSL 218.69, 0.67%, 0.69%

LAB 65.7, 5.34, -38.89

 

CMYK 47 / 43 / 0 / 10

HEX #7A83E5

RGB 122 131 229

HSL 234.95, 0.67%, 0.69%

LAB 58.06, 22.27, -50.92

 

CMYK 47 / 47 / 0 / 10

HEX #7A7AE5

RGB 122 122 229

HSL 240, 0.67%, 0.69%

LAB 55.8, 27.62, -54.52

 

CMYK 47 / 17 / 0 / 10

HEX #7ABDE5

RGB 122 189 229

HSL 202.43, 0.67%, 0.69%

LAB 73.67, -10.67, -26.56

 

CMYK 55 / 20 / 0 / 5

HEX #6DC1F2

RGB 109 193 242

HSL 202.11, 0.84%, 0.69%

LAB 74.7, -11.92, -32.04

 

CMYK 47 / 17 / 0 / 10

HEX #7ABDE5

RGB 122 189 229

HSL 202.43, 0.67%, 0.69%

LAB 73.67, -10.67, -26.56

 

CMYK 38 / 14 / 0 / 15

HEX #86BAD8

RGB 134 186 216

HSL 201.95, 0.51%, 0.69%

LAB 72.99, -9.54, -20.48

 

CMYK 28 / 10 / 0 / 20

HEX #93B7CC

RGB 147 183 204

HSL 202.11, 0.36%, 0.69%

LAB 72.51, -7.26, -14.57

 

CMYK 16 / 6 / 0 / 25

HEX #A0B3BF

RGB 160 179 191

HSL 203.23, 0.19%, 0.69%

LAB 71.88, -4.02, -8.32

 

CMYK 3 / 1 / 0 / 30

HEX #ADB0B2

RGB 173 176 178

HSL 204, 0.03%, 0.69%

LAB 71.66, -0.67, -1.4

 

CMYK 47 / 0 / 8 / 10

HEX #7AE5D3

RGB 122 229 211

HSL 169.91, 0.67%, 0.69%

LAB 84.42, -35.22, -0.8

 

CMYK 47 / 5 / 0 / 10

HEX #7ADAE5

RGB 122 218 229

HSL 186.17, 0.67%, 0.69%

LAB 81.8, -25.51, -14.22

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE5

RGB 122 190 229

HSL 201.87, 0.67%, 0.69%

LAB 73.95, -11.2, -26.13

 

CMYK 47 / 30 / 0 / 10

HEX #7AA1E5

RGB 122 161 229

HSL 218.13, 0.67%, 0.69%

LAB 65.97, 4.77, -38.46

 

CMYK 47 / 42 / 0 / 10

HEX #7A84E5

RGB 122 132 229

HSL 234.39, 0.67%, 0.69%

LAB 58.32, 21.68, -50.51

 

CMYK 76 / 28 / 0 / 15

HEX #349BD8

RGB 52 155 216

HSL 202.32, 0.68%, 0.53%

LAB 60.9, -8.83, -39.41

 

CMYK 61 / 23 / 0 / 13

HEX #57ACDF

RGB 87 172 223

HSL 202.5, 0.68%, 0.61%

LAB 67.17, -10.65, -33.42

 

CMYK 47 / 17 / 0 / 10

HEX #7ABDE5

RGB 122 189 229

HSL 202.43, 0.67%, 0.69%

LAB 73.67, -10.67, -26.56

 

CMYK 34 / 13 / 0 / 7

HEX #9CCEEC

RGB 156 206 236

HSL 202.5, 0.68%, 0.77%

LAB 80.33, -9.12, -20.02

 

CMYK 21 / 8 / 0 / 5

HEX #BFDFF2

RGB 191 223 242

HSL 202.35, 0.66%, 0.85%

LAB 87.13, -6.49, -12.77

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

CMYK 20 / 47 / 0 / 10

HEX #B77AE5

RGB 183 122 229

HSL 274.21, 0.67%, 0.69%

LAB 61.35, 43.27, -45.38

 

CMYK 0 / 1 / 47 / 10

HEX #E5E27A

RGB 229 226 122

HSL 58.32, 0.67%, 0.69%

LAB 88.19, -13.08, 50.84

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

CMYK 0 / 47 / 17 / 10

HEX #E57ABE

RGB 229 122 190

HSL 321.87, 0.67%, 0.69%

LAB 65.2, 49.75, -17.11

 

CMYK 17 / 0 / 47 / 10

HEX #BEE57A

RGB 190 229 122

HSL 81.87, 0.67%, 0.69%

LAB 86.2, -29.58, 47.78

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

CMYK 20 / 47 / 0 / 10

HEX #B77AE5

RGB 183 122 229

HSL 274.21, 0.67%, 0.69%

LAB 61.35, 43.27, -45.38

 

CMYK 0 / 30 / 47 / 10

HEX #E5A17A

RGB 229 161 122

HSL 21.87, 0.67%, 0.69%

LAB 71.93, 20.74, 30.36

 

CMYK 27 / 0 / 47 / 10

HEX #A8E57A

RGB 168 229 122

HSL 94.21, 0.67%, 0.69%

LAB 84.88, -37.53, 45.85

 

CMYK 47 / 17 / 0 / 10

HEX #7ABEE6

RGB 122 190 230

HSL 202.22, 0.68%, 0.69%

LAB 73.98, -10.92, -26.62

 

CMYK 6 / 47 / 0 / 10

HEX #D77AE5

RGB 215 122 229

HSL 292.15, 0.67%, 0.69%

LAB 64.98, 52.21, -39.41

 

CMYK 0 / 30 / 47 / 10

HEX #E5A17A

RGB 229 161 122

HSL 21.87, 0.67%, 0.69%

LAB 71.93, 20.74, 30.36

 

CMYK 41 / 0 / 47 / 10

HEX #88E57A

RGB 136 229 122

HSL 112.15, 0.67%, 0.69%

LAB 83.27, -48.01, 43.5

 

Description

Color code: CMYK 47 / 17 / 0 / 10 | qconv.com Color code: CMYK 47 / 17 / 0 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 190 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 190 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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