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Color name
RGB 122 245 200

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 245 200 it is the complementary color RGB 133 10 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 245 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 245 200 shade: RGB 127 245 195, RGB 144 255 214, RGB 161 255 233, RGB 178 255 252 and RGB 195 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 245 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 105 227 181, RGB 88 209 162, RGB 71 191 143 and RGB 54 173 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 122 245 166, RGB 122 245 133, RGB 143 245 122 and RGB 176 245 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 122 245 233, RGB 122 223 245, RGB 122 190 245 and RGB 122 157 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 245 200 shade matches the following richer shades: RGB 122 245 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 133 233 196, RGB 145 221 193, RGB 156 210 190 and RGB 168 198 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 245 200 shade: RGB 122 245 134, RGB 122 245 167, RGB 122 245 199, RGB 122 245 232 and RGB 122 224 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 245 200 shade: RGB 45 239 168, RGB 83 242 184, RGB 122 245 200, RGB 160 247 215 and RGB 198 250 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 122 142 245 and RGB 245 150 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 199 122 245 and RGB 245 199 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 122 142 245, RGB 245 122 167 and RGB 245 224 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 245 200 shade: RGB 122 245 200, RGB 138 122 245, RGB 245 122 167 and RGB 228 245 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

Complementary color

CMYK 0 / 92 / 59 / 48

HEX #850A37

RGB 133 10 55

HSL 338.05, 0.86%, 0.28%

LAB 28.06, 49.78, 8.82

 

CMYK 48 / 0 / 20 / 4

HEX #7FF5C3

RGB 127 245 195

HSL 154.58, 0.86%, 0.73%

LAB 88.81, -44.78, 13.9

 

CMYK 44 / 0 / 16 / 0

HEX #90FFD6

RGB 144 255 214

HSL 157.84, 1%, 0.78%

LAB 92.71, -41.09, 9.73

 

CMYK 37 / 0 / 9 / 0

HEX #A1FFE9

RGB 161 255 233

HSL 165.96, 1%, 0.82%

LAB 93.87, -32.71, 1.7

 

CMYK 30 / 0 / 1 / 0

HEX #B2FFFC

RGB 178 255 252

HSL 177.66, 1%, 0.85%

LAB 95.17, -24.03, -6.12

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 54 / 0 / 20 / 11

HEX #69E3B5

RGB 105 227 181

HSL 157.38, 0.69%, 0.65%

LAB 82.53, -44.96, 12.2

 

CMYK 58 / 0 / 22 / 18

HEX #58D1A2

RGB 88 209 162

HSL 156.69, 0.57%, 0.58%

LAB 76.24, -44.95, 13.3

 

CMYK 63 / 0 / 25 / 25

HEX #47BF8F

RGB 71 191 143

HSL 156, 0.48%, 0.51%

LAB 69.88, -44.84, 14.5

 

CMYK 69 / 0 / 28 / 32

HEX #36AD7C

RGB 54 173 124

HSL 155.29, 0.52%, 0.45%

LAB 63.45, -44.54, 15.81

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 0 / 32 / 4

HEX #7AF5A6

RGB 122 245 166

HSL 141.46, 0.86%, 0.72%

LAB 88.06, -51.59, 27.73

 

CMYK 50 / 0 / 46 / 4

HEX #7AF585

RGB 122 245 133

HSL 125.37, 0.86%, 0.72%

LAB 87.55, -56.9, 43.45

 

CMYK 42 / 0 / 50 / 4

HEX #8FF57A

RGB 143 245 122

HSL 109.76, 0.86%, 0.72%

LAB 88.23, -52.51, 49.7

 

CMYK 28 / 0 / 50 / 4

HEX #B0F57A

RGB 176 245 122

HSL 93.66, 0.86%, 0.72%

LAB 89.83, -41.88, 52.01

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E9

RGB 122 245 233

HSL 174.15, 0.86%, 0.72%

LAB 89.55, -37.31, -4.82

 

CMYK 50 / 9 / 0 / 4

HEX #7ADFF5

RGB 122 223 245

HSL 190.73, 0.86%, 0.72%

LAB 83.71, -23.75, -19.84

 

CMYK 50 / 22 / 0 / 4

HEX #7ABEF5

RGB 122 190 245

HSL 206.83, 0.86%, 0.72%

LAB 74.54, -6.68, -33.85

 

CMYK 50 / 36 / 0 / 4

HEX #7A9DF5

RGB 122 157 245

HSL 222.93, 0.86%, 0.72%

LAB 65.63, 11.8, -47.78

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 43 / 0 / 16 / 9

HEX #85E9C4

RGB 133 233 196

HSL 157.8, 0.69%, 0.72%

LAB 85.63, -37.75, 8.89

 

CMYK 34 / 0 / 13 / 13

HEX #91DDC1

RGB 145 221 193

HSL 157.89, 0.53%, 0.72%

LAB 82.69, -29.56, 6.32

 

CMYK 26 / 0 / 10 / 18

HEX #9CD2BE

RGB 156 210 190

HSL 157.78, 0.38%, 0.72%

LAB 80.11, -21.56, 4.27

 

CMYK 15 / 0 / 6 / 22

HEX #A8C6BB

RGB 168 198 187

HSL 158, 0.21%, 0.72%

LAB 77.46, -12.25, 2.13

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 0 / 32 / 4

HEX #7AF5A7

RGB 122 245 167

HSL 141.95, 0.86%, 0.72%

LAB 88.08, -51.41, 27.24

 

CMYK 50 / 0 / 19 / 4

HEX #7AF5C7

RGB 122 245 199

HSL 157.56, 0.86%, 0.72%

LAB 88.72, -45.1, 11.67

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E8

RGB 122 245 232

HSL 173.66, 0.86%, 0.72%

LAB 89.52, -37.55, -4.34

 

CMYK 50 / 9 / 0 / 4

HEX #7AE0F5

RGB 122 224 245

HSL 190.24, 0.86%, 0.72%

LAB 83.99, -24.25, -19.42

 

CMYK 81 / 0 / 30 / 6

HEX #2DEFA8

RGB 45 239 168

HSL 158.04, 0.86%, 0.56%

LAB 84.54, -61.78, 21.61

 

CMYK 66 / 0 / 24 / 5

HEX #53F2B8

RGB 83 242 184

HSL 158.11, 0.86%, 0.64%

LAB 86.41, -54.7, 16.03

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 35 / 0 / 13 / 3

HEX #A0F7D7

RGB 160 247 215

HSL 157.93, 0.84%, 0.8%

LAB 91.19, -33.05, 7.12

 

CMYK 21 / 0 / 8 / 2

HEX #C6FAE7

RGB 198 250 231

HSL 158.08, 0.84%, 0.88%

LAB 94.37, -20.18, 3.7

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 42 / 0 / 4

HEX #7A8EF5

RGB 122 142 245

HSL 230.24, 0.86%, 0.72%

LAB 61.72, 20.56, -53.97

 

CMYK 0 / 39 / 50 / 4

HEX #F5967A

RGB 245 150 122

HSL 13.66, 0.86%, 0.72%

LAB 71.3, 32.83, 29.88

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 19 / 50 / 0 / 4

HEX #C77AF5

RGB 199 122 245

HSL 277.56, 0.86%, 0.72%

LAB 63.88, 51.06, -50.12

 

CMYK 0 / 19 / 50 / 4

HEX #F5C77A

RGB 245 199 122

HSL 37.56, 0.86%, 0.72%

LAB 82.73, 7.1, 44.48

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 42 / 0 / 4

HEX #7A8EF5

RGB 122 142 245

HSL 230.24, 0.86%, 0.72%

LAB 61.72, 20.56, -53.97

 

CMYK 0 / 50 / 32 / 4

HEX #F57AA7

RGB 245 122 167

HSL 338.05, 0.86%, 0.72%

LAB 66.61, 51.77, -1.77

 

CMYK 0 / 9 / 50 / 4

HEX #F5E07A

RGB 245 224 122

HSL 49.76, 0.86%, 0.72%

LAB 88.98, -5.71, 52.11

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 44 / 50 / 0 / 4

HEX #8A7AF5

RGB 138 122 245

HSL 247.8, 0.86%, 0.72%

LAB 57.96, 35.89, -59.91

 

CMYK 0 / 50 / 32 / 4

HEX #F57AA7

RGB 245 122 167

HSL 338.05, 0.86%, 0.72%

LAB 66.61, 51.77, -1.77

 

CMYK 7 / 0 / 50 / 4

HEX #E4F57A

RGB 228 245 122

HSL 68.29, 0.86%, 0.72%

LAB 93.1, -22.73, 56.71

 

Description

Color code: RGB 122 245 200 | qconv.com Color code: RGB 122 245 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 245 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 245 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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