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Color name
HEX #7AF586

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AF586 it is the complementary color #850A79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AF586. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AF586 shade: #7FF581, #90FF94, #A1FFA7, #B2FFBA and #C3FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AF586. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AF586 shade: #7AF586, #69E373, #58D160, #47BF4D and #36AD3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AF586 shade: #7AF586, #8FF57A, #B0F57A, #D1F57A and #F2F57A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AF586 shade: #7AF586, #7AF5A7, #7AF5C8, #7AF5E9 and #7ADFF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AF586 shade matches the following richer shades: #7AF586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AF586 shade: #7AF586, #85E98F, #91DD98, #9CD2A2 and #A8C6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AF586 shade: #B1F57A, #90F57A, #7AF584, #7AF5A5 and #7AF5C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AF586 shade: #2DEF40, #53F263, #7AF586, #A0F7A9 and #C6FACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AF586 shade: #7AF586, #7AD2F5 and #F57AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AF586 shade: #7AF586, #847AF5 and #F5847A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AF586 shade: #7AF586, #7AD2F5, #F57AEA and #F59C7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AF586 shade: #7AF586, #7AADF5, #F57AEA and #F5C17A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

Complementary color

CMYK 0 / 92 / 9 / 48

HEX #850A79

RGB 133 10 121

HSL 305.85, 0.86%, 0.28%

LAB 30.84, 57.24, -30.34

 

CMYK 48 / 0 / 47 / 4

HEX #7FF581

RGB 127 245 129

HSL 121.02, 0.86%, 0.73%

LAB 87.68, -56.14, 45.57

 

CMYK 44 / 0 / 42 / 0

HEX #90FF94

RGB 144 255 148

HSL 122.16, 1%, 0.78%

LAB 91.5, -52.84, 41.38

 

CMYK 37 / 0 / 35 / 0

HEX #A1FFA7

RGB 161 255 167

HSL 123.83, 1%, 0.82%

LAB 92.53, -45.07, 33.5

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBA

RGB 178 255 186

HSL 126.23, 1%, 0.85%

LAB 93.68, -36.85, 25.64

 

CMYK 24 / 0 / 20 / 0

HEX #C3FFCD

RGB 195 255 205

HSL 130, 1%, 0.88%

LAB 94.96, -28.3, 17.88

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 54 / 0 / 49 / 11

HEX #69E373

RGB 105 227 115

HSL 124.92, 0.69%, 0.65%

LAB 81.39, -56.72, 44.27

 

CMYK 58 / 0 / 54 / 18

HEX #58D160

RGB 88 209 96

HSL 123.97, 0.57%, 0.58%

LAB 75.15, -56.54, 45.58

 

CMYK 63 / 0 / 60 / 25

HEX #47BF4D

RGB 71 191 77

HSL 123, 0.48%, 0.51%

LAB 68.85, -56.12, 46.85

 

CMYK 69 / 0 / 66 / 32

HEX #36AD3A

RGB 54 173 58

HSL 122.02, 0.52%, 0.45%

LAB 62.49, -55.34, 47.96

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 42 / 0 / 50 / 4

HEX #8FF57A

RGB 143 245 122

HSL 109.76, 0.86%, 0.72%

LAB 88.23, -52.51, 49.7

 

CMYK 28 / 0 / 50 / 4

HEX #B0F57A

RGB 176 245 122

HSL 93.66, 0.86%, 0.72%

LAB 89.83, -41.88, 52.01

 

CMYK 15 / 0 / 50 / 4

HEX #D1F57A

RGB 209 245 122

HSL 77.56, 0.86%, 0.72%

LAB 91.8, -29.97, 54.85

 

CMYK 1 / 0 / 50 / 4

HEX #F2F57A

RGB 242 245 122

HSL 61.46, 0.86%, 0.72%

LAB 94.14, -17.28, 58.18

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 0 / 32 / 4

HEX #7AF5A7

RGB 122 245 167

HSL 141.95, 0.86%, 0.72%

LAB 88.08, -51.41, 27.24

 

CMYK 50 / 0 / 18 / 4

HEX #7AF5C8

RGB 122 245 200

HSL 158.05, 0.86%, 0.72%

LAB 88.74, -44.89, 11.19

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E9

RGB 122 245 233

HSL 174.15, 0.86%, 0.72%

LAB 89.55, -37.31, -4.82

 

CMYK 50 / 9 / 0 / 4

HEX #7ADFF5

RGB 122 223 245

HSL 190.73, 0.86%, 0.72%

LAB 83.71, -23.75, -19.84

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 43 / 0 / 39 / 9

HEX #85E98F

RGB 133 233 143

HSL 126, 0.69%, 0.72%

LAB 84.61, -47.56, 34.82

 

CMYK 34 / 0 / 31 / 13

HEX #91DD98

RGB 145 221 152

HSL 125.53, 0.53%, 0.72%

LAB 81.84, -37.28, 26.64

 

CMYK 26 / 0 / 23 / 18

HEX #9CD2A2

RGB 156 210 162

HSL 126.67, 0.38%, 0.72%

LAB 79.48, -26.9, 18.27

 

CMYK 15 / 0 / 14 / 22

HEX #A8C6AB

RGB 168 198 171

HSL 126, 0.21%, 0.72%

LAB 77.07, -15.29, 10.19

 

CMYK 28 / 0 / 50 / 4

HEX #B1F57A

RGB 177 245 122

HSL 93.17, 0.86%, 0.72%

LAB 89.89, -41.53, 52.09

 

CMYK 41 / 0 / 50 / 4

HEX #90F57A

RGB 144 245 122

HSL 109.27, 0.86%, 0.72%

LAB 88.28, -52.21, 49.76

 

CMYK 50 / 0 / 46 / 4

HEX #7AF584

RGB 122 245 132

HSL 124.88, 0.86%, 0.72%

LAB 87.54, -57.04, 43.91

 

CMYK 50 / 0 / 33 / 4

HEX #7AF5A5

RGB 122 245 165

HSL 140.98, 0.86%, 0.72%

LAB 88.05, -51.77, 28.21

 

CMYK 50 / 0 / 20 / 4

HEX #7AF5C5

RGB 122 245 197

HSL 156.59, 0.86%, 0.72%

LAB 88.67, -45.52, 12.65

 

CMYK 81 / 0 / 73 / 6

HEX #2DEF40

RGB 45 239 64

HSL 125.88, 0.86%, 0.56%

LAB 83.26, -76.89, 67.36

 

CMYK 66 / 0 / 59 / 5

HEX #53F263

RGB 83 242 99

HSL 126.04, 0.86%, 0.64%

LAB 85.12, -68.91, 55.91

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 35 / 0 / 32 / 3

HEX #A0F7A9

RGB 160 247 169

HSL 126.21, 0.84%, 0.8%

LAB 90.26, -41.55, 29.44

 

CMYK 21 / 0 / 19 / 2

HEX #C6FACB

RGB 198 250 203

HSL 125.77, 0.84%, 0.88%

LAB 93.75, -25.31, 17.23

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 14 / 0 / 4

HEX #7AD2F5

RGB 122 210 245

HSL 197.07, 0.86%, 0.72%

LAB 80.08, -17.2, -25.35

 

CMYK 0 / 50 / 34 / 4

HEX #F57AA1

RGB 245 122 161

HSL 340.98, 0.86%, 0.72%

LAB 66.45, 51.05, 1.39

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 46 / 50 / 0 / 4

HEX #847AF5

RGB 132 122 245

HSL 244.88, 0.86%, 0.72%

LAB 57.48, 34.55, -60.7

 

CMYK 0 / 46 / 50 / 4

HEX #F5847A

RGB 245 132 122

HSL 4.88, 0.86%, 0.72%

LAB 67.52, 42.08, 24.86

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 14 / 0 / 4

HEX #7AD2F5

RGB 122 210 245

HSL 197.07, 0.86%, 0.72%

LAB 80.08, -17.2, -25.35

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEA

RGB 245 122 234

HSL 305.37, 0.86%, 0.72%

LAB 68.95, 61.49, -35.71

 

CMYK 0 / 36 / 50 / 4

HEX #F59C7A

RGB 245 156 122

HSL 16.59, 0.86%, 0.72%

LAB 72.62, 29.69, 31.61

 

CMYK 50 / 0 / 45 / 4

HEX #7AF586

RGB 122 245 134

HSL 125.85, 0.86%, 0.72%

LAB 87.56, -56.75, 42.98

 

CMYK 50 / 29 / 0 / 4

HEX #7AADF5

RGB 122 173 245

HSL 215.12, 0.86%, 0.72%

LAB 69.91, 2.68, -41.06

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEA

RGB 245 122 234

HSL 305.37, 0.86%, 0.72%

LAB 68.95, 61.49, -35.71

 

CMYK 0 / 21 / 50 / 4

HEX #F5C17A

RGB 245 193 122

HSL 34.63, 0.86%, 0.72%

LAB 81.27, 10.23, 42.65

 

Description

Color code: HEX #7AF586 | qconv.com Color code: HEX #7AF586 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 245 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 245 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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