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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 209 76 it is the complementary color RGB 244 46 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 209 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 209 76 shade: RGB 16 209 71, RGB 33 227 90, RGB 50 245 109, RGB 67 255 128 and RGB 84 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 209 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 209 76 shade: RGB 11 209 76, RGB 0 191 57, RGB 0 173 38, RGB 0 155 19 and RGB 0 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 209 76 shade: RGB 10 208 75, RGB 10 208 22, RGB 52 208 10, RGB 105 208 10 and RGB 159 208 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 209 76 shade: RGB 10 208 75, RGB 10 208 128, RGB 10 208 182, RGB 10 181 208 and RGB 10 128 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 209 76 shade matches the following richer shades: RGB 10 208 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 209 76 shade: RGB 10 208 75, RGB 28 190 81, RGB 46 172 87, RGB 64 155 94 and RGB 81 137 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 209 76 shade: RGB 53 208 10, RGB 10 208 20, RGB 10 208 73, RGB 10 208 126 and RGB 10 208 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 209 76 shade: RGB 6 129 47, RGB 8 169 61, RGB 10 208 75, RGB 18 242 91 and RGB 57 244 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 209 76 shade: RGB 11 209 76, RGB 10 106 208 and RGB 208 10 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 209 76 shade: RGB 11 209 76, RGB 73 10 208 and RGB 208 73 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 209 76 shade: RGB 11 209 76, RGB 10 106 208, RGB 208 10 145 and RGB 208 112 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 209 76 shade: RGB 11 209 76, RGB 10 47 208, RGB 208 10 145 and RGB 208 172 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

Complementary color

CMYK 0 / 81 / 27 / 4

HEX #F42EB3

RGB 244 46 179

HSL 319.7, 0.9%, 0.57%

LAB 56.53, 81.14, -23.84

 

CMYK 92 / 0 / 66 / 18

HEX #10D147

RGB 16 209 71

HSL 137.1, 0.86%, 0.44%

LAB 73.65, -69.74, 54.6

 

CMYK 85 / 0 / 60 / 11

HEX #21E35A

RGB 33 227 90

HSL 137.63, 0.78%, 0.51%

LAB 79.61, -71.92, 53.28

 

CMYK 80 / 0 / 56 / 4

HEX #32F56D

RGB 50 245 109

HSL 138.15, 0.91%, 0.58%

LAB 85.55, -73.52, 51.83

 

CMYK 74 / 0 / 50 / 0

HEX #43FF80

RGB 67 255 128

HSL 139.47, 1%, 0.63%

LAB 89.05, -72.05, 47.4

 

CMYK 67 / 0 / 42 / 0

HEX #54FF93

RGB 84 255 147

HSL 142.11, 1%, 0.66%

LAB 89.63, -66.53, 39.09

 

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

CMYK 100 / 0 / 70 / 25

HEX #00BF39

RGB 0 191 57

HSL 137.91, 1%, 0.37%

LAB 67.69, -66.51, 53.77

 

CMYK 100 / 0 / 78 / 32

HEX #00AD26

RGB 0 173 38

HSL 133.18, 1%, 0.34%

LAB 61.68, -62.87, 54.49

 

CMYK 100 / 0 / 88 / 39

HEX #009B13

RGB 0 155 19

HSL 127.35, 1%, 0.3%

LAB 55.57, -58.8, 54.12

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 95 / 0 / 64 / 18

HEX #0AD04B

RGB 10 208 75

HSL 139.7, 0.91%, 0.43%

LAB 73.34, -69.27, 52.58

 

CMYK 95 / 0 / 89 / 18

HEX #0AD016

RGB 10 208 22

HSL 123.64, 0.91%, 0.43%

LAB 73.05, -73.03, 68.77

 

CMYK 75 / 0 / 95 / 18

HEX #34D00A

RGB 52 208 10

HSL 107.27, 0.91%, 0.43%

LAB 73.46, -69.44, 70.91

 

CMYK 50 / 0 / 95 / 18

HEX #69D00A

RGB 105 208 10

HSL 91.21, 0.91%, 0.43%

LAB 74.91, -57.45, 72.7

 

CMYK 24 / 0 / 95 / 18

HEX #9FD00A

RGB 159 208 10

HSL 74.85, 0.91%, 0.43%

LAB 77.58, -38.59, 75.95

 

CMYK 95 / 0 / 64 / 18

HEX #0AD04B

RGB 10 208 75

HSL 139.7, 0.91%, 0.43%

LAB 73.34, -69.27, 52.58

 

CMYK 95 / 0 / 38 / 18

HEX #0AD080

RGB 10 208 128

HSL 155.76, 0.91%, 0.43%

LAB 74.02, -61.06, 27.96

 

CMYK 95 / 0 / 13 / 18

HEX #0AD0B6

RGB 10 208 182

HSL 172.12, 0.91%, 0.43%

LAB 75.17, -48.35, 0.88

 

CMYK 95 / 13 / 0 / 18

HEX #0AB5D0

RGB 10 181 208

HSL 188.18, 0.91%, 0.43%

LAB 67.77, -28.27, -24.37

 

CMYK 95 / 38 / 0 / 18

HEX #0A80D0

RGB 10 128 208

HSL 204.24, 0.91%, 0.43%

LAB 51.9, 0.85, -49.17

 

CMYK 95 / 0 / 64 / 18

HEX #0AD04B

RGB 10 208 75

HSL 139.7, 0.91%, 0.43%

LAB 73.34, -69.27, 52.58

 

CMYK 95 / 0 / 64 / 18

HEX #0AD04B

RGB 10 208 75

HSL 139.7, 0.91%, 0.43%

LAB 73.34, -69.27, 52.58

 

CMYK 85 / 0 / 57 / 25

HEX #1CBE51

RGB 28 190 81

HSL 139.63, 0.74%, 0.43%

LAB 67.78, -61.84, 43.54

 

CMYK 73 / 0 / 49 / 33

HEX #2EAC57

RGB 46 172 87

HSL 139.52, 0.58%, 0.43%

LAB 62.32, -52.58, 34.01

 

CMYK 59 / 0 / 39 / 39

HEX #409B5E

RGB 64 155 94

HSL 139.78, 0.42%, 0.43%

LAB 57.41, -41.16, 24.09

 

CMYK 41 / 0 / 27 / 46

HEX #518964

RGB 81 137 100

HSL 140.36, 0.26%, 0.43%

LAB 52.47, -27.09, 14.17

 

CMYK 75 / 0 / 95 / 18

HEX #35D00A

RGB 53 208 10

HSL 106.97, 0.91%, 0.43%

LAB 73.47, -69.29, 70.93

 

CMYK 95 / 0 / 90 / 18

HEX #0AD014

RGB 10 208 20

HSL 123.03, 0.91%, 0.43%

LAB 73.04, -73.09, 69.1

 

CMYK 95 / 0 / 65 / 18

HEX #0AD049

RGB 10 208 73

HSL 139.09, 0.91%, 0.43%

LAB 73.32, -69.49, 53.4

 

CMYK 95 / 0 / 39 / 18

HEX #0AD07E

RGB 10 208 126

HSL 155.15, 0.91%, 0.43%

LAB 73.99, -61.45, 28.95

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 95 / 0 / 64 / 49

HEX #06812F

RGB 6 129 47

HSL 140, 0.91%, 0.26%

LAB 46.9, -48.07, 35.32

 

CMYK 95 / 0 / 64 / 34

HEX #08A93D

RGB 8 169 61

HSL 139.75, 0.91%, 0.35%

LAB 60.57, -59.07, 44.36

 

CMYK 95 / 0 / 64 / 18

HEX #0AD04B

RGB 10 208 75

HSL 139.7, 0.91%, 0.43%

LAB 73.34, -69.27, 52.58

 

CMYK 93 / 0 / 62 / 5

HEX #12F25B

RGB 18 242 91

HSL 139.55, 0.9%, 0.51%

LAB 84.17, -77.2, 58

 

CMYK 77 / 0 / 52 / 4

HEX #39F476

RGB 57 244 118

HSL 139.57, 0.89%, 0.59%

LAB 85.44, -71.16, 47.59

 

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

CMYK 95 / 49 / 0 / 18

HEX #0A6AD0

RGB 10 106 208

HSL 210.91, 0.91%, 0.43%

LAB 45.53, 14.62, -59.39

 

CMYK 0 / 95 / 87 / 18

HEX #D00A1B

RGB 208 10 27

HSL 354.85, 0.91%, 0.43%

LAB 43.81, 68.1, 47.87

 

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

CMYK 65 / 95 / 0 / 18

HEX #490AD0

RGB 73 10 208

HSL 259.09, 0.91%, 0.43%

LAB 29.88, 67.8, -84.97

 

CMYK 0 / 65 / 95 / 18

HEX #D0490A

RGB 208 73 10

HSL 19.09, 0.91%, 0.43%

LAB 49.73, 51.13, 58.05

 

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

CMYK 95 / 49 / 0 / 18

HEX #0A6AD0

RGB 10 106 208

HSL 210.91, 0.91%, 0.43%

LAB 45.53, 14.62, -59.39

 

CMYK 0 / 95 / 30 / 18

HEX #D00A91

RGB 208 10 145

HSL 319.09, 0.91%, 0.43%

LAB 46.54, 75.46, -19.61

 

CMYK 0 / 46 / 95 / 18

HEX #D0700A

RGB 208 112 10

HSL 30.91, 0.91%, 0.43%

LAB 57.1, 32.27, 62.82

 

CMYK 95 / 0 / 64 / 18

HEX #0BD14C

RGB 11 209 76

HSL 139.7, 0.9%, 0.43%

LAB 73.67, -69.42, 52.53

 

CMYK 95 / 77 / 0 / 18

HEX #0A2FD0

RGB 10 47 208

HSL 228.79, 0.91%, 0.43%

LAB 31, 51.86, -83.2

 

CMYK 0 / 95 / 30 / 18

HEX #D00A91

RGB 208 10 145

HSL 319.09, 0.91%, 0.43%

LAB 46.54, 75.46, -19.61

 

CMYK 0 / 17 / 95 / 18

HEX #D0AC0A

RGB 208 172 10

HSL 49.09, 0.91%, 0.43%

LAB 71.51, 0.03, 73.03

 

Description

Color code: RGB 11 209 76 | qconv.com Color code: RGB 11 209 76 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 209 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 209 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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