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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AD0B2 it is the complementary color #F52F4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AD0B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AD0B2 shade: #0FD0AD, #20E2C0, #31F4D3, #42FFE6 and #53FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AD0B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AD0B2 shade: #0AD0B2, #00BE9F, #00AC8C, #009A79 and #008866

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AD0B2 shade: #09D1B3, #09D17D, #09D147, #09D111 and #37D109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AD0B2 shade: #09D1B3, #09B9D1, #0984D1, #094ED1 and #0918D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AD0B2 shade matches the following richer shades: #09D1B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AD0B2 shade: #09D1B3, #1BBFA6, #2DAD9A, #3F9C8E and #508A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AD0B2 shade: #09D145, #09D17A, #09D1B0, #09BDD1 and #0988D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AD0B2 shade: #06826F, #08AA91, #09D1B3, #10F3D1 and #38F5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AD0B2 shade: #0AD0B2, #1009D1 and #D16009

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AD0B2 shade: #0AD0B2, #B009D1 and #D1B009

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AD0B2 shade: #0AD0B2, #1009D1, #D1092B and #CAD109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AD0B2 shade: #0AD0B2, #4C09D1, #D1092B and #8ED109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

Complementary color

CMYK 0 / 81 / 69 / 4

HEX #F52F4D

RGB 245 47 77

HSL 350.91, 0.91%, 0.57%

LAB 54.01, 72.98, 33.08

 

CMYK 93 / 0 / 17 / 18

HEX #0FD0AD

RGB 15 208 173

HSL 169.12, 0.87%, 0.44%

LAB 74.97, -50.56, 5.43

 

CMYK 86 / 0 / 15 / 11

HEX #20E2C0

RGB 32 226 192

HSL 169.48, 0.77%, 0.51%

LAB 81.02, -52.1, 4.04

 

CMYK 80 / 0 / 14 / 4

HEX #31F4D3

RGB 49 244 211

HSL 169.85, 0.9%, 0.57%

LAB 87.03, -53.3, 2.78

 

CMYK 74 / 0 / 10 / 0

HEX #42FFE6

RGB 66 255 230

HSL 172.06, 1%, 0.63%

LAB 90.96, -51.33, -1.35

 

CMYK 67 / 0 / 2 / 0

HEX #53FFF9

RGB 83 255 249

HSL 177.91, 1%, 0.66%

LAB 91.77, -44.32, -9.96

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 100 / 0 / 16 / 25

HEX #00BE9F

RGB 0 190 159

HSL 170.21, 1%, 0.37%

LAB 68.99, -47.39, 4.39

 

CMYK 100 / 0 / 19 / 33

HEX #00AC8C

RGB 0 172 140

HSL 168.84, 1%, 0.34%

LAB 62.84, -45.01, 6.02

 

CMYK 100 / 0 / 21 / 40

HEX #009A79

RGB 0 154 121

HSL 167.14, 1%, 0.3%

LAB 56.58, -42.59, 7.73

 

CMYK 100 / 0 / 25 / 47

HEX #008866

RGB 0 136 102

HSL 165, 1%, 0.27%

LAB 50.18, -40.1, 9.53

 

CMYK 96 / 0 / 14 / 18

HEX #09D1B3

RGB 9 209 179

HSL 171, 0.92%, 0.43%

LAB 75.4, -49.6, 2.82

 

CMYK 96 / 0 / 40 / 18

HEX #09D17D

RGB 9 209 125

HSL 154.8, 0.92%, 0.43%

LAB 74.28, -62.02, 29.85

 

CMYK 96 / 0 / 66 / 18

HEX #09D147

RGB 9 209 71

HSL 138.6, 0.92%, 0.43%

LAB 73.62, -70.04, 54.56

 

CMYK 96 / 0 / 92 / 18

HEX #09D111

RGB 9 209 17

HSL 122.4, 0.92%, 0.43%

LAB 73.35, -73.49, 69.81

 

CMYK 74 / 0 / 96 / 18

HEX #37D109

RGB 55 209 9

HSL 106.2, 0.92%, 0.43%

LAB 73.83, -69.29, 71.34

 

CMYK 96 / 0 / 14 / 18

HEX #09D1B3

RGB 9 209 179

HSL 171, 0.92%, 0.43%

LAB 75.4, -49.6, 2.82

 

CMYK 96 / 11 / 0 / 18

HEX #09B9D1

RGB 9 185 209

HSL 187.2, 0.92%, 0.43%

LAB 69.01, -29.93, -23.03

 

CMYK 96 / 37 / 0 / 18

HEX #0984D1

RGB 9 132 209

HSL 203.1, 0.92%, 0.43%

LAB 53.13, -1.21, -47.79

 

CMYK 96 / 63 / 0 / 18

HEX #094ED1

RGB 9 78 209

HSL 219.3, 0.92%, 0.43%

LAB 38.04, 33.28, -72.17

 

CMYK 96 / 89 / 0 / 18

HEX #0918D1

RGB 9 24 209

HSL 235.5, 0.92%, 0.43%

LAB 27.61, 62.48, -89.42

 

CMYK 96 / 0 / 14 / 18

HEX #09D1B3

RGB 9 209 179

HSL 171, 0.92%, 0.43%

LAB 75.4, -49.6, 2.82

 

CMYK 96 / 0 / 14 / 18

HEX #09D1B3

RGB 9 209 179

HSL 171, 0.92%, 0.43%

LAB 75.4, -49.6, 2.82

 

CMYK 86 / 0 / 13 / 25

HEX #1BBFA6

RGB 27 191 166

HSL 170.85, 0.75%, 0.43%

LAB 69.65, -44.73, 1.53

 

CMYK 74 / 0 / 11 / 32

HEX #2DAD9A

RGB 45 173 154

HSL 171.09, 0.59%, 0.43%

LAB 63.98, -38.41, -0.07

 

CMYK 60 / 0 / 9 / 39

HEX #3F9C8E

RGB 63 156 142

HSL 170.97, 0.42%, 0.43%

LAB 58.78, -30.88, -0.88

 

CMYK 42 / 0 / 7 / 46

HEX #508A81

RGB 80 138 129

HSL 170.69, 0.27%, 0.43%

LAB 53.46, -21.26, -1.14

 

CMYK 96 / 0 / 67 / 18

HEX #09D145

RGB 9 209 69

HSL 138, 0.92%, 0.43%

LAB 73.6, -70.25, 55.35

 

CMYK 96 / 0 / 42 / 18

HEX #09D17A

RGB 9 209 122

HSL 153.9, 0.92%, 0.43%

LAB 74.23, -62.59, 31.33

 

CMYK 96 / 0 / 16 / 18

HEX #09D1B0

RGB 9 209 176

HSL 170.1, 0.92%, 0.43%

LAB 75.32, -50.39, 4.32

 

CMYK 96 / 10 / 0 / 18

HEX #09BDD1

RGB 9 189 209

HSL 186, 0.92%, 0.43%

LAB 70.22, -31.87, -21.19

 

CMYK 96 / 35 / 0 / 18

HEX #0988D1

RGB 9 136 209

HSL 201.9, 0.92%, 0.43%

LAB 54.31, -3.58, -45.91

 

CMYK 95 / 0 / 15 / 49

HEX #06826F

RGB 6 130 111

HSL 170.81, 0.91%, 0.27%

LAB 48.45, -34.68, 1.82

 

CMYK 95 / 0 / 15 / 33

HEX #08AA91

RGB 8 170 145

HSL 170.74, 0.91%, 0.35%

LAB 62.38, -42.5, 2.56

 

CMYK 96 / 0 / 14 / 18

HEX #09D1B3

RGB 9 209 179

HSL 171, 0.92%, 0.43%

LAB 75.4, -49.6, 2.82

 

CMYK 93 / 0 / 14 / 5

HEX #10F3D1

RGB 16 243 209

HSL 171.01, 0.9%, 0.51%

LAB 86.41, -55.31, 2.9

 

CMYK 77 / 0 / 12 / 4

HEX #38F5D8

RGB 56 245 216

HSL 170.79, 0.9%, 0.59%

LAB 87.54, -51.79, 0.92

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 92 / 96 / 0 / 18

HEX #1009D1

RGB 16 9 209

HSL 242.1, 0.92%, 0.43%

LAB 26.47, 66.5, -91.32

 

CMYK 0 / 54 / 96 / 18

HEX #D16009

RGB 209 96 9

HSL 26.1, 0.92%, 0.43%

LAB 53.96, 40.84, 61.01

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 16 / 96 / 0 / 18

HEX #B009D1

RGB 176 9 209

HSL 290.1, 0.92%, 0.43%

LAB 44.27, 78.77, -61.38

 

CMYK 0 / 16 / 96 / 18

HEX #D1B009

RGB 209 176 9

HSL 50.1, 0.92%, 0.43%

LAB 72.64, -1.65, 74.01

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 92 / 96 / 0 / 18

HEX #1009D1

RGB 16 9 209

HSL 242.1, 0.92%, 0.43%

LAB 26.47, 66.5, -91.32

 

CMYK 0 / 96 / 79 / 18

HEX #D1092B

RGB 209 9 43

HSL 349.8, 0.92%, 0.43%

LAB 44.13, 68.82, 39.72

 

CMYK 3 / 0 / 96 / 18

HEX #CAD109

RGB 202 209 9

HSL 62.1, 0.92%, 0.43%

LAB 80.84, -21.43, 79.84

 

CMYK 95 / 0 / 14 / 18

HEX #0AD0B2

RGB 10 208 178

HSL 170.91, 0.91%, 0.43%

LAB 75.07, -49.42, 2.88

 

CMYK 64 / 96 / 0 / 18

HEX #4C09D1

RGB 76 9 209

HSL 260.1, 0.92%, 0.43%

LAB 30.24, 68.37, -84.94

 

CMYK 0 / 96 / 79 / 18

HEX #D1092B

RGB 209 9 43

HSL 349.8, 0.92%, 0.43%

LAB 44.13, 68.82, 39.72

 

CMYK 32 / 0 / 96 / 18

HEX #8ED109

RGB 142 209 9

HSL 80.1, 0.92%, 0.43%

LAB 76.9, -45.49, 75.1

 

Description

Color code: HEX #0AD0B2 | qconv.com Color code: HEX #0AD0B2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 208 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 208 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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