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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 189 102 it is the complementary color RGB 244 66 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 189 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 189 102 shade: RGB 16 189 97, RGB 33 207 116, RGB 50 225 135, RGB 67 243 154 and RGB 84 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 189 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 189 102 shade: RGB 11 189 102, RGB 0 171 83, RGB 0 153 64, RGB 0 135 45 and RGB 0 117 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 189 102 shade: RGB 10 187 101, RGB 10 187 53, RGB 15 187 10, RGB 63 187 10 and RGB 111 187 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 189 102 shade: RGB 10 187 101, RGB 10 187 149, RGB 10 179 187, RGB 10 131 187 and RGB 10 83 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 189 102 shade matches the following richer shades: RGB 10 187 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 189 102 shade: RGB 10 187 101, RGB 27 171 101, RGB 43 155 100, RGB 59 139 100 and RGB 75 123 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 189 102 shade: RGB 16 187 10, RGB 10 187 52, RGB 10 187 99, RGB 10 187 146 and RGB 10 182 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 189 102 shade: RGB 6 109 59, RGB 8 148 80, RGB 10 187 101, RGB 13 226 122 and RGB 38 242 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 189 102 shade: RGB 11 189 102, RGB 10 64 187 and RGB 187 28 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 189 102 shade: RGB 11 189 102, RGB 99 10 187 and RGB 187 99 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 189 102 shade: RGB 11 189 102, RGB 10 64 187, RGB 187 10 99 and RGB 187 134 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 189 102 shade: RGB 11 189 102, RGB 10 10 187, RGB 187 10 99 and RGB 187 187 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

Complementary color

CMYK 0 / 73 / 37 / 4

HEX #F44299

RGB 244 66 153

HSL 330.67, 0.89%, 0.61%

LAB 57.49, 72.94, -7.19

 

CMYK 92 / 0 / 49 / 26

HEX #10BD61

RGB 16 189 97

HSL 148.09, 0.84%, 0.4%

LAB 67.55, -59.95, 35.44

 

CMYK 84 / 0 / 44 / 19

HEX #21CF74

RGB 33 207 116

HSL 148.62, 0.73%, 0.47%

LAB 73.68, -61.6, 33.7

 

CMYK 78 / 0 / 40 / 12

HEX #32E187

RGB 50 225 135

HSL 149.14, 0.74%, 0.54%

LAB 79.77, -62.76, 32.06

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 67 / 0 / 32 / 0

HEX #54FFAD

RGB 84 255 173

HSL 151.23, 1%, 0.66%

LAB 90.05, -61.86, 26.71

 

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

CMYK 100 / 0 / 51 / 33

HEX #00AB53

RGB 0 171 83

HSL 149.12, 1%, 0.34%

LAB 61.44, -57, 34.84

 

CMYK 100 / 0 / 58 / 40

HEX #009940

RGB 0 153 64

HSL 145.1, 1%, 0.3%

LAB 55.23, -54, 36.77

 

CMYK 100 / 0 / 67 / 47

HEX #00872D

RGB 0 135 45

HSL 140, 1%, 0.26%

LAB 48.91, -50.71, 38.51

 

CMYK 100 / 0 / 78 / 54

HEX #00751A

RGB 0 117 26

HSL 133.33, 1%, 0.23%

LAB 42.46, -47, 39.7

 

CMYK 95 / 0 / 46 / 27

HEX #0ABB65

RGB 10 187 101

HSL 150.85, 0.9%, 0.39%

LAB 66.93, -58.87, 32.62

 

CMYK 95 / 0 / 72 / 27

HEX #0ABB35

RGB 10 187 53

HSL 134.58, 0.9%, 0.39%

LAB 66.41, -65.27, 53.97

 

CMYK 92 / 0 / 95 / 27

HEX #0FBB0A

RGB 15 187 10

HSL 118.31, 0.9%, 0.39%

LAB 66.26, -67.33, 64.8

 

CMYK 66 / 0 / 95 / 27

HEX #3FBB0A

RGB 63 187 10

HSL 102.03, 0.9%, 0.39%

LAB 66.99, -60.94, 65.7

 

CMYK 41 / 0 / 95 / 27

HEX #6FBB0A

RGB 111 187 10

HSL 85.76, 0.9%, 0.39%

LAB 68.71, -47.43, 67.81

 

CMYK 95 / 0 / 46 / 27

HEX #0ABB65

RGB 10 187 101

HSL 150.85, 0.9%, 0.39%

LAB 66.93, -58.87, 32.62

 

CMYK 95 / 0 / 20 / 27

HEX #0ABB95

RGB 10 187 149

HSL 167.12, 0.9%, 0.39%

LAB 67.85, -48.42, 8.23

 

CMYK 95 / 4 / 0 / 27

HEX #0AB3BB

RGB 10 179 187

HSL 182.71, 0.9%, 0.39%

LAB 66.44, -34.06, -14.81

 

CMYK 95 / 30 / 0 / 27

HEX #0A83BB

RGB 10 131 187

HSL 198.98, 0.9%, 0.39%

LAB 51.71, -8.97, -37.51

 

CMYK 95 / 56 / 0 / 27

HEX #0A53BB

RGB 10 83 187

HSL 215.25, 0.9%, 0.39%

LAB 37.55, 21.31, -60.17

 

CMYK 95 / 0 / 46 / 27

HEX #0ABB65

RGB 10 187 101

HSL 150.85, 0.9%, 0.39%

LAB 66.93, -58.87, 32.62

 

CMYK 95 / 0 / 46 / 27

HEX #0ABB65

RGB 10 187 101

HSL 150.85, 0.9%, 0.39%

LAB 66.93, -58.87, 32.62

 

CMYK 84 / 0 / 41 / 33

HEX #1BAB65

RGB 27 171 101

HSL 150.83, 0.73%, 0.39%

LAB 61.91, -52.11, 26.12

 

CMYK 72 / 0 / 35 / 39

HEX #2B9B64

RGB 43 155 100

HSL 150.54, 0.57%, 0.39%

LAB 56.95, -44.15, 20.1

 

CMYK 58 / 0 / 28 / 45

HEX #3B8B64

RGB 59 139 100

HSL 150.75, 0.4%, 0.39%

LAB 52.19, -34.11, 13.65

 

CMYK 39 / 0 / 20 / 52

HEX #4B7B63

RGB 75 123 99

HSL 150, 0.24%, 0.39%

LAB 47.7, -22.12, 8.04

 

CMYK 91 / 0 / 95 / 27

HEX #10BB0A

RGB 16 187 10

HSL 117.97, 0.9%, 0.39%

LAB 66.27, -67.27, 64.81

 

CMYK 95 / 0 / 72 / 27

HEX #0ABB34

RGB 10 187 52

HSL 134.24, 0.9%, 0.39%

LAB 66.41, -65.36, 54.34

 

CMYK 95 / 0 / 47 / 27

HEX #0ABB63

RGB 10 187 99

HSL 150.17, 0.9%, 0.39%

LAB 66.9, -59.22, 33.6

 

CMYK 95 / 0 / 22 / 27

HEX #0ABB92

RGB 10 187 146

HSL 166.1, 0.9%, 0.39%

LAB 67.78, -49.18, 9.77

 

CMYK 95 / 3 / 0 / 27

HEX #0AB6BB

RGB 10 182 187

HSL 181.69, 0.9%, 0.39%

LAB 67.36, -35.47, -13.42

 

CMYK 94 / 0 / 46 / 57

HEX #066D3B

RGB 6 109 59

HSL 150.87, 0.9%, 0.23%

LAB 40.07, -38.97, 20.63

 

CMYK 95 / 0 / 46 / 42

HEX #089450

RGB 8 148 80

HSL 150.86, 0.9%, 0.31%

LAB 53.83, -49.18, 26.79

 

CMYK 95 / 0 / 46 / 27

HEX #0ABB65

RGB 10 187 101

HSL 150.85, 0.9%, 0.39%

LAB 66.93, -58.87, 32.62

 

CMYK 94 / 0 / 46 / 11

HEX #0DE27A

RGB 13 226 122

HSL 150.7, 0.89%, 0.47%

LAB 79.55, -68.13, 38.21

 

CMYK 84 / 0 / 41 / 5

HEX #26F28E

RGB 38 242 142

HSL 150.59, 0.89%, 0.55%

LAB 84.93, -68.54, 35.3

 

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

CMYK 95 / 66 / 0 / 27

HEX #0A40BB

RGB 10 64 187

HSL 221.69, 0.9%, 0.39%

LAB 32.52, 33.98, -68.4

 

CMYK 0 / 85 / 95 / 27

HEX #BB1C0A

RGB 187 28 10

HSL 6.1, 0.9%, 0.39%

LAB 40.27, 59.53, 50.33

 

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

CMYK 47 / 95 / 0 / 27

HEX #630ABB

RGB 99 10 187

HSL 270.17, 0.9%, 0.39%

LAB 30.54, 64.86, -71.46

 

CMYK 0 / 47 / 95 / 27

HEX #BB630A

RGB 187 99 10

HSL 30.17, 0.9%, 0.39%

LAB 51.28, 30.41, 57.43

 

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

CMYK 95 / 66 / 0 / 27

HEX #0A40BB

RGB 10 64 187

HSL 221.69, 0.9%, 0.39%

LAB 32.52, 33.98, -68.4

 

CMYK 0 / 95 / 47 / 27

HEX #BB0A63

RGB 187 10 99

HSL 329.83, 0.9%, 0.39%

LAB 40.71, 66.49, -0.34

 

CMYK 0 / 28 / 95 / 27

HEX #BB860A

RGB 187 134 10

HSL 42.03, 0.9%, 0.39%

LAB 59.56, 11.2, 63.3

 

CMYK 94 / 0 / 46 / 26

HEX #0BBD66

RGB 11 189 102

HSL 150.67, 0.89%, 0.39%

LAB 67.6, -59.33, 32.96

 

CMYK 95 / 95 / 0 / 27

HEX #0A0ABB

RGB 10 10 187

HSL 240, 0.9%, 0.39%

LAB 23.24, 60.48, -83.8

 

CMYK 0 / 95 / 47 / 27

HEX #BB0A63

RGB 187 10 99

HSL 329.83, 0.9%, 0.39%

LAB 40.71, 66.49, -0.34

 

CMYK 0 / 0 / 95 / 27

HEX #BBBB0A

RGB 187 187 10

HSL 60, 0.9%, 0.39%

LAB 73.63, -16.96, 73.76

 

Description

Color code: RGB 11 189 102 | qconv.com Color code: RGB 11 189 102 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 189 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 189 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 46 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 46% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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