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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43F39A it is the complementary color #BC0C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43F39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43F39A shade: #48F395, #59FFA8, #6AFFBB, #7BFFCE and #8CFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43F39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43F39A shade: #43F39A, #32E187, #21CF74, #10BD61 and #00AB4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43F39A shade: #44F39A, #44F36B, #4BF344, #7BF344 and #AAF344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43F39A shade: #44F39A, #44F3C9, #44EDF3, #44BDF3 and #448EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43F39A shade matches the following richer shades: #44F39A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43F39A shade: #44F39A, #54E29A, #64D29A, #74C29B and #84B29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43F39A shade: #4CF344, #44F369, #44F398, #44F3C7 and #44F0F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43F39A shade: #0DD671, #1DF085, #44F39A, #6AF5AF and #91F8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43F39A shade: #43F39A, #447BF3 and #F35244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43F39A shade: #43F39A, #9844F3 and #F39844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43F39A shade: #43F39A, #447BF3, #F3449E and #F3BB44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43F39A shade: #43F39A, #4446F3, #F3449E and #F3F044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

Complementary color

CMYK 0 / 94 / 46 / 26

HEX #BC0C65

RGB 188 12 101

HSL 329.66, 0.88%, 0.39%

LAB 41.05, 66.67, -1.09

 

CMYK 70 / 0 / 39 / 5

HEX #48F395

RGB 72 243 149

HSL 147.02, 0.88%, 0.62%

LAB 85.83, -63.77, 33.08

 

CMYK 65 / 0 / 34 / 0

HEX #59FFA8

RGB 89 255 168

HSL 148.55, 1%, 0.67%

LAB 90.08, -61.99, 29.28

 

CMYK 58 / 0 / 27 / 0

HEX #6AFFBB

RGB 106 255 187

HSL 152.62, 1%, 0.71%

LAB 90.86, -55.16, 20.79

 

CMYK 52 / 0 / 19 / 0

HEX #7BFFCE

RGB 123 255 206

HSL 157.73, 1%, 0.74%

LAB 91.77, -47.69, 12.4

 

CMYK 45 / 0 / 12 / 0

HEX #8CFFE1

RGB 140 255 225

HSL 164.35, 1%, 0.77%

LAB 92.81, -39.69, 4.18

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 78 / 0 / 40 / 12

HEX #32E187

RGB 50 225 135

HSL 149.14, 0.74%, 0.54%

LAB 79.77, -62.76, 32.06

 

CMYK 84 / 0 / 44 / 19

HEX #21CF74

RGB 33 207 116

HSL 148.62, 0.73%, 0.47%

LAB 73.68, -61.6, 33.7

 

CMYK 92 / 0 / 49 / 26

HEX #10BD61

RGB 16 189 97

HSL 148.09, 0.84%, 0.4%

LAB 67.55, -59.95, 35.44

 

CMYK 100 / 0 / 54 / 33

HEX #00AB4E

RGB 0 171 78

HSL 147.37, 1%, 0.34%

LAB 61.37, -57.79, 37.26

 

CMYK 72 / 0 / 37 / 5

HEX #44F39A

RGB 68 243 154

HSL 149.49, 0.88%, 0.61%

LAB 85.84, -63.43, 30.56

 

CMYK 72 / 0 / 56 / 5

HEX #44F36B

RGB 68 243 107

HSL 133.37, 0.88%, 0.61%

LAB 85.2, -70.82, 52.38

 

CMYK 69 / 0 / 72 / 5

HEX #4BF344

RGB 75 243 68

HSL 117.6, 0.88%, 0.61%

LAB 85, -73.61, 67.92

 

CMYK 49 / 0 / 72 / 5

HEX #7BF344

RGB 123 243 68

HSL 101.14, 0.88%, 0.61%

LAB 86.37, -62.65, 69.74

 

CMYK 30 / 0 / 72 / 5

HEX #AAF344

RGB 170 243 68

HSL 85.03, 0.88%, 0.61%

LAB 88.48, -47.6, 72.54

 

CMYK 72 / 0 / 37 / 5

HEX #44F39A

RGB 68 243 154

HSL 149.49, 0.88%, 0.61%

LAB 85.84, -63.43, 30.56

 

CMYK 72 / 0 / 17 / 5

HEX #44F3C9

RGB 68 243 201

HSL 165.6, 0.88%, 0.61%

LAB 86.77, -53.36, 7.67

 

CMYK 72 / 2 / 0 / 5

HEX #44EDF3

RGB 68 237 243

HSL 182.06, 0.88%, 0.61%

LAB 86.14, -39.76, -15.27

 

CMYK 72 / 22 / 0 / 5

HEX #44BDF3

RGB 68 189 243

HSL 198.51, 0.88%, 0.61%

LAB 72.29, -16.28, -36.42

 

CMYK 72 / 42 / 0 / 5

HEX #448EF3

RGB 68 142 243

HSL 214.63, 0.88%, 0.61%

LAB 59.02, 10.27, -57.33

 

CMYK 72 / 0 / 37 / 5

HEX #44F39A

RGB 68 243 154

HSL 149.49, 0.88%, 0.61%

LAB 85.84, -63.43, 30.56

 

CMYK 72 / 0 / 37 / 5

HEX #44F39A

RGB 68 243 154

HSL 149.49, 0.88%, 0.61%

LAB 85.84, -63.43, 30.56

 

CMYK 63 / 0 / 32 / 11

HEX #54E29A

RGB 84 226 154

HSL 149.58, 0.71%, 0.61%

LAB 81.08, -54.39, 24.19

 

CMYK 52 / 0 / 27 / 18

HEX #64D29A

RGB 100 210 154

HSL 149.45, 0.55%, 0.61%

LAB 76.76, -44.43, 18.33

 

CMYK 40 / 0 / 20 / 24

HEX #74C29B

RGB 116 194 155

HSL 150, 0.39%, 0.61%

LAB 72.67, -32.88, 12.16

 

CMYK 26 / 0 / 13 / 30

HEX #84B29B

RGB 132 178 155

HSL 150, 0.23%, 0.61%

LAB 68.83, -20.19, 6.81

 

CMYK 69 / 0 / 72 / 5

HEX #4CF344

RGB 76 243 68

HSL 117.26, 0.88%, 0.61%

LAB 85.02, -73.44, 67.95

 

CMYK 72 / 0 / 57 / 5

HEX #44F369

RGB 68 243 105

HSL 132.69, 0.88%, 0.61%

LAB 85.17, -71.07, 53.25

 

CMYK 72 / 0 / 37 / 5

HEX #44F398

RGB 68 243 152

HSL 148.8, 0.88%, 0.61%

LAB 85.8, -63.8, 31.53

 

CMYK 72 / 0 / 18 / 5

HEX #44F3C7

RGB 68 243 199

HSL 164.91, 0.88%, 0.61%

LAB 86.73, -53.84, 8.65

 

CMYK 72 / 1 / 0 / 5

HEX #44F0F3

RGB 68 240 243

HSL 181.03, 0.88%, 0.61%

LAB 87.01, -41.12, -13.97

 

CMYK 94 / 0 / 47 / 16

HEX #0DD671

RGB 13 214 113

HSL 149.85, 0.89%, 0.45%

LAB 75.68, -65.71, 37.73

 

CMYK 88 / 0 / 45 / 6

HEX #1DF085

RGB 29 240 133

HSL 149.57, 0.88%, 0.53%

LAB 84.11, -70.07, 38.66

 

CMYK 72 / 0 / 37 / 5

HEX #44F39A

RGB 68 243 154

HSL 149.49, 0.88%, 0.61%

LAB 85.84, -63.43, 30.56

 

CMYK 57 / 0 / 29 / 4

HEX #6AF5AF

RGB 106 245 175

HSL 149.78, 0.87%, 0.69%

LAB 87.71, -53.51, 22.57

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 72 / 49 / 0 / 5

HEX #447BF3

RGB 68 123 243

HSL 221.14, 0.88%, 0.61%

LAB 53.88, 21.86, -65.57

 

CMYK 0 / 66 / 72 / 5

HEX #F35244

RGB 243 82 68

HSL 4.8, 0.88%, 0.61%

LAB 57.57, 60.77, 42.28

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 37 / 72 / 0 / 5

HEX #9844F3

RGB 152 68 243

HSL 268.8, 0.88%, 0.61%

LAB 48.61, 66.39, -73.82

 

CMYK 0 / 37 / 72 / 5

HEX #F39844

RGB 243 152 68

HSL 28.8, 0.88%, 0.61%

LAB 70.82, 27.32, 56.64

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 72 / 49 / 0 / 5

HEX #447BF3

RGB 68 123 243

HSL 221.14, 0.88%, 0.61%

LAB 53.88, 21.86, -65.57

 

CMYK 0 / 72 / 35 / 5

HEX #F3449E

RGB 243 68 158

HSL 329.14, 0.88%, 0.61%

LAB 57.71, 72.56, -9.81

 

CMYK 0 / 23 / 72 / 5

HEX #F3BB44

RGB 243 187 68

HSL 40.8, 0.88%, 0.61%

LAB 79.05, 8.91, 65.02

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 72 / 71 / 0 / 5

HEX #4446F3

RGB 68 70 243

HSL 239.31, 0.88%, 0.61%

LAB 41.34, 53.91, -86.03

 

CMYK 0 / 72 / 35 / 5

HEX #F3449E

RGB 243 68 158

HSL 329.14, 0.88%, 0.61%

LAB 57.71, 72.56, -9.81

 

CMYK 0 / 1 / 72 / 5

HEX #F3F044

RGB 243 240 68

HSL 58.97, 0.88%, 0.61%

LAB 92.48, -17.87, 78.07

 

Description

Color code: HEX #43F39A | qconv.com Color code: HEX #43F39A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 243 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 243 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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