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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 112 11 it is the complementary color RGB 136 143 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 112 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 112 11 shade: RGB 124 112 6, RGB 141 130 25, RGB 158 148 44, RGB 175 166 63 and RGB 192 184 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 112 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 112 11 shade: RGB 119 112 11, RGB 102 94 0, RGB 85 76 0, RGB 68 58 0 and RGB 51 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 112 11 shade: RGB 116 109 10, RGB 116 81 10, RGB 116 52 10, RGB 116 24 10 and RGB 116 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 112 11 shade: RGB 116 109 10, RGB 94 116 10, RGB 66 116 10, RGB 37 116 10 and RGB 10 116 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 112 11 shade matches the following richer shades: RGB 116 109 10 and RGB 126 118 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 112 11 shade: RGB 116 109 10, RGB 106 100 21, RGB 96 91 31, RGB 85 82 41 and RGB 75 73 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 112 11 shade: RGB 116 53 10, RGB 116 81 10, RGB 116 109 10, RGB 95 116 10 and RGB 67 116 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 112 11 shade: RGB 41 38 3, RGB 78 74 7, RGB 116 109 10, RGB 154 145 14 and RGB 192 180 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 112 11 shade: RGB 119 112 11, RGB 10 116 24 and RGB 67 10 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 112 11 shade: RGB 119 112 11, RGB 10 116 109 and RGB 109 10 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 112 11 shade: RGB 119 112 11, RGB 10 116 24, RGB 10 17 116 and RGB 116 10 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 112 11 shade: RGB 119 112 11, RGB 10 116 56, RGB 10 17 116 and RGB 116 10 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

Complementary color

CMYK 44 / 41 / 0 / 4

HEX #888FF4

RGB 136 143 244

HSL 236.11, 0.83%, 0.75%

LAB 62.85, 22.9, -51.56

 

CMYK 0 / 10 / 95 / 51

HEX #7C7006

RGB 124 112 6

HSL 53.9, 0.91%, 0.25%

LAB 46.83, -5.87, 51.52

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 0 / 6 / 72 / 38

HEX #9E942C

RGB 158 148 44

HSL 54.74, 0.56%, 0.4%

LAB 60.45, -8.57, 53.32

 

CMYK 0 / 5 / 64 / 31

HEX #AFA63F

RGB 175 166 63

HSL 55.18, 0.47%, 0.47%

LAB 67.09, -9.52, 52.72

 

CMYK 0 / 4 / 57 / 25

HEX #C0B852

RGB 192 184 82

HSL 55.64, 0.47%, 0.54%

LAB 73.61, -10.3, 51.78

 

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

CMYK 0 / 8 / 100 / 60

HEX #665E00

RGB 102 94 0

HSL 55.29, 1%, 0.2%

LAB 39.29, -6.44, 46.44

 

CMYK 0 / 11 / 100 / 67

HEX #554C00

RGB 85 76 0

HSL 53.65, 1%, 0.17%

LAB 32.03, -4.36, 40.43

 

CMYK 0 / 15 / 100 / 73

HEX #443A00

RGB 68 58 0

HSL 51.18, 1%, 0.13%

LAB 24.5, -2.15, 33.43

 

CMYK 0 / 22 / 100 / 80

HEX #332800

RGB 51 40 0

HSL 47.06, 1%, 0.1%

LAB 16.61, 0.28, 24.1

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 0 / 30 / 91 / 55

HEX #74510A

RGB 116 81 10

HSL 40.19, 0.84%, 0.25%

LAB 37.15, 8.5, 42.59

 

CMYK 0 / 55 / 91 / 55

HEX #74340A

RGB 116 52 10

HSL 23.77, 0.84%, 0.25%

LAB 29.89, 25.67, 36.75

 

CMYK 0 / 79 / 91 / 55

HEX #74180A

RGB 116 24 10

HSL 7.92, 0.84%, 0.25%

LAB 24.92, 38.9, 32.45

 

CMYK 0 / 91 / 91 / 55

HEX #740A0A

RGB 116 10 10

HSL 0, 0.84%, 0.25%

LAB 23.51, 42.86, 31.07

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 19 / 0 / 91 / 55

HEX #5E740A

RGB 94 116 10

HSL 72.45, 0.84%, 0.25%

LAB 45.49, -21.99, 48.52

 

CMYK 43 / 0 / 91 / 55

HEX #42740A

RGB 66 116 10

HSL 88.3, 0.84%, 0.25%

LAB 43.76, -33.57, 46.37

 

CMYK 68 / 0 / 91 / 55

HEX #25740A

RGB 37 116 10

HSL 104.72, 0.84%, 0.25%

LAB 42.62, -42.47, 44.95

 

CMYK 91 / 0 / 90 / 55

HEX #0A740C

RGB 10 116 12

HSL 121.13, 0.84%, 0.25%

LAB 42.13, -46.74, 43.85

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 0 / 6 / 100 / 51

HEX #7E7600

RGB 126 118 0

HSL 56.19, 1%, 0.25%

LAB 48.75, -8.4, 54.33

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 0 / 6 / 80 / 58

HEX #6A6415

RGB 106 100 21

HSL 55.76, 0.67%, 0.25%

LAB 41.58, -7.26, 42.36

 

CMYK 0 / 5 / 68 / 62

HEX #605B1F

RGB 96 91 31

HSL 55.38, 0.51%, 0.25%

LAB 37.96, -6.3, 34.18

 

CMYK 0 / 4 / 52 / 67

HEX #555229

RGB 85 82 41

HSL 55.91, 0.35%, 0.25%

LAB 34.24, -5.36, 24.34

 

CMYK 0 / 3 / 31 / 71

HEX #4B4934

RGB 75 73 52

HSL 54.78, 0.18%, 0.25%

LAB 30.66, -3.11, 12.91

 

CMYK 0 / 54 / 91 / 55

HEX #74350A

RGB 116 53 10

HSL 24.34, 0.84%, 0.25%

LAB 30.11, 25.11, 36.93

 

CMYK 0 / 30 / 91 / 55

HEX #74510A

RGB 116 81 10

HSL 40.19, 0.84%, 0.25%

LAB 37.15, 8.5, 42.59

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 18 / 0 / 91 / 55

HEX #5F740A

RGB 95 116 10

HSL 71.89, 0.84%, 0.25%

LAB 45.56, -21.54, 48.61

 

CMYK 42 / 0 / 91 / 55

HEX #43740A

RGB 67 116 10

HSL 87.74, 0.84%, 0.25%

LAB 43.81, -33.2, 46.44

 

CMYK 0 / 7 / 93 / 84

HEX #292603

RGB 41 38 3

HSL 55.26, 0.86%, 0.09%

LAB 14.76, -3.8, 20.29

 

CMYK 0 / 5 / 91 / 69

HEX #4E4A07

RGB 78 74 7

HSL 56.62, 0.84%, 0.17%

LAB 30.72, -6.48, 36.47

 

CMYK 0 / 6 / 91 / 55

HEX #746D0A

RGB 116 109 10

HSL 56.04, 0.84%, 0.25%

LAB 45.18, -7.92, 49.03

 

CMYK 0 / 6 / 91 / 40

HEX #9A910E

RGB 154 145 14

HSL 56.14, 0.83%, 0.33%

LAB 59.12, -9.81, 60.79

 

CMYK 0 / 6 / 91 / 25

HEX #C0B411

RGB 192 180 17

HSL 55.89, 0.84%, 0.41%

LAB 72.15, -11.12, 71.91

 

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

CMYK 91 / 0 / 79 / 55

HEX #0A7418

RGB 10 116 24

HSL 127.92, 0.84%, 0.25%

LAB 42.19, -45.97, 40.21

 

CMYK 42 / 91 / 0 / 55

HEX #430A74

RGB 67 10 116

HSL 272.26, 0.84%, 0.25%

LAB 18.68, 44.81, -47.37

 

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

CMYK 91 / 0 / 6 / 55

HEX #0A746D

RGB 10 116 109

HSL 176.04, 0.84%, 0.25%

LAB 43.74, -28.51, -3.89

 

CMYK 6 / 91 / 0 / 55

HEX #6D0A74

RGB 109 10 116

HSL 296.04, 0.84%, 0.25%

LAB 25.95, 51.78, -35.22

 

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

CMYK 91 / 0 / 79 / 55

HEX #0A7418

RGB 10 116 24

HSL 127.92, 0.84%, 0.25%

LAB 42.19, -45.97, 40.21

 

CMYK 91 / 85 / 0 / 55

HEX #0A1174

RGB 10 17 116

HSL 236.04, 0.84%, 0.25%

LAB 13.98, 36.77, -55.31

 

CMYK 0 / 91 / 12 / 55

HEX #740A66

RGB 116 10 102

HSL 307.92, 0.84%, 0.25%

LAB 26.42, 50.9, -25.35

 

CMYK 0 / 6 / 91 / 53

HEX #77700B

RGB 119 112 11

HSL 56.11, 0.83%, 0.25%

LAB 46.36, -8.15, 49.88

 

CMYK 91 / 0 / 52 / 55

HEX #0A7438

RGB 10 116 56

HSL 146.04, 0.84%, 0.25%

LAB 42.52, -41.83, 25.45

 

CMYK 91 / 85 / 0 / 55

HEX #0A1174

RGB 10 17 116

HSL 236.04, 0.84%, 0.25%

LAB 13.98, 36.77, -55.31

 

CMYK 0 / 91 / 40 / 55

HEX #740A46

RGB 116 10 70

HSL 326.04, 0.84%, 0.25%

LAB 24.87, 46.72, -6.46

 

Description

Color code: RGB 119 112 11 | qconv.com Color code: RGB 119 112 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 112 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 112 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 91 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 91% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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