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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D8219 it is the complementary color #727DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D8219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D8219 shade: #928214, #A39427, #B4A63A, #C5B84D and #D6CA60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D8219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D8219 shade: #8D8219, #7C7006, #6B5E00, #5A4C00 and #493A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D8219 shade: #8F8319, #8F6419, #8F4419, #8F2419 and #8F1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D8219 shade: #8F8319, #7A8F19, #5A8F19, #3A8F19 and #1B8F19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D8219 shade matches the following richer shades: #8F8319 and #9C8E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D8219 shade: #8F8319, #817826, #736D34, #666242 and #58574F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D8219 shade: #8F4419, #8F6319, #8F8319, #7B8F19 and #5C8F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D8219 shade: #48430C, #6B6313, #8F8319, #B2A41F and #D5C425

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D8219 shade: #8D8219, #198F25 and #54198F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D8219 shade: #8D8219, #198F83 and #83198F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D8219 shade: #8D8219, #198F25, #19258F and #8F1983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D8219 shade: #8D8219, #198F48, #19258F and #8F195F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

Complementary color

CMYK 50 / 46 / 0 / 10

HEX #727DE6

RGB 114 125 230

HSL 234.31, 0.7%, 0.67%

LAB 56.05, 24.34, -54.72

 

CMYK 0 / 11 / 86 / 43

HEX #928214

RGB 146 130 20

HSL 52.38, 0.76%, 0.33%

LAB 54.16, -5.21, 55.15

 

CMYK 0 / 9 / 76 / 36

HEX #A39427

RGB 163 148 39

HSL 52.74, 0.61%, 0.4%

LAB 60.88, -6.56, 55.75

 

CMYK 0 / 8 / 68 / 29

HEX #B4A63A

RGB 180 166 58

HSL 53.11, 0.51%, 0.47%

LAB 67.49, -7.65, 55.4

 

CMYK 0 / 7 / 61 / 23

HEX #C5B84D

RGB 197 184 77

HSL 53.5, 0.51%, 0.54%

LAB 73.99, -8.55, 54.58

 

CMYK 0 / 6 / 55 / 16

HEX #D6CA60

RGB 214 202 96

HSL 53.9, 0.59%, 0.61%

LAB 80.39, -9.29, 53.55

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 0 / 10 / 95 / 51

HEX #7C7006

RGB 124 112 6

HSL 53.9, 0.91%, 0.25%

LAB 46.83, -5.87, 51.52

 

CMYK 0 / 12 / 100 / 58

HEX #6B5E00

RGB 107 94 0

HSL 52.71, 1%, 0.21%

LAB 39.8, -3.96, 47.04

 

CMYK 0 / 16 / 100 / 65

HEX #5A4C00

RGB 90 76 0

HSL 50.67, 1%, 0.18%

LAB 32.57, -1.8, 41.06

 

CMYK 0 / 21 / 100 / 71

HEX #493A00

RGB 73 58 0

HSL 47.67, 1%, 0.14%

LAB 25.08, 0.53, 34.19

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 0 / 30 / 83 / 44

HEX #8F6419

RGB 143 100 25

HSL 38.14, 0.7%, 0.33%

LAB 45.67, 10.62, 46.1

 

CMYK 0 / 52 / 83 / 44

HEX #8F4419

RGB 143 68 25

HSL 21.86, 0.7%, 0.33%

LAB 37.92, 28.91, 38.97

 

CMYK 0 / 75 / 83 / 44

HEX #8F2419

RGB 143 36 25

HSL 5.59, 0.7%, 0.33%

LAB 32.19, 44.03, 33.46

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 15 / 0 / 83 / 44

HEX #7A8F19

RGB 122 143 25

HSL 70.68, 0.7%, 0.33%

LAB 55.94, -22.83, 54.51

 

CMYK 37 / 0 / 83 / 44

HEX #5A8F19

RGB 90 143 25

HSL 86.95, 0.7%, 0.33%

LAB 53.91, -35.93, 51.92

 

CMYK 59 / 0 / 83 / 44

HEX #3A8F19

RGB 58 143 25

HSL 103.22, 0.7%, 0.33%

LAB 52.53, -46.34, 50.15

 

CMYK 81 / 0 / 83 / 44

HEX #1B8F19

RGB 27 143 25

HSL 118.98, 0.7%, 0.33%

LAB 51.78, -52.62, 49.18

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 0 / 9 / 93 / 39

HEX #9C8E0B

RGB 156 142 11

HSL 54.21, 0.87%, 0.33%

LAB 58.45, -7.34, 60.87

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 0 / 7 / 71 / 49

HEX #817826

RGB 129 120 38

HSL 54.07, 0.54%, 0.33%

LAB 49.79, -6.8, 44.25

 

CMYK 0 / 5 / 55 / 55

HEX #736D34

RGB 115 109 52

HSL 54.29, 0.38%, 0.33%

LAB 45.4, -6, 32.3

 

CMYK 0 / 4 / 35 / 60

HEX #666242

RGB 102 98 66

HSL 53.33, 0.21%, 0.33%

LAB 41.14, -3.9, 18.82

 

CMYK 0 / 1 / 10 / 65

HEX #58574F

RGB 88 87 79

HSL 53.33, 0.05%, 0.33%

LAB 36.85, -1.22, 4.79

 

CMYK 0 / 52 / 83 / 44

HEX #8F4419

RGB 143 68 25

HSL 21.86, 0.7%, 0.33%

LAB 37.92, 28.91, 38.97

 

CMYK 0 / 31 / 83 / 44

HEX #8F6319

RGB 143 99 25

HSL 37.63, 0.7%, 0.33%

LAB 45.41, 11.2, 45.86

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 14 / 0 / 83 / 44

HEX #7B8F19

RGB 123 143 25

HSL 70.17, 0.7%, 0.33%

LAB 56.01, -22.39, 54.6

 

CMYK 36 / 0 / 83 / 44

HEX #5C8F19

RGB 92 143 25

HSL 85.93, 0.7%, 0.33%

LAB 54.02, -35.18, 52.06

 

CMYK 0 / 7 / 83 / 72

HEX #48430C

RGB 72 67 12

HSL 55, 0.71%, 0.16%

LAB 27.9, -5.09, 31.88

 

CMYK 0 / 7 / 82 / 58

HEX #6B6313

RGB 107 99 19

HSL 54.55, 0.7%, 0.25%

LAB 41.37, -6.28, 42.91

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 0 / 8 / 83 / 30

HEX #B2A41F

RGB 178 164 31

HSL 54.29, 0.7%, 0.41%

LAB 66.61, -8.66, 63.92

 

CMYK 0 / 8 / 83 / 16

HEX #D5C425

RGB 213 196 37

HSL 54.2, 0.7%, 0.49%

LAB 78.32, -9.73, 73.54

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 83 / 0 / 74 / 44

HEX #198F25

RGB 25 143 37

HSL 126.1, 0.7%, 0.33%

LAB 51.82, -51.98, 45.07

 

CMYK 41 / 83 / 0 / 44

HEX #54198F

RGB 84 25 143

HSL 270, 0.7%, 0.33%

LAB 25.45, 48.9, -53.24

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 83 / 0 / 8 / 44

HEX #198F83

RGB 25 143 131

HSL 173.9, 0.7%, 0.33%

LAB 53.48, -33.44, -2.45

 

CMYK 8 / 83 / 0 / 44

HEX #83198F

RGB 131 25 143

HSL 293.9, 0.7%, 0.33%

LAB 32.93, 57.29, -40.77

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 83 / 0 / 74 / 44

HEX #198F25

RGB 25 143 37

HSL 126.1, 0.7%, 0.33%

LAB 51.82, -51.98, 45.07

 

CMYK 83 / 74 / 0 / 44

HEX #19258F

RGB 25 37 143

HSL 233.9, 0.7%, 0.33%

LAB 21.99, 35.56, -59.13

 

CMYK 0 / 83 / 8 / 44

HEX #8F1983

RGB 143 25 131

HSL 306.1, 0.7%, 0.33%

LAB 34.34, 57.77, -30.95

 

CMYK 0 / 8 / 82 / 45

HEX #8D8219

RGB 141 130 25

HSL 54.31, 0.7%, 0.33%

LAB 53.71, -7.37, 53.15

 

CMYK 83 / 0 / 50 / 44

HEX #198F48

RGB 25 143 72

HSL 143.9, 0.7%, 0.33%

LAB 52.2, -47.42, 29.02

 

CMYK 83 / 74 / 0 / 44

HEX #19258F

RGB 25 37 143

HSL 233.9, 0.7%, 0.33%

LAB 21.99, 35.56, -59.13

 

CMYK 0 / 83 / 34 / 44

HEX #8F195F

RGB 143 25 95

HSL 324.41, 0.7%, 0.33%

LAB 32.62, 52.87, -10.78

 

Description

Color code: HEX #8D8219 | qconv.com Color code: HEX #8D8219 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 130 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 130 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 82% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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