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Color name
RGB 118 126 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 126 42 it is the complementary color RGB 137 129 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 126 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 126 42 shade: RGB 123 126 37, RGB 140 144 56, RGB 157 162 75, RGB 174 180 94 and RGB 191 198 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 126 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 101 108 23, RGB 84 90 4, RGB 67 72 0 and RGB 50 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 126 111 42, RGB 126 88 42, RGB 126 66 42 and RGB 126 43 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 95 126 42, RGB 72 126 42, RGB 50 126 42 and RGB 42 126 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 126 42 shade matches the following richer shades: RGB 118 126 42, RGB 129 139 28, RGB 140 153 14 and RGB 151 167 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 107 112 55, RGB 96 98 69, RGB 85 85 82 and RGB 74 71 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 126 42 shade: RGB 126 88 42, RGB 126 110 42, RGB 119 126 42, RGB 96 126 42 and RGB 74 126 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 126 42 shade: RGB 60 64 21, RGB 89 95 31, RGB 118 126 42, RGB 147 157 52 and RGB 176 188 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 42 126 65 and RGB 99 42 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 42 119 126 and RGB 126 42 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 42 126 65, RGB 49 42 126 and RGB 126 42 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 126 42 shade: RGB 118 126 42, RGB 42 126 91, RGB 49 42 126 and RGB 126 42 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

Complementary color

CMYK 36 / 39 / 0 / 16

HEX #8981D5

RGB 137 129 213

HSL 245.71, 0.5%, 0.67%

LAB 57.87, 22.7, -42.2

 

CMYK 2 / 0 / 71 / 51

HEX #7B7E25

RGB 123 126 37

HSL 62.02, 0.55%, 0.32%

LAB 51, -12.92, 45.72

 

CMYK 3 / 0 / 61 / 44

HEX #8C9038

RGB 140 144 56

HSL 62.73, 0.44%, 0.39%

LAB 57.85, -13.67, 45.03

 

CMYK 3 / 0 / 54 / 36

HEX #9DA24B

RGB 157 162 75

HSL 63.45, 0.37%, 0.46%

LAB 64.58, -14.25, 43.99

 

CMYK 3 / 0 / 48 / 29

HEX #AEB45E

RGB 174 180 94

HSL 64.19, 0.36%, 0.54%

LAB 71.18, -14.69, 42.83

 

CMYK 4 / 0 / 43 / 22

HEX #BFC671

RGB 191 198 113

HSL 64.94, 0.43%, 0.61%

LAB 77.67, -15.04, 41.65

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 6 / 0 / 79 / 58

HEX #656C17

RGB 101 108 23

HSL 64.94, 0.65%, 0.26%

LAB 43.59, -14.03, 43.33

 

CMYK 7 / 0 / 96 / 65

HEX #545A04

RGB 84 90 4

HSL 64.19, 0.91%, 0.18%

LAB 36.38, -12.9, 42.31

 

CMYK 7 / 0 / 100 / 72

HEX #434800

RGB 67 72 0

HSL 64.17, 1%, 0.14%

LAB 28.97, -11.22, 37.36

 

CMYK 7 / 0 / 100 / 79

HEX #323600

RGB 50 54 0

HSL 64.44, 1%, 0.11%

LAB 21.27, -9.32, 29.5

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 0 / 12 / 67 / 51

HEX #7E6F2A

RGB 126 111 42

HSL 49.29, 0.5%, 0.33%

LAB 46.94, -2.85, 39.37

 

CMYK 0 / 30 / 67 / 51

HEX #7E582A

RGB 126 88 42

HSL 32.86, 0.5%, 0.33%

LAB 40.54, 10.62, 32.32

 

CMYK 0 / 48 / 67 / 51

HEX #7E422A

RGB 126 66 42

HSL 17.14, 0.5%, 0.33%

LAB 35, 23.61, 25.88

 

CMYK 0 / 66 / 67 / 51

HEX #7E2B2A

RGB 126 43 42

HSL 0.71, 0.5%, 0.33%

LAB 30.23, 35.87, 20.04

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 25 / 0 / 67 / 51

HEX #5F7E2A

RGB 95 126 42

HSL 82.14, 0.5%, 0.33%

LAB 48.91, -24.86, 40.73

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 60 / 0 / 67 / 51

HEX #327E2A

RGB 50 126 42

HSL 114.29, 0.5%, 0.33%

LAB 46.67, -40.59, 37.65

 

CMYK 67 / 0 / 56 / 51

HEX #2A7E38

RGB 42 126 56

HSL 130, 0.5%, 0.33%

LAB 46.58, -40.75, 30.58

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 7 / 0 / 80 / 45

HEX #818B1C

RGB 129 139 28

HSL 65.41, 0.66%, 0.33%

LAB 55.29, -17.56, 53.24

 

CMYK 8 / 0 / 91 / 40

HEX #8C990E

RGB 140 153 14

HSL 65.61, 0.83%, 0.33%

LAB 60.24, -20.3, 61.19

 

CMYK 10 / 0 / 99 / 35

HEX #97A701

RGB 151 167 1

HSL 65.78, 0.99%, 0.33%

LAB 65.14, -22.73, 67.18

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 4 / 0 / 51 / 56

HEX #6B7037

RGB 107 112 55

HSL 65.26, 0.34%, 0.33%

LAB 45.62, -11.02, 30.79

 

CMYK 2 / 0 / 30 / 62

HEX #606245

RGB 96 98 69

HSL 64.14, 0.17%, 0.33%

LAB 40.66, -6.1, 16.29

 

CMYK 0 / 0 / 4 / 67

HEX #555552

RGB 85 85 82

HSL 60, 0.02%, 0.33%

LAB 36.06, -0.63, 1.74

 

CMYK 23 / 26 / 0 / 62

HEX #4A4760

RGB 74 71 96

HSL 247.2, 0.15%, 0.33%

LAB 31.36, 7.3, -14.23

 

CMYK 0 / 30 / 67 / 51

HEX #7E582A

RGB 126 88 42

HSL 32.86, 0.5%, 0.33%

LAB 40.54, 10.62, 32.32

 

CMYK 0 / 13 / 67 / 51

HEX #7E6E2A

RGB 126 110 42

HSL 48.57, 0.5%, 0.33%

LAB 46.65, -2.28, 39.07

 

CMYK 6 / 0 / 67 / 51

HEX #777E2A

RGB 119 126 42

HSL 65, 0.5%, 0.33%

LAB 50.7, -14.41, 43.17

 

CMYK 24 / 0 / 67 / 51

HEX #607E2A

RGB 96 126 42

HSL 81.43, 0.5%, 0.33%

LAB 48.98, -24.44, 40.83

 

CMYK 41 / 0 / 67 / 51

HEX #4A7E2A

RGB 74 126 42

HSL 97.14, 0.5%, 0.33%

LAB 47.68, -33.04, 39.05

 

CMYK 6 / 0 / 67 / 75

HEX #3C4015

RGB 60 64 21

HSL 65.58, 0.51%, 0.17%

LAB 25.81, -8.75, 25.1

 

CMYK 6 / 0 / 67 / 63

HEX #595F1F

RGB 89 95 31

HSL 65.63, 0.51%, 0.25%

LAB 38.56, -11.95, 34.63

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 6 / 0 / 67 / 38

HEX #939D34

RGB 147 157 52

HSL 65.71, 0.5%, 0.41%

LAB 62.14, -17.69, 51.5

 

CMYK 6 / 0 / 67 / 26

HEX #B0BC3E

RGB 176 188 62

HSL 65.71, 0.5%, 0.49%

LAB 73.25, -20.41, 59.58

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 67 / 0 / 48 / 51

HEX #2A7E41

RGB 42 126 65

HSL 136.43, 0.5%, 0.33%

LAB 46.71, -39.3, 25.92

 

CMYK 21 / 67 / 0 / 51

HEX #632A7E

RGB 99 42 126

HSL 280.71, 0.5%, 0.33%

LAB 28.94, 40.26, -36.86

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 67 / 6 / 0 / 51

HEX #2A777E

RGB 42 119 126

HSL 185, 0.5%, 0.33%

LAB 45.9, -20.81, -10.77

 

CMYK 0 / 67 / 6 / 51

HEX #7E2A77

RGB 126 42 119

HSL 305, 0.5%, 0.33%

LAB 32.75, 45.89, -26.14

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 67 / 0 / 48 / 51

HEX #2A7E41

RGB 42 126 65

HSL 136.43, 0.5%, 0.33%

LAB 46.71, -39.3, 25.92

 

CMYK 61 / 67 / 0 / 51

HEX #312A7E

RGB 49 42 126

HSL 245, 0.5%, 0.33%

LAB 23.05, 29.21, -46.67

 

CMYK 0 / 67 / 19 / 51

HEX #7E2A66

RGB 126 42 102

HSL 317.14, 0.5%, 0.33%

LAB 31.92, 43.08, -16.63

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 67 / 0 / 28 / 51

HEX #2A7E5B

RGB 42 126 91

HSL 155, 0.5%, 0.33%

LAB 47.2, -33.98, 11.82

 

CMYK 61 / 67 / 0 / 51

HEX #312A7E

RGB 49 42 126

HSL 245, 0.5%, 0.33%

LAB 23.05, 29.21, -46.67

 

CMYK 0 / 67 / 39 / 51

HEX #7E2A4D

RGB 126 42 77

HSL 335, 0.5%, 0.33%

LAB 30.94, 39.62, -1.89

 

Description

Color code: RGB 118 126 42 | qconv.com Color code: RGB 118 126 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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