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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487E2A it is the complementary color #B781D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487E2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487E2A shade: #4D7E25, #5E9038, #6FA24B, #80B45E and #91C671

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487E2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487E2A shade: #487E2A, #376C17, #265A04, #154800 and #043600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487E2A shade: #487E2A, #5E7E2A, #757E2A, #7E702A and #7E592A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487E2A shade: #487E2A, #317E2A, #2A7E39, #2A7E50 and #2A7E66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487E2A shade matches the following richer shades: #487E2A, #448B1C, #40990E and #3CA701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487E2A shade: #487E2A, #4C7037, #4F6245, #535552 and #574760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487E2A shade: #757E2A, #5F7E2A, #487E2A, #327E2A and #2A7E38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487E2A shade: #244015, #365F1F, #487E2A, #599D34 and #6BBC3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487E2A shade: #487E2A, #2A7E70 and #7E2A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487E2A shade: #487E2A, #2A487E and #7E2A48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487E2A shade: #487E2A, #2A7E70, #5F2A7E and #7E2A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487E2A shade: #487E2A, #2A737E, #5F2A7E and #7E352A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

Complementary color

CMYK 14 / 39 / 0 / 16

HEX #B781D5

RGB 183 129 213

HSL 278.57, 0.5%, 0.67%

LAB 62.14, 35.95, -35.19

 

CMYK 39 / 0 / 71 / 51

HEX #4D7E25

RGB 77 126 37

HSL 93.03, 0.55%, 0.32%

LAB 47.79, -32.39, 41.42

 

CMYK 35 / 0 / 61 / 44

HEX #5E9038

RGB 94 144 56

HSL 94.09, 0.44%, 0.39%

LAB 54.67, -32.6, 40.6

 

CMYK 31 / 0 / 54 / 36

HEX #6FA24B

RGB 111 162 75

HSL 95.17, 0.37%, 0.46%

LAB 61.42, -32.66, 39.49

 

CMYK 29 / 0 / 48 / 29

HEX #80B45E

RGB 128 180 94

HSL 96.28, 0.36%, 0.54%

LAB 68.05, -32.61, 38.29

 

CMYK 27 / 0 / 43 / 22

HEX #91C671

RGB 145 198 113

HSL 97.41, 0.43%, 0.61%

LAB 74.57, -32.52, 37.09

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 49 / 0 / 79 / 58

HEX #376C17

RGB 55 108 23

HSL 97.41, 0.65%, 0.26%

LAB 40.57, -33.34, 39.39

 

CMYK 58 / 0 / 96 / 65

HEX #265A04

RGB 38 90 4

HSL 96.28, 0.91%, 0.18%

LAB 33.42, -32.44, 38.67

 

CMYK 71 / 0 / 100 / 72

HEX #154800

RGB 21 72 0

HSL 102.5, 1%, 0.14%

LAB 26.14, -30.47, 33.81

 

CMYK 93 / 0 / 100 / 79

HEX #043600

RGB 4 54 0

HSL 115.56, 1%, 0.11%

LAB 18.65, -27.67, 25.82

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 7 / 0 / 67 / 51

HEX #757E2A

RGB 117 126 42

HSL 66.43, 0.5%, 0.33%

LAB 50.54, -15.31, 42.95

 

CMYK 0 / 11 / 67 / 51

HEX #7E702A

RGB 126 112 42

HSL 50, 0.5%, 0.33%

LAB 47.22, -3.42, 39.68

 

CMYK 0 / 29 / 67 / 51

HEX #7E592A

RGB 126 89 42

HSL 33.57, 0.5%, 0.33%

LAB 40.81, 10.03, 32.63

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 61 / 0 / 67 / 51

HEX #317E2A

RGB 49 126 42

HSL 115, 0.5%, 0.33%

LAB 46.63, -40.86, 37.6

 

CMYK 67 / 0 / 55 / 51

HEX #2A7E39

RGB 42 126 57

HSL 130.71, 0.5%, 0.33%

LAB 46.59, -40.6, 30.07

 

CMYK 67 / 0 / 37 / 51

HEX #2A7E50

RGB 42 126 80

HSL 147.14, 0.5%, 0.33%

LAB 46.97, -36.44, 17.86

 

CMYK 67 / 0 / 19 / 51

HEX #2A7E66

RGB 42 126 102

HSL 162.86, 0.5%, 0.33%

LAB 47.46, -31.26, 5.75

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 51 / 0 / 80 / 45

HEX #448B1C

RGB 68 139 28

HSL 98.38, 0.66%, 0.33%

LAB 51.59, -41.7, 48.46

 

CMYK 58 / 0 / 91 / 40

HEX #40990E

RGB 64 153 14

HSL 98.42, 0.83%, 0.33%

LAB 55.99, -48.89, 55.94

 

CMYK 64 / 0 / 99 / 35

HEX #3CA701

RGB 60 167 1

HSL 98.67, 0.99%, 0.33%

LAB 60.43, -55.16, 61.5

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 32 / 0 / 51 / 56

HEX #4C7037

RGB 76 112 55

HSL 97.89, 0.34%, 0.33%

LAB 43.36, -24.12, 27.52

 

CMYK 19 / 0 / 30 / 62

HEX #4F6245

RGB 79 98 69

HSL 99.31, 0.17%, 0.33%

LAB 39.29, -13.27, 14.21

 

CMYK 2 / 0 / 4 / 67

HEX #535552

RGB 83 85 82

HSL 100, 0.02%, 0.33%

LAB 35.88, -1.44, 1.46

 

CMYK 9 / 26 / 0 / 62

HEX #574760

RGB 87 71 96

HSL 278.4, 0.15%, 0.33%

LAB 32.65, 12.08, -12.15

 

CMYK 7 / 0 / 67 / 51

HEX #757E2A

RGB 117 126 42

HSL 66.43, 0.5%, 0.33%

LAB 50.54, -15.31, 42.95

 

CMYK 25 / 0 / 67 / 51

HEX #5F7E2A

RGB 95 126 42

HSL 82.14, 0.5%, 0.33%

LAB 48.91, -24.86, 40.73

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 60 / 0 / 67 / 51

HEX #327E2A

RGB 50 126 42

HSL 114.29, 0.5%, 0.33%

LAB 46.67, -40.59, 37.65

 

CMYK 67 / 0 / 56 / 51

HEX #2A7E38

RGB 42 126 56

HSL 130, 0.5%, 0.33%

LAB 46.58, -40.75, 30.58

 

CMYK 44 / 0 / 67 / 75

HEX #244015

RGB 36 64 21

HSL 99.07, 0.51%, 0.17%

LAB 23.99, -19.86, 22.56

 

CMYK 43 / 0 / 67 / 63

HEX #365F1F

RGB 54 95 31

HSL 98.44, 0.51%, 0.25%

LAB 36.11, -27.09, 31.26

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 43 / 0 / 67 / 38

HEX #599D34

RGB 89 157 52

HSL 98.86, 0.5%, 0.41%

LAB 58.5, -40.52, 46.54

 

CMYK 43 / 0 / 67 / 26

HEX #6BBC3E

RGB 107 188 62

HSL 98.57, 0.5%, 0.49%

LAB 69.07, -46.68, 53.93

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 67 / 0 / 11 / 51

HEX #2A7E70

RGB 42 126 112

HSL 170, 0.5%, 0.33%

LAB 47.73, -28.55, 0.25

 

CMYK 0 / 67 / 16 / 51

HEX #7E2A6A

RGB 126 42 106

HSL 314.29, 0.5%, 0.33%

LAB 32.11, 43.71, -18.9

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 67 / 43 / 0 / 51

HEX #2A487E

RGB 42 72 126

HSL 218.57, 0.5%, 0.33%

LAB 30.96, 7.56, -33.94

 

CMYK 0 / 67 / 43 / 51

HEX #7E2A48

RGB 126 42 72

HSL 338.57, 0.5%, 0.33%

LAB 30.78, 39.04, 1.16

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 67 / 0 / 11 / 51

HEX #2A7E70

RGB 42 126 112

HSL 170, 0.5%, 0.33%

LAB 47.73, -28.55, 0.25

 

CMYK 25 / 67 / 0 / 51

HEX #5F2A7E

RGB 95 42 126

HSL 277.86, 0.5%, 0.33%

LAB 28.37, 39.27, -37.81

 

CMYK 0 / 67 / 56 / 51

HEX #7E2A38

RGB 126 42 56

HSL 350, 0.5%, 0.33%

LAB 30.34, 37.42, 11.08

 

CMYK 43 / 0 / 67 / 51

HEX #487E2A

RGB 72 126 42

HSL 98.57, 0.5%, 0.33%

LAB 47.58, -33.75, 38.91

 

CMYK 67 / 9 / 0 / 51

HEX #2A737E

RGB 42 115 126

HSL 187.86, 0.5%, 0.33%

LAB 44.6, -18.66, -12.73

 

CMYK 25 / 67 / 0 / 51

HEX #5F2A7E

RGB 95 42 126

HSL 277.86, 0.5%, 0.33%

LAB 28.37, 39.27, -37.81

 

CMYK 0 / 58 / 67 / 51

HEX #7E352A

RGB 126 53 42

HSL 7.86, 0.5%, 0.33%

LAB 32.14, 30.83, 22.41

 

Description

Color code: HEX #487E2A | qconv.com Color code: HEX #487E2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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