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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 186 187 it is the complementary color RGB 138 69 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 186 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 186 187 shade: RGB 122 186 182, RGB 139 204 201, RGB 156 222 220, RGB 173 240 239 and RGB 190 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 186 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 186 187 shade: RGB 117 186 187, RGB 100 168 168, RGB 83 150 149, RGB 66 132 130 and RGB 49 114 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 186 187 shade: RGB 118 186 187, RGB 118 167 187, RGB 118 149 187, RGB 118 130 187 and RGB 124 118 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 186 187 shade: RGB 118 186 187, RGB 118 167 187, RGB 118 149 187, RGB 118 130 187 and RGB 118 118 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 186 187 shade matches the following richer shades: RGB 118 186 187, RGB 101 202 204, RGB 85 218 220, RGB 68 234 237 and RGB 52 250 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 186 187 shade: RGB 118 186 187, RGB 134 170 171, RGB 151 154 154, RGB 167 138 138 and RGB 184 122 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 186 187 shade: RGB 118 187 150, RGB 118 187 169, RGB 118 187 187, RGB 118 169 187 and RGB 118 150 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 186 187 shade: RGB 73 148 149, RGB 90 172 174, RGB 118 186 187, RGB 145 200 201 and RGB 173 214 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 186 187 shade: RGB 117 186 187, RGB 132 118 187 and RGB 187 159 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 186 187 shade: RGB 117 186 187, RGB 187 118 187 and RGB 187 187 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 186 187 shade: RGB 117 186 187, RGB 132 118 187, RGB 187 118 118 and RGB 173 187 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 186 187 shade: RGB 117 186 187, RGB 153 118 187, RGB 187 118 118 and RGB 153 187 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

Complementary color

CMYK 0 / 50 / 51 / 46

HEX #8A4544

RGB 138 69 68

HSL 0.86, 0.34%, 0.4%

LAB 37.98, 29.18, 14.13

 

CMYK 34 / 0 / 2 / 27

HEX #7ABAB6

RGB 122 186 182

HSL 176.25, 0.32%, 0.6%

LAB 71.31, -21.28, -4.48

 

CMYK 32 / 0 / 1 / 20

HEX #8BCCC9

RGB 139 204 201

HSL 177.23, 0.39%, 0.67%

LAB 77.81, -21.17, -5.1

 

CMYK 30 / 0 / 1 / 13

HEX #9CDEDC

RGB 156 222 220

HSL 178.18, 0.5%, 0.74%

LAB 84.21, -21.06, -5.69

 

CMYK 28 / 0 / 0 / 6

HEX #ADF0EF

RGB 173 240 239

HSL 179.1, 0.69%, 0.81%

LAB 90.52, -20.96, -6.26

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

CMYK 40 / 0 / 0 / 34

HEX #64A8A8

RGB 100 168 168

HSL 180, 0.28%, 0.53%

LAB 64.6, -21.48, -6.78

 

CMYK 45 / 0 / 1 / 41

HEX #539695

RGB 83 150 149

HSL 179.1, 0.29%, 0.46%

LAB 57.87, -21.5, -6.12

 

CMYK 50 / 0 / 2 / 48

HEX #428482

RGB 66 132 130

HSL 178.18, 0.33%, 0.39%

LAB 51, -21.48, -5.41

 

CMYK 57 / 0 / 3 / 55

HEX #31726F

RGB 49 114 111

HSL 177.23, 0.4%, 0.32%

LAB 44, -21.36, -4.62

 

CMYK 37 / 1 / 0 / 27

HEX #76BABB

RGB 118 186 187

HSL 180.87, 0.34%, 0.6%

LAB 71.25, -21.16, -7.32

 

CMYK 37 / 11 / 0 / 27

HEX #76A7BB

RGB 118 167 187

HSL 197.39, 0.34%, 0.6%

LAB 65.81, -11.21, -15.47

 

CMYK 37 / 20 / 0 / 27

HEX #7695BB

RGB 118 149 187

HSL 213.04, 0.34%, 0.6%

LAB 60.72, -1.26, -23.21

 

CMYK 37 / 30 / 0 / 27

HEX #7682BB

RGB 118 130 187

HSL 229.57, 0.34%, 0.6%

LAB 55.49, 9.74, -31.3

 

CMYK 34 / 37 / 0 / 27

HEX #7C76BB

RGB 124 118 187

HSL 245.22, 0.34%, 0.6%

LAB 52.76, 18.58, -35.52

 

CMYK 37 / 1 / 0 / 27

HEX #76BABB

RGB 118 186 187

HSL 180.87, 0.34%, 0.6%

LAB 71.25, -21.16, -7.32

 

CMYK 37 / 11 / 0 / 27

HEX #76A7BB

RGB 118 167 187

HSL 197.39, 0.34%, 0.6%

LAB 65.81, -11.21, -15.47

 

CMYK 37 / 20 / 0 / 27

HEX #7695BB

RGB 118 149 187

HSL 213.04, 0.34%, 0.6%

LAB 60.72, -1.26, -23.21

 

CMYK 37 / 30 / 0 / 27

HEX #7682BB

RGB 118 130 187

HSL 229.57, 0.34%, 0.6%

LAB 55.49, 9.74, -31.3

 

CMYK 37 / 37 / 0 / 27

HEX #7676BB

RGB 118 118 187

HSL 240, 0.34%, 0.6%

LAB 52.28, 16.89, -36.31

 

CMYK 37 / 1 / 0 / 27

HEX #76BABB

RGB 118 186 187

HSL 180.87, 0.34%, 0.6%

LAB 71.25, -21.16, -7.32

 

CMYK 50 / 1 / 0 / 20

HEX #65CACC

RGB 101 202 204

HSL 181.17, 0.5%, 0.6%

LAB 75.68, -28.82, -10.06

 

CMYK 61 / 1 / 0 / 14

HEX #55DADC

RGB 85 218 220

HSL 180.89, 0.66%, 0.6%

LAB 80.32, -35.11, -11.78

 

CMYK 71 / 1 / 0 / 7

HEX #44EAED

RGB 68 234 237

HSL 181.07, 0.82%, 0.6%

LAB 85.09, -40.1, -13.69

 

CMYK 79 / 1 / 0 / 1

HEX #34FAFD

RGB 52 250 253

HSL 180.9, 0.98%, 0.6%

LAB 89.95, -44.28, -14.81

 

CMYK 37 / 1 / 0 / 27

HEX #76BABB

RGB 118 186 187

HSL 180.87, 0.34%, 0.6%

LAB 71.25, -21.16, -7.32

 

CMYK 22 / 1 / 0 / 33

HEX #86AAAB

RGB 134 170 171

HSL 181.62, 0.18%, 0.6%

LAB 67.1, -11.95, -4.55

 

CMYK 2 / 0 / 0 / 40

HEX #979A9A

RGB 151 154 154

HSL 180, 0.01%, 0.6%

LAB 63.36, -1.08, -0.39

 

CMYK 0 / 17 / 17 / 35

HEX #A78A8A

RGB 167 138 138

HSL 0, 0.14%, 0.6%

LAB 60.09, 10.97, 4.12

 

CMYK 0 / 34 / 34 / 28

HEX #B87A79

RGB 184 122 121

HSL 0.95, 0.31%, 0.6%

LAB 57.55, 24.08, 10.49

 

CMYK 37 / 0 / 20 / 27

HEX #76BB96

RGB 118 187 150

HSL 147.83, 0.34%, 0.6%

LAB 70.59, -30, 11.95

 

CMYK 37 / 0 / 10 / 27

HEX #76BBA9

RGB 118 187 169

HSL 164.35, 0.34%, 0.6%

LAB 71.05, -25.92, 2.24

 

CMYK 37 / 0 / 0 / 27

HEX #76BBBB

RGB 118 187 187

HSL 180, 0.34%, 0.6%

LAB 71.54, -21.66, -6.89

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 37 / 20 / 0 / 27

HEX #7696BB

RGB 118 150 187

HSL 212.17, 0.34%, 0.6%

LAB 61, -1.82, -22.78

 

CMYK 51 / 1 / 0 / 42

HEX #499495

RGB 73 148 149

HSL 180.79, 0.34%, 0.44%

LAB 56.85, -22.87, -7.69

 

CMYK 48 / 1 / 0 / 32

HEX #5AACAE

RGB 90 172 174

HSL 181.43, 0.34%, 0.52%

LAB 65.54, -24.38, -8.77

 

CMYK 37 / 1 / 0 / 27

HEX #76BABB

RGB 118 186 187

HSL 180.87, 0.34%, 0.6%

LAB 71.25, -21.16, -7.32

 

CMYK 28 / 0 / 0 / 21

HEX #91C8C9

RGB 145 200 201

HSL 181.07, 0.34%, 0.68%

LAB 77.01, -17.44, -6.25

 

CMYK 19 / 0 / 0 / 16

HEX #ADD6D6

RGB 173 214 214

HSL 180, 0.33%, 0.76%

LAB 82.82, -13.34, -4.45

 

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

CMYK 29 / 37 / 0 / 27

HEX #8476BB

RGB 132 118 187

HSL 252.17, 0.34%, 0.6%

LAB 53.44, 20.9, -34.41

 

CMYK 0 / 15 / 37 / 27

HEX #BB9F76

RGB 187 159 118

HSL 35.65, 0.34%, 0.6%

LAB 67.03, 4.42, 25.24

 

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

CMYK 0 / 37 / 0 / 27

HEX #BB76BB

RGB 187 118 187

HSL 300, 0.34%, 0.6%

LAB 59.08, 37.97, -25.22

 

CMYK 0 / 0 / 37 / 27

HEX #BBBB76

RGB 187 187 118

HSL 60, 0.34%, 0.6%

LAB 74.45, -10.46, 34.97

 

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

CMYK 29 / 37 / 0 / 27

HEX #8476BB

RGB 132 118 187

HSL 252.17, 0.34%, 0.6%

LAB 53.44, 20.9, -34.41

 

CMYK 0 / 37 / 37 / 27

HEX #BB7676

RGB 187 118 118

HSL 0, 0.34%, 0.6%

LAB 56.91, 27.08, 11.38

 

CMYK 7 / 0 / 37 / 27

HEX #ADBB76

RGB 173 187 118

HSL 72.17, 0.34%, 0.6%

LAB 73.37, -16, 33.36

 

CMYK 37 / 1 / 0 / 27

HEX #75BABB

RGB 117 186 187

HSL 180.86, 0.34%, 0.6%

LAB 71.21, -21.42, -7.4

 

CMYK 18 / 37 / 0 / 27

HEX #9976BB

RGB 153 118 187

HSL 270.43, 0.34%, 0.6%

LAB 55.4, 27.25, -31.21

 

CMYK 0 / 37 / 37 / 27

HEX #BB7676

RGB 187 118 118

HSL 0, 0.34%, 0.6%

LAB 56.91, 27.08, 11.38

 

CMYK 18 / 0 / 37 / 27

HEX #99BB76

RGB 153 187 118

HSL 89.57, 0.34%, 0.6%

LAB 71.97, -23.65, 31.27

 

Description

Color code: RGB 117 186 187 | qconv.com Color code: RGB 117 186 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 186 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 186 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 1 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 1% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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