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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 169 187 it is the complementary color RGB 137 86 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 169 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 169 187 shade: RGB 123 169 182, RGB 140 187 201, RGB 157 205 220, RGB 174 223 239 and RGB 191 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 169 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 101 151 168, RGB 84 133 149, RGB 67 115 130 and RGB 50 97 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 118 150 187, RGB 118 132 187, RGB 123 118 187 and RGB 141 118 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 118 150 187, RGB 118 132 187 and RGB 118 118 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 169 187 shade matches the following richer shades: RGB 118 169 187, RGB 101 177 204, RGB 85 185 220, RGB 68 193 237 and RGB 52 201 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 134 161 171, RGB 151 153 154, RGB 167 145 138 and RGB 184 138 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 169 187 shade: RGB 118 187 168, RGB 118 187 186, RGB 118 170 187, RGB 118 151 187 and RGB 118 133 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 169 187 shade: RGB 73 129 149, RGB 90 152 174, RGB 118 169 187, RGB 145 186 201 and RGB 173 204 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 149 118 187 and RGB 187 177 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 187 118 170 and RGB 170 187 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 149 118 187, RGB 187 135 118 and RGB 156 187 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 169 187 shade: RGB 118 169 187, RGB 170 118 187, RGB 187 135 118 and RGB 135 187 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

Complementary color

CMYK 0 / 37 / 50 / 46

HEX #895644

RGB 137 86 68

HSL 15.65, 0.34%, 0.4%

LAB 41.83, 19.04, 19.26

 

CMYK 32 / 7 / 0 / 29

HEX #7BA9B6

RGB 123 169 182

HSL 193.22, 0.29%, 0.6%

LAB 66.49, -12.14, -11.63

 

CMYK 30 / 7 / 0 / 21

HEX #8CBBC9

RGB 140 187 201

HSL 193.77, 0.36%, 0.67%

LAB 73.11, -12.15, -12.08

 

CMYK 29 / 7 / 0 / 14

HEX #9DCDDC

RGB 157 205 220

HSL 194.29, 0.47%, 0.74%

LAB 79.61, -12.15, -12.53

 

CMYK 27 / 7 / 0 / 6

HEX #AEDFEF

RGB 174 223 239

HSL 194.77, 0.67%, 0.81%

LAB 86.01, -12.16, -12.96

 

CMYK 25 / 5 / 0 / 0

HEX #BFF1FF

RGB 191 241 255

HSL 193.13, 1%, 0.87%

LAB 92.22, -12.83, -11.96

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 40 / 10 / 0 / 34

HEX #6597A8

RGB 101 151 168

HSL 195.22, 0.28%, 0.53%

LAB 59.64, -12.22, -14.19

 

CMYK 44 / 11 / 0 / 42

HEX #548595

RGB 84 133 149

HSL 194.77, 0.28%, 0.46%

LAB 52.76, -12.11, -13.77

 

CMYK 48 / 12 / 0 / 49

HEX #437382

RGB 67 115 130

HSL 194.29, 0.32%, 0.39%

LAB 45.73, -11.96, -13.32

 

CMYK 55 / 13 / 0 / 56

HEX #32616F

RGB 50 97 111

HSL 193.77, 0.38%, 0.32%

LAB 38.51, -11.71, -12.86

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 37 / 20 / 0 / 27

HEX #7696BB

RGB 118 150 187

HSL 212.17, 0.34%, 0.6%

LAB 61, -1.82, -22.78

 

CMYK 37 / 29 / 0 / 27

HEX #7684BB

RGB 118 132 187

HSL 227.83, 0.34%, 0.6%

LAB 56.03, 8.57, -30.45

 

CMYK 34 / 37 / 0 / 27

HEX #7B76BB

RGB 123 118 187

HSL 244.35, 0.34%, 0.6%

LAB 52.68, 18.3, -35.65

 

CMYK 25 / 37 / 0 / 27

HEX #8D76BB

RGB 141 118 187

HSL 260, 0.34%, 0.6%

LAB 54.25, 23.58, -33.09

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 37 / 20 / 0 / 27

HEX #7696BB

RGB 118 150 187

HSL 212.17, 0.34%, 0.6%

LAB 61, -1.82, -22.78

 

CMYK 37 / 29 / 0 / 27

HEX #7684BB

RGB 118 132 187

HSL 227.83, 0.34%, 0.6%

LAB 56.03, 8.57, -30.45

 

CMYK 37 / 37 / 0 / 27

HEX #7676BB

RGB 118 118 187

HSL 240, 0.34%, 0.6%

LAB 52.28, 16.89, -36.31

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 50 / 13 / 0 / 20

HEX #65B1CC

RGB 101 177 204

HSL 195.73, 0.5%, 0.6%

LAB 68.44, -16.17, -20.97

 

CMYK 61 / 16 / 0 / 14

HEX #55B9DC

RGB 85 185 220

HSL 195.56, 0.66%, 0.6%

LAB 70.73, -18.85, -26.29

 

CMYK 71 / 19 / 0 / 7

HEX #44C1ED

RGB 68 193 237

HSL 195.62, 0.82%, 0.6%

LAB 73.21, -20.3, -31.75

 

CMYK 79 / 21 / 0 / 1

HEX #34C9FD

RGB 52 201 253

HSL 195.52, 0.98%, 0.6%

LAB 75.82, -20.98, -36.35

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 22 / 6 / 0 / 33

HEX #86A1AB

RGB 134 161 171

HSL 196.22, 0.18%, 0.6%

LAB 64.56, -7.1, -8.31

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 0 / 13 / 17 / 35

HEX #A7918A

RGB 167 145 138

HSL 14.48, 0.14%, 0.6%

LAB 61.91, 7.04, 6.73

 

CMYK 0 / 25 / 34 / 28

HEX #B88A79

RGB 184 138 121

HSL 16.19, 0.31%, 0.6%

LAB 61.44, 15.17, 15.92

 

CMYK 37 / 0 / 10 / 27

HEX #76BBA8

RGB 118 187 168

HSL 163.48, 0.34%, 0.6%

LAB 71.02, -26.14, 2.75

 

CMYK 37 / 0 / 1 / 27

HEX #76BBBA

RGB 118 187 186

HSL 179.13, 0.34%, 0.6%

LAB 71.51, -21.91, -6.39

 

CMYK 37 / 9 / 0 / 27

HEX #76AABB

RGB 118 170 187

HSL 194.78, 0.34%, 0.6%

LAB 66.66, -12.82, -14.18

 

CMYK 37 / 19 / 0 / 27

HEX #7697BB

RGB 118 151 187

HSL 211.3, 0.34%, 0.6%

LAB 61.28, -2.39, -22.35

 

CMYK 37 / 29 / 0 / 27

HEX #7685BB

RGB 118 133 187

HSL 226.96, 0.34%, 0.6%

LAB 56.3, 7.98, -30.03

 

CMYK 51 / 13 / 0 / 42

HEX #498195

RGB 73 129 149

HSL 195.79, 0.34%, 0.44%

LAB 51.02, -12.68, -16.46

 

CMYK 48 / 13 / 0 / 32

HEX #5A98AE

RGB 90 152 174

HSL 195.71, 0.34%, 0.52%

LAB 59.6, -13.92, -17.7

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 28 / 7 / 0 / 21

HEX #91BAC9

RGB 145 186 201

HSL 196.07, 0.34%, 0.68%

LAB 73.12, -10.16, -12.03

 

CMYK 19 / 5 / 0 / 16

HEX #ADCCD6

RGB 173 204 214

HSL 194.63, 0.33%, 0.76%

LAB 80.14, -8.18, -8.42

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 20 / 37 / 0 / 27

HEX #9576BB

RGB 149 118 187

HSL 266.96, 0.34%, 0.6%

LAB 55, 26.01, -31.85

 

CMYK 0 / 5 / 37 / 27

HEX #BBB176

RGB 187 177 118

HSL 51.3, 0.34%, 0.6%

LAB 71.77, -5.24, 31.5

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 0 / 37 / 9 / 27

HEX #BB76AA

RGB 187 118 170

HSL 314.78, 0.34%, 0.6%

LAB 58.44, 34.88, -16.47

 

CMYK 9 / 0 / 37 / 27

HEX #AABB76

RGB 170 187 118

HSL 74.78, 0.34%, 0.6%

LAB 73.15, -17.17, 33.03

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 20 / 37 / 0 / 27

HEX #9576BB

RGB 149 118 187

HSL 266.96, 0.34%, 0.6%

LAB 55, 26.01, -31.85

 

CMYK 0 / 28 / 37 / 27

HEX #BB8776

RGB 187 135 118

HSL 14.78, 0.34%, 0.6%

LAB 60.96, 17.66, 17.01

 

CMYK 17 / 0 / 37 / 27

HEX #9CBB76

RGB 156 187 118

HSL 86.96, 0.34%, 0.6%

LAB 72.17, -22.53, 31.57

 

CMYK 37 / 10 / 0 / 27

HEX #76A9BB

RGB 118 169 187

HSL 195.65, 0.34%, 0.6%

LAB 66.38, -12.29, -14.61

 

CMYK 9 / 37 / 0 / 27

HEX #AA76BB

RGB 170 118 187

HSL 285.22, 0.34%, 0.6%

LAB 57.16, 32.57, -28.33

 

CMYK 0 / 28 / 37 / 27

HEX #BB8776

RGB 187 135 118

HSL 14.78, 0.34%, 0.6%

LAB 60.96, 17.66, 17.01

 

CMYK 28 / 0 / 37 / 27

HEX #87BB76

RGB 135 187 118

HSL 105.22, 0.34%, 0.6%

LAB 70.87, -30.15, 29.62

 

Description

Color code: RGB 118 169 187 | qconv.com Color code: RGB 118 169 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 169 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 169 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 10 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 10% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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