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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 227 111 it is the complementary color RGB 218 28 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 227 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 227 111 shade: RGB 42 227 106, RGB 59 245 125, RGB 76 255 144, RGB 93 255 163 and RGB 110 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 227 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 227 111 shade: RGB 37 227 111, RGB 20 209 92, RGB 3 191 73, RGB 0 173 54 and RGB 0 155 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 227 111 shade: RGB 38 226 111, RGB 38 226 60, RGB 66 226 38, RGB 117 226 38 and RGB 168 226 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 227 111 shade: RGB 38 226 111, RGB 38 226 162, RGB 38 226 213, RGB 38 189 226 and RGB 38 138 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 227 111 shade matches the following richer shades: RGB 38 226 111 and RGB 18 246 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 227 111 shade: RGB 38 226 111, RGB 58 207 116, RGB 77 187 120, RGB 97 167 124 and RGB 117 147 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 227 111 shade: RGB 66 226 38, RGB 38 226 60, RGB 38 226 110, RGB 38 226 160 and RGB 38 226 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 227 111 shade: RGB 21 161 75, RGB 25 198 92, RGB 38 226 111, RGB 74 231 135 and RGB 111 236 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 227 111 shade: RGB 37 227 111, RGB 38 116 226 and RGB 226 38 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 227 111 shade: RGB 37 227 111, RGB 110 38 226 and RGB 226 110 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 227 111 shade: RGB 37 227 111, RGB 38 116 226, RGB 226 38 154 and RGB 226 148 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 227 111 shade: RGB 37 227 111, RGB 38 60 226, RGB 226 38 154 and RGB 226 204 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

Complementary color

CMYK 0 / 87 / 34 / 15

HEX #DA1C90

RGB 218 28 144

HSL 323.37, 0.77%, 0.48%

LAB 49.19, 75.2, -14.79

 

CMYK 81 / 0 / 53 / 11

HEX #2AE36A

RGB 42 227 106

HSL 140.76, 0.77%, 0.53%

LAB 79.88, -69.01, 46.37

 

CMYK 76 / 0 / 49 / 4

HEX #3BF57D

RGB 59 245 125

HSL 141.29, 0.9%, 0.6%

LAB 85.86, -70.22, 44.82

 

CMYK 70 / 0 / 44 / 0

HEX #4CFF90

RGB 76 255 144

HSL 142.79, 1%, 0.65%

LAB 89.43, -68.29, 40.26

 

CMYK 64 / 0 / 36 / 0

HEX #5DFFA3

RGB 93 255 163

HSL 145.93, 1%, 0.68%

LAB 90.09, -62.21, 31.82

 

CMYK 57 / 0 / 29 / 0

HEX #6EFFB6

RGB 110 255 182

HSL 149.79, 1%, 0.72%

LAB 90.88, -55.35, 23.38

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 90 / 0 / 56 / 18

HEX #14D15C

RGB 20 209 92

HSL 142.86, 0.83%, 0.45%

LAB 73.88, -66.98, 45.64

 

CMYK 98 / 0 / 62 / 25

HEX #03BF49

RGB 3 191 73

HSL 142.34, 0.97%, 0.38%

LAB 67.84, -64.65, 47.24

 

CMYK 100 / 0 / 69 / 32

HEX #00AD36

RGB 0 173 54

HSL 138.73, 1%, 0.34%

LAB 61.79, -61.47, 48.68

 

CMYK 100 / 0 / 77 / 39

HEX #009B23

RGB 0 155 35

HSL 133.55, 1%, 0.3%

LAB 55.65, -57.83, 49.58

 

CMYK 83 / 0 / 51 / 11

HEX #26E26F

RGB 38 226 111

HSL 143.3, 0.76%, 0.52%

LAB 79.59, -68.34, 43.64

 

CMYK 83 / 0 / 73 / 11

HEX #26E23C

RGB 38 226 60

HSL 127.02, 0.76%, 0.52%

LAB 79.12, -74.11, 64.52

 

CMYK 71 / 0 / 83 / 11

HEX #42E226

RGB 66 226 38

HSL 111.06, 0.76%, 0.52%

LAB 79.44, -71.72, 71.36

 

CMYK 48 / 0 / 83 / 11

HEX #75E226

RGB 117 226 38

HSL 94.79, 0.76%, 0.52%

LAB 80.91, -59.75, 73.24

 

CMYK 26 / 0 / 83 / 11

HEX #A8E226

RGB 168 226 38

HSL 78.51, 0.76%, 0.52%

LAB 83.37, -42.41, 76.34

 

CMYK 83 / 0 / 51 / 11

HEX #26E26F

RGB 38 226 111

HSL 143.3, 0.76%, 0.52%

LAB 79.59, -68.34, 43.64

 

CMYK 83 / 0 / 28 / 11

HEX #26E2A2

RGB 38 226 162

HSL 159.57, 0.76%, 0.52%

LAB 80.41, -58.84, 18.99

 

CMYK 83 / 0 / 6 / 11

HEX #26E2D5

RGB 38 226 213

HSL 175.85, 0.76%, 0.52%

LAB 81.63, -46.09, -6.2

 

CMYK 83 / 16 / 0 / 11

HEX #26BDE2

RGB 38 189 226

HSL 191.81, 0.76%, 0.52%

LAB 71.08, -24.89, -29.12

 

CMYK 83 / 39 / 0 / 11

HEX #268AE2

RGB 38 138 226

HSL 208.09, 0.76%, 0.52%

LAB 56.17, 3.26, -52.48

 

CMYK 83 / 0 / 51 / 11

HEX #26E26F

RGB 38 226 111

HSL 143.3, 0.76%, 0.52%

LAB 79.59, -68.34, 43.64

 

CMYK 93 / 0 / 57 / 4

HEX #12F66B

RGB 18 246 107

HSL 143.42, 0.93%, 0.52%

LAB 85.56, -76.45, 52.67

 

CMYK 83 / 0 / 51 / 11

HEX #26E26F

RGB 38 226 111

HSL 143.3, 0.76%, 0.52%

LAB 79.59, -68.34, 43.64

 

CMYK 72 / 0 / 44 / 19

HEX #3ACF74

RGB 58 207 116

HSL 143.36, 0.61%, 0.52%

LAB 74.05, -58.62, 34.25

 

CMYK 59 / 0 / 36 / 27

HEX #4DBB78

RGB 77 187 120

HSL 143.45, 0.45%, 0.52%

LAB 68.37, -46.66, 24.79

 

CMYK 42 / 0 / 26 / 35

HEX #61A77C

RGB 97 167 124

HSL 143.14, 0.28%, 0.52%

LAB 63.04, -31.9, 15.47

 

CMYK 20 / 0 / 12 / 42

HEX #759381

RGB 117 147 129

HSL 144, 0.12%, 0.52%

LAB 58.26, -14.34, 6.08

 

CMYK 71 / 0 / 83 / 11

HEX #42E226

RGB 66 226 38

HSL 111.06, 0.76%, 0.52%

LAB 79.44, -71.72, 71.36

 

CMYK 83 / 0 / 73 / 11

HEX #26E23C

RGB 38 226 60

HSL 127.02, 0.76%, 0.52%

LAB 79.12, -74.11, 64.52

 

CMYK 83 / 0 / 51 / 11

HEX #26E26E

RGB 38 226 110

HSL 142.98, 0.76%, 0.52%

LAB 79.57, -68.49, 44.1

 

CMYK 83 / 0 / 29 / 11

HEX #26E2A0

RGB 38 226 160

HSL 158.94, 0.76%, 0.52%

LAB 80.37, -59.28, 19.98

 

CMYK 83 / 0 / 7 / 11

HEX #26E2D3

RGB 38 226 211

HSL 175.21, 0.76%, 0.52%

LAB 81.57, -46.64, -5.22

 

CMYK 87 / 0 / 53 / 37

HEX #15A14B

RGB 21 161 75

HSL 143.14, 0.77%, 0.36%

LAB 58.19, -53.69, 34.9

 

CMYK 87 / 0 / 54 / 22

HEX #19C65C

RGB 25 198 92

HSL 143.24, 0.78%, 0.44%

LAB 70.43, -63.13, 41.49

 

CMYK 83 / 0 / 51 / 11

HEX #26E26F

RGB 38 226 111

HSL 143.3, 0.76%, 0.52%

LAB 79.59, -68.34, 43.64

 

CMYK 68 / 0 / 42 / 9

HEX #4AE787

RGB 74 231 135

HSL 143.31, 0.77%, 0.6%

LAB 82.03, -61.55, 35.1

 

CMYK 53 / 0 / 32 / 7

HEX #6FECA0

RGB 111 236 160

HSL 143.52, 0.77%, 0.68%

LAB 84.95, -51.6, 26.5

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 83 / 49 / 0 / 11

HEX #2674E2

RGB 38 116 226

HSL 215.11, 0.76%, 0.52%

LAB 49.97, 16.82, -62.42

 

CMYK 0 / 83 / 82 / 11

HEX #E22629

RGB 226 38 41

HSL 359.04, 0.76%, 0.52%

LAB 49.15, 68.67, 46.93

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 51 / 83 / 0 / 11

HEX #6E26E2

RGB 110 38 226

HSL 262.98, 0.76%, 0.52%

LAB 38.19, 68, -81.48

 

CMYK 0 / 51 / 83 / 11

HEX #E26E26

RGB 226 110 38

HSL 22.98, 0.76%, 0.52%

LAB 59.4, 41.04, 57.58

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 83 / 49 / 0 / 11

HEX #2674E2

RGB 38 116 226

HSL 215.11, 0.76%, 0.52%

LAB 49.97, 16.82, -62.42

 

CMYK 0 / 83 / 32 / 11

HEX #E2269A

RGB 226 38 154

HSL 322.98, 0.76%, 0.52%

LAB 51.71, 76.13, -16.8

 

CMYK 0 / 35 / 83 / 11

HEX #E29426

RGB 226 148 38

HSL 35.11, 0.76%, 0.52%

LAB 67.64, 21.23, 64.7

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 83 / 73 / 0 / 11

HEX #263CE2

RGB 38 60 226

HSL 232.98, 0.76%, 0.52%

LAB 36.24, 51.71, -84.86

 

CMYK 0 / 83 / 32 / 11

HEX #E2269A

RGB 226 38 154

HSL 322.98, 0.76%, 0.52%

LAB 51.71, 76.13, -16.8

 

CMYK 0 / 10 / 83 / 11

HEX #E2CC26

RGB 226 204 38

HSL 52.98, 0.76%, 0.52%

LAB 81.56, -8.19, 76.47

 

Description

Color code: RGB 37 227 111 | qconv.com Color code: RGB 37 227 111 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 227 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 227 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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