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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 100 148 it is the complementary color RGB 142 155 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 100 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 100 148 shade: RGB 118 100 143, RGB 135 118 162, RGB 152 136 181, RGB 169 154 200 and RGB 186 172 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 100 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 100 148 shade: RGB 113 100 148, RGB 96 82 129, RGB 79 64 110, RGB 62 46 91 and RGB 45 28 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 100 148 shade: RGB 114 101 148, RGB 126 101 148, RGB 139 101 148, RGB 148 101 144 and RGB 148 101 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 100 148 shade: RGB 114 101 148, RGB 101 101 148 and RGB 101 101 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 100 148 shade matches the following richer shades: RGB 114 101 148, RGB 104 80 168, RGB 95 60 189, RGB 86 40 209 and RGB 77 20 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 100 148 shade: RGB 114 101 148, RGB 123 121 128, RGB 132 141 108, RGB 141 161 88 and RGB 151 182 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 100 148 shade: RGB 101 113 148, RGB 101 101 148, RGB 113 101 148, RGB 126 101 148 and RGB 139 101 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 100 148 shade: RGB 76 67 99, RGB 95 84 124, RGB 114 101 148, RGB 136 124 166 and RGB 158 149 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 100 148 shade: RGB 113 100 148, RGB 148 101 126 and RGB 107 148 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 100 148 shade: RGB 113 100 148, RGB 148 113 101 and RGB 101 148 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 100 148 shade: RGB 113 100 148, RGB 148 101 126, RGB 136 148 101 and RGB 101 148 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 100 148 shade: RGB 113 100 148, RGB 148 101 112, RGB 136 148 101 and RGB 101 148 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

Complementary color

CMYK 8 / 0 / 31 / 39

HEX #8E9B6B

RGB 142 155 107

HSL 76.25, 0.19%, 0.51%

LAB 61.87, -13.05, 23.68

 

CMYK 17 / 30 / 0 / 44

HEX #76648F

RGB 118 100 143

HSL 265.12, 0.18%, 0.48%

LAB 45.56, 16.27, -21

 

CMYK 17 / 27 / 0 / 36

HEX #8776A2

RGB 135 118 162

HSL 263.18, 0.19%, 0.55%

LAB 52.64, 15.69, -21.19

 

CMYK 16 / 25 / 0 / 29

HEX #9888B5

RGB 152 136 181

HSL 261.33, 0.23%, 0.62%

LAB 59.54, 15.17, -21.4

 

CMYK 16 / 23 / 0 / 22

HEX #A99AC8

RGB 169 154 200

HSL 259.57, 0.29%, 0.69%

LAB 66.3, 14.7, -21.63

 

CMYK 15 / 21 / 0 / 14

HEX #BAACDB

RGB 186 172 219

HSL 257.87, 0.39%, 0.77%

LAB 72.93, 14.27, -21.87

 

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 28 / 42 / 0 / 57

HEX #4F406E

RGB 79 64 110

HSL 259.57, 0.26%, 0.34%

LAB 30.53, 17.38, -24.39

 

CMYK 32 / 49 / 0 / 64

HEX #3E2E5B

RGB 62 46 91

HSL 261.33, 0.33%, 0.27%

LAB 22.77, 18.37, -24.47

 

CMYK 38 / 61 / 0 / 72

HEX #2D1C48

RGB 45 28 72

HSL 263.18, 0.44%, 0.2%

LAB 14.71, 19.55, -24.6

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 15 / 32 / 0 / 42

HEX #7E6594

RGB 126 101 148

HSL 271.91, 0.19%, 0.49%

LAB 46.82, 19.54, -21.98

 

CMYK 6 / 32 / 0 / 42

HEX #8B6594

RGB 139 101 148

HSL 288.51, 0.19%, 0.49%

LAB 48.18, 23.94, -19.78

 

CMYK 0 / 32 / 3 / 42

HEX #946590

RGB 148 101 144

HSL 305.11, 0.19%, 0.49%

LAB 49.03, 26.24, -16.01

 

CMYK 0 / 32 / 11 / 42

HEX #946584

RGB 148 101 132

HSL 320.43, 0.19%, 0.49%

LAB 48.6, 23.98, -9.53

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 32 / 32 / 0 / 42

HEX #656594

RGB 101 101 148

HSL 240, 0.19%, 0.49%

LAB 44.54, 11.45, -25.7

 

CMYK 32 / 32 / 0 / 42

HEX #656594

RGB 101 101 148

HSL 240, 0.19%, 0.49%

LAB 44.54, 11.45, -25.7

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 38 / 52 / 0 / 34

HEX #6850A8

RGB 104 80 168

HSL 256.36, 0.35%, 0.49%

LAB 40.42, 30.82, -44.08

 

CMYK 50 / 68 / 0 / 26

HEX #5F3CBD

RGB 95 60 189

HSL 256.28, 0.52%, 0.49%

LAB 36.63, 46.44, -62.66

 

CMYK 59 / 81 / 0 / 18

HEX #5628D1

RGB 86 40 209

HSL 256.33, 0.68%, 0.49%

LAB 34.19, 60.35, -78.37

 

CMYK 66 / 91 / 0 / 10

HEX #4D14E5

RGB 77 20 229

HSL 256.36, 0.84%, 0.49%

LAB 33.43, 71.16, -91.18

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 4 / 5 / 0 / 50

HEX #7B7980

RGB 123 121 128

HSL 257.14, 0.03%, 0.49%

LAB 51.2, 2.18, -3.55

 

CMYK 6 / 0 / 23 / 45

HEX #848D6C

RGB 132 141 108

HSL 76.36, 0.13%, 0.49%

LAB 57.11, -9.32, 16.55

 

CMYK 12 / 0 / 45 / 37

HEX #8DA158

RGB 141 161 88

HSL 76.44, 0.29%, 0.49%

LAB 63.22, -19.04, 35.56

 

CMYK 17 / 0 / 63 / 29

HEX #97B643

RGB 151 182 67

HSL 76.17, 0.46%, 0.49%

LAB 69.78, -27.42, 53.34

 

CMYK 32 / 24 / 0 / 42

HEX #657194

RGB 101 113 148

HSL 224.68, 0.19%, 0.49%

LAB 47.9, 4.16, -20.5

 

CMYK 32 / 32 / 0 / 42

HEX #656594

RGB 101 101 148

HSL 240, 0.19%, 0.49%

LAB 44.54, 11.45, -25.7

 

CMYK 24 / 32 / 0 / 42

HEX #716594

RGB 113 101 148

HSL 255.32, 0.19%, 0.49%

LAB 45.57, 15.25, -24.01

 

CMYK 15 / 32 / 0 / 42

HEX #7E6594

RGB 126 101 148

HSL 271.91, 0.19%, 0.49%

LAB 46.82, 19.54, -21.98

 

CMYK 6 / 32 / 0 / 42

HEX #8B6594

RGB 139 101 148

HSL 288.51, 0.19%, 0.49%

LAB 48.18, 23.94, -19.78

 

CMYK 23 / 32 / 0 / 61

HEX #4C4363

RGB 76 67 99

HSL 256.88, 0.19%, 0.33%

LAB 30.52, 11.41, -17.42

 

CMYK 23 / 32 / 0 / 51

HEX #5F547C

RGB 95 84 124

HSL 256.5, 0.19%, 0.41%

LAB 38.25, 13.66, -20.97

 

CMYK 23 / 32 / 0 / 42

HEX #726594

RGB 114 101 148

HSL 256.6, 0.19%, 0.49%

LAB 45.67, 15.57, -23.86

 

CMYK 18 / 25 / 0 / 35

HEX #887CA6

RGB 136 124 166

HSL 257.14, 0.19%, 0.57%

LAB 54.45, 13.43, -20.72

 

CMYK 14 / 19 / 0 / 28

HEX #9E95B7

RGB 158 149 183

HSL 255.88, 0.19%, 0.65%

LAB 63.49, 10.17, -16.47

 

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

CMYK 0 / 32 / 15 / 42

HEX #94657E

RGB 148 101 126

HSL 328.09, 0.19%, 0.49%

LAB 48.4, 22.92, -6.25

 

CMYK 28 / 0 / 32 / 42

HEX #6B9465

RGB 107 148 101

HSL 112.34, 0.19%, 0.49%

LAB 57.31, -23.64, 20.46

 

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

CMYK 0 / 24 / 32 / 42

HEX #947165

RGB 148 113 101

HSL 15.32, 0.19%, 0.49%

LAB 50.74, 12.02, 11.98

 

CMYK 32 / 0 / 24 / 42

HEX #659471

RGB 101 148 113

HSL 135.32, 0.19%, 0.49%

LAB 57.21, -23.53, 13.54

 

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

CMYK 0 / 32 / 15 / 42

HEX #94657E

RGB 148 101 126

HSL 328.09, 0.19%, 0.49%

LAB 48.4, 22.92, -6.25

 

CMYK 8 / 0 / 32 / 42

HEX #889465

RGB 136 148 101

HSL 75.32, 0.19%, 0.49%

LAB 59.3, -12.58, 23.47

 

CMYK 32 / 0 / 17 / 42

HEX #65947B

RGB 101 148 123

HSL 148.09, 0.19%, 0.49%

LAB 57.44, -21.5, 8.19

 

CMYK 24 / 32 / 0 / 42

HEX #716494

RGB 113 100 148

HSL 256.25, 0.19%, 0.49%

LAB 45.31, 15.86, -24.42

 

CMYK 0 / 32 / 24 / 42

HEX #946570

RGB 148 101 112

HSL 345.96, 0.19%, 0.49%

LAB 47.97, 20.61, 1.51

 

CMYK 8 / 0 / 32 / 42

HEX #889465

RGB 136 148 101

HSL 75.32, 0.19%, 0.49%

LAB 59.3, -12.58, 23.47

 

CMYK 32 / 0 / 7 / 42

HEX #659489

RGB 101 148 137

HSL 165.96, 0.19%, 0.49%

LAB 57.8, -18.39, 0.73

 

Description

Color code: RGB 113 100 148 | qconv.com Color code: RGB 113 100 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 100 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 100 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 32 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 32% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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