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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 82 129 it is the complementary color RGB 159 173 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 82 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 82 129 shade: RGB 101 82 124, RGB 118 100 143, RGB 135 118 162, RGB 152 136 181 and RGB 169 154 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 82 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 82 129 shade: RGB 96 82 129, RGB 79 64 110, RGB 62 46 91, RGB 45 28 72 and RGB 28 10 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 82 129 shade: RGB 95 81 127, RGB 107 81 127, RGB 120 81 127, RGB 127 81 122 and RGB 127 81 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 82 129 shade: RGB 95 81 127, RGB 82 81 127 and RGB 81 81 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 82 129 shade matches the following richer shades: RGB 95 81 127, RGB 88 64 144, RGB 81 47 161, RGB 74 30 178 and RGB 67 13 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 82 129 shade: RGB 95 81 127, RGB 102 98 110, RGB 108 115 93, RGB 115 132 76 and RGB 122 149 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 82 129 shade: RGB 81 93 127, RGB 82 81 127, RGB 94 81 127, RGB 106 81 127 and RGB 119 81 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 82 129 shade: RGB 57 49 77, RGB 76 65 102, RGB 95 81 127, RGB 114 97 152 and RGB 136 121 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 82 129 shade: RGB 96 82 129, RGB 127 81 105 and RGB 86 127 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 82 129 shade: RGB 96 82 129, RGB 127 94 81 and RGB 81 127 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 82 129 shade: RGB 96 82 129, RGB 127 81 105, RGB 114 127 81 and RGB 81 127 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 82 129 shade: RGB 96 82 129, RGB 127 81 91, RGB 114 127 81 and RGB 81 127 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

Complementary color

CMYK 8 / 0 / 27 / 32

HEX #9FAD7E

RGB 159 173 126

HSL 77.87, 0.22%, 0.59%

LAB 68.58, -13.12, 22.58

 

CMYK 19 / 34 / 0 / 51

HEX #65527C

RGB 101 82 124

HSL 267.14, 0.2%, 0.4%

LAB 38.3, 16.94, -20.85

 

CMYK 17 / 30 / 0 / 44

HEX #76648F

RGB 118 100 143

HSL 265.12, 0.18%, 0.48%

LAB 45.56, 16.27, -21

 

CMYK 17 / 27 / 0 / 36

HEX #8776A2

RGB 135 118 162

HSL 263.18, 0.19%, 0.55%

LAB 52.64, 15.69, -21.19

 

CMYK 16 / 25 / 0 / 29

HEX #9888B5

RGB 152 136 181

HSL 261.33, 0.23%, 0.62%

LAB 59.54, 15.17, -21.4

 

CMYK 16 / 23 / 0 / 22

HEX #A99AC8

RGB 169 154 200

HSL 259.57, 0.29%, 0.69%

LAB 66.3, 14.7, -21.63

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 28 / 42 / 0 / 57

HEX #4F406E

RGB 79 64 110

HSL 259.57, 0.26%, 0.34%

LAB 30.53, 17.38, -24.39

 

CMYK 32 / 49 / 0 / 64

HEX #3E2E5B

RGB 62 46 91

HSL 261.33, 0.33%, 0.27%

LAB 22.77, 18.37, -24.47

 

CMYK 38 / 61 / 0 / 72

HEX #2D1C48

RGB 45 28 72

HSL 263.18, 0.44%, 0.2%

LAB 14.71, 19.55, -24.6

 

CMYK 47 / 81 / 0 / 79

HEX #1C0A35

RGB 28 10 53

HSL 265.12, 0.68%, 0.12%

LAB 6.51, 20.35, -24.43

 

CMYK 25 / 36 / 0 / 50

HEX #5F517F

RGB 95 81 127

HSL 258.26, 0.22%, 0.41%

LAB 37.57, 16.33, -23.87

 

CMYK 16 / 36 / 0 / 50

HEX #6B517F

RGB 107 81 127

HSL 273.91, 0.22%, 0.41%

LAB 38.8, 20.33, -21.87

 

CMYK 6 / 36 / 0 / 50

HEX #78517F

RGB 120 81 127

HSL 290.87, 0.22%, 0.41%

LAB 40.26, 24.77, -19.49

 

CMYK 0 / 36 / 4 / 50

HEX #7F517A

RGB 127 81 122

HSL 306.52, 0.22%, 0.41%

LAB 40.9, 26.19, -15.38

 

CMYK 0 / 36 / 13 / 50

HEX #7F516E

RGB 127 81 110

HSL 322.17, 0.22%, 0.41%

LAB 40.45, 23.92, -8.68

 

CMYK 25 / 36 / 0 / 50

HEX #5F517F

RGB 95 81 127

HSL 258.26, 0.22%, 0.41%

LAB 37.57, 16.33, -23.87

 

CMYK 35 / 36 / 0 / 50

HEX #52517F

RGB 82 81 127

HSL 241.3, 0.22%, 0.41%

LAB 36.39, 12.21, -25.81

 

CMYK 36 / 36 / 0 / 50

HEX #51517F

RGB 81 81 127

HSL 240, 0.22%, 0.41%

LAB 36.3, 11.9, -25.95

 

CMYK 25 / 36 / 0 / 50

HEX #5F517F

RGB 95 81 127

HSL 258.26, 0.22%, 0.41%

LAB 37.57, 16.33, -23.87

 

CMYK 39 / 56 / 0 / 44

HEX #584090

RGB 88 64 144

HSL 258, 0.38%, 0.41%

LAB 33.47, 29.64, -40.84

 

CMYK 50 / 71 / 0 / 37

HEX #512FA1

RGB 81 47 161

HSL 257.89, 0.55%, 0.41%

LAB 30.29, 42.96, -56.37

 

CMYK 58 / 83 / 0 / 30

HEX #4A1EB2

RGB 74 30 178

HSL 257.84, 0.71%, 0.41%

LAB 28.38, 54.75, -69.77

 

CMYK 66 / 93 / 0 / 24

HEX #430DC3

RGB 67 13 195

HSL 257.8, 0.88%, 0.41%

LAB 27.9, 63.73, -80.66

 

CMYK 25 / 36 / 0 / 50

HEX #5F517F

RGB 95 81 127

HSL 258.26, 0.22%, 0.41%

LAB 37.57, 16.33, -23.87

 

CMYK 7 / 11 / 0 / 57

HEX #66626E

RGB 102 98 110

HSL 260, 0.06%, 0.41%

LAB 42.29, 4.13, -6.21

 

CMYK 6 / 0 / 19 / 55

HEX #6C735D

RGB 108 115 93

HSL 79.09, 0.11%, 0.41%

LAB 47.29, -6.92, 11.3

 

CMYK 13 / 0 / 42 / 48

HEX #73844C

RGB 115 132 76

HSL 78.21, 0.27%, 0.41%

LAB 52.59, -16, 28.16

 

CMYK 18 / 0 / 60 / 42

HEX #7A953B

RGB 122 149 59

HSL 78, 0.43%, 0.41%

LAB 57.99, -23.7, 43.4

 

CMYK 36 / 27 / 0 / 50

HEX #515D7F

RGB 81 93 127

HSL 224.35, 0.22%, 0.41%

LAB 39.77, 4.31, -20.56

 

CMYK 35 / 36 / 0 / 50

HEX #52517F

RGB 82 81 127

HSL 241.3, 0.22%, 0.41%

LAB 36.39, 12.21, -25.81

 

CMYK 26 / 36 / 0 / 50

HEX #5E517F

RGB 94 81 127

HSL 256.96, 0.22%, 0.41%

LAB 37.48, 16.01, -24.03

 

CMYK 17 / 36 / 0 / 50

HEX #6A517F

RGB 106 81 127

HSL 272.61, 0.22%, 0.41%

LAB 38.69, 19.99, -22.04

 

CMYK 6 / 36 / 0 / 50

HEX #77517F

RGB 119 81 127

HSL 289.57, 0.22%, 0.41%

LAB 40.15, 24.42, -19.68

 

CMYK 26 / 36 / 0 / 70

HEX #39314D

RGB 57 49 77

HSL 257.14, 0.22%, 0.25%

LAB 22.31, 10.58, -15.93

 

CMYK 25 / 36 / 0 / 60

HEX #4C4166

RGB 76 65 102

HSL 257.84, 0.22%, 0.33%

LAB 30.1, 13.53, -20

 

CMYK 25 / 36 / 0 / 50

HEX #5F517F

RGB 95 81 127

HSL 258.26, 0.22%, 0.41%

LAB 37.57, 16.33, -23.87

 

CMYK 25 / 36 / 0 / 40

HEX #726198

RGB 114 97 152

HSL 258.55, 0.22%, 0.49%

LAB 44.79, 19.02, -27.59

 

CMYK 20 / 28 / 0 / 34

HEX #8879A9

RGB 136 121 169

HSL 258.75, 0.22%, 0.57%

LAB 53.79, 15.89, -23.47

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 0 / 36 / 17 / 50

HEX #7F5169

RGB 127 81 105

HSL 328.7, 0.22%, 0.41%

LAB 40.27, 23.03, -5.85

 

CMYK 32 / 0 / 36 / 50

HEX #567F51

RGB 86 127 81

HSL 113.48, 0.22%, 0.41%

LAB 49.19, -23.97, 20.6

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 0 / 26 / 36 / 50

HEX #7F5E51

RGB 127 94 81

HSL 16.96, 0.22%, 0.41%

LAB 42.93, 11.55, 12.7

 

CMYK 36 / 0 / 26 / 50

HEX #517F5E

RGB 81 127 94

HSL 136.96, 0.22%, 0.41%

LAB 49.17, -23.29, 13.07

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 0 / 36 / 17 / 50

HEX #7F5169

RGB 127 81 105

HSL 328.7, 0.22%, 0.41%

LAB 40.27, 23.03, -5.85

 

CMYK 10 / 0 / 36 / 50

HEX #727F51

RGB 114 127 81

HSL 76.96, 0.22%, 0.41%

LAB 51.09, -13.04, 23.46

 

CMYK 36 / 0 / 19 / 50

HEX #517F67

RGB 81 127 103

HSL 148.7, 0.22%, 0.41%

LAB 49.38, -21.39, 8.12

 

CMYK 26 / 36 / 0 / 49

HEX #605281

RGB 96 82 129

HSL 257.87, 0.22%, 0.41%

LAB 38.03, 16.56, -24.37

 

CMYK 0 / 36 / 28 / 50

HEX #7F515B

RGB 127 81 91

HSL 346.96, 0.22%, 0.41%

LAB 39.84, 20.74, 2.19

 

CMYK 10 / 0 / 36 / 50

HEX #727F51

RGB 114 127 81

HSL 76.96, 0.22%, 0.41%

LAB 51.09, -13.04, 23.46

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

Description

Color code: RGB 96 82 129 | qconv.com Color code: RGB 96 82 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 82 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 82 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 36 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 36% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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