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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 107 31 it is the complementary color RGB 144 148 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 107 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 107 31 shade: RGB 116 107 26, RGB 133 125 45, RGB 150 143 64, RGB 167 161 83 and RGB 184 179 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 107 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 94 89 12, RGB 77 71 0, RGB 60 53 0 and RGB 43 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 111 85 31, RGB 111 64 31, RGB 111 42 31 and RGB 111 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 93 111 31, RGB 72 111 31, RGB 50 111 31 and RGB 31 111 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 107 31 shade matches the following richer shades: RGB 111 107 31, RGB 122 117 19 and RGB 134 128 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 99 96 42, RGB 88 86 54, RGB 76 76 66 and RGB 65 65 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 107 31 shade: RGB 111 64 31, RGB 111 86 31, RGB 111 107 31, RGB 94 111 31 and RGB 72 111 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 107 31 shade: RGB 47 45 13, RGB 79 76 22, RGB 111 107 31, RGB 143 138 40 and RGB 175 169 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 31 111 43 and RGB 75 31 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 31 111 107 and RGB 107 31 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 31 111 43, RGB 31 35 111 and RGB 111 31 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 107 31 shade: RGB 111 107 31, RGB 31 111 67, RGB 31 35 111 and RGB 111 31 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

Complementary color

CMYK 36 / 34 / 0 / 12

HEX #9094E0

RGB 144 148 224

HSL 237, 0.56%, 0.72%

LAB 63.75, 16.5, -39.07

 

CMYK 0 / 8 / 78 / 55

HEX #746B1A

RGB 116 107 26

HSL 54, 0.63%, 0.28%

LAB 44.66, -6.22, 43.71

 

CMYK 0 / 6 / 66 / 48

HEX #857D2D

RGB 133 125 45

HSL 54.55, 0.49%, 0.35%

LAB 51.66, -7.3, 43.21

 

CMYK 0 / 5 / 57 / 41

HEX #968F40

RGB 150 143 64

HSL 55.12, 0.4%, 0.42%

LAB 58.51, -8.11, 42.2

 

CMYK 0 / 4 / 50 / 35

HEX #A7A153

RGB 167 161 83

HSL 55.71, 0.34%, 0.49%

LAB 65.22, -8.75, 41.02

 

CMYK 0 / 3 / 45 / 28

HEX #B8B366

RGB 184 179 102

HSL 56.34, 0.37%, 0.56%

LAB 71.82, -9.27, 39.79

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 0 / 8 / 100 / 70

HEX #4D4700

RGB 77 71 0

HSL 55.32, 1%, 0.15%

LAB 29.62, -5.47, 38.28

 

CMYK 0 / 12 / 100 / 76

HEX #3C3500

RGB 60 53 0

HSL 53, 1%, 0.12%

LAB 21.97, -3.28, 30.56

 

CMYK 0 / 19 / 100 / 83

HEX #2B2300

RGB 43 35 0

HSL 48.84, 1%, 0.08%

LAB 13.92, -0.89, 20.46

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 0 / 23 / 72 / 56

HEX #6F551F

RGB 111 85 31

HSL 40.5, 0.56%, 0.28%

LAB 37.8, 4.56, 34.49

 

CMYK 0 / 42 / 72 / 56

HEX #6F401F

RGB 111 64 31

HSL 24.75, 0.56%, 0.28%

LAB 32.14, 17.3, 28.35

 

CMYK 0 / 62 / 72 / 56

HEX #6F2A1F

RGB 111 42 31

HSL 8.25, 0.56%, 0.28%

LAB 27.11, 29.86, 22.59

 

CMYK 0 / 72 / 72 / 56

HEX #6F1F1F

RGB 111 31 31

HSL 0, 0.56%, 0.28%

LAB 25.13, 35.17, 20.23

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 16 / 0 / 72 / 56

HEX #5D6F1F

RGB 93 111 31

HSL 73.5, 0.56%, 0.28%

LAB 43.94, -18.85, 40.31

 

CMYK 35 / 0 / 72 / 56

HEX #486F1F

RGB 72 111 31

HSL 89.25, 0.56%, 0.28%

LAB 42.53, -27.78, 38.42

 

CMYK 55 / 0 / 72 / 56

HEX #326F1F

RGB 50 111 31

HSL 105.75, 0.56%, 0.28%

LAB 41.45, -35.6, 36.95

 

CMYK 72 / 0 / 70 / 56

HEX #1F6F21

RGB 31 111 33

HSL 121.5, 0.56%, 0.28%

LAB 40.85, -40.31, 35.24

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 0 / 4 / 84 / 52

HEX #7A7513

RGB 122 117 19

HSL 57.09, 0.73%, 0.28%

LAB 48.14, -9.28, 49.42

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 0 / 3 / 58 / 61

HEX #63602A

RGB 99 96 42

HSL 56.84, 0.4%, 0.28%

LAB 39.89, -6.88, 30.8

 

CMYK 0 / 2 / 39 / 65

HEX #585636

RGB 88 86 54

HSL 56.47, 0.24%, 0.28%

LAB 35.98, -4.75, 18.95

 

CMYK 0 / 0 / 13 / 70

HEX #4C4C42

RGB 76 76 66

HSL 60, 0.07%, 0.28%

LAB 32.03, -2.05, 5.95

 

CMYK 16 / 16 / 0 / 70

HEX #41414D

RGB 65 65 77

HSL 240, 0.08%, 0.28%

LAB 27.95, 2.88, -7.23

 

CMYK 0 / 42 / 72 / 56

HEX #6F401F

RGB 111 64 31

HSL 24.75, 0.56%, 0.28%

LAB 32.14, 17.3, 28.35

 

CMYK 0 / 23 / 72 / 56

HEX #6F561F

RGB 111 86 31

HSL 41.25, 0.56%, 0.28%

LAB 38.08, 3.95, 34.79

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 15 / 0 / 72 / 56

HEX #5E6F1F

RGB 94 111 31

HSL 72.75, 0.56%, 0.28%

LAB 44.01, -18.4, 40.41

 

CMYK 35 / 0 / 72 / 56

HEX #486F1F

RGB 72 111 31

HSL 89.25, 0.56%, 0.28%

LAB 42.53, -27.78, 38.42

 

CMYK 0 / 4 / 72 / 82

HEX #2F2D0D

RGB 47 45 13

HSL 56.47, 0.57%, 0.12%

LAB 17.96, -4.27, 20.24

 

CMYK 0 / 4 / 72 / 69

HEX #4F4C16

RGB 79 76 22

HSL 56.84, 0.56%, 0.2%

LAB 31.55, -6.4, 31.28

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 0 / 3 / 72 / 44

HEX #8F8A28

RGB 143 138 40

HSL 57.09, 0.56%, 0.36%

LAB 56.26, -10.15, 50.31

 

CMYK 0 / 3 / 72 / 31

HEX #AFA931

RGB 175 169 49

HSL 57.14, 0.56%, 0.44%

LAB 67.81, -11.88, 59.1

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 72 / 0 / 61 / 56

HEX #1F6F2B

RGB 31 111 43

HSL 129, 0.56%, 0.28%

LAB 40.95, -39.09, 30.52

 

CMYK 32 / 72 / 0 / 56

HEX #4B1F6F

RGB 75 31 111

HSL 273, 0.56%, 0.28%

LAB 22.39, 36.48, -38.04

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 72 / 0 / 4 / 56

HEX #1F6F6B

RGB 31 111 107

HSL 177, 0.56%, 0.28%

LAB 42.34, -24.39, -4.72

 

CMYK 4 / 72 / 0 / 56

HEX #6B1F6F

RGB 107 31 111

HSL 297, 0.56%, 0.28%

LAB 27.45, 44.15, -29.65

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 72 / 0 / 61 / 56

HEX #1F6F2B

RGB 31 111 43

HSL 129, 0.56%, 0.28%

LAB 40.95, -39.09, 30.52

 

CMYK 72 / 68 / 0 / 56

HEX #1F236F

RGB 31 35 111

HSL 237, 0.56%, 0.28%

LAB 18.54, 25.53, -44.5

 

CMYK 0 / 72 / 11 / 56

HEX #6F1F63

RGB 111 31 99

HSL 309, 0.56%, 0.28%

LAB 27.46, 43.04, -21.82

 

CMYK 0 / 4 / 72 / 56

HEX #6F6B1F

RGB 111 107 31

HSL 57, 0.56%, 0.28%

LAB 44.22, -8.33, 41.09

 

CMYK 72 / 0 / 40 / 56

HEX #1F6F43

RGB 31 111 67

HSL 147, 0.56%, 0.28%

LAB 41.32, -34.9, 17.74

 

CMYK 72 / 68 / 0 / 56

HEX #1F236F

RGB 31 35 111

HSL 237, 0.56%, 0.28%

LAB 18.54, 25.53, -44.5

 

CMYK 0 / 72 / 32 / 56

HEX #6F1F4B

RGB 111 31 75

HSL 327, 0.56%, 0.28%

LAB 26.35, 39.41, -7.69

 

Description

Color code: RGB 111 107 31 | qconv.com Color code: RGB 111 107 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 107 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 107 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 72 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 72% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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