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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #868008 it is the complementary color #797FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #868008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #868008 shade: #8B8003, #9C9216, #ADA429, #BEB63C and #CFC84F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #868008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #868008 shade: #868008, #756E00, #645C00, #534A00 and #423800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #868008 shade: #868007, #865E07, #863C07, #861A07 and #860707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #868008 shade: #868007, #6A8607, #488607, #268607 and #07860B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #868008 shade matches the following richer shades: #868007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #868008 shade: #868007, #7B7613, #6F6B1E, #64612A and #585736

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #868008 shade: #863C07, #865E07, #868007, #6B8607 and #498607

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #868008 shade: #383603, #5F5B05, #868007, #ADA60A and #D4CB0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #868008 shade: #868008, #07861A and #4D0786

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #868008 shade: #868008, #078680 and #800786

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #868008 shade: #868008, #07861A, #070E86 and #860773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #868008 shade: #868008, #078641, #070E86 and #86074D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

Complementary color

CMYK 51 / 49 / 0 / 3

HEX #797FF7

RGB 121 127 247

HSL 237.14, 0.89%, 0.72%

LAB 58, 29.83, -61.02

 

CMYK 0 / 8 / 98 / 45

HEX #8B8003

RGB 139 128 3

HSL 55.15, 0.96%, 0.28%

LAB 52.88, -7.73, 57.31

 

CMYK 0 / 6 / 86 / 39

HEX #9C9216

RGB 156 146 22

HSL 55.52, 0.75%, 0.35%

LAB 59.6, -9.25, 59.55

 

CMYK 0 / 5 / 76 / 32

HEX #ADA429

RGB 173 164 41

HSL 55.91, 0.62%, 0.42%

LAB 66.21, -10.51, 60.35

 

CMYK 0 / 4 / 68 / 25

HEX #BEB63C

RGB 190 182 60

HSL 56.31, 0.52%, 0.49%

LAB 72.71, -11.54, 60.19

 

CMYK 0 / 3 / 62 / 19

HEX #CFC84F

RGB 207 200 79

HSL 56.72, 0.57%, 0.56%

LAB 79.12, -12.39, 59.53

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 0 / 6 / 100 / 54

HEX #756E00

RGB 117 110 0

HSL 56.41, 1%, 0.23%

LAB 45.54, -8.24, 51.62

 

CMYK 0 / 8 / 100 / 61

HEX #645C00

RGB 100 92 0

HSL 55.2, 1%, 0.2%

LAB 38.49, -6.27, 45.77

 

CMYK 0 / 11 / 100 / 67

HEX #534A00

RGB 83 74 0

HSL 53.49, 1%, 0.16%

LAB 31.2, -4.18, 39.73

 

CMYK 0 / 15 / 100 / 74

HEX #423800

RGB 66 56 0

HSL 50.91, 1%, 0.13%

LAB 23.63, -1.95, 32.49

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 0 / 30 / 95 / 47

HEX #865E07

RGB 134 94 7

HSL 41.1, 0.9%, 0.28%

LAB 42.9, 9.39, 48.81

 

CMYK 0 / 55 / 95 / 47

HEX #863C07

RGB 134 60 7

HSL 25.04, 0.9%, 0.28%

LAB 34.63, 28.96, 42.78

 

CMYK 0 / 81 / 95 / 47

HEX #861A07

RGB 134 26 7

HSL 8.98, 0.9%, 0.28%

LAB 28.96, 44.12, 38.7

 

CMYK 0 / 95 / 95 / 47

HEX #860707

RGB 134 7 7

HSL 0, 0.9%, 0.28%

LAB 27.4, 48.56, 37.4

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 21 / 0 / 95 / 47

HEX #6A8607

RGB 106 134 7

HSL 73.23, 0.9%, 0.28%

LAB 51.98, -25.82, 54.72

 

CMYK 46 / 0 / 95 / 47

HEX #488607

RGB 72 134 7

HSL 89.29, 0.9%, 0.28%

LAB 50.03, -39.22, 52.33

 

CMYK 72 / 0 / 95 / 47

HEX #268607

RGB 38 134 7

HSL 105.35, 0.9%, 0.28%

LAB 48.86, -48.63, 50.88

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 0 / 4 / 85 / 52

HEX #7B7613

RGB 123 118 19

HSL 57.12, 0.73%, 0.28%

LAB 48.53, -9.37, 49.79

 

CMYK 0 / 4 / 73 / 56

HEX #6F6B1E

RGB 111 107 30

HSL 57.04, 0.57%, 0.28%

LAB 44.22, -8.39, 41.51

 

CMYK 0 / 3 / 58 / 61

HEX #64612A

RGB 100 97 42

HSL 56.9, 0.41%, 0.28%

LAB 40.29, -6.99, 31.28

 

CMYK 0 / 1 / 39 / 65

HEX #585736

RGB 88 87 54

HSL 58.24, 0.24%, 0.28%

LAB 36.29, -5.35, 19.35

 

CMYK 0 / 55 / 95 / 47

HEX #863C07

RGB 134 60 7

HSL 25.04, 0.9%, 0.28%

LAB 34.63, 28.96, 42.78

 

CMYK 0 / 30 / 95 / 47

HEX #865E07

RGB 134 94 7

HSL 41.1, 0.9%, 0.28%

LAB 42.9, 9.39, 48.81

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 20 / 0 / 95 / 47

HEX #6B8607

RGB 107 134 7

HSL 72.76, 0.9%, 0.28%

LAB 52.05, -25.39, 54.8

 

CMYK 46 / 0 / 95 / 47

HEX #498607

RGB 73 134 7

HSL 88.82, 0.9%, 0.28%

LAB 50.08, -38.87, 52.38

 

CMYK 0 / 4 / 95 / 78

HEX #383603

RGB 56 54 3

HSL 57.74, 0.9%, 0.12%

LAB 21.89, -5.91, 29.13

 

CMYK 0 / 4 / 95 / 63

HEX #5F5B05

RGB 95 91 5

HSL 57.33, 0.9%, 0.2%

LAB 37.71, -8.02, 43.49

 

CMYK 0 / 4 / 95 / 47

HEX #868007

RGB 134 128 7

HSL 57.17, 0.9%, 0.28%

LAB 52.42, -9.99, 56.02

 

CMYK 0 / 4 / 94 / 32

HEX #ADA60A

RGB 173 166 10

HSL 57.42, 0.89%, 0.36%

LAB 66.66, -12.38, 67.95

 

CMYK 0 / 4 / 94 / 17

HEX #D4CB0C

RGB 212 203 12

HSL 57.3, 0.89%, 0.44%

LAB 80.03, -14.17, 79.3

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 95 / 0 / 81 / 47

HEX #07861A

RGB 7 134 26

HSL 128.98, 0.9%, 0.28%

LAB 48.47, -51.71, 45.64

 

CMYK 43 / 95 / 0 / 47

HEX #4D0786

RGB 77 7 134

HSL 273.07, 0.9%, 0.28%

LAB 21.77, 51.1, -53.7

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 95 / 0 / 4 / 47

HEX #078680

RGB 7 134 128

HSL 177.17, 0.9%, 0.28%

LAB 50.28, -31.36, -5.46

 

CMYK 4 / 95 / 0 / 47

HEX #800786

RGB 128 7 134

HSL 297.17, 0.9%, 0.28%

LAB 30.55, 58.81, -39.03

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 95 / 0 / 81 / 47

HEX #07861A

RGB 7 134 26

HSL 128.98, 0.9%, 0.28%

LAB 48.47, -51.71, 45.64

 

CMYK 95 / 90 / 0 / 47

HEX #070E86

RGB 7 14 134

HSL 236.69, 0.9%, 0.28%

LAB 15.9, 44, -63.61

 

CMYK 0 / 95 / 14 / 47

HEX #860773

RGB 134 7 115

HSL 308.98, 0.9%, 0.28%

LAB 30.54, 57.03, -26.99

 

CMYK 0 / 4 / 94 / 47

HEX #868008

RGB 134 128 8

HSL 57.14, 0.89%, 0.28%

LAB 52.42, -9.98, 55.85

 

CMYK 95 / 0 / 51 / 47

HEX #078641

RGB 7 134 65

HSL 147.4, 0.9%, 0.28%

LAB 48.86, -46.97, 28.51

 

CMYK 95 / 90 / 0 / 47

HEX #070E86

RGB 7 14 134

HSL 236.69, 0.9%, 0.28%

LAB 15.9, 44, -63.61

 

CMYK 0 / 95 / 43 / 47

HEX #86074D

RGB 134 7 77

HSL 326.93, 0.9%, 0.28%

LAB 28.79, 52.42, -4.91

 

Description

Color code: HEX #868008 | qconv.com Color code: HEX #868008 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 128 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 128 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 94 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 94% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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