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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 102 180 it is the complementary color RGB 145 153 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 102 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 102 180 shade: RGB 115 102 175, RGB 132 120 194, RGB 149 138 213, RGB 166 156 232 and RGB 183 174 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 102 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 102 180 shade: RGB 110 102 180, RGB 93 84 161, RGB 76 66 142, RGB 59 48 123 and RGB 42 30 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 102 180 shade: RGB 109 101 179, RGB 130 101 179, RGB 151 101 179, RGB 172 101 179 and RGB 179 101 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 102 180 shade: RGB 109 101 179 and RGB 101 101 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 102 180 shade matches the following richer shades: RGB 109 101 179, RGB 94 82 197, RGB 79 64 216, RGB 64 45 234 and RGB 50 26 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 102 180 shade: RGB 109 101 179, RGB 123 119 160, RGB 138 138 142, RGB 153 156 123 and RGB 168 175 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 102 180 shade: RGB 101 135 179, RGB 101 114 179, RGB 109 101 179, RGB 129 101 179 and RGB 150 101 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 102 180 shade: RGB 72 65 132, RGB 87 78 160, RGB 109 101 179, RGB 135 128 192 and RGB 161 156 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 102 180 shade: RGB 110 102 180, RGB 179 101 155 and RGB 124 179 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 102 180 shade: RGB 110 102 180, RGB 179 109 101 and RGB 101 179 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 102 180 shade: RGB 110 102 180, RGB 179 101 155, RGB 171 179 101 and RGB 101 179 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 102 180 shade: RGB 110 102 180, RGB 179 101 132, RGB 171 179 101 and RGB 101 179 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

Complementary color

CMYK 5 / 0 / 51 / 40

HEX #91994B

RGB 145 153 75

HSL 66.15, 0.34%, 0.45%

LAB 61.05, -14.62, 39.62

 

CMYK 34 / 42 / 0 / 31

HEX #7366AF

RGB 115 102 175

HSL 250.68, 0.31%, 0.54%

LAB 47.29, 22.39, -37.23

 

CMYK 32 / 38 / 0 / 24

HEX #8478C2

RGB 132 120 194

HSL 249.73, 0.38%, 0.62%

LAB 54.27, 21.54, -37.11

 

CMYK 30 / 35 / 0 / 16

HEX #958AD5

RGB 149 138 213

HSL 248.8, 0.47%, 0.69%

LAB 61.11, 20.8, -37.05

 

CMYK 28 / 33 / 0 / 9

HEX #A69CE8

RGB 166 156 232

HSL 247.89, 0.62%, 0.76%

LAB 67.81, 20.15, -37.02

 

CMYK 27 / 31 / 0 / 2

HEX #B7AEFB

RGB 183 174 251

HSL 247.01, 0.91%, 0.83%

LAB 74.38, 19.55, -37.04

 

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

CMYK 42 / 48 / 0 / 37

HEX #5D54A1

RGB 93 84 161

HSL 247.01, 0.31%, 0.48%

LAB 39.98, 23.49, -40.67

 

CMYK 46 / 54 / 0 / 44

HEX #4C428E

RGB 76 66 142

HSL 247.89, 0.37%, 0.41%

LAB 32.67, 24.76, -40.96

 

CMYK 52 / 61 / 0 / 52

HEX #3B307B

RGB 59 48 123

HSL 248.8, 0.44%, 0.34%

LAB 25.18, 26.29, -41.28

 

CMYK 60 / 71 / 0 / 59

HEX #2A1E68

RGB 42 30 104

HSL 249.73, 0.55%, 0.26%

LAB 17.55, 28.09, -41.52

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 27 / 44 / 0 / 30

HEX #8265B3

RGB 130 101 179

HSL 262.31, 0.34%, 0.55%

LAB 48.65, 28.33, -37.33

 

CMYK 16 / 44 / 0 / 30

HEX #9765B3

RGB 151 101 179

HSL 278.46, 0.34%, 0.55%

LAB 50.85, 34.55, -33.71

 

CMYK 4 / 44 / 0 / 30

HEX #AC65B3

RGB 172 101 179

HSL 294.62, 0.34%, 0.55%

LAB 53.31, 40.93, -29.69

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 44 / 44 / 0 / 30

HEX #6565B3

RGB 101 101 179

HSL 240, 0.34%, 0.55%

LAB 46.08, 20.37, -41.55

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 52 / 58 / 0 / 23

HEX #5E52C5

RGB 94 82 197

HSL 246.26, 0.5%, 0.55%

LAB 41.92, 35.95, -58.74

 

CMYK 63 / 70 / 0 / 15

HEX #4F40D8

RGB 79 64 216

HSL 245.92, 0.66%, 0.55%

LAB 38.35, 49.91, -75.58

 

CMYK 73 / 81 / 0 / 8

HEX #402DEA

RGB 64 45 234

HSL 246.03, 0.82%, 0.55%

LAB 35.81, 63.32, -90.11

 

CMYK 80 / 90 / 0 / 1

HEX #321AFD

RGB 50 26 253

HSL 246.34, 0.98%, 0.55%

LAB 35.02, 74.55, -102.16

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 23 / 26 / 0 / 37

HEX #7B77A0

RGB 123 119 160

HSL 245.85, 0.18%, 0.55%

LAB 51.77, 10.68, -21.44

 

CMYK 3 / 3 / 0 / 44

HEX #8A8A8E

RGB 138 138 142

HSL 240, 0.02%, 0.55%

LAB 57.59, 0.8, -2.14

 

CMYK 2 / 0 / 21 / 39

HEX #999C7B

RGB 153 156 123

HSL 65.45, 0.14%, 0.55%

LAB 63.33, -6.87, 16.96

 

CMYK 4 / 0 / 41 / 31

HEX #A8AF68

RGB 168 175 104

HSL 65.92, 0.31%, 0.55%

LAB 69.46, -13.5, 35.53

 

CMYK 44 / 25 / 0 / 30

HEX #6587B3

RGB 101 135 179

HSL 213.85, 0.34%, 0.55%

LAB 55.43, -0.12, -26.9

 

CMYK 44 / 36 / 0 / 30

HEX #6572B3

RGB 101 114 179

HSL 230, 0.34%, 0.55%

LAB 49.56, 12.4, -36.05

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 28 / 44 / 0 / 30

HEX #8165B3

RGB 129 101 179

HSL 261.54, 0.34%, 0.55%

LAB 48.55, 28.04, -37.49

 

CMYK 16 / 44 / 0 / 30

HEX #9665B3

RGB 150 101 179

HSL 277.69, 0.34%, 0.55%

LAB 50.74, 34.25, -33.89

 

CMYK 45 / 51 / 0 / 48

HEX #484184

RGB 72 65 132

HSL 246.27, 0.34%, 0.39%

LAB 31.4, 21.25, -36.84

 

CMYK 46 / 51 / 0 / 37

HEX #574EA0

RGB 87 78 160

HSL 246.59, 0.34%, 0.47%

LAB 37.87, 25.43, -43.48

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 30 / 33 / 0 / 25

HEX #8780C0

RGB 135 128 192

HSL 246.56, 0.34%, 0.63%

LAB 56.48, 17.18, -32.5

 

CMYK 22 / 24 / 0 / 19

HEX #A19CCE

RGB 161 156 206

HSL 246, 0.34%, 0.71%

LAB 66.37, 12.39, -24.91

 

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

CMYK 0 / 44 / 13 / 30

HEX #B3659B

RGB 179 101 155

HSL 318.46, 0.34%, 0.55%

LAB 53.23, 38.82, -15.76

 

CMYK 31 / 0 / 44 / 30

HEX #7CB365

RGB 124 179 101

HSL 102.31, 0.34%, 0.55%

LAB 67.62, -32.66, 34.15

 

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

CMYK 0 / 39 / 44 / 30

HEX #B36D65

RGB 179 109 101

HSL 6.15, 0.34%, 0.55%

LAB 53.45, 26.91, 16.3

 

CMYK 44 / 0 / 39 / 30

HEX #65B36D

RGB 101 179 109

HSL 126.15, 0.34%, 0.55%

LAB 66.6, -38.94, 28.43

 

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

CMYK 0 / 44 / 13 / 30

HEX #B3659B

RGB 179 101 155

HSL 318.46, 0.34%, 0.55%

LAB 53.23, 38.82, -15.76

 

CMYK 4 / 0 / 44 / 30

HEX #ABB365

RGB 171 179 101

HSL 66.15, 0.34%, 0.55%

LAB 70.76, -14.68, 38.75

 

CMYK 44 / 0 / 31 / 30

HEX #65B37C

RGB 101 179 124

HSL 137.69, 0.34%, 0.55%

LAB 66.87, -36.31, 20.77

 

CMYK 39 / 43 / 0 / 29

HEX #6E66B4

RGB 110 102 180

HSL 246.15, 0.34%, 0.55%

LAB 47.12, 22.41, -40.44

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 4 / 0 / 44 / 30

HEX #ABB365

RGB 171 179 101

HSL 66.15, 0.34%, 0.55%

LAB 70.76, -14.68, 38.75

 

CMYK 44 / 0 / 17 / 30

HEX #65B394

RGB 101 179 148

HSL 156.15, 0.34%, 0.55%

LAB 67.39, -31.42, 8.39

 

Description

Color code: RGB 110 102 180 | qconv.com Color code: RGB 110 102 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 102 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 102 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 43 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 43% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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