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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 101 132 it is the complementary color RGB 76 154 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 101 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 101 132 shade: RGB 184 101 127, RGB 201 119 146, RGB 218 137 165, RGB 235 155 184 and RGB 252 173 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 101 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 162 83 113, RGB 145 65 94, RGB 128 47 75 and RGB 111 29 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 179 101 111 and RGB 179 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 179 101 153, RGB 179 101 174, RGB 163 101 179 and RGB 142 101 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 101 132 shade matches the following richer shades: RGB 179 101 132, RGB 197 82 128, RGB 216 64 124, RGB 234 45 120 and RGB 253 26 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 160 119 136, RGB 142 138 139, RGB 123 156 143 and RGB 104 175 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 101 132 shade: RGB 179 101 174, RGB 179 101 153, RGB 179 101 132, RGB 179 101 111 and RGB 179 111 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 101 132 shade: RGB 132 65 92, RGB 160 78 111, RGB 179 101 132, RGB 192 128 154 and RGB 206 156 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 179 163 101 and RGB 101 163 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 132 179 101 and RGB 101 132 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 179 163 101, RGB 101 179 148 and RGB 101 116 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 101 132 shade: RGB 179 101 132, RGB 171 179 101, RGB 101 179 148 and RGB 109 101 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

Complementary color

CMYK 51 / 0 / 20 / 40

HEX #4C9A7B

RGB 76 154 123

HSL 156.15, 0.34%, 0.45%

LAB 58.11, -31.72, 8.98

 

CMYK 0 / 45 / 31 / 28

HEX #B8657F

RGB 184 101 127

HSL 341.2, 0.37%, 0.56%

LAB 52.98, 36.35, 0.43

 

CMYK 0 / 41 / 27 / 21

HEX #C97792

RGB 201 119 146

HSL 340.24, 0.43%, 0.63%

LAB 59.6, 35.45, -0.72

 

CMYK 0 / 37 / 24 / 15

HEX #DA89A5

RGB 218 137 165

HSL 339.26, 0.52%, 0.7%

LAB 66.15, 34.61, -1.73

 

CMYK 0 / 34 / 22 / 8

HEX #EB9BB8

RGB 235 155 184

HSL 338.25, 0.67%, 0.76%

LAB 72.6, 33.81, -2.63

 

CMYK 0 / 31 / 19 / 1

HEX #FCADCB

RGB 252 173 203

HSL 337.22, 0.93%, 0.83%

LAB 78.98, 33.07, -3.45

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 49 / 30 / 36

HEX #A25371

RGB 162 83 113

HSL 337.22, 0.32%, 0.48%

LAB 45.72, 36.13, -2.18

 

CMYK 0 / 55 / 35 / 43

HEX #91415E

RGB 145 65 94

HSL 338.25, 0.38%, 0.41%

LAB 38.91, 36.99, -0.72

 

CMYK 0 / 63 / 41 / 50

HEX #802F4B

RGB 128 47 75

HSL 339.26, 0.46%, 0.34%

LAB 32.1, 37.71, 1.16

 

CMYK 0 / 74 / 50 / 56

HEX #6F1D38

RGB 111 29 56

HSL 340.24, 0.59%, 0.27%

LAB 25.39, 38.01, 3.73

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 44 / 38 / 30

HEX #B3656F

RGB 179 101 111

HSL 352.31, 0.34%, 0.55%

LAB 51.88, 32.46, 8.23

 

CMYK 0 / 44 / 44 / 30

HEX #B36565

RGB 179 101 101

HSL 0, 0.34%, 0.55%

LAB 51.65, 31.3, 13.82

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 44 / 15 / 30

HEX #B36599

RGB 179 101 153

HSL 320, 0.34%, 0.55%

LAB 53.16, 38.49, -14.7

 

CMYK 0 / 44 / 3 / 30

HEX #B365AE

RGB 179 101 174

HSL 303.85, 0.34%, 0.55%

LAB 53.97, 42.15, -25.7

 

CMYK 9 / 44 / 0 / 30

HEX #A365B3

RGB 163 101 179

HSL 287.69, 0.34%, 0.55%

LAB 52.23, 38.18, -31.46

 

CMYK 21 / 44 / 0 / 30

HEX #8E65B3

RGB 142 101 179

HSL 271.54, 0.34%, 0.55%

LAB 49.87, 31.85, -35.31

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 58 / 35 / 23

HEX #C55280

RGB 197 82 128

HSL 336, 0.5%, 0.55%

LAB 51.23, 50.44, -2.51

 

CMYK 0 / 70 / 43 / 15

HEX #D8407C

RGB 216 64 124

HSL 336.32, 0.66%, 0.55%

LAB 51.52, 63.17, 0.69

 

CMYK 0 / 81 / 49 / 8

HEX #EA2D78

RGB 234 45 120

HSL 336.19, 0.82%, 0.55%

LAB 52.65, 73.29, 5.14

 

CMYK 0 / 90 / 54 / 1

HEX #FD1A75

RGB 253 26 117

HSL 335.95, 0.98%, 0.55%

LAB 54.98, 81.12, 10.75

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 26 / 15 / 37

HEX #A07788

RGB 160 119 136

HSL 335.12, 0.18%, 0.55%

LAB 54.5, 18.78, -2.98

 

CMYK 0 / 3 / 2 / 44

HEX #8E8A8B

RGB 142 138 139

HSL 345, 0.02%, 0.55%

LAB 57.84, 1.68, -0.01

 

CMYK 21 / 0 / 8 / 39

HEX #7B9C8F

RGB 123 156 143

HSL 156.36, 0.14%, 0.55%

LAB 61.63, -14.19, 3.05

 

CMYK 41 / 0 / 16 / 31

HEX #68AF93

RGB 104 175 147

HSL 156.34, 0.31%, 0.55%

LAB 66.3, -28.89, 7.4

 

CMYK 0 / 44 / 3 / 30

HEX #B365AE

RGB 179 101 174

HSL 303.85, 0.34%, 0.55%

LAB 53.97, 42.15, -25.7

 

CMYK 0 / 44 / 15 / 30

HEX #B36599

RGB 179 101 153

HSL 320, 0.34%, 0.55%

LAB 53.16, 38.49, -14.7

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 44 / 38 / 30

HEX #B3656F

RGB 179 101 111

HSL 352.31, 0.34%, 0.55%

LAB 51.88, 32.46, 8.23

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 51 / 30 / 48

HEX #84415C

RGB 132 65 92

HSL 335.82, 0.34%, 0.39%

LAB 36.85, 32.01, -2.72

 

CMYK 0 / 51 / 31 / 37

HEX #A04E6F

RGB 160 78 111

HSL 335.85, 0.34%, 0.47%

LAB 44.33, 37.79, -3.03

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 33 / 20 / 25

HEX #C0809A

RGB 192 128 154

HSL 335.63, 0.34%, 0.63%

LAB 60.76, 28.5, -3.74

 

CMYK 0 / 24 / 15 / 19

HEX #CE9CB0

RGB 206 156 176

HSL 336, 0.34%, 0.71%

LAB 69.49, 21.71, -3.12

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 9 / 44 / 30

HEX #B3A365

RGB 179 163 101

HSL 47.69, 0.34%, 0.55%

LAB 67.06, -2.97, 34.26

 

CMYK 44 / 9 / 0 / 30

HEX #65A3B3

RGB 101 163 179

HSL 192.31, 0.34%, 0.55%

LAB 63.52, -15.71, -14.54

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 26 / 0 / 44 / 30

HEX #84B365

RGB 132 179 101

HSL 96.15, 0.34%, 0.55%

LAB 68.08, -29.8, 34.82

 

CMYK 44 / 26 / 0 / 30

HEX #6584B3

RGB 101 132 179

HSL 216.15, 0.34%, 0.55%

LAB 54.58, 1.63, -28.22

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 0 / 9 / 44 / 30

HEX #B3A365

RGB 179 163 101

HSL 47.69, 0.34%, 0.55%

LAB 67.06, -2.97, 34.26

 

CMYK 44 / 0 / 17 / 30

HEX #65B394

RGB 101 179 148

HSL 156.15, 0.34%, 0.55%

LAB 67.39, -31.42, 8.39

 

CMYK 44 / 35 / 0 / 30

HEX #6574B3

RGB 101 116 179

HSL 228.46, 0.34%, 0.55%

LAB 50.11, 11.18, -35.19

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 4 / 0 / 44 / 30

HEX #ABB365

RGB 171 179 101

HSL 66.15, 0.34%, 0.55%

LAB 70.76, -14.68, 38.75

 

CMYK 44 / 0 / 17 / 30

HEX #65B394

RGB 101 179 148

HSL 156.15, 0.34%, 0.55%

LAB 67.39, -31.42, 8.39

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

Description

Color code: RGB 179 101 132 | qconv.com Color code: RGB 179 101 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 101 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 101 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 26 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 26% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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