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Color name
RGB 108 172 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 172 143 it is the complementary color RGB 147 83 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 172 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 172 143 shade: RGB 113 172 138, RGB 130 190 157, RGB 147 208 176, RGB 164 226 195 and RGB 181 244 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 172 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 91 154 124, RGB 74 136 105, RGB 57 118 86 and RGB 40 100 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 108 172 125, RGB 108 172 108, RGB 124 172 108 and RGB 142 172 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 108 172 160, RGB 108 166 172, RGB 108 149 172 and RGB 108 132 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 172 143 shade matches the following richer shades: RGB 108 172 143, RGB 89 190 144, RGB 70 209 146, RGB 52 228 148 and RGB 33 246 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 126 153 141, RGB 145 135 139, RGB 163 116 138 and RGB 182 98 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 172 143 shade: RGB 108 172 108, RGB 108 172 125, RGB 108 172 142, RGB 108 172 159 and RGB 108 168 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 172 143 shade: RGB 71 126 101, RGB 86 153 122, RGB 108 172 143, RGB 134 187 163 and RGB 160 202 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 108 125 172 and RGB 172 116 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 142 108 172 and RGB 172 142 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 108 125 172, RGB 172 108 138 and RGB 172 155 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 172 143 shade: RGB 108 172 143, RGB 110 108 172, RGB 172 108 138 and RGB 170 172 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

Complementary color

CMYK 0 / 44 / 24 / 42

HEX #935370

RGB 147 83 112

HSL 332.81, 0.28%, 0.45%

LAB 43.59, 30.53, -4.94

 

CMYK 34 / 0 / 20 / 33

HEX #71AC8A

RGB 113 172 138

HSL 145.42, 0.26%, 0.56%

LAB 65.63, -26.67, 11.49

 

CMYK 32 / 0 / 17 / 25

HEX #82BE9D

RGB 130 190 157

HSL 147, 0.32%, 0.63%

LAB 72.23, -26.41, 10.56

 

CMYK 29 / 0 / 15 / 18

HEX #93D0B0

RGB 147 208 176

HSL 148.52, 0.39%, 0.7%

LAB 78.72, -26.17, 9.69

 

CMYK 27 / 0 / 14 / 11

HEX #A4E2C3

RGB 164 226 195

HSL 150, 0.52%, 0.76%

LAB 85.11, -25.95, 8.87

 

CMYK 26 / 0 / 12 / 4

HEX #B5F4D6

RGB 181 244 214

HSL 151.43, 0.74%, 0.83%

LAB 91.41, -25.75, 8.09

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 41 / 0 / 19 / 40

HEX #5B9A7C

RGB 91 154 124

HSL 151.43, 0.26%, 0.48%

LAB 58.78, -27.39, 9.46

 

CMYK 46 / 0 / 23 / 47

HEX #4A8869

RGB 74 136 105

HSL 150, 0.3%, 0.41%

LAB 51.93, -27.64, 10.51

 

CMYK 52 / 0 / 27 / 54

HEX #397656

RGB 57 118 86

HSL 148.52, 0.35%, 0.34%

LAB 44.94, -27.85, 11.68

 

CMYK 60 / 0 / 33 / 61

HEX #286443

RGB 40 100 67

HSL 147, 0.43%, 0.27%

LAB 37.79, -27.96, 13.02

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 37 / 0 / 27 / 33

HEX #6CAC7D

RGB 108 172 125

HSL 135.94, 0.28%, 0.55%

LAB 65.1, -30.76, 17.85

 

CMYK 37 / 0 / 37 / 33

HEX #6CAC6C

RGB 108 172 108

HSL 120, 0.28%, 0.55%

LAB 64.78, -33.75, 26.63

 

CMYK 28 / 0 / 37 / 33

HEX #7CAC6C

RGB 124 172 108

HSL 105, 0.28%, 0.55%

LAB 65.65, -28.32, 27.93

 

CMYK 17 / 0 / 37 / 33

HEX #8EAC6C

RGB 142 172 108

HSL 88.13, 0.28%, 0.55%

LAB 66.78, -21.69, 29.62

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 37 / 0 / 7 / 33

HEX #6CACA0

RGB 108 172 160

HSL 168.75, 0.28%, 0.55%

LAB 65.93, -23.31, -0.32

 

CMYK 37 / 3 / 0 / 33

HEX #6CA6AC

RGB 108 166 172

HSL 185.63, 0.28%, 0.55%

LAB 64.51, -17.28, -9.1

 

CMYK 37 / 13 / 0 / 33

HEX #6C95AC

RGB 108 149 172

HSL 201.56, 0.28%, 0.55%

LAB 59.58, -8.1, -16.52

 

CMYK 37 / 23 / 0 / 33

HEX #6C84AC

RGB 108 132 172

HSL 217.5, 0.28%, 0.55%

LAB 54.73, 1.57, -23.93

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 53 / 0 / 24 / 25

HEX #59BE90

RGB 89 190 144

HSL 152.67, 0.44%, 0.55%

LAB 70.15, -40.37, 14.41

 

CMYK 67 / 0 / 30 / 18

HEX #46D192

RGB 70 209 146

HSL 152.81, 0.6%, 0.55%

LAB 75.44, -51.76, 20.6

 

CMYK 77 / 0 / 35 / 11

HEX #34E494

RGB 52 228 148

HSL 152.73, 0.77%, 0.55%

LAB 80.94, -61.14, 26.99

 

CMYK 87 / 0 / 39 / 4

HEX #21F696

RGB 33 246 150

HSL 152.96, 0.92%, 0.55%

LAB 86.22, -68.8, 33

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 18 / 0 / 8 / 40

HEX #7E998D

RGB 126 153 141

HSL 153.33, 0.12%, 0.55%

LAB 60.91, -11.98, 3.16

 

CMYK 0 / 7 / 4 / 43

HEX #91878B

RGB 145 135 139

HSL 336, 0.04%, 0.55%

LAB 57.28, 4.5, -0.8

 

CMYK 0 / 29 / 15 / 36

HEX #A3748A

RGB 163 116 138

HSL 331.91, 0.2%, 0.55%

LAB 54.15, 21.96, -4.63

 

CMYK 0 / 46 / 25 / 29

HEX #B66288

RGB 182 98 136

HSL 332.86, 0.37%, 0.55%

LAB 52.35, 38.48, -5.85

 

CMYK 37 / 0 / 37 / 33

HEX #6CAC6C

RGB 108 172 108

HSL 120, 0.28%, 0.55%

LAB 64.78, -33.75, 26.63

 

CMYK 37 / 0 / 27 / 33

HEX #6CAC7D

RGB 108 172 125

HSL 135.94, 0.28%, 0.55%

LAB 65.1, -30.76, 17.85

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8E

RGB 108 172 142

HSL 151.88, 0.28%, 0.55%

LAB 65.47, -27.35, 9.01

 

CMYK 37 / 0 / 8 / 33

HEX #6CAC9F

RGB 108 172 159

HSL 167.81, 0.28%, 0.55%

LAB 65.9, -23.55, 0.2

 

CMYK 37 / 2 / 0 / 33

HEX #6CA8AC

RGB 108 168 172

HSL 183.75, 0.28%, 0.55%

LAB 65.1, -18.33, -8.23

 

CMYK 44 / 0 / 20 / 51

HEX #477E65

RGB 71 126 101

HSL 152.73, 0.28%, 0.39%

LAB 48.51, -24.42, 7.98

 

CMYK 44 / 0 / 20 / 40

HEX #56997A

RGB 86 153 122

HSL 152.24, 0.28%, 0.47%

LAB 58.19, -28.78, 9.72

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 28 / 0 / 13 / 27

HEX #86BBA3

RGB 134 187 163

HSL 152.83, 0.28%, 0.63%

LAB 71.73, -22.46, 6.6

 

CMYK 21 / 0 / 9 / 21

HEX #A0CAB7

RGB 160 202 183

HSL 152.86, 0.28%, 0.71%

LAB 77.95, -17.7, 4.93

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 37 / 27 / 0 / 33

HEX #6C7DAC

RGB 108 125 172

HSL 224.06, 0.28%, 0.55%

LAB 52.77, 5.69, -26.96

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 17 / 37 / 0 / 33

HEX #8E6CAC

RGB 142 108 172

HSL 271.88, 0.28%, 0.55%

LAB 51.21, 26.15, -29.15

 

CMYK 0 / 17 / 37 / 33

HEX #AC8E6C

RGB 172 142 108

HSL 31.88, 0.28%, 0.55%

LAB 60.96, 6.41, 22.36

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 37 / 27 / 0 / 33

HEX #6C7DAC

RGB 108 125 172

HSL 224.06, 0.28%, 0.55%

LAB 52.77, 5.69, -26.96

 

CMYK 0 / 37 / 20 / 33

HEX #AC6C8A

RGB 172 108 138

HSL 331.88, 0.28%, 0.55%

LAB 53.31, 29.79, -5.75

 

CMYK 0 / 10 / 37 / 33

HEX #AC9B6C

RGB 172 155 108

HSL 44.06, 0.28%, 0.55%

LAB 64.4, -0.75, 26.94

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8F

RGB 108 172 143

HSL 152.81, 0.28%, 0.55%

LAB 65.5, -27.14, 8.49

 

CMYK 36 / 37 / 0 / 33

HEX #6E6CAC

RGB 110 108 172

HSL 241.88, 0.28%, 0.55%

LAB 48.28, 16.49, -33.94

 

CMYK 0 / 37 / 20 / 33

HEX #AC6C8A

RGB 172 108 138

HSL 331.88, 0.28%, 0.55%

LAB 53.31, 29.79, -5.75

 

CMYK 1 / 0 / 37 / 33

HEX #AAAC6C

RGB 170 172 108

HSL 61.88, 0.28%, 0.55%

LAB 68.85, -10.66, 32.7

 

Description

Color code: RGB 108 172 143 | qconv.com Color code: RGB 108 172 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 172 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 172 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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