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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC746C it is the complementary color #538B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC746C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC746C shade: #B17467, #C2867A, #D3988D, #E4AAA0 and #F5BCB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC746C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC746C shade: #AC746C, #9B6259, #8A5046, #793E33 and #682C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC746C shade: #AC746C and #AC6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC746C shade: #AC746C, #AC856C, #AC966C, #ACA86C and #9FAC6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC746C shade matches the following richer shades: #AC746C, #BE6659, #D15846, #E44A34 and #F63C21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC746C shade: #AC746C, #99827E, #879091, #749DA3 and #62ABB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC746C shade: #AC6C86, #AC6C75, #AC736C, #AC846C and #AC956C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC746C shade: #7E4E47, #995E56, #AC746C, #BB8D86 and #CAA6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC746C shade: #AC746C, #98AC6C and #6C7EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC746C shade: #AC746C, #6CAC73 and #736CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC746C shade: #AC746C, #98AC6C, #6CA4AC and #806CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC746C shade: #AC746C, #84AC6C, #6CA4AC and #936CAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

Complementary color

CMYK 44 / 5 / 0 / 42

HEX #538B93

RGB 83 139 147

HSL 187.5, 0.28%, 0.45%

LAB 54.46, -16.22, -10.06

 

CMYK 0 / 34 / 42 / 31

HEX #B17467

RGB 177 116 103

HSL 10.54, 0.32%, 0.55%

LAB 54.88, 22.44, 17.07

 

CMYK 0 / 31 / 37 / 24

HEX #C2867A

RGB 194 134 122

HSL 10, 0.37%, 0.62%

LAB 61.59, 21.49, 15.74

 

CMYK 0 / 28 / 33 / 17

HEX #D3988D

RGB 211 152 141

HSL 9.43, 0.44%, 0.69%

LAB 68.19, 20.66, 14.55

 

CMYK 0 / 25 / 30 / 11

HEX #E4AAA0

RGB 228 170 160

HSL 8.82, 0.56%, 0.76%

LAB 74.69, 19.91, 13.47

 

CMYK 0 / 23 / 27 / 4

HEX #F5BCB3

RGB 245 188 179

HSL 8.18, 0.77%, 0.83%

LAB 81.09, 19.24, 12.48

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 37 / 43 / 39

HEX #9B6259

RGB 155 98 89

HSL 8.18, 0.27%, 0.48%

LAB 47.53, 22.02, 14.76

 

CMYK 0 / 42 / 49 / 46

HEX #8A5046

RGB 138 80 70

HSL 8.82, 0.33%, 0.41%

LAB 40.55, 23.16, 16.36

 

CMYK 0 / 49 / 58 / 53

HEX #793E33

RGB 121 62 51

HSL 9.43, 0.41%, 0.34%

LAB 33.46, 24.48, 18.29

 

CMYK 0 / 58 / 69 / 59

HEX #682C20

RGB 104 44 32

HSL 10, 0.53%, 0.27%

LAB 26.3, 25.96, 20.69

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 37 / 37 / 33

HEX #AC6C6C

RGB 172 108 108

HSL 0, 0.28%, 0.55%

LAB 52.49, 25.52, 10.73

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 23 / 37 / 33

HEX #AC856C

RGB 172 133 108

HSL 23.44, 0.28%, 0.55%

LAB 58.63, 11.44, 19.22

 

CMYK 0 / 13 / 37 / 33

HEX #AC966C

RGB 172 150 108

HSL 39.38, 0.28%, 0.55%

LAB 63.07, 1.98, 25.18

 

CMYK 0 / 2 / 37 / 33

HEX #ACA86C

RGB 172 168 108

HSL 56.25, 0.28%, 0.55%

LAB 67.92, -7.74, 31.53

 

CMYK 8 / 0 / 37 / 33

HEX #9FAC6C

RGB 159 172 108

HSL 72.19, 0.28%, 0.55%

LAB 67.99, -15.07, 31.42

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 46 / 53 / 25

HEX #BE6659

RGB 190 102 89

HSL 7.72, 0.44%, 0.55%

LAB 53.14, 33.86, 23.12

 

CMYK 0 / 58 / 67 / 18

HEX #D15846

RGB 209 88 70

HSL 7.77, 0.6%, 0.55%

LAB 52.92, 46.68, 34.32

 

CMYK 0 / 68 / 77 / 11

HEX #E44A34

RGB 228 74 52

HSL 7.5, 0.77%, 0.55%

LAB 53.64, 58.42, 45.8

 

CMYK 0 / 76 / 87 / 4

HEX #F63C21

RGB 246 60 33

HSL 7.61, 0.92%, 0.55%

LAB 55, 68.32, 57.28

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 15 / 18 / 40

HEX #99827E

RGB 153 130 126

HSL 8.89, 0.12%, 0.55%

LAB 56.33, 8.1, 5.41

 

CMYK 7 / 1 / 0 / 43

HEX #879091

RGB 135 144 145

HSL 186, 0.04%, 0.55%

LAB 59.11, -3.05, -1.66

 

CMYK 29 / 4 / 0 / 36

HEX #749DA3

RGB 116 157 163

HSL 187.66, 0.2%, 0.55%

LAB 62.06, -12.43, -7.66

 

CMYK 46 / 6 / 0 / 29

HEX #62ABB6

RGB 98 171 182

HSL 187.86, 0.37%, 0.55%

LAB 65.83, -19.84, -12.76

 

CMYK 0 / 37 / 22 / 33

HEX #AC6C86

RGB 172 108 134

HSL 335.63, 0.28%, 0.55%

LAB 53.19, 29.16, -3.58

 

CMYK 0 / 37 / 32 / 33

HEX #AC6C75

RGB 172 108 117

HSL 351.56, 0.28%, 0.55%

LAB 52.71, 26.69, 5.74

 

CMYK 0 / 33 / 37 / 33

HEX #AC736C

RGB 172 115 108

HSL 6.56, 0.28%, 0.55%

LAB 54.15, 21.59, 13.05

 

CMYK 0 / 23 / 37 / 33

HEX #AC846C

RGB 172 132 108

HSL 22.5, 0.28%, 0.55%

LAB 58.37, 12, 18.87

 

CMYK 0 / 13 / 37 / 33

HEX #AC956C

RGB 172 149 108

HSL 38.44, 0.28%, 0.55%

LAB 62.8, 2.53, 24.83

 

CMYK 0 / 38 / 44 / 51

HEX #7E4E47

RGB 126 78 71

HSL 7.64, 0.28%, 0.39%

LAB 38.44, 19.36, 12.62

 

CMYK 0 / 39 / 44 / 40

HEX #995E56

RGB 153 94 86

HSL 7.16, 0.28%, 0.47%

LAB 46.24, 23.13, 14.75

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 0 / 25 / 28 / 27

HEX #BB8D86

RGB 187 141 134

HSL 7.92, 0.28%, 0.63%

LAB 62.79, 16.44, 10.52

 

CMYK 0 / 18 / 21 / 21

HEX #CAA6A0

RGB 202 166 160

HSL 8.57, 0.28%, 0.71%

LAB 71.12, 12.25, 8.06

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 12 / 0 / 37 / 33

HEX #98AC6C

RGB 152 172 108

HSL 78.75, 0.28%, 0.55%

LAB 67.47, -17.83, 30.66

 

CMYK 37 / 27 / 0 / 33

HEX #6C7EAC

RGB 108 126 172

HSL 223.13, 0.28%, 0.55%

LAB 53.05, 5.1, -26.53

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 37 / 0 / 33 / 33

HEX #6CAC73

RGB 108 172 115

HSL 126.56, 0.28%, 0.55%

LAB 64.91, -32.57, 23.03

 

CMYK 33 / 37 / 0 / 33

HEX #736CAC

RGB 115 108 172

HSL 246.56, 0.28%, 0.55%

LAB 48.7, 17.93, -33.27

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 12 / 0 / 37 / 33

HEX #98AC6C

RGB 152 172 108

HSL 78.75, 0.28%, 0.55%

LAB 67.47, -17.83, 30.66

 

CMYK 37 / 5 / 0 / 33

HEX #6CA4AC

RGB 108 164 172

HSL 187.5, 0.28%, 0.55%

LAB 63.93, -16.23, -9.97

 

CMYK 26 / 37 / 0 / 33

HEX #806CAC

RGB 128 108 172

HSL 258.75, 0.28%, 0.55%

LAB 49.85, 21.81, -31.38

 

CMYK 0 / 33 / 37 / 33

HEX #AC746C

RGB 172 116 108

HSL 7.5, 0.28%, 0.55%

LAB 54.39, 21.02, 13.39

 

CMYK 23 / 0 / 37 / 33

HEX #84AC6C

RGB 132 172 108

HSL 97.5, 0.28%, 0.55%

LAB 66.13, -25.43, 28.65

 

CMYK 37 / 5 / 0 / 33

HEX #6CA4AC

RGB 108 164 172

HSL 187.5, 0.28%, 0.55%

LAB 63.93, -16.23, -9.97

 

CMYK 15 / 37 / 0 / 33

HEX #936CAC

RGB 147 108 172

HSL 276.56, 0.28%, 0.55%

LAB 51.73, 27.73, -28.3

 

Description

Color code: HEX #AC746C | qconv.com Color code: HEX #AC746C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 116 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 116 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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