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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 86 243 it is the complementary color RGB 149 169 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 86 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 86 243 shade: RGB 111 86 238, RGB 128 104 255, RGB 145 122 255, RGB 162 140 255 and RGB 179 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 86 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 86 243 shade: RGB 106 86 243, RGB 89 68 224, RGB 72 50 205, RGB 55 32 186 and RGB 38 14 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 86 243 shade: RGB 107 88 243, RGB 149 88 243, RGB 191 88 243, RGB 233 88 243 and RGB 243 88 211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 86 243 shade: RGB 107 88 243 and RGB 88 88 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 86 243 shade matches the following richer shades: RGB 107 88 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 86 243 shade: RGB 107 88 243, RGB 118 102 228, RGB 129 116 214, RGB 140 131 200 and RGB 150 145 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 86 243 shade: RGB 88 152 243, RGB 88 111 243, RGB 106 88 243, RGB 147 88 243 and RGB 189 88 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 86 243 shade: RGB 43 16 232, RGB 73 49 240, RGB 107 88 243, RGB 141 126 246 and RGB 175 165 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 86 243 shade: RGB 106 86 243, RGB 243 88 194 and RGB 132 243 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 86 243 shade: RGB 106 86 243, RGB 243 106 88 and RGB 88 243 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 86 243 shade: RGB 106 86 243, RGB 243 88 194, RGB 225 243 88 and RGB 88 243 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 86 243 shade: RGB 106 86 243, RGB 243 88 147, RGB 225 243 88 and RGB 88 243 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

Complementary color

CMYK 12 / 0 / 93 / 34

HEX #95A90C

RGB 149 169 12

HSL 67.64, 0.87%, 0.35%

LAB 65.59, -24.41, 66.03

 

CMYK 53 / 64 / 0 / 7

HEX #6F56EE

RGB 111 86 238

HSL 249.87, 0.82%, 0.64%

LAB 47.25, 49.09, -73.42

 

CMYK 50 / 59 / 0 / 0

HEX #8068FF

RGB 128 104 255

HSL 249.54, 1%, 0.7%

LAB 53.72, 46.97, -72.32

 

CMYK 43 / 52 / 0 / 0

HEX #917AFF

RGB 145 122 255

HSL 250.38, 1%, 0.74%

LAB 59.12, 40.25, -63.53

 

CMYK 36 / 45 / 0 / 0

HEX #A28CFF

RGB 162 140 255

HSL 251.48, 1%, 0.77%

LAB 64.69, 34.03, -54.55

 

CMYK 30 / 38 / 0 / 0

HEX #B39EFF

RGB 179 158 255

HSL 252.99, 1%, 0.81%

LAB 70.36, 28.33, -45.51

 

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

CMYK 60 / 70 / 0 / 12

HEX #5944E0

RGB 89 68 224

HSL 248.08, 0.72%, 0.57%

LAB 40.64, 51.48, -76.37

 

CMYK 65 / 76 / 0 / 20

HEX #4832CD

RGB 72 50 205

HSL 248.52, 0.61%, 0.5%

LAB 34.12, 53.15, -76.2

 

CMYK 70 / 83 / 0 / 27

HEX #3720BA

RGB 55 32 186

HSL 248.96, 0.71%, 0.43%

LAB 27.82, 54.45, -75.51

 

CMYK 77 / 92 / 0 / 35

HEX #260EA7

RGB 38 14 167

HSL 249.41, 0.85%, 0.35%

LAB 22, 54.69, -73.82

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 39 / 64 / 0 / 5

HEX #9558F3

RGB 149 88 243

HSL 263.61, 0.87%, 0.65%

LAB 51.66, 56.44, -68.89

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 4 / 64 / 0 / 5

HEX #E958F3

RGB 233 88 243

HSL 296.13, 0.87%, 0.65%

LAB 62.32, 74.67, -51.22

 

CMYK 0 / 64 / 13 / 5

HEX #F358D3

RGB 243 88 211

HSL 312.39, 0.87%, 0.65%

LAB 62.29, 72.05, -33.26

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 64 / 64 / 0 / 5

HEX #5858F3

RGB 88 88 243

HSL 240, 0.87%, 0.65%

LAB 46.35, 45.94, -77.77

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 48 / 55 / 0 / 11

HEX #7666E4

RGB 118 102 228

HSL 247.62, 0.7%, 0.65%

LAB 50.64, 38.29, -62.27

 

CMYK 40 / 46 / 0 / 16

HEX #8174D6

RGB 129 116 214

HSL 247.96, 0.54%, 0.65%

LAB 54.04, 28.54, -48.86

 

CMYK 30 / 35 / 0 / 22

HEX #8C83C8

RGB 140 131 200

HSL 247.83, 0.39%, 0.65%

LAB 58.02, 18.95, -34.61

 

CMYK 19 / 22 / 0 / 27

HEX #9691B9

RGB 150 145 185

HSL 247.5, 0.22%, 0.65%

LAB 61.86, 10.27, -20.14

 

CMYK 64 / 37 / 0 / 5

HEX #5898F3

RGB 88 152 243

HSL 215.23, 0.87%, 0.65%

LAB 62.51, 7.36, -51.72

 

CMYK 64 / 54 / 0 / 5

HEX #586FF3

RGB 88 111 243

HSL 231.1, 0.87%, 0.65%

LAB 51.74, 32.12, -68.99

 

CMYK 56 / 64 / 0 / 5

HEX #6A58F3

RGB 106 88 243

HSL 246.97, 0.87%, 0.65%

LAB 47.64, 48.63, -75.6

 

CMYK 40 / 64 / 0 / 5

HEX #9358F3

RGB 147 88 243

HSL 262.84, 0.87%, 0.65%

LAB 51.44, 56.04, -69.25

 

CMYK 22 / 64 / 0 / 5

HEX #BD58F3

RGB 189 88 243

HSL 279.1, 0.87%, 0.65%

LAB 56.36, 64.84, -61.07

 

CMYK 81 / 93 / 0 / 9

HEX #2B10E8

RGB 43 16 232

HSL 247.5, 0.87%, 0.49%

LAB 31.14, 71.43, -96.77

 

CMYK 70 / 80 / 0 / 6

HEX #4931F0

RGB 73 49 240

HSL 247.54, 0.86%, 0.57%

LAB 37.67, 63.93, -90.4

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 43 / 49 / 0 / 4

HEX #8D7EF6

RGB 141 126 246

HSL 247.5, 0.87%, 0.73%

LAB 59.19, 34.54, -58.47

 

CMYK 29 / 33 / 0 / 3

HEX #AFA5F8

RGB 175 165 248

HSL 247.23, 0.86%, 0.81%

LAB 71.42, 21.58, -40.07

 

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

CMYK 0 / 64 / 20 / 5

HEX #F358C2

RGB 243 88 194

HSL 318.97, 0.87%, 0.65%

LAB 61.59, 69.68, -24.7

 

CMYK 46 / 0 / 64 / 5

HEX #84F358

RGB 132 243 88

HSL 102.97, 0.87%, 0.65%

LAB 86.86, -58.53, 62.89

 

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

CMYK 0 / 56 / 64 / 5

HEX #F36A58

RGB 243 106 88

HSL 6.97, 0.87%, 0.65%

LAB 61.71, 51.46, 36.21

 

CMYK 64 / 0 / 56 / 5

HEX #58F36A

RGB 88 243 106

HSL 126.97, 0.87%, 0.65%

LAB 85.61, -67.47, 53.43

 

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

CMYK 0 / 64 / 20 / 5

HEX #F358C2

RGB 243 88 194

HSL 318.97, 0.87%, 0.65%

LAB 61.59, 69.68, -24.7

 

CMYK 7 / 0 / 64 / 5

HEX #E1F358

RGB 225 243 88

HSL 66.97, 0.87%, 0.65%

LAB 92.05, -25.52, 69.99

 

CMYK 64 / 0 / 44 / 5

HEX #58F389

RGB 88 243 137

HSL 138.97, 0.87%, 0.65%

LAB 86, -63.12, 39.31

 

CMYK 56 / 65 / 0 / 5

HEX #6A56F3

RGB 106 86 243

HSL 247.64, 0.87%, 0.65%

LAB 47.22, 49.75, -76.28

 

CMYK 0 / 64 / 40 / 5

HEX #F35893

RGB 243 88 147

HSL 337.16, 0.87%, 0.65%

LAB 60.02, 64.11, 0.02

 

CMYK 7 / 0 / 64 / 5

HEX #E1F358

RGB 225 243 88

HSL 66.97, 0.87%, 0.65%

LAB 92.05, -25.52, 69.99

 

CMYK 64 / 0 / 25 / 5

HEX #58F3B7

RGB 88 243 183

HSL 156.77, 0.87%, 0.65%

LAB 86.8, -54.49, 17.11

 

Description

Color code: RGB 106 86 243 | qconv.com Color code: RGB 106 86 243 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 86 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 86 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 65 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 65% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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