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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF58F3 it is the complementary color #40A70C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF58F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF58F3 shade: #C458EE, #D56AFF, #E67CFF, #F78EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF58F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF58F3 shade: #BF58F3, #AE46E0, #9D34CD, #8C22BA and #7B10A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF58F3 shade: #BF58F3, #E958F3, #F358D3, #F358A9 and #F3587F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF58F3 shade: #BF58F3, #9558F3, #6B58F3 and #5858F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF58F3 shade matches the following richer shades: #BF58F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF58F3 shade: #BF58F3, #BA66E4, #B574D6, #B183C8 and #AC91B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF58F3 shade: #6A58F3, #9358F3, #BD58F3, #E658F3 and #F358D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF58F3 shade: #A010E8, #B031F0, #BF58F3, #CE7EF6 and #DCA5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF58F3 shade: #BF58F3, #F3586F and #58F37E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF58F3 shade: #BF58F3, #F3BD58 and #58F3BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF58F3 shade: #BF58F3, #F3586F, #8EF358 and #58F3DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF58F3 shade: #BF58F3, #F36F58, #8EF358 and #58DCF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

Complementary color

CMYK 62 / 0 / 93 / 35

HEX #40A70C

RGB 64 167 12

HSL 99.87, 0.87%, 0.35%

LAB 60.56, -53.94, 60.13

 

CMYK 18 / 63 / 0 / 7

HEX #C458EE

RGB 196 88 238

HSL 283.2, 0.82%, 0.64%

LAB 56.97, 65.38, -57.26

 

CMYK 16 / 58 / 0 / 0

HEX #D56AFF

RGB 213 106 255

HSL 283.09, 1%, 0.71%

LAB 63.07, 64.52, -56.8

 

CMYK 10 / 51 / 0 / 0

HEX #E67CFF

RGB 230 124 255

HSL 288.55, 1%, 0.74%

LAB 68.36, 60.22, -48.3

 

CMYK 3 / 44 / 0 / 0

HEX #F78EFF

RGB 247 142 255

HSL 295.75, 1%, 0.78%

LAB 73.77, 56.02, -39.68

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 22 / 69 / 0 / 12

HEX #AE46E0

RGB 174 70 224

HSL 280.52, 0.71%, 0.58%

LAB 50.41, 65.54, -60.07

 

CMYK 23 / 75 / 0 / 20

HEX #9D34CD

RGB 157 52 205

HSL 281.18, 0.6%, 0.5%

LAB 44.28, 65.38, -59.2

 

CMYK 25 / 82 / 0 / 27

HEX #8C22BA

RGB 140 34 186

HSL 281.84, 0.69%, 0.43%

LAB 38.31, 64.52, -57.9

 

CMYK 26 / 90 / 0 / 35

HEX #7B10A7

RGB 123 16 167

HSL 282.52, 0.83%, 0.36%

LAB 32.64, 62.51, -55.92

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 4 / 64 / 0 / 5

HEX #E958F3

RGB 233 88 243

HSL 296.13, 0.87%, 0.65%

LAB 62.32, 74.67, -51.22

 

CMYK 0 / 64 / 13 / 5

HEX #F358D3

RGB 243 88 211

HSL 312.39, 0.87%, 0.65%

LAB 62.29, 72.05, -33.26

 

CMYK 0 / 64 / 30 / 5

HEX #F358A9

RGB 243 88 169

HSL 328.65, 0.87%, 0.65%

LAB 60.69, 66.53, -11.73

 

CMYK 0 / 64 / 48 / 5

HEX #F3587F

RGB 243 88 127

HSL 344.9, 0.87%, 0.65%

LAB 59.5, 62.21, 10.94

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 39 / 64 / 0 / 5

HEX #9558F3

RGB 149 88 243

HSL 263.61, 0.87%, 0.65%

LAB 51.66, 56.44, -68.89

 

CMYK 56 / 64 / 0 / 5

HEX #6B58F3

RGB 107 88 243

HSL 247.35, 0.87%, 0.65%

LAB 47.72, 48.79, -75.46

 

CMYK 64 / 64 / 0 / 5

HEX #5858F3

RGB 88 88 243

HSL 240, 0.87%, 0.65%

LAB 46.35, 45.94, -77.77

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 18 / 55 / 0 / 11

HEX #BA66E4

RGB 186 102 228

HSL 280, 0.7%, 0.65%

LAB 57.6, 54.31, -50.73

 

CMYK 15 / 46 / 0 / 16

HEX #B574D6

RGB 181 116 214

HSL 279.8, 0.54%, 0.65%

LAB 59.13, 42.68, -40.48

 

CMYK 12 / 35 / 0 / 22

HEX #B183C8

RGB 177 131 200

HSL 280, 0.39%, 0.65%

LAB 61.44, 30.22, -29.03

 

CMYK 7 / 22 / 0 / 27

HEX #AC91B9

RGB 172 145 185

HSL 280.5, 0.22%, 0.65%

LAB 63.77, 17.56, -17.05

 

CMYK 56 / 64 / 0 / 5

HEX #6A58F3

RGB 106 88 243

HSL 246.97, 0.87%, 0.65%

LAB 47.64, 48.63, -75.6

 

CMYK 40 / 64 / 0 / 5

HEX #9358F3

RGB 147 88 243

HSL 262.84, 0.87%, 0.65%

LAB 51.44, 56.04, -69.25

 

CMYK 22 / 64 / 0 / 5

HEX #BD58F3

RGB 189 88 243

HSL 279.1, 0.87%, 0.65%

LAB 56.36, 64.84, -61.07

 

CMYK 5 / 64 / 0 / 5

HEX #E658F3

RGB 230 88 243

HSL 294.97, 0.87%, 0.65%

LAB 61.89, 73.99, -51.92

 

CMYK 0 / 64 / 12 / 5

HEX #F358D6

RGB 243 88 214

HSL 311.23, 0.87%, 0.65%

LAB 62.41, 72.49, -34.75

 

CMYK 31 / 93 / 0 / 9

HEX #A010E8

RGB 160 16 232

HSL 280, 0.87%, 0.49%

LAB 43.76, 79.99, -75.5

 

CMYK 27 / 80 / 0 / 6

HEX #B031F0

RGB 176 49 240

HSL 279.9, 0.86%, 0.57%

LAB 49.15, 76.63, -71.12

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 16 / 49 / 0 / 4

HEX #CE7EF6

RGB 206 126 246

HSL 280, 0.87%, 0.73%

LAB 65.51, 51.06, -48.04

 

CMYK 11 / 33 / 0 / 3

HEX #DCA5F8

RGB 220 165 248

HSL 279.76, 0.86%, 0.81%

LAB 75.39, 34.78, -33.6

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 0 / 64 / 54 / 5

HEX #F3586F

RGB 243 88 111

HSL 351.1, 0.87%, 0.65%

LAB 59.14, 60.9, 19.79

 

CMYK 64 / 0 / 48 / 5

HEX #58F37E

RGB 88 243 126

HSL 134.71, 0.87%, 0.65%

LAB 85.85, -64.8, 44.45

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 0 / 22 / 64 / 5

HEX #F3BD58

RGB 243 189 88

HSL 39.1, 0.87%, 0.65%

LAB 79.7, 8.95, 57.16

 

CMYK 64 / 0 / 22 / 5

HEX #58F3BD

RGB 88 243 189

HSL 159.1, 0.87%, 0.65%

LAB 86.92, -53.19, 14.18

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 0 / 64 / 54 / 5

HEX #F3586F

RGB 243 88 111

HSL 351.1, 0.87%, 0.65%

LAB 59.14, 60.9, 19.79

 

CMYK 42 / 0 / 64 / 5

HEX #8EF358

RGB 142 243 88

HSL 99.1, 0.87%, 0.65%

LAB 87.27, -55.52, 63.46

 

CMYK 64 / 0 / 9 / 5

HEX #58F3DC

RGB 88 243 220

HSL 171.1, 0.87%, 0.65%

LAB 87.65, -45.87, -0.93

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 0 / 54 / 64 / 5

HEX #F36F58

RGB 243 111 88

HSL 8.9, 0.87%, 0.65%

LAB 62.62, 49.12, 37.31

 

CMYK 42 / 0 / 64 / 5

HEX #8EF358

RGB 142 243 88

HSL 99.1, 0.87%, 0.65%

LAB 87.27, -55.52, 63.46

 

CMYK 64 / 9 / 0 / 5

HEX #58DCF3

RGB 88 220 243

HSL 188.9, 0.87%, 0.65%

LAB 81.69, -29.11, -21.94

 

Description

Color code: HEX #BF58F3 | qconv.com Color code: HEX #BF58F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 88 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 88 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 64 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 64% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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