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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 55 33 it is the complementary color RGB 151 200 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 55 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 55 33 shade: RGB 109 55 28, RGB 126 73 47, RGB 143 91 66, RGB 160 109 85 and RGB 177 127 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 55 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 87 37 14, RGB 70 19 0, RGB 53 1 0 and RGB 36 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 104 35 33 and RGB 104 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 104 74 33, RGB 104 93 33, RGB 96 104 33 and RGB 76 104 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 55 33 shade matches the following richer shades: RGB 104 55 33, RGB 115 50 21 and RGB 126 46 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 93 59 44, RGB 82 63 55, RGB 71 67 66 and RGB 60 72 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 55 33 shade: RGB 104 33 49, RGB 104 35 33, RGB 104 54 33, RGB 104 73 33 and RGB 104 92 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 55 33 shade: RGB 41 22 13, RGB 73 38 23, RGB 104 55 33, RGB 136 71 42 and RGB 167 88 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 68 104 33 and RGB 33 40 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 33 104 54 and RGB 54 33 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 68 104 33, RGB 33 83 104 and RGB 68 33 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 55 33 shade: RGB 104 55 33, RGB 47 104 33, RGB 33 83 104 and RGB 90 33 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

Complementary color

CMYK 32 / 10 / 0 / 13

HEX #97C8DE

RGB 151 200 222

HSL 198.59, 0.52%, 0.73%

LAB 77.97, -10.78, -16.1

 

CMYK 0 / 50 / 74 / 57

HEX #6D371C

RGB 109 55 28

HSL 20, 0.59%, 0.27%

LAB 29.58, 21.57, 27.13

 

CMYK 0 / 42 / 63 / 51

HEX #7E492F

RGB 126 73 47

HSL 19.75, 0.46%, 0.34%

LAB 36.75, 19.91, 25.04

 

CMYK 0 / 36 / 54 / 44

HEX #8F5B42

RGB 143 91 66

HSL 19.48, 0.37%, 0.41%

LAB 43.82, 18.52, 23.19

 

CMYK 0 / 32 / 47 / 37

HEX #A06D55

RGB 160 109 85

HSL 19.2, 0.31%, 0.48%

LAB 50.77, 17.37, 21.58

 

CMYK 0 / 28 / 41 / 31

HEX #B17F68

RGB 177 127 104

HSL 18.9, 0.32%, 0.55%

LAB 57.58, 16.39, 20.16

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 57 / 84 / 66

HEX #57250E

RGB 87 37 14

HSL 18.9, 0.72%, 0.2%

LAB 21.51, 21.47, 25.33

 

CMYK 0 / 73 / 100 / 73

HEX #461300

RGB 70 19 0

HSL 16.29, 1%, 0.14%

LAB 14.22, 23.41, 21.71

 

CMYK 0 / 98 / 100 / 79

HEX #350100

RGB 53 1 0

HSL 1.13, 1%, 0.1%

LAB 7.03, 25.55, 11.09

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 68 / 68 / 59

HEX #682121

RGB 104 33 33

HSL 0, 0.52%, 0.27%

LAB 24.13, 31.78, 17.37

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 29 / 68 / 59

HEX #684A21

RGB 104 74 33

HSL 34.65, 0.52%, 0.27%

LAB 33.88, 8, 28.94

 

CMYK 0 / 11 / 68 / 59

HEX #685D21

RGB 104 93 33

HSL 50.7, 0.52%, 0.27%

LAB 39.38, -3.47, 34.96

 

CMYK 8 / 0 / 68 / 59

HEX #606821

RGB 96 104 33

HSL 66.76, 0.52%, 0.27%

LAB 42, -13.56, 37.5

 

CMYK 27 / 0 / 68 / 59

HEX #4C6821

RGB 76 104 33

HSL 83.66, 0.52%, 0.27%

LAB 40.49, -22.5, 35.45

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 57 / 82 / 55

HEX #733215

RGB 115 50 21

HSL 18.51, 0.69%, 0.27%

LAB 29.36, 26.71, 31.09

 

CMYK 0 / 63 / 92 / 51

HEX #7E2E0A

RGB 126 46 10

HSL 18.62, 0.85%, 0.27%

LAB 30.43, 33.02, 37.93

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 37 / 53 / 64

HEX #5D3B2C

RGB 93 59 44

HSL 18.37, 0.36%, 0.27%

LAB 28.48, 13.1, 15.44

 

CMYK 0 / 23 / 33 / 68

HEX #523F37

RGB 82 63 55

HSL 17.78, 0.2%, 0.27%

LAB 28.45, 6.92, 8.07

 

CMYK 0 / 6 / 7 / 72

HEX #474342

RGB 71 67 66

HSL 12, 0.04%, 0.27%

LAB 28.77, 1.48, 1.21

 

CMYK 22 / 6 / 0 / 70

HEX #3C484D

RGB 60 72 77

HSL 197.65, 0.12%, 0.27%

LAB 29.74, -3.53, -4.6

 

CMYK 0 / 68 / 53 / 59

HEX #682131

RGB 104 33 49

HSL 346.48, 0.52%, 0.27%

LAB 24.49, 33.12, 7.03

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 48 / 68 / 59

HEX #683621

RGB 104 54 33

HSL 17.75, 0.52%, 0.27%

LAB 28.62, 20.23, 22.85

 

CMYK 0 / 30 / 68 / 59

HEX #684921

RGB 104 73 33

HSL 33.8, 0.52%, 0.27%

LAB 33.6, 8.62, 28.62

 

CMYK 0 / 12 / 68 / 59

HEX #685C21

RGB 104 92 33

HSL 49.86, 0.52%, 0.27%

LAB 39.08, -2.88, 34.64

 

CMYK 0 / 46 / 68 / 84

HEX #29160D

RGB 41 22 13

HSL 19.29, 0.52%, 0.11%

LAB 9.6, 8.45, 9.09

 

CMYK 0 / 48 / 68 / 71

HEX #492617

RGB 73 38 23

HSL 18, 0.52%, 0.19%

LAB 19.49, 14.86, 17.01

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 48 / 69 / 47

HEX #88472A

RGB 136 71 42

HSL 18.51, 0.53%, 0.35%

LAB 37.68, 25.09, 29.4

 

CMYK 0 / 47 / 69 / 35

HEX #A75834

RGB 167 88 52

HSL 18.78, 0.53%, 0.43%

LAB 46.23, 29.37, 34.86

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 35 / 0 / 68 / 59

HEX #446821

RGB 68 104 33

HSL 90.42, 0.52%, 0.27%

LAB 39.98, -25.81, 34.75

 

CMYK 68 / 62 / 0 / 59

HEX #212868

RGB 33 40 104

HSL 234.08, 0.52%, 0.27%

LAB 19.39, 19.67, -38.56

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 68 / 0 / 48 / 59

HEX #216836

RGB 33 104 54

HSL 137.75, 0.52%, 0.27%

LAB 38.71, -34.07, 21.83

 

CMYK 48 / 68 / 0 / 59

HEX #362168

RGB 54 33 104

HSL 257.75, 0.52%, 0.27%

LAB 19.52, 28.62, -38.26

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 35 / 0 / 68 / 59

HEX #446821

RGB 68 104 33

HSL 90.42, 0.52%, 0.27%

LAB 39.98, -25.81, 34.75

 

CMYK 68 / 20 / 0 / 59

HEX #215368

RGB 33 83 104

HSL 197.75, 0.52%, 0.27%

LAB 32.94, -9.46, -17.09

 

CMYK 35 / 68 / 0 / 59

HEX #442168

RGB 68 33 104

HSL 269.58, 0.52%, 0.27%

LAB 21.27, 31.89, -35.35

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 20 / 0 / 59

HEX #215368

RGB 33 83 104

HSL 197.75, 0.52%, 0.27%

LAB 32.94, -9.46, -17.09

 

CMYK 13 / 68 / 0 / 59

HEX #5A2168

RGB 90 33 104

HSL 288.17, 0.52%, 0.27%

LAB 24.52, 37.5, -29.96

 

Description

Color code: RGB 104 55 33 | qconv.com Color code: RGB 104 55 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 55 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 55 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 68 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 68% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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