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Color name
RGB 104 35 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 35 33 it is the complementary color RGB 151 220 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 35 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 35 33 shade: RGB 109 35 28, RGB 126 53 47, RGB 143 71 66, RGB 160 89 85 and RGB 177 107 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 35 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 87 17 14, RGB 70 0 0, RGB 53 0 0 and RGB 36 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 35 33 shade: RGB 104 35 33 and RGB 104 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 104 54 33, RGB 104 73 33, RGB 104 92 33 and RGB 97 104 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 35 33 shade matches the following richer shades: RGB 104 35 33, RGB 115 24 21 and RGB 126 14 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 93 45 44, RGB 82 56 55, RGB 71 66 66 and RGB 60 77 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 35 33 shade: RGB 104 33 70, RGB 104 33 50, RGB 104 34 33, RGB 104 53 33 and RGB 104 72 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 35 33 shade: RGB 41 14 13, RGB 73 24 23, RGB 104 35 33, RGB 136 45 42 and RGB 167 56 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 89 104 33 and RGB 33 60 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 33 104 34 and RGB 34 33 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 89 104 33, RGB 33 103 104 and RGB 48 33 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 35 33 shade: RGB 104 35 33, RGB 67 104 33, RGB 33 103 104 and RGB 70 33 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

Complementary color

CMYK 32 / 1 / 0 / 13

HEX #97DCDE

RGB 151 220 222

HSL 181.69, 0.52%, 0.73%

LAB 83.46, -20.99, -7.89

 

CMYK 0 / 68 / 74 / 57

HEX #6D231C

RGB 109 35 28

HSL 5.19, 0.59%, 0.27%

LAB 25.37, 32.42, 22.35

 

CMYK 0 / 58 / 63 / 51

HEX #7E352F

RGB 126 53 47

HSL 4.56, 0.46%, 0.34%

LAB 32.23, 31.19, 19.39

 

CMYK 0 / 50 / 54 / 44

HEX #8F4742

RGB 143 71 66

HSL 3.9, 0.37%, 0.41%

LAB 39.14, 29.9, 17.06

 

CMYK 0 / 44 / 47 / 37

HEX #A05955

RGB 160 89 85

HSL 3.2, 0.31%, 0.48%

LAB 46.01, 28.67, 15.18

 

CMYK 0 / 40 / 41 / 31

HEX #B16B68

RGB 177 107 104

HSL 2.47, 0.32%, 0.55%

LAB 52.8, 27.56, 13.61

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 80 / 84 / 66

HEX #57110E

RGB 87 17 14

HSL 2.47, 0.72%, 0.2%

LAB 17.73, 31.52, 21.01

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 68 / 68 / 59

HEX #682121

RGB 104 33 33

HSL 0, 0.52%, 0.27%

LAB 24.13, 31.78, 17.37

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 48 / 68 / 59

HEX #683621

RGB 104 54 33

HSL 17.75, 0.52%, 0.27%

LAB 28.62, 20.23, 22.85

 

CMYK 0 / 30 / 68 / 59

HEX #684921

RGB 104 73 33

HSL 33.8, 0.52%, 0.27%

LAB 33.6, 8.62, 28.62

 

CMYK 0 / 12 / 68 / 59

HEX #685C21

RGB 104 92 33

HSL 49.86, 0.52%, 0.27%

LAB 39.08, -2.88, 34.64

 

CMYK 7 / 0 / 68 / 59

HEX #616821

RGB 97 104 33

HSL 65.92, 0.52%, 0.27%

LAB 42.08, -13.09, 37.62

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 79 / 82 / 55

HEX #731815

RGB 115 24 21

HSL 1.91, 0.69%, 0.27%

LAB 24.8, 38.89, 26.44

 

CMYK 0 / 89 / 92 / 51

HEX #7E0E0A

RGB 126 14 10

HSL 2.07, 0.85%, 0.27%

LAB 26.07, 44.98, 34.32

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 52 / 53 / 64

HEX #5D2D2C

RGB 93 45 44

HSL 1.22, 0.36%, 0.27%

LAB 24.91, 21.73, 10.68

 

CMYK 0 / 32 / 33 / 68

HEX #523837

RGB 82 56 55

HSL 2.22, 0.2%, 0.27%

LAB 26.44, 11.43, 5.25

 

CMYK 0 / 7 / 7 / 72

HEX #474242

RGB 71 66 66

HSL 0, 0.04%, 0.27%

LAB 28.46, 2.12, 0.76

 

CMYK 22 / 0 / 0 / 70

HEX #3C4D4D

RGB 60 77 77

HSL 180, 0.12%, 0.27%

LAB 31.36, -6.63, -2.21

 

CMYK 0 / 68 / 33 / 59

HEX #682146

RGB 104 33 70

HSL 328.73, 0.52%, 0.27%

LAB 25.18, 35.61, -6.24

 

CMYK 0 / 68 / 52 / 59

HEX #682132

RGB 104 33 50

HSL 345.63, 0.52%, 0.27%

LAB 24.52, 33.22, 6.38

 

CMYK 0 / 67 / 68 / 59

HEX #682221

RGB 104 34 33

HSL 0.85, 0.52%, 0.27%

LAB 24.31, 31.29, 17.6

 

CMYK 0 / 49 / 68 / 59

HEX #683521

RGB 104 53 33

HSL 16.9, 0.52%, 0.27%

LAB 28.38, 20.83, 22.56

 

CMYK 0 / 31 / 68 / 59

HEX #684821

RGB 104 72 33

HSL 32.96, 0.52%, 0.27%

LAB 33.32, 9.23, 28.31

 

CMYK 0 / 66 / 68 / 84

HEX #290E0D

RGB 41 14 13

HSL 2.14, 0.52%, 0.11%

LAB 7.36, 13.91, 5.85

 

CMYK 0 / 67 / 68 / 71

HEX #491817

RGB 73 24 23

HSL 1.2, 0.52%, 0.19%

LAB 16.16, 23.3, 12.86

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 0 / 67 / 69 / 47

HEX #882D2A

RGB 136 45 42

HSL 1.91, 0.53%, 0.35%

LAB 32.43, 38.61, 23.17

 

CMYK 0 / 66 / 69 / 35

HEX #A73834

RGB 167 56 52

HSL 2.09, 0.53%, 0.43%

LAB 40.07, 45.3, 27.62

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 14 / 0 / 68 / 59

HEX #596821

RGB 89 104 33

HSL 72.68, 0.52%, 0.27%

LAB 41.43, -16.77, 36.73

 

CMYK 68 / 42 / 0 / 59

HEX #213C68

RGB 33 60 104

HSL 217.18, 0.52%, 0.27%

LAB 25.43, 5.5, -28.86

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 68 / 0 / 67 / 59

HEX #216822

RGB 33 104 34

HSL 120.85, 0.52%, 0.27%

LAB 38.44, -37.08, 32.15

 

CMYK 67 / 68 / 0 / 59

HEX #222168

RGB 34 33 104

HSL 240.85, 0.52%, 0.27%

LAB 17.59, 24.72, -41.5

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 14 / 0 / 68 / 59

HEX #596821

RGB 89 104 33

HSL 72.68, 0.52%, 0.27%

LAB 41.43, -16.77, 36.73

 

CMYK 68 / 1 / 0 / 59

HEX #216768

RGB 33 103 104

HSL 180.85, 0.52%, 0.27%

LAB 39.62, -20.84, -6.95

 

CMYK 54 / 68 / 0 / 59

HEX #302168

RGB 48 33 104

HSL 252.68, 0.52%, 0.27%

LAB 18.87, 27.34, -39.36

 

CMYK 0 / 66 / 68 / 59

HEX #682321

RGB 104 35 33

HSL 1.69, 0.52%, 0.27%

LAB 24.5, 30.8, 17.83

 

CMYK 36 / 0 / 68 / 59

HEX #436821

RGB 67 104 33

HSL 91.27, 0.52%, 0.27%

LAB 39.92, -26.21, 34.67

 

CMYK 68 / 1 / 0 / 59

HEX #216768

RGB 33 103 104

HSL 180.85, 0.52%, 0.27%

LAB 39.62, -20.84, -6.95

 

CMYK 33 / 68 / 0 / 59

HEX #462168

RGB 70 33 104

HSL 271.27, 0.52%, 0.27%

LAB 21.54, 32.38, -34.9

 

Description

Color code: RGB 104 35 33 | qconv.com Color code: RGB 104 35 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 35 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 35 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 68 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 68% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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