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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 25 213 it is the complementary color RGB 153 230 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 25 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 25 213 shade: RGB 107 25 208, RGB 124 43 227, RGB 141 61 246, RGB 158 79 255 and RGB 175 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 25 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 25 213 shade: RGB 102 25 213, RGB 85 7 194, RGB 68 0 175, RGB 51 0 156 and RGB 34 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 25 213 shade: RGB 102 25 214, RGB 153 25 214, RGB 204 25 214, RGB 214 25 173 and RGB 214 25 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 25 213 shade: RGB 102 25 214, RGB 51 25 214 and RGB 25 25 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 25 213 shade matches the following richer shades: RGB 102 25 214 and RGB 99 5 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 25 213 shade: RGB 102 25 214, RGB 106 44 195, RGB 109 63 175, RGB 113 83 156 and RGB 116 102 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 25 213 shade: RGB 25 50 214, RGB 50 25 214, RGB 100 25 214, RGB 151 25 214 and RGB 201 25 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 25 213 shade: RGB 67 16 140, RGB 85 20 177, RGB 102 25 214, RGB 124 50 230 and RGB 147 86 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 25 213 shade: RGB 102 25 213, RGB 214 25 100 and RGB 25 214 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 25 213 shade: RGB 102 25 213, RGB 214 100 25 and RGB 25 214 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 25 213 shade: RGB 102 25 213, RGB 214 25 100, RGB 138 214 25 and RGB 25 214 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 25 213 shade: RGB 102 25 213, RGB 214 25 44, RGB 138 214 25 and RGB 25 214 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

Complementary color

CMYK 33 / 0 / 82 / 10

HEX #99E62A

RGB 153 230 42

HSL 84.57, 0.79%, 0.53%

LAB 83.72, -49.45, 75.39

 

CMYK 49 / 88 / 0 / 18

HEX #6B19D0

RGB 107 25 208

HSL 266.89, 0.79%, 0.46%

LAB 34.75, 67.28, -76.79

 

CMYK 45 / 81 / 0 / 11

HEX #7C2BE3

RGB 124 43 227

HSL 266.41, 0.77%, 0.53%

LAB 40.51, 68.2, -78.17

 

CMYK 43 / 75 / 0 / 4

HEX #8D3DF6

RGB 141 61 246

HSL 265.95, 0.91%, 0.6%

LAB 46.52, 68.25, -78.98

 

CMYK 38 / 69 / 0 / 0

HEX #9E4FFF

RGB 158 79 255

HSL 266.93, 1%, 0.65%

LAB 51.93, 65.4, -75.09

 

CMYK 31 / 62 / 0 / 0

HEX #AF61FF

RGB 175 97 255

HSL 269.62, 1%, 0.69%

LAB 56.96, 60.22, -66.85

 

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

CMYK 56 / 96 / 0 / 24

HEX #5507C2

RGB 85 7 194

HSL 265.03, 0.93%, 0.39%

LAB 29.36, 65.75, -77.6

 

CMYK 61 / 100 / 0 / 31

HEX #4400AF

RGB 68 0 175

HSL 263.31, 1%, 0.34%

LAB 24.72, 61.5, -74.06

 

CMYK 67 / 100 / 0 / 39

HEX #33009C

RGB 51 0 156

HSL 259.62, 1%, 0.31%

LAB 20.46, 56.04, -69.65

 

CMYK 75 / 100 / 0 / 46

HEX #220089

RGB 34 0 137

HSL 254.89, 1%, 0.27%

LAB 16.24, 50.56, -64.91

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 29 / 88 / 0 / 16

HEX #9919D6

RGB 153 25 214

HSL 280.63, 0.79%, 0.47%

LAB 41.72, 74.18, -68.57

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D6

RGB 204 25 214

HSL 296.83, 0.79%, 0.47%

LAB 49.96, 82.03, -54.84

 

CMYK 0 / 88 / 19 / 16

HEX #D619AD

RGB 214 25 173

HSL 313.02, 0.79%, 0.47%

LAB 49.51, 78.14, -31.64

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 76 / 88 / 0 / 16

HEX #3319D6

RGB 51 25 214

HSL 248.25, 0.79%, 0.47%

LAB 30.04, 64.65, -88.23

 

CMYK 88 / 88 / 0 / 16

HEX #1919D6

RGB 25 25 214

HSL 240, 0.79%, 0.47%

LAB 28.79, 63.8, -90.35

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 58 / 98 / 0 / 9

HEX #6305E9

RGB 99 5 233

HSL 264.74, 0.96%, 0.47%

LAB 35.29, 75.86, -90.3

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 46 / 77 / 0 / 24

HEX #6A2CC3

RGB 106 44 195

HSL 264.64, 0.63%, 0.47%

LAB 35.61, 57.57, -67.8

 

CMYK 38 / 64 / 0 / 31

HEX #6D3FAF

RGB 109 63 175

HSL 264.64, 0.47%, 0.47%

LAB 37.66, 43.74, -52.64

 

CMYK 28 / 47 / 0 / 39

HEX #71539C

RGB 113 83 156

HSL 264.66, 0.31%, 0.47%

LAB 41.37, 28.24, -35.36

 

CMYK 15 / 25 / 0 / 47

HEX #746688

RGB 116 102 136

HSL 264.71, 0.14%, 0.47%

LAB 45.63, 12.72, -16.74

 

CMYK 88 / 77 / 0 / 16

HEX #1932D6

RGB 25 50 214

HSL 232.06, 0.79%, 0.47%

LAB 32.58, 52.65, -84.06

 

CMYK 77 / 88 / 0 / 16

HEX #3219D6

RGB 50 25 214

HSL 247.94, 0.79%, 0.47%

LAB 29.98, 64.6, -88.34

 

CMYK 53 / 88 / 0 / 16

HEX #6419D6

RGB 100 25 214

HSL 263.81, 0.79%, 0.47%

LAB 34.52, 68, -80.68

 

CMYK 29 / 88 / 0 / 16

HEX #9719D6

RGB 151 25 214

HSL 280, 0.79%, 0.47%

LAB 41.42, 73.91, -69.08

 

CMYK 6 / 88 / 0 / 16

HEX #C919D6

RGB 201 25 214

HSL 295.87, 0.79%, 0.47%

LAB 49.46, 81.53, -55.68

 

CMYK 52 / 89 / 0 / 45

HEX #43108C

RGB 67 16 140

HSL 264.68, 0.79%, 0.31%

LAB 21.79, 49, -57.47

 

CMYK 52 / 89 / 0 / 31

HEX #5514B1

RGB 85 20 177

HSL 264.84, 0.8%, 0.39%

LAB 28.4, 59, -69.1

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 46 / 78 / 0 / 10

HEX #7C32E6

RGB 124 50 230

HSL 264.67, 0.78%, 0.55%

LAB 41.66, 66.34, -77.99

 

CMYK 37 / 63 / 0 / 8

HEX #9356EB

RGB 147 86 235

HSL 264.56, 0.79%, 0.63%

LAB 50.52, 55.05, -66.26

 

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

CMYK 0 / 88 / 53 / 16

HEX #D61964

RGB 214 25 100

HSL 336.19, 0.79%, 0.47%

LAB 46.86, 70.92, 8.58

 

CMYK 88 / 0 / 88 / 16

HEX #19D619

RGB 25 214 25

HSL 120, 0.79%, 0.47%

LAB 75.06, -73.75, 70.01

 

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

CMYK 0 / 53 / 88 / 16

HEX #D66419

RGB 214 100 25

HSL 23.81, 0.79%, 0.47%

LAB 55.56, 41.04, 58.37

 

CMYK 88 / 0 / 53 / 16

HEX #19D664

RGB 25 214 100

HSL 143.81, 0.79%, 0.47%

LAB 75.59, -67.12, 43.94

 

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

CMYK 0 / 88 / 53 / 16

HEX #D61964

RGB 214 25 100

HSL 336.19, 0.79%, 0.47%

LAB 46.86, 70.92, 8.58

 

CMYK 36 / 0 / 88 / 16

HEX #8AD619

RGB 138 214 25

HSL 84.13, 0.79%, 0.47%

LAB 78.21, -48.7, 73.94

 

CMYK 88 / 0 / 36 / 16

HEX #19D68A

RGB 25 214 138

HSL 155.87, 0.79%, 0.47%

LAB 76.15, -60.46, 25.65

 

CMYK 52 / 88 / 0 / 16

HEX #6619D5

RGB 102 25 213

HSL 264.57, 0.79%, 0.47%

LAB 34.65, 67.95, -79.87

 

CMYK 0 / 88 / 79 / 16

HEX #D6192C

RGB 214 25 44

HSL 353.97, 0.79%, 0.47%

LAB 45.87, 68.11, 41.27

 

CMYK 36 / 0 / 88 / 16

HEX #8AD619

RGB 138 214 25

HSL 84.13, 0.79%, 0.47%

LAB 78.21, -48.7, 73.94

 

CMYK 88 / 0 / 9 / 16

HEX #19D6C3

RGB 25 214 195

HSL 173.97, 0.79%, 0.47%

LAB 77.42, -46.72, -2.81

 

Description

Color code: RGB 102 25 213 | qconv.com Color code: RGB 102 25 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 25 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 25 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 88 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 88% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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