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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6197A it is the complementary color #29E685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6197A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6197A shade: #DB1975, #EC2B88, #FD3D9B, #FF4FAE and #FF61C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6197A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6197A shade: #D6197A, #C50767, #B40054, #A30041 and #92002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6197A shade: #D6197A, #D61947 and #D61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6197A shade: #D6197A, #D619AD, #CC19D6, #9919D6 and #6619D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6197A shade matches the following richer shades: #D6197A and #E9057A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6197A shade: #D6197A, #C32C79, #AF3F79, #9C5378 and #886678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6197A shade: #CD19D6, #D619AD, #D6197B, #D61948 and #D61C19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6197A shade: #8C1050, #B11465, #D6197A, #E6328E and #EB56A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6197A shade: #D6197A, #D69A19 and #19C6D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6197A shade: #D6197A, #7BD619 and #197BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6197A shade: #D6197A, #D69A19, #19D674 and #1955D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6197A shade: #D6197A, #D6D319, #19D674 and #191CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

Complementary color

CMYK 82 / 0 / 42 / 10

HEX #29E685

RGB 41 230 133

HSL 149.21, 0.79%, 0.53%

LAB 81.16, -65.79, 34.86

 

CMYK 0 / 89 / 47 / 14

HEX #DB1975

RGB 219 25 117

HSL 331.55, 0.8%, 0.48%

LAB 48.31, 73.41, 0.32

 

CMYK 0 / 82 / 42 / 7

HEX #EC2B88

RGB 236 43 136

HSL 331.09, 0.84%, 0.55%

LAB 53.32, 75.6, -3.46

 

CMYK 0 / 76 / 39 / 1

HEX #FD3D9B

RGB 253 61 155

HSL 330.63, 0.98%, 0.62%

LAB 58.59, 76.92, -6.56

 

CMYK 0 / 69 / 32 / 0

HEX #FF4FAE

RGB 255 79 174

HSL 327.61, 1%, 0.65%

LAB 61.57, 73.71, -13.09

 

CMYK 0 / 62 / 24 / 0

HEX #FF61C1

RGB 255 97 193

HSL 323.54, 1%, 0.69%

LAB 64.69, 69.2, -19.23

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 96 / 48 / 23

HEX #C50767

RGB 197 7 103

HSL 329.68, 0.93%, 0.4%

LAB 42.77, 69.39, 0.39

 

CMYK 0 / 100 / 53 / 29

HEX #B40054

RGB 180 0 84

HSL 332, 1%, 0.35%

LAB 38.45, 64.77, 5.78

 

CMYK 0 / 100 / 60 / 36

HEX #A30041

RGB 163 0 65

HSL 336.07, 1%, 0.32%

LAB 34.33, 59.47, 11.82

 

CMYK 0 / 100 / 68 / 43

HEX #92002E

RGB 146 0 46

HSL 341.1, 1%, 0.29%

LAB 30.18, 54.19, 18.21

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 88 / 67 / 16

HEX #D61947

RGB 214 25 71

HSL 345.4, 0.79%, 0.47%

LAB 46.24, 69.17, 25.68

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 88 / 19 / 16

HEX #D619AD

RGB 214 25 173

HSL 313.02, 0.79%, 0.47%

LAB 49.51, 78.14, -31.64

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D6

RGB 204 25 214

HSL 296.83, 0.79%, 0.47%

LAB 49.96, 82.03, -54.84

 

CMYK 29 / 88 / 0 / 16

HEX #9919D6

RGB 153 25 214

HSL 280.63, 0.79%, 0.47%

LAB 41.72, 74.18, -68.57

 

CMYK 52 / 88 / 0 / 16

HEX #6619D6

RGB 102 25 214

HSL 264.44, 0.79%, 0.47%

LAB 34.75, 68.18, -80.28

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 98 / 48 / 9

HEX #E9057A

RGB 233 5 122

HSL 329.21, 0.96%, 0.47%

LAB 50.5, 79.02, 0.79

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 77 / 38 / 24

HEX #C32C79

RGB 195 44 121

HSL 329.4, 0.63%, 0.47%

LAB 45.34, 63.72, -7.03

 

CMYK 0 / 64 / 31 / 31

HEX #AF3F79

RGB 175 63 121

HSL 328.93, 0.47%, 0.47%

LAB 44.3, 51.23, -8.94

 

CMYK 0 / 47 / 23 / 39

HEX #9C5378

RGB 156 83 120

HSL 329.59, 0.31%, 0.47%

LAB 45.1, 35.01, -7.44

 

CMYK 0 / 25 / 12 / 47

HEX #886678

RGB 136 102 120

HSL 328.24, 0.14%, 0.47%

LAB 47.1, 16.72, -4.73

 

CMYK 4 / 88 / 0 / 16

HEX #CD19D6

RGB 205 25 214

HSL 297.14, 0.79%, 0.47%

LAB 50.13, 82.2, -54.56

 

CMYK 0 / 88 / 19 / 16

HEX #D619AD

RGB 214 25 173

HSL 313.02, 0.79%, 0.47%

LAB 49.51, 78.14, -31.64

 

CMYK 0 / 88 / 43 / 16

HEX #D6197B

RGB 214 25 123

HSL 328.89, 0.79%, 0.47%

LAB 47.52, 72.77, -4.62

 

CMYK 0 / 88 / 66 / 16

HEX #D61948

RGB 214 25 72

HSL 345.08, 0.79%, 0.47%

LAB 46.26, 69.22, 25.09

 

CMYK 0 / 87 / 88 / 16

HEX #D61C19

RGB 214 28 25

HSL 0.95, 0.79%, 0.47%

LAB 45.9, 67.14, 50.96

 

CMYK 0 / 89 / 43 / 45

HEX #8C1050

RGB 140 16 80

HSL 329.03, 0.79%, 0.31%

LAB 30.7, 52.62, -3.92

 

CMYK 0 / 89 / 43 / 31

HEX #B11465

RGB 177 20 101

HSL 329.04, 0.8%, 0.39%

LAB 39.22, 62.96, -4.03

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 78 / 38 / 10

HEX #E6328E

RGB 230 50 142

HSL 329.33, 0.78%, 0.55%

LAB 53.01, 72.98, -7.62

 

CMYK 0 / 63 / 31 / 8

HEX #EB56A3

RGB 235 86 163

HSL 328.99, 0.79%, 0.63%

LAB 58.94, 64.36, -11.02

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 28 / 88 / 16

HEX #D69A19

RGB 214 154 25

HSL 40.95, 0.79%, 0.47%

LAB 67.63, 12.52, 67.78

 

CMYK 88 / 7 / 0 / 16

HEX #19C6D6

RGB 25 198 214

HSL 185.08, 0.79%, 0.47%

LAB 73.19, -33.96, -19.39

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 43 / 0 / 88 / 16

HEX #7BD619

RGB 123 214 25

HSL 88.89, 0.79%, 0.47%

LAB 77.5, -53.79, 73.07

 

CMYK 88 / 43 / 0 / 16

HEX #197BD6

RGB 25 123 214

HSL 208.89, 0.79%, 0.47%

LAB 50.95, 6.92, -54.08

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 28 / 88 / 16

HEX #D69A19

RGB 214 154 25

HSL 40.95, 0.79%, 0.47%

LAB 67.63, 12.52, 67.78

 

CMYK 88 / 0 / 46 / 16

HEX #19D674

RGB 25 214 116

HSL 148.89, 0.79%, 0.47%

LAB 75.8, -64.58, 36.41

 

CMYK 88 / 60 / 0 / 16

HEX #1955D6

RGB 25 85 214

HSL 220.95, 0.79%, 0.47%

LAB 40.51, 31.29, -70.99

 

CMYK 0 / 88 / 43 / 16

HEX #D6197A

RGB 214 25 122

HSL 329.21, 0.79%, 0.47%

LAB 47.49, 72.69, -4.06

 

CMYK 0 / 1 / 88 / 16

HEX #D6D319

RGB 214 211 25

HSL 59.05, 0.79%, 0.47%

LAB 82.35, -17.11, 79.38

 

CMYK 88 / 0 / 46 / 16

HEX #19D674

RGB 25 214 116

HSL 148.89, 0.79%, 0.47%

LAB 75.8, -64.58, 36.41

 

CMYK 88 / 87 / 0 / 16

HEX #191CD6

RGB 25 28 214

HSL 239.05, 0.79%, 0.47%

LAB 29.14, 62.75, -89.77

 

Description

Color code: HEX #D6197A | qconv.com Color code: HEX #D6197A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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