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Color name
RGB 100 215 155

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 215 155 it is the complementary color RGB 155 40 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 215 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 215 155 shade: RGB 105 215 150, RGB 122 233 169, RGB 139 251 188, RGB 156 255 207 and RGB 173 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 215 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 83 197 136, RGB 66 179 117, RGB 49 161 98 and RGB 32 143 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 100 215 124, RGB 107 215 100, RGB 138 215 100 and RGB 169 215 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 100 215 186, RGB 100 213 215, RGB 100 182 215 and RGB 100 151 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 215 155 shade matches the following richer shades: RGB 100 215 155, RGB 85 230 154 and RGB 69 246 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 116 199 156, RGB 132 183 156, RGB 147 168 157 and RGB 163 152 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 215 155 shade: RGB 108 215 100, RGB 100 215 123, RGB 100 215 154, RGB 100 215 184 and RGB 100 215 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 215 155 shade: RGB 47 185 113, RGB 68 206 134, RGB 100 215 155, RGB 133 223 176 and RGB 166 232 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 100 139 215 and RGB 215 108 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 154 100 215 and RGB 215 154 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 100 139 215, RGB 215 100 161 and RGB 215 177 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 215 155 shade: RGB 100 215 155, RGB 100 104 215, RGB 215 100 161 and RGB 215 211 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

Complementary color

CMYK 0 / 74 / 35 / 39

HEX #9B2864

RGB 155 40 100

HSL 328.7, 0.59%, 0.38%

LAB 36.75, 51.96, -7.52

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 48 / 0 / 27 / 9

HEX #7AE9A9

RGB 122 233 169

HSL 145.41, 0.72%, 0.7%

LAB 84.63, -46, 21.49

 

CMYK 45 / 0 / 25 / 2

HEX #8BFBBC

RGB 139 251 188

HSL 146.25, 0.93%, 0.76%

LAB 90.83, -45.8, 20.41

 

CMYK 39 / 0 / 19 / 0

HEX #9CFFCF

RGB 156 255 207

HSL 150.91, 1%, 0.81%

LAB 93.06, -39.41, 13.89

 

CMYK 32 / 0 / 11 / 0

HEX #ADFFE2

RGB 173 255 226

HSL 158.78, 1%, 0.84%

LAB 94.27, -30.92, 5.95

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 58 / 0 / 31 / 23

HEX #53C588

RGB 83 197 136

HSL 147.89, 0.5%, 0.55%

LAB 71.93, -46.39, 21.13

 

CMYK 63 / 0 / 35 / 30

HEX #42B375

RGB 66 179 117

HSL 147.08, 0.46%, 0.48%

LAB 65.5, -46.28, 22.48

 

CMYK 70 / 0 / 39 / 37

HEX #31A162

RGB 49 161 98

HSL 146.25, 0.53%, 0.41%

LAB 59, -45.95, 23.95

 

CMYK 78 / 0 / 45 / 44

HEX #208F4F

RGB 32 143 79

HSL 145.41, 0.63%, 0.34%

LAB 52.42, -45.26, 25.57

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 53 / 0 / 42 / 16

HEX #64D77C

RGB 100 215 124

HSL 132.52, 0.59%, 0.62%

LAB 77.74, -51.93, 35.19

 

CMYK 50 / 0 / 53 / 16

HEX #6BD764

RGB 107 215 100

HSL 116.35, 0.59%, 0.62%

LAB 77.67, -53.51, 46.87

 

CMYK 36 / 0 / 53 / 16

HEX #8AD764

RGB 138 215 100

HSL 100.17, 0.59%, 0.62%

LAB 79, -44.12, 48.78

 

CMYK 21 / 0 / 53 / 16

HEX #A9D764

RGB 169 215 100

HSL 84, 0.59%, 0.62%

LAB 80.71, -33.15, 51.23

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 53 / 0 / 13 / 16

HEX #64D7BA

RGB 100 215 186

HSL 164.87, 0.59%, 0.62%

LAB 78.96, -39.61, 4.42

 

CMYK 53 / 1 / 0 / 16

HEX #64D5D7

RGB 100 213 215

HSL 181.04, 0.59%, 0.62%

LAB 79.16, -31.41, -10.79

 

CMYK 53 / 15 / 0 / 16

HEX #64B6D7

RGB 100 182 215

HSL 197.22, 0.59%, 0.62%

LAB 70.23, -15.86, -24.29

 

CMYK 53 / 30 / 0 / 16

HEX #6497D7

RGB 100 151 215

HSL 213.39, 0.59%, 0.62%

LAB 61.44, 1.23, -37.88

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 63 / 0 / 33 / 10

HEX #55E69A

RGB 85 230 154

HSL 148.55, 0.74%, 0.62%

LAB 82.3, -55.78, 25.86

 

CMYK 72 / 0 / 37 / 4

HEX #45F69A

RGB 69 246 154

HSL 148.81, 0.91%, 0.62%

LAB 86.76, -64.38, 31.79

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 42 / 0 / 22 / 22

HEX #74C79C

RGB 116 199 156

HSL 148.92, 0.43%, 0.62%

LAB 74.16, -35.01, 13.73

 

CMYK 28 / 0 / 15 / 28

HEX #84B79C

RGB 132 183 156

HSL 148.24, 0.26%, 0.62%

LAB 70.3, -22.51, 8.36

 

CMYK 13 / 0 / 7 / 34

HEX #93A89D

RGB 147 168 157

HSL 148.57, 0.11%, 0.62%

LAB 67.01, -9.52, 3.2

 

CMYK 0 / 7 / 3 / 36

HEX #A3989E

RGB 163 152 158

HSL 327.27, 0.06%, 0.62%

LAB 63.93, 5.14, -1.7

 

CMYK 50 / 0 / 53 / 16

HEX #6CD764

RGB 108 215 100

HSL 115.83, 0.59%, 0.62%

LAB 77.7, -53.24, 46.92

 

CMYK 53 / 0 / 43 / 16

HEX #64D77B

RGB 100 215 123

HSL 132, 0.59%, 0.62%

LAB 77.72, -52.09, 35.67

 

CMYK 53 / 0 / 28 / 16

HEX #64D79A

RGB 100 215 154

HSL 148.17, 0.59%, 0.62%

LAB 78.25, -46.56, 20.4

 

CMYK 53 / 0 / 14 / 16

HEX #64D7B8

RGB 100 215 184

HSL 163.83, 0.59%, 0.62%

LAB 78.91, -40.08, 5.42

 

CMYK 53 / 0 / 0 / 16

HEX #64D7D7

RGB 100 215 215

HSL 180, 0.59%, 0.62%

LAB 79.74, -32.36, -9.93

 

CMYK 75 / 0 / 39 / 27

HEX #2FB971

RGB 47 185 113

HSL 148.7, 0.59%, 0.45%

LAB 66.9, -52.65, 26.4

 

CMYK 67 / 0 / 35 / 19

HEX #44CE86

RGB 68 206 134

HSL 148.7, 0.58%, 0.54%

LAB 74.25, -53.34, 25.27

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 40 / 0 / 21 / 13

HEX #85DFB0

RGB 133 223 176

HSL 148.67, 0.58%, 0.7%

LAB 82.32, -37.32, 14.69

 

CMYK 28 / 0 / 15 / 9

HEX #A6E8C5

RGB 166 232 197

HSL 148.18, 0.59%, 0.78%

LAB 86.92, -27.84, 10.42

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 0 / 50 / 53 / 16

HEX #D76C64

RGB 215 108 100

HSL 4.17, 0.59%, 0.62%

LAB 58.12, 41.21, 24.02

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 28 / 53 / 0 / 16

HEX #9A64D7

RGB 154 100 215

HSL 268.17, 0.59%, 0.62%

LAB 52.83, 44.32, -51.21

 

CMYK 0 / 28 / 53 / 16

HEX #D79A64

RGB 215 154 100

HSL 28.17, 0.59%, 0.62%

LAB 68.37, 16.8, 37.19

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 0 / 53 / 25 / 16

HEX #D764A1

RGB 215 100 161

HSL 328.17, 0.59%, 0.62%

LAB 58.16, 51.92, -11.33

 

CMYK 0 / 18 / 53 / 16

HEX #D7B164

RGB 215 177 100

HSL 40.17, 0.59%, 0.62%

LAB 74.07, 4.47, 44.19

 

CMYK 53 / 0 / 28 / 16

HEX #64D79B

RGB 100 215 155

HSL 148.7, 0.59%, 0.62%

LAB 78.27, -46.36, 19.9

 

CMYK 53 / 52 / 0 / 16

HEX #6468D7

RGB 100 104 215

HSL 237.91, 0.59%, 0.62%

LAB 48.9, 29.41, -57.77

 

CMYK 0 / 53 / 25 / 16

HEX #D764A1

RGB 215 100 161

HSL 328.17, 0.59%, 0.62%

LAB 58.16, 51.92, -11.33

 

CMYK 0 / 2 / 53 / 16

HEX #D7D364

RGB 215 211 100

HSL 57.91, 0.59%, 0.62%

LAB 82.89, -13.11, 54.6

 

Description

Color code: RGB 100 215 155 | qconv.com Color code: RGB 100 215 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 215 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 215 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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