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Color name
RGB 105 215 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 215 150 it is the complementary color RGB 150 40 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 215 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 215 150 shade: RGB 110 215 145, RGB 127 233 164, RGB 144 251 183, RGB 161 255 202 and RGB 178 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 215 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 88 197 131, RGB 71 179 112, RGB 54 161 93 and RGB 37 143 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 105 215 121, RGB 120 215 105, RGB 149 215 105 and RGB 179 215 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 105 215 180, RGB 105 215 209, RGB 105 191 215 and RGB 105 161 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 215 150 shade matches the following richer shades: RGB 105 215 150, RGB 90 230 147 and RGB 75 245 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 121 200 153, RGB 136 184 156, RGB 151 169 159 and RGB 166 154 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 215 150 shade: RGB 120 215 105, RGB 105 215 120, RGB 105 215 149, RGB 105 215 178 and RGB 105 215 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 215 150 shade: RGB 50 188 106, RGB 73 206 127, RGB 105 215 150, RGB 138 224 173 and RGB 171 232 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 105 149 215 and RGB 215 105 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 149 105 215 and RGB 215 149 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 105 149 215, RGB 215 105 171 and RGB 215 171 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 215 150 shade: RGB 105 215 150, RGB 105 116 215, RGB 215 105 171 and RGB 215 204 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

Complementary color

CMYK 0 / 73 / 30 / 41

HEX #962869

RGB 150 40 105

HSL 324.55, 0.58%, 0.37%

LAB 36.03, 51.17, -11.89

 

CMYK 49 / 0 / 33 / 16

HEX #6ED791

RGB 110 215 145

HSL 140, 0.57%, 0.64%

LAB 78.44, -45.83, 25.41

 

CMYK 45 / 0 / 30 / 9

HEX #7FE9A4

RGB 127 233 164

HSL 140.94, 0.71%, 0.71%

LAB 84.73, -45.64, 24.24

 

CMYK 43 / 0 / 27 / 2

HEX #90FBB7

RGB 144 251 183

HSL 141.87, 0.93%, 0.77%

LAB 90.94, -45.42, 23.14

 

CMYK 37 / 0 / 21 / 0

HEX #A1FFCA

RGB 161 255 202

HSL 146.17, 1%, 0.82%

LAB 93.17, -39, 16.65

 

CMYK 30 / 0 / 13 / 0

HEX #B2FFDD

RGB 178 255 221

HSL 153.51, 1%, 0.85%

LAB 94.4, -30.5, 8.75

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 55 / 0 / 34 / 23

HEX #58C583

RGB 88 197 131

HSL 143.67, 0.48%, 0.56%

LAB 71.99, -46.23, 23.9

 

CMYK 60 / 0 / 37 / 30

HEX #47B370

RGB 71 179 112

HSL 142.78, 0.43%, 0.49%

LAB 65.55, -46.2, 25.25

 

CMYK 66 / 0 / 42 / 37

HEX #36A15D

RGB 54 161 93

HSL 141.87, 0.5%, 0.42%

LAB 59.03, -45.96, 26.71

 

CMYK 74 / 0 / 48 / 44

HEX #258F4A

RGB 37 143 74

HSL 140.94, 0.59%, 0.35%

LAB 52.43, -45.39, 28.3

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 51 / 0 / 44 / 16

HEX #69D779

RGB 105 215 121

HSL 128.73, 0.58%, 0.63%

LAB 77.87, -51.14, 36.89

 

CMYK 44 / 0 / 51 / 16

HEX #78D769

RGB 120 215 105

HSL 111.82, 0.58%, 0.63%

LAB 78.24, -49.19, 45.31

 

CMYK 31 / 0 / 51 / 16

HEX #95D769

RGB 149 215 105

HSL 96, 0.58%, 0.63%

LAB 79.62, -39.83, 47.31

 

CMYK 17 / 0 / 51 / 16

HEX #B3D769

RGB 179 215 105

HSL 79.64, 0.58%, 0.63%

LAB 81.4, -28.88, 49.88

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 51 / 0 / 16 / 16

HEX #69D7B4

RGB 105 215 180

HSL 160.91, 0.58%, 0.63%

LAB 78.98, -39.89, 7.68

 

CMYK 51 / 0 / 3 / 16

HEX #69D7D1

RGB 105 215 209

HSL 176.73, 0.58%, 0.63%

LAB 79.73, -32.91, -6.71

 

CMYK 51 / 11 / 0 / 16

HEX #69BFD7

RGB 105 191 215

HSL 193.09, 0.58%, 0.63%

LAB 73, -19.47, -20.04

 

CMYK 51 / 25 / 0 / 16

HEX #69A1D7

RGB 105 161 215

HSL 209.45, 0.58%, 0.63%

LAB 64.48, -3.34, -33.12

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 61 / 0 / 36 / 10

HEX #5AE693

RGB 90 230 147

HSL 144.43, 0.74%, 0.63%

LAB 82.31, -56.12, 29.48

 

CMYK 69 / 0 / 41 / 4

HEX #4BF591

RGB 75 245 145

HSL 144.71, 0.89%, 0.63%

LAB 86.43, -64.74, 35.87

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 40 / 0 / 24 / 22

HEX #79C899

RGB 121 200 153

HSL 144.3, 0.42%, 0.63%

LAB 74.62, -34.66, 16.01

 

CMYK 26 / 0 / 15 / 28

HEX #88B89C

RGB 136 184 156

HSL 145, 0.25%, 0.63%

LAB 70.81, -21.73, 9.13

 

CMYK 11 / 0 / 6 / 34

HEX #97A99F

RGB 151 169 159

HSL 146.67, 0.09%, 0.63%

LAB 67.62, -8.27, 3.01

 

CMYK 0 / 7 / 3 / 35

HEX #A69AA1

RGB 166 154 161

HSL 325, 0.06%, 0.63%

LAB 64.8, 5.68, -2.08

 

CMYK 44 / 0 / 51 / 16

HEX #78D769

RGB 120 215 105

HSL 111.82, 0.58%, 0.63%

LAB 78.24, -49.19, 45.31

 

CMYK 51 / 0 / 44 / 16

HEX #69D778

RGB 105 215 120

HSL 128.18, 0.58%, 0.63%

LAB 77.85, -51.29, 37.38

 

CMYK 51 / 0 / 31 / 16

HEX #69D795

RGB 105 215 149

HSL 144, 0.58%, 0.63%

LAB 78.33, -46.34, 23.15

 

CMYK 51 / 0 / 17 / 16

HEX #69D7B2

RGB 105 215 178

HSL 159.82, 0.58%, 0.63%

LAB 78.94, -40.34, 8.68

 

CMYK 51 / 0 / 3 / 16

HEX #69D7D0

RGB 105 215 208

HSL 176.18, 0.58%, 0.63%

LAB 79.7, -33.16, -6.22

 

CMYK 73 / 0 / 44 / 26

HEX #32BC6A

RGB 50 188 106

HSL 144.35, 0.58%, 0.47%

LAB 67.79, -54.62, 31.24

 

CMYK 65 / 0 / 38 / 19

HEX #49CE7F

RGB 73 206 127

HSL 144.36, 0.58%, 0.55%

LAB 74.25, -53.75, 28.94

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 38 / 0 / 23 / 12

HEX #8AE0AD

RGB 138 224 173

HSL 144.42, 0.58%, 0.71%

LAB 82.77, -36.96, 16.93

 

CMYK 26 / 0 / 16 / 9

HEX #ABE8C4

RGB 171 232 196

HSL 144.59, 0.57%, 0.79%

LAB 87.17, -26.5, 11.34

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 51 / 31 / 0 / 16

HEX #6995D7

RGB 105 149 215

HSL 216, 0.58%, 0.63%

LAB 61.14, 3.5, -38.33

 

CMYK 0 / 51 / 51 / 16

HEX #D76969

RGB 215 105 105

HSL 0, 0.58%, 0.63%

LAB 57.63, 43.15, 20.48

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 31 / 51 / 0 / 16

HEX #9569D7

RGB 149 105 215

HSL 264, 0.58%, 0.63%

LAB 53.38, 40.27, -50.36

 

CMYK 0 / 31 / 51 / 16

HEX #D79569

RGB 215 149 105

HSL 24, 0.58%, 0.63%

LAB 67.25, 19.95, 33.12

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 51 / 31 / 0 / 16

HEX #6995D7

RGB 105 149 215

HSL 216, 0.58%, 0.63%

LAB 61.14, 3.5, -38.33

 

CMYK 0 / 51 / 20 / 16

HEX #D769AB

RGB 215 105 171

HSL 324, 0.58%, 0.63%

LAB 59.43, 50.91, -15.2

 

CMYK 0 / 20 / 51 / 16

HEX #D7AB69

RGB 215 171 105

HSL 36, 0.58%, 0.63%

LAB 72.62, 8.1, 39.89

 

CMYK 51 / 0 / 30 / 16

HEX #69D796

RGB 105 215 150

HSL 144.55, 0.58%, 0.63%

LAB 78.35, -46.15, 22.65

 

CMYK 51 / 46 / 0 / 16

HEX #6974D7

RGB 105 116 215

HSL 234, 0.58%, 0.63%

LAB 52.29, 23.16, -52.33

 

CMYK 0 / 51 / 20 / 16

HEX #D769AB

RGB 215 105 171

HSL 324, 0.58%, 0.63%

LAB 59.43, 50.91, -15.2

 

CMYK 0 / 5 / 51 / 16

HEX #D7CC69

RGB 215 204 105

HSL 54, 0.58%, 0.63%

LAB 81.1, -9.16, 50.17

 

Description

Color code: RGB 105 215 150 | qconv.com Color code: RGB 105 215 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 215 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 215 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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