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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 147 246 it is the complementary color RGB 246 108 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 147 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 147 246 shade: RGB 14 147 241, RGB 31 165 255, RGB 48 183 255, RGB 65 201 255 and RGB 82 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 147 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 147 246 shade: RGB 9 147 246, RGB 0 129 227, RGB 0 111 208, RGB 0 93 189 and RGB 0 75 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 147 246 shade: RGB 8 147 246, RGB 8 83 246, RGB 8 19 246, RGB 62 8 246 and RGB 126 8 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 147 246 shade: RGB 8 147 246, RGB 8 83 246, RGB 8 19 246 and RGB 8 8 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 147 246 shade matches the following richer shades: RGB 8 147 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 147 246 shade: RGB 8 147 246, RGB 29 143 225, RGB 50 140 204, RGB 70 136 184 and RGB 91 133 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 147 246 shade: RGB 8 246 218, RGB 8 210 246, RGB 8 147 246, RGB 8 84 246 and RGB 8 20 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 147 246 shade: RGB 6 99 166, RGB 7 123 206, RGB 8 147 246, RGB 48 164 247 and RGB 88 181 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 147 246 shade: RGB 9 147 246, RGB 155 8 246 and RGB 242 246 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 147 246 shade: RGB 9 147 246, RGB 246 8 147 and RGB 147 246 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 147 246 shade: RGB 9 147 246, RGB 155 8 246, RGB 246 107 8 and RGB 99 246 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 147 246 shade: RGB 9 147 246, RGB 226 8 246, RGB 246 107 8 and RGB 28 246 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

Complementary color

CMYK 0 / 56 / 96 / 4

HEX #F66C09

RGB 246 108 9

HSL 25.06, 0.93%, 0.5%

LAB 61.94, 49.11, 68.88

 

CMYK 94 / 39 / 0 / 5

HEX #0E93F1

RGB 14 147 241

HSL 204.85, 0.89%, 0.5%

LAB 59.26, 2.21, -55.89

 

CMYK 88 / 35 / 0 / 0

HEX #1FA5FF

RGB 31 165 255

HSL 204.11, 1%, 0.56%

LAB 65.3, -2.32, -53.96

 

CMYK 81 / 28 / 0 / 0

HEX #30B7FF

RGB 48 183 255

HSL 200.87, 1%, 0.59%

LAB 70.67, -11.16, -45.45

 

CMYK 75 / 21 / 0 / 0

HEX #41C9FF

RGB 65 201 255

HSL 197.05, 1%, 0.63%

LAB 76.14, -19.01, -36.9

 

CMYK 68 / 14 / 0 / 0

HEX #52DBFF

RGB 82 219 255

HSL 192.49, 1%, 0.66%

LAB 81.66, -25.96, -28.36

 

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

CMYK 100 / 43 / 0 / 11

HEX #0081E3

RGB 0 129 227

HSL 205.9, 1%, 0.45%

LAB 53.22, 7.31, -57.78

 

CMYK 100 / 47 / 0 / 18

HEX #006FD0

RGB 0 111 208

HSL 207.98, 1%, 0.41%

LAB 46.87, 11.09, -57.23

 

CMYK 100 / 51 / 0 / 26

HEX #005DBD

RGB 0 93 189

HSL 210.48, 1%, 0.37%

LAB 40.41, 15.1, -56.7

 

CMYK 100 / 56 / 0 / 33

HEX #004BAA

RGB 0 75 170

HSL 213.53, 1%, 0.33%

LAB 33.85, 19.38, -56.15

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 97 / 66 / 0 / 4

HEX #0853F6

RGB 8 83 246

HSL 221.09, 0.94%, 0.5%

LAB 42.6, 43.95, -85.71

 

CMYK 97 / 92 / 0 / 4

HEX #0813F6

RGB 8 19 246

HSL 237.23, 0.94%, 0.5%

LAB 32.19, 73.8, -102.98

 

CMYK 75 / 97 / 0 / 4

HEX #3E08F6

RGB 62 8 246

HSL 253.61, 0.94%, 0.5%

LAB 33.67, 76.74, -100.46

 

CMYK 49 / 97 / 0 / 4

HEX #7E08F6

RGB 126 8 246

HSL 269.75, 0.94%, 0.5%

LAB 40.02, 80.28, -89.73

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 97 / 66 / 0 / 4

HEX #0853F6

RGB 8 83 246

HSL 221.09, 0.94%, 0.5%

LAB 42.6, 43.95, -85.71

 

CMYK 97 / 92 / 0 / 4

HEX #0813F6

RGB 8 19 246

HSL 237.23, 0.94%, 0.5%

LAB 32.19, 73.8, -102.98

 

CMYK 97 / 97 / 0 / 4

HEX #0808F6

RGB 8 8 246

HSL 240, 0.94%, 0.5%

LAB 31.53, 75.85, -104.09

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 87 / 36 / 0 / 12

HEX #1D8FE1

RGB 29 143 225

HSL 205.1, 0.77%, 0.5%

LAB 57.41, -0.73, -49.96

 

CMYK 75 / 31 / 0 / 20

HEX #328CCC

RGB 50 140 204

HSL 204.94, 0.61%, 0.5%

LAB 55.88, -4.74, -40.56

 

CMYK 62 / 26 / 0 / 28

HEX #4688B8

RGB 70 136 184

HSL 205.26, 0.45%, 0.5%

LAB 54.42, -6.22, -31.45

 

CMYK 44 / 18 / 0 / 36

HEX #5B85A3

RGB 91 133 163

HSL 205, 0.28%, 0.5%

LAB 53.65, -6.25, -20.5

 

CMYK 97 / 0 / 11 / 4

HEX #08F6DA

RGB 8 246 218

HSL 172.94, 0.94%, 0.5%

LAB 87.5, -54.37, -0.23

 

CMYK 97 / 15 / 0 / 4

HEX #08D2F6

RGB 8 210 246

HSL 189.08, 0.94%, 0.5%

LAB 77.76, -30.11, -29.65

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 97 / 66 / 0 / 4

HEX #0854F6

RGB 8 84 246

HSL 220.84, 0.94%, 0.5%

LAB 42.83, 43.33, -85.32

 

CMYK 97 / 92 / 0 / 4

HEX #0814F6

RGB 8 20 246

HSL 236.97, 0.94%, 0.5%

LAB 32.27, 73.57, -102.85

 

CMYK 96 / 40 / 0 / 35

HEX #0663A6

RGB 6 99 166

HSL 205.13, 0.93%, 0.34%

LAB 40.76, 2.07, -42.62

 

CMYK 97 / 40 / 0 / 19

HEX #077BCE

RGB 7 123 206

HSL 205.03, 0.93%, 0.42%

LAB 50.3, 3.02, -50.6

 

CMYK 97 / 40 / 0 / 4

HEX #0893F6

RGB 8 147 246

HSL 204.96, 0.94%, 0.5%

LAB 59.5, 3.93, -58.27

 

CMYK 81 / 34 / 0 / 3

HEX #30A4F7

RGB 48 164 247

HSL 205.03, 0.93%, 0.58%

LAB 64.88, -3.4, -50.24

 

CMYK 65 / 27 / 0 / 3

HEX #58B5F8

RGB 88 181 248

HSL 205.13, 0.92%, 0.66%

LAB 70.8, -7.45, -41.4

 

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

CMYK 37 / 97 / 0 / 4

HEX #9B08F6

RGB 155 8 246

HSL 277.06, 0.94%, 0.5%

LAB 43.94, 82.98, -83.13

 

CMYK 2 / 0 / 97 / 4

HEX #F2F608

RGB 242 246 8

HSL 61.01, 0.94%, 0.5%

LAB 93.8, -22.56, 91.01

 

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 40 / 0 / 97 / 4

HEX #93F608

RGB 147 246 8

HSL 84.96, 0.94%, 0.5%

LAB 88.03, -58.62, 84.07

 

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

CMYK 37 / 97 / 0 / 4

HEX #9B08F6

RGB 155 8 246

HSL 277.06, 0.94%, 0.5%

LAB 43.94, 82.98, -83.13

 

CMYK 0 / 57 / 97 / 4

HEX #F66B08

RGB 246 107 8

HSL 24.96, 0.94%, 0.5%

LAB 61.76, 49.57, 68.93

 

CMYK 60 / 0 / 97 / 4

HEX #63F608

RGB 99 246 8

HSL 97.06, 0.94%, 0.5%

LAB 86.3, -72.12, 81.95

 

CMYK 96 / 40 / 0 / 4

HEX #0993F6

RGB 9 147 246

HSL 205.06, 0.93%, 0.5%

LAB 59.51, 3.96, -58.26

 

CMYK 8 / 97 / 0 / 4

HEX #E208F6

RGB 226 8 246

HSL 294.96, 0.94%, 0.5%

LAB 55.07, 92.08, -64.53

 

CMYK 0 / 57 / 97 / 4

HEX #F66B08

RGB 246 107 8

HSL 24.96, 0.94%, 0.5%

LAB 61.76, 49.57, 68.93

 

CMYK 89 / 0 / 97 / 4

HEX #1CF608

RGB 28 246 8

HSL 114.96, 0.94%, 0.5%

LAB 85.09, -82.6, 80.47

 

Description

Color code: RGB 9 147 246 | qconv.com Color code: RGB 9 147 246 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 147 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 147 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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