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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 8 147 it is the complementary color RGB 9 247 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 8 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 8 147 shade: RGB 251 8 142, RGB 255 26 161, RGB 255 44 180, RGB 255 62 199 and RGB 255 80 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 8 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 8 147 shade: RGB 246 8 147, RGB 229 0 128, RGB 212 0 109, RGB 195 0 90 and RGB 178 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 8 147 shade: RGB 247 7 147, RGB 247 7 82, RGB 247 7 18 and RGB 247 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 8 147 shade: RGB 247 7 147, RGB 247 7 212, RGB 217 7 247, RGB 153 7 247 and RGB 88 7 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 8 147 shade matches the following richer shades: RGB 247 7 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 8 147 shade: RGB 247 7 147, RGB 226 28 144, RGB 206 48 140, RGB 185 69 137 and RGB 164 90 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 8 147 shade: RGB 215 7 247, RGB 247 7 215, RGB 247 7 151, RGB 247 7 87 and RGB 247 7 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 8 147 shade: RGB 167 5 99, RGB 207 6 123, RGB 247 7 147, RGB 248 47 165 and RGB 249 87 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 8 147 shade: RGB 246 8 147, RGB 247 151 7 and RGB 7 247 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 8 147 shade: RGB 246 8 147, RGB 151 247 7 and RGB 7 151 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 8 147 shade: RGB 246 8 147, RGB 247 151 7, RGB 7 247 103 and RGB 7 103 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 8 147 shade: RGB 246 8 147, RGB 247 223 7, RGB 7 247 103 and RGB 7 31 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

Complementary color

CMYK 96 / 0 / 56 / 3

HEX #09F76C

RGB 9 247 108

HSL 144.96, 0.94%, 0.5%

LAB 85.84, -76.92, 52.55

 

CMYK 0 / 97 / 43 / 2

HEX #FB088E

RGB 251 8 142

HSL 326.91, 0.97%, 0.51%

LAB 54.7, 84.26, -4.69

 

CMYK 0 / 90 / 37 / 0

HEX #FF1AA1

RGB 255 26 161

HSL 324.63, 1%, 0.55%

LAB 56.66, 85.12, -12.94

 

CMYK 0 / 83 / 29 / 0

HEX #FF2CB4

RGB 255 44 180

HSL 321.33, 1%, 0.59%

LAB 58.37, 84.07, -21.42

 

CMYK 0 / 76 / 22 / 0

HEX #FF3EC7

RGB 255 62 199

HSL 317.41, 1%, 0.62%

LAB 60.63, 81.94, -28.87

 

CMYK 0 / 69 / 15 / 0

HEX #FF50DA

RGB 255 80 218

HSL 312.69, 1%, 0.66%

LAB 63.39, 78.86, -35.34

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 0 / 100 / 44 / 10

HEX #E50080

RGB 229 0 128

HSL 326.46, 1%, 0.45%

LAB 49.76, 79.03, -4.04

 

CMYK 0 / 100 / 49 / 17

HEX #D4006D

RGB 212 0 109

HSL 329.15, 1%, 0.42%

LAB 45.77, 73.84, 1.39

 

CMYK 0 / 100 / 54 / 24

HEX #C3005A

RGB 195 0 90

HSL 332.31, 1%, 0.38%

LAB 41.75, 68.63, 7.07

 

CMYK 0 / 100 / 60 / 30

HEX #B20047

RGB 178 0 71

HSL 336.07, 1%, 0.35%

LAB 37.7, 63.42, 13.05

 

CMYK 0 / 97 / 40 / 3

HEX #F70793

RGB 247 7 147

HSL 325, 0.94%, 0.5%

LAB 54.06, 83.92, -8.7

 

CMYK 0 / 97 / 67 / 3

HEX #F70752

RGB 247 7 82

HSL 341.25, 0.94%, 0.5%

LAB 52.44, 79.57, 28.24

 

CMYK 0 / 97 / 93 / 3

HEX #F70712

RGB 247 7 18

HSL 357.25, 0.94%, 0.5%

LAB 51.8, 77.83, 60.86

 

CMYK 0 / 97 / 97 / 3

HEX #F70707

RGB 247 7 7

HSL 0, 0.94%, 0.5%

LAB 51.77, 77.75, 63.88

 

CMYK 0 / 97 / 40 / 3

HEX #F70793

RGB 247 7 147

HSL 325, 0.94%, 0.5%

LAB 54.06, 83.92, -8.7

 

CMYK 0 / 97 / 14 / 3

HEX #F707D4

RGB 247 7 212

HSL 308.75, 0.94%, 0.5%

LAB 56.76, 90.85, -42.43

 

CMYK 12 / 97 / 0 / 3

HEX #D907F7

RGB 217 7 247

HSL 292.5, 0.94%, 0.5%

LAB 53.62, 90.99, -67.5

 

CMYK 38 / 97 / 0 / 3

HEX #9907F7

RGB 153 7 247

HSL 276.5, 0.94%, 0.5%

LAB 43.71, 83.06, -84.08

 

CMYK 64 / 97 / 0 / 3

HEX #5807F7

RGB 88 7 247

HSL 260.25, 0.94%, 0.5%

LAB 35.87, 78.15, -97.3

 

CMYK 0 / 97 / 40 / 3

HEX #F70793

RGB 247 7 147

HSL 325, 0.94%, 0.5%

LAB 54.06, 83.92, -8.7

 

CMYK 0 / 97 / 40 / 3

HEX #F70793

RGB 247 7 147

HSL 325, 0.94%, 0.5%

LAB 54.06, 83.92, -8.7

 

CMYK 0 / 88 / 36 / 11

HEX #E21C90

RGB 226 28 144

HSL 324.85, 0.78%, 0.5%

LAB 50.7, 76.96, -12.35

 

CMYK 0 / 77 / 32 / 19

HEX #CE308C

RGB 206 48 140

HSL 325.06, 0.62%, 0.5%

LAB 48.42, 67.39, -13.75

 

CMYK 0 / 63 / 26 / 27

HEX #B94589

RGB 185 69 137

HSL 324.83, 0.46%, 0.5%

LAB 47.46, 53.71, -13.73

 

CMYK 0 / 45 / 19 / 36

HEX #A45A85

RGB 164 90 133

HSL 325.14, 0.29%, 0.5%

LAB 48.13, 36.05, -10.62

 

CMYK 13 / 97 / 0 / 3

HEX #D707F7

RGB 215 7 247

HSL 292, 0.94%, 0.5%

LAB 53.29, 90.7, -68.05

 

CMYK 0 / 97 / 13 / 3

HEX #F707D7

RGB 247 7 215

HSL 308, 0.94%, 0.5%

LAB 56.91, 91.23, -43.9

 

CMYK 0 / 97 / 39 / 3

HEX #F70797

RGB 247 7 151

HSL 324, 0.94%, 0.5%

LAB 54.2, 84.27, -10.88

 

CMYK 0 / 97 / 65 / 3

HEX #F70757

RGB 247 7 87

HSL 340, 0.94%, 0.5%

LAB 52.52, 79.81, 25.34

 

CMYK 0 / 97 / 91 / 3

HEX #F70717

RGB 247 7 23

HSL 356, 0.94%, 0.5%

LAB 51.82, 77.89, 59.09

 

CMYK 0 / 97 / 41 / 35

HEX #A70563

RGB 167 5 99

HSL 325.19, 0.94%, 0.34%

LAB 36.41, 62.5, -7.15

 

CMYK 0 / 97 / 41 / 19

HEX #CF067B

RGB 207 6 123

HSL 325.07, 0.94%, 0.42%

LAB 45.39, 73.41, -7.94

 

CMYK 0 / 97 / 40 / 3

HEX #F70793

RGB 247 7 147

HSL 325, 0.94%, 0.5%

LAB 54.06, 83.92, -8.7

 

CMYK 0 / 81 / 33 / 3

HEX #F82FA5

RGB 248 47 165

HSL 324.78, 0.93%, 0.58%

LAB 56.79, 80.29, -15.21

 

CMYK 0 / 65 / 27 / 2

HEX #F957B6

RGB 249 87 182

HSL 324.81, 0.93%, 0.66%

LAB 61.94, 70.13, -17.23

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 0 / 39 / 97 / 3

HEX #F79707

RGB 247 151 7

HSL 36, 0.94%, 0.5%

LAB 70.82, 27.96, 74.93

 

CMYK 97 / 0 / 0 / 3

HEX #07F7F7

RGB 7 247 247

HSL 180, 0.94%, 0.5%

LAB 88.58, -46.79, -13.77

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 39 / 0 / 97 / 3

HEX #97F707

RGB 151 247 7

HSL 84, 0.94%, 0.5%

LAB 88.5, -57.71, 84.59

 

CMYK 97 / 39 / 0 / 3

HEX #0797F7

RGB 7 151 247

HSL 204, 0.94%, 0.5%

LAB 60.69, 1.91, -56.93

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 0 / 39 / 97 / 3

HEX #F79707

RGB 247 151 7

HSL 36, 0.94%, 0.5%

LAB 70.82, 27.96, 74.93

 

CMYK 97 / 0 / 58 / 3

HEX #07F767

RGB 7 247 103

HSL 144, 0.94%, 0.5%

LAB 85.78, -77.62, 54.7

 

CMYK 97 / 58 / 0 / 3

HEX #0767F7

RGB 7 103 247

HSL 216, 0.94%, 0.5%

LAB 47.57, 31.69, -78.11

 

CMYK 0 / 97 / 40 / 4

HEX #F60893

RGB 246 8 147

HSL 324.96, 0.94%, 0.5%

LAB 53.89, 83.64, -8.97

 

CMYK 0 / 10 / 97 / 3

HEX #F7DF07

RGB 247 223 7

HSL 54, 0.94%, 0.5%

LAB 88.24, -9.28, 87.16

 

CMYK 97 / 0 / 58 / 3

HEX #07F767

RGB 7 247 103

HSL 144, 0.94%, 0.5%

LAB 85.78, -77.62, 54.7

 

CMYK 97 / 87 / 0 / 3

HEX #071FF7

RGB 7 31 247

HSL 234, 0.94%, 0.5%

LAB 33.44, 70.63, -101.47

 

Description

Color code: RGB 246 8 147 | qconv.com Color code: RGB 246 8 147 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 8 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 8 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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