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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 190 197 it is the complementary color RGB 161 65 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 190 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 190 197 shade: RGB 99 190 192, RGB 116 208 211, RGB 133 226 230, RGB 150 244 249 and RGB 167 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 190 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 190 197 shade: RGB 94 190 197, RGB 77 172 178, RGB 60 154 159, RGB 43 136 140 and RGB 26 118 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 190 197 shade: RGB 93 189 196, RGB 93 162 196, RGB 93 134 196, RGB 93 106 196 and RGB 108 93 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 190 197 shade: RGB 93 189 196, RGB 93 162 196, RGB 93 134 196, RGB 93 106 196 and RGB 93 93 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 190 197 shade matches the following richer shades: RGB 93 189 196, RGB 76 205 214, RGB 58 220 232 and RGB 40 235 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 190 197 shade: RGB 93 189 196, RGB 111 174 179, RGB 129 159 161, RGB 147 143 143 and RGB 164 128 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 190 197 shade: RGB 93 196 148, RGB 93 196 176, RGB 93 190 196, RGB 93 162 196 and RGB 93 135 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 190 197 shade: RGB 55 146 153, RGB 66 175 183, RGB 93 189 196, RGB 124 202 207 and RGB 154 214 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 190 197 shade: RGB 94 190 197, RGB 121 93 196 and RGB 196 162 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 190 197 shade: RGB 94 190 197, RGB 196 93 190 and RGB 190 196 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 190 197 shade: RGB 94 190 197, RGB 121 93 196, RGB 196 100 93 and RGB 169 196 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 190 197 shade: RGB 94 190 197, RGB 152 93 196, RGB 196 100 93 and RGB 138 196 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

Complementary color

CMYK 0 / 60 / 64 / 37

HEX #A1413A

RGB 161 65 58

HSL 4.08, 0.47%, 0.43%

LAB 40.68, 39.35, 24.51

 

CMYK 48 / 1 / 0 / 25

HEX #63BEC0

RGB 99 190 192

HSL 181.29, 0.42%, 0.57%

LAB 71.75, -26.54, -9.41

 

CMYK 45 / 1 / 0 / 17

HEX #74D0D3

RGB 116 208 211

HSL 181.89, 0.52%, 0.64%

LAB 78.19, -26.6, -10.04

 

CMYK 42 / 2 / 0 / 10

HEX #85E2E6

RGB 133 226 230

HSL 182.47, 0.66%, 0.71%

LAB 84.53, -26.62, -10.63

 

CMYK 40 / 2 / 0 / 2

HEX #96F4F9

RGB 150 244 249

HSL 183.03, 0.89%, 0.78%

LAB 90.79, -26.61, -11.2

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

CMYK 57 / 3 / 0 / 30

HEX #4DACB2

RGB 77 172 178

HSL 183.56, 0.4%, 0.5%

LAB 65.2, -26.05, -11.56

 

CMYK 62 / 3 / 0 / 38

HEX #3C9A9F

RGB 60 154 159

HSL 183.03, 0.45%, 0.43%

LAB 58.58, -25.67, -10.85

 

CMYK 69 / 3 / 0 / 45

HEX #2B888C

RGB 43 136 140

HSL 182.47, 0.53%, 0.36%

LAB 51.85, -25.1, -10.05

 

CMYK 79 / 2 / 0 / 53

HEX #1A7679

RGB 26 118 121

HSL 181.89, 0.65%, 0.29%

LAB 45.02, -24.21, -9.15

 

CMYK 53 / 4 / 0 / 23

HEX #5DBDC4

RGB 93 189 196

HSL 184.08, 0.47%, 0.57%

LAB 71.36, -26.27, -12.2

 

CMYK 53 / 17 / 0 / 23

HEX #5DA2C4

RGB 93 162 196

HSL 199.81, 0.47%, 0.57%

LAB 63.47, -12.25, -24.16

 

CMYK 53 / 32 / 0 / 23

HEX #5D86C4

RGB 93 134 196

HSL 216.12, 0.47%, 0.57%

LAB 55.44, 3.64, -36.6

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 53 / 4 / 0 / 23

HEX #5DBDC4

RGB 93 189 196

HSL 184.08, 0.47%, 0.57%

LAB 71.36, -26.27, -12.2

 

CMYK 53 / 17 / 0 / 23

HEX #5DA2C4

RGB 93 162 196

HSL 199.81, 0.47%, 0.57%

LAB 63.47, -12.25, -24.16

 

CMYK 53 / 32 / 0 / 23

HEX #5D86C4

RGB 93 134 196

HSL 216.12, 0.47%, 0.57%

LAB 55.44, 3.64, -36.6

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 53 / 4 / 0 / 23

HEX #5DBDC4

RGB 93 189 196

HSL 184.08, 0.47%, 0.57%

LAB 71.36, -26.27, -12.2

 

CMYK 64 / 4 / 0 / 16

HEX #4CCDD6

RGB 76 205 214

HSL 183.91, 0.63%, 0.57%

LAB 76.1, -32.08, -14.9

 

CMYK 75 / 5 / 0 / 9

HEX #3ADCE8

RGB 58 220 232

HSL 184.14, 0.79%, 0.57%

LAB 80.69, -36.22, -17.67

 

CMYK 84 / 6 / 0 / 2

HEX #28EBFA

RGB 40 235 250

HSL 184.29, 0.95%, 0.57%

LAB 85.39, -39.29, -20.12

 

CMYK 53 / 4 / 0 / 23

HEX #5DBDC4

RGB 93 189 196

HSL 184.08, 0.47%, 0.57%

LAB 71.36, -26.27, -12.2

 

CMYK 38 / 3 / 0 / 30

HEX #6FAEB3

RGB 111 174 179

HSL 184.41, 0.31%, 0.57%

LAB 67.21, -18.87, -8.97

 

CMYK 20 / 1 / 0 / 37

HEX #819FA1

RGB 129 159 161

HSL 183.75, 0.15%, 0.57%

LAB 63.37, -9.89, -4.49

 

CMYK 0 / 3 / 3 / 42

HEX #938F8F

RGB 147 143 143

HSL 0, 0.02%, 0.57%

LAB 59.74, 1.48, 0.52

 

CMYK 0 / 22 / 24 / 36

HEX #A4807D

RGB 164 128 125

HSL 4.62, 0.18%, 0.57%

LAB 56.89, 13.4, 6.94

 

CMYK 53 / 0 / 24 / 23

HEX #5DC494

RGB 93 196 148

HSL 152.04, 0.47%, 0.57%

LAB 72.19, -41.23, 15.13

 

CMYK 53 / 0 / 10 / 23

HEX #5DC4B0

RGB 93 196 176

HSL 168.35, 0.47%, 0.57%

LAB 72.85, -34.83, 0.92

 

CMYK 53 / 3 / 0 / 23

HEX #5DBEC4

RGB 93 190 196

HSL 183.5, 0.47%, 0.57%

LAB 71.65, -26.76, -11.76

 

CMYK 53 / 17 / 0 / 23

HEX #5DA2C4

RGB 93 162 196

HSL 199.81, 0.47%, 0.57%

LAB 63.47, -12.25, -24.16

 

CMYK 53 / 31 / 0 / 23

HEX #5D87C4

RGB 93 135 196

HSL 215.53, 0.47%, 0.57%

LAB 55.73, 3.05, -36.16

 

CMYK 64 / 5 / 0 / 40

HEX #379299

RGB 55 146 153

HSL 184.29, 0.47%, 0.41%

LAB 55.76, -24.28, -11.67

 

CMYK 64 / 4 / 0 / 28

HEX #42AFB7

RGB 66 175 183

HSL 184.1, 0.47%, 0.49%

LAB 65.93, -28.07, -13.27

 

CMYK 53 / 4 / 0 / 23

HEX #5DBDC4

RGB 93 189 196

HSL 184.08, 0.47%, 0.57%

LAB 71.36, -26.27, -12.2

 

CMYK 40 / 2 / 0 / 19

HEX #7CCACF

RGB 124 202 207

HSL 183.61, 0.46%, 0.65%

LAB 76.7, -22.71, -10.06

 

CMYK 29 / 2 / 0 / 15

HEX #9AD6DA

RGB 154 214 218

HSL 183.75, 0.46%, 0.73%

LAB 81.85, -18.07, -8.14

 

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

CMYK 38 / 53 / 0 / 23

HEX #795DC4

RGB 121 93 196

HSL 256.31, 0.47%, 0.57%

LAB 46.82, 35.13, -50.15

 

CMYK 0 / 17 / 53 / 23

HEX #C4A25D

RGB 196 162 93

HSL 40.19, 0.47%, 0.57%

LAB 68.29, 3.92, 40.28

 

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

CMYK 0 / 53 / 3 / 23

HEX #C45DBE

RGB 196 93 190

HSL 303.5, 0.47%, 0.57%

LAB 55.36, 54.08, -32.6

 

CMYK 3 / 0 / 53 / 23

HEX #BEC45D

RGB 190 196 93

HSL 63.5, 0.47%, 0.57%

LAB 76.81, -16.35, 50.3

 

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

CMYK 38 / 53 / 0 / 23

HEX #795DC4

RGB 121 93 196

HSL 256.31, 0.47%, 0.57%

LAB 46.82, 35.13, -50.15

 

CMYK 0 / 49 / 53 / 23

HEX #C4645D

RGB 196 100 93

HSL 4.08, 0.47%, 0.57%

LAB 53.64, 37.57, 21.62

 

CMYK 14 / 0 / 53 / 23

HEX #A9C45D

RGB 169 196 93

HSL 75.73, 0.47%, 0.57%

LAB 75.27, -24.8, 48.1

 

CMYK 52 / 4 / 0 / 23

HEX #5EBEC5

RGB 94 190 197

HSL 184.08, 0.47%, 0.57%

LAB 71.72, -26.28, -12.21

 

CMYK 22 / 53 / 0 / 23

HEX #985DC4

RGB 152 93 196

HSL 274.37, 0.47%, 0.57%

LAB 50.08, 43.13, -44.74

 

CMYK 0 / 49 / 53 / 23

HEX #C4645D

RGB 196 100 93

HSL 4.08, 0.47%, 0.57%

LAB 53.64, 37.57, 21.62

 

CMYK 30 / 0 / 53 / 23

HEX #8AC45D

RGB 138 196 93

HSL 93.79, 0.47%, 0.57%

LAB 73.33, -36.51, 45.33

 

Description

Color code: RGB 94 190 197 | qconv.com Color code: RGB 94 190 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 190 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 190 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 4 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 4% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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