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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5DC4 it is the complementary color #93A23B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5DC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5DC4 shade: #715DBF, #826FD2, #9381E5, #A493F8 and #B5A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5DC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5DC4 shade: #6C5DC4, #5B4BB1, #4A399E, #39278B and #281578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5DC4 shade: #6C5DC4, #885DC4, #A45DC4, #C05DC4 and #C45DAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5DC4 shade: #6C5DC4 and #5D5DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5DC4 shade matches the following richer shades: #6C5DC4, #604CD6, #533AE8 and #4728FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5DC4 shade: #6C5DC4, #796FB3, #8581A1, #92938F and #9FA47D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5DC4 shade: #5D87C4, #5D6BC4, #6B5DC4, #875DC4 and #A25DC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5DC4 shade: #453799, #5342B7, #6C5DC4, #887CCF and #A39ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5DC4 shade: #6C5DC4, #C45DA2 and #79C45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5DC4 shade: #6C5DC4, #C46B5D and #5DC46B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5DC4 shade: #6C5DC4, #C45DA2, #B7C45D and #5DC480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5DC4 shade: #6C5DC4, #C45D83, #B7C45D and #5DC49F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

Complementary color

CMYK 9 / 0 / 64 / 36

HEX #93A23B

RGB 147 162 59

HSL 68.74, 0.47%, 0.43%

LAB 63.64, -19.77, 50.1

 

CMYK 41 / 51 / 0 / 25

HEX #715DBF

RGB 113 93 191

HSL 252.24, 0.43%, 0.56%

LAB 45.77, 31.77, -48.96

 

CMYK 38 / 47 / 0 / 18

HEX #826FD2

RGB 130 111 210

HSL 251.52, 0.52%, 0.63%

LAB 52.69, 30.64, -48.73

 

CMYK 36 / 44 / 0 / 10

HEX #9381E5

RGB 147 129 229

HSL 250.8, 0.66%, 0.7%

LAB 59.49, 29.64, -48.54

 

CMYK 34 / 41 / 0 / 3

HEX #A493F8

RGB 164 147 248

HSL 250.1, 0.88%, 0.77%

LAB 66.16, 28.74, -48.38

 

CMYK 29 / 35 / 0 / 0

HEX #B5A5FF

RGB 181 165 255

HSL 250.67, 1%, 0.82%

LAB 72.2, 24.97, -42.62

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 49 / 58 / 0 / 31

HEX #5B4BB1

RGB 91 75 177

HSL 249.41, 0.4%, 0.49%

LAB 38.6, 33.43, -52.4

 

CMYK 53 / 64 / 0 / 38

HEX #4A399E

RGB 74 57 158

HSL 250.1, 0.47%, 0.42%

LAB 31.46, 35.01, -52.67

 

CMYK 59 / 72 / 0 / 45

HEX #39278B

RGB 57 39 139

HSL 250.8, 0.56%, 0.35%

LAB 24.27, 36.72, -52.8

 

CMYK 67 / 83 / 0 / 53

HEX #281578

RGB 40 21 120

HSL 251.52, 0.7%, 0.28%

LAB 17.2, 38.24, -52.5

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 31 / 53 / 0 / 23

HEX #885DC4

RGB 136 93 196

HSL 265.05, 0.47%, 0.57%

LAB 48.32, 38.92, -47.65

 

CMYK 16 / 53 / 0 / 23

HEX #A45DC4

RGB 164 93 196

HSL 281.36, 0.47%, 0.57%

LAB 51.5, 46.37, -42.4

 

CMYK 2 / 53 / 0 / 23

HEX #C05DC4

RGB 192 93 196

HSL 297.67, 0.47%, 0.57%

LAB 55.09, 54.04, -36.5

 

CMYK 0 / 53 / 12 / 23

HEX #C45DAD

RGB 196 93 173

HSL 313.4, 0.47%, 0.57%

LAB 54.64, 51.23, -23.9

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 55 / 64 / 0 / 16

HEX #604CD6

RGB 96 76 214

HSL 248.7, 0.63%, 0.57%

LAB 42.02, 45.06, -68.38

 

CMYK 64 / 75 / 0 / 9

HEX #533AE8

RGB 83 58 232

HSL 248.62, 0.79%, 0.57%

LAB 39.06, 58.32, -83.55

 

CMYK 72 / 84 / 0 / 2

HEX #4728FA

RGB 71 40 250

HSL 248.86, 0.95%, 0.57%

LAB 37.41, 70.2, -96.47

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 32 / 38 / 0 / 30

HEX #796FB3

RGB 121 111 179

HSL 248.82, 0.31%, 0.57%

LAB 50.32, 19.76, -34.75

 

CMYK 17 / 20 / 0 / 37

HEX #8581A1

RGB 133 129 161

HSL 247.5, 0.15%, 0.57%

LAB 55.34, 8.34, -16.5

 

CMYK 1 / 0 / 3 / 42

HEX #92938F

RGB 146 147 143

HSL 75, 0.02%, 0.57%

LAB 60.75, -1.13, 1.98

 

CMYK 3 / 0 / 24 / 36

HEX #9FA47D

RGB 159 164 125

HSL 67.69, 0.18%, 0.57%

LAB 66.06, -8.52, 19.69

 

CMYK 53 / 31 / 0 / 23

HEX #5D87C4

RGB 93 135 196

HSL 215.53, 0.47%, 0.57%

LAB 55.73, 3.05, -36.16

 

CMYK 53 / 45 / 0 / 23

HEX #5D6BC4

RGB 93 107 196

HSL 231.84, 0.47%, 0.57%

LAB 48.04, 20.03, -48.31

 

CMYK 45 / 53 / 0 / 23

HEX #6B5DC4

RGB 107 93 196

HSL 248.16, 0.47%, 0.57%

LAB 45.55, 31.8, -52.24

 

CMYK 31 / 53 / 0 / 23

HEX #875DC4

RGB 135 93 196

HSL 264.47, 0.47%, 0.57%

LAB 48.22, 38.66, -47.83

 

CMYK 17 / 53 / 0 / 23

HEX #A25DC4

RGB 162 93 196

HSL 280.19, 0.47%, 0.57%

LAB 51.26, 45.82, -42.8

 

CMYK 55 / 64 / 0 / 40

HEX #453799

RGB 69 55 153

HSL 248.57, 0.47%, 0.41%

LAB 30.15, 33.68, -51.79

 

CMYK 55 / 64 / 0 / 28

HEX #5342B7

RGB 83 66 183

HSL 248.72, 0.47%, 0.49%

LAB 36.28, 39.11, -59.74

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 34 / 40 / 0 / 19

HEX #887CCF

RGB 136 124 207

HSL 248.67, 0.46%, 0.65%

LAB 56.24, 23.76, -41.38

 

CMYK 25 / 29 / 0 / 15

HEX #A39ADA

RGB 163 154 218

HSL 248.44, 0.46%, 0.73%

LAB 66.49, 16.99, -31.37

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 0 / 53 / 17 / 23

HEX #C45DA2

RGB 196 93 162

HSL 319.81, 0.47%, 0.57%

LAB 54.21, 49.5, -18.15

 

CMYK 38 / 0 / 53 / 23

HEX #79C45D

RGB 121 196 93

HSL 103.69, 0.47%, 0.57%

LAB 72.45, -42.34, 44.07

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 0 / 45 / 53 / 23

HEX #C46B5D

RGB 196 107 93

HSL 8.16, 0.47%, 0.57%

LAB 55.12, 33.9, 23.57

 

CMYK 53 / 0 / 45 / 23

HEX #5DC46B

RGB 93 196 107

HSL 128.16, 0.47%, 0.57%

LAB 71.47, -48.7, 35.68

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 0 / 53 / 17 / 23

HEX #C45DA2

RGB 196 93 162

HSL 319.81, 0.47%, 0.57%

LAB 54.21, 49.5, -18.15

 

CMYK 7 / 0 / 53 / 23

HEX #B7C45D

RGB 183 196 93

HSL 67.57, 0.47%, 0.57%

LAB 76.28, -19.2, 49.54

 

CMYK 53 / 0 / 35 / 23

HEX #5DC480

RGB 93 196 128

HSL 140.39, 0.47%, 0.57%

LAB 71.8, -45.17, 25.26

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 0 / 53 / 33 / 23

HEX #C45D83

RGB 196 93 131

HSL 337.86, 0.47%, 0.57%

LAB 53.17, 45.19, -1.46

 

CMYK 7 / 0 / 53 / 23

HEX #B7C45D

RGB 183 196 93

HSL 67.57, 0.47%, 0.57%

LAB 76.28, -19.2, 49.54

 

CMYK 53 / 0 / 19 / 23

HEX #5DC49F

RGB 93 196 159

HSL 158.45, 0.47%, 0.57%

LAB 72.44, -38.83, 9.54

 

Description

Color code: HEX #6C5DC4 | qconv.com Color code: HEX #6C5DC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 93 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 93 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 53 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 53% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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