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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 129 12 it is the complementary color RGB 161 126 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 129 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 129 12 shade: RGB 99 129 7, RGB 116 147 26, RGB 133 165 45, RGB 150 183 64 and RGB 167 201 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 129 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 129 12 shade: RGB 94 129 12, RGB 77 111 0, RGB 60 93 0, RGB 43 75 0 and RGB 26 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 129 12 shade: RGB 95 130 12, RGB 127 130 12, RGB 130 102 12, RGB 130 70 12 and RGB 130 38 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 129 12 shade: RGB 95 130 12, RGB 63 130 12, RGB 31 130 12, RGB 12 130 24 and RGB 12 130 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 129 12 shade matches the following richer shades: RGB 95 130 12 and RGB 99 142 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 129 12 shade: RGB 95 130 12, RGB 90 119 23, RGB 85 107 35, RGB 81 96 46 and RGB 76 84 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 129 12 shade: RGB 130 101 12, RGB 128 130 12, RGB 97 130 12, RGB 65 130 12 and RGB 33 130 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 129 12 shade: RGB 40 55 5, RGB 67 92 8, RGB 95 130 12, RGB 122 168 15 and RGB 150 206 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 129 12 shade: RGB 94 129 12, RGB 12 130 69 and RGB 116 12 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 129 12 shade: RGB 94 129 12, RGB 12 97 130 and RGB 130 12 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 129 12 shade: RGB 94 129 12, RGB 12 130 69, RGB 45 12 130 and RGB 130 12 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 129 12 shade: RGB 94 129 12, RGB 12 130 104, RGB 45 12 130 and RGB 130 12 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

Complementary color

CMYK 34 / 48 / 0 / 5

HEX #A17EF3

RGB 161 126 243

HSL 257.95, 0.83%, 0.72%

LAB 60.76, 38.59, -54.22

 

CMYK 23 / 0 / 95 / 49

HEX #638107

RGB 99 129 7

HSL 74.75, 0.9%, 0.27%

LAB 49.94, -26.38, 52.89

 

CMYK 21 / 0 / 82 / 42

HEX #74931A

RGB 116 147 26

HSL 75.37, 0.7%, 0.34%

LAB 56.74, -27.34, 54.77

 

CMYK 19 / 0 / 73 / 35

HEX #85A52D

RGB 133 165 45

HSL 76, 0.57%, 0.41%

LAB 63.41, -28.03, 55.19

 

CMYK 18 / 0 / 65 / 28

HEX #96B740

RGB 150 183 64

HSL 76.64, 0.48%, 0.48%

LAB 69.98, -28.53, 54.79

 

CMYK 17 / 0 / 59 / 21

HEX #A7C953

RGB 167 201 83

HSL 77.29, 0.52%, 0.56%

LAB 76.44, -28.89, 54

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 31 / 0 / 100 / 56

HEX #4D6F00

RGB 77 111 0

HSL 78.38, 1%, 0.22%

LAB 42.68, -27.22, 48.07

 

CMYK 35 / 0 / 100 / 64

HEX #3C5D00

RGB 60 93 0

HSL 81.29, 1%, 0.18%

LAB 35.58, -25.71, 42.16

 

CMYK 43 / 0 / 100 / 71

HEX #2B4B00

RGB 43 75 0

HSL 85.6, 1%, 0.15%

LAB 28.24, -24.13, 36.02

 

CMYK 54 / 0 / 100 / 78

HEX #1A3900

RGB 26 57 0

HSL 92.63, 1%, 0.11%

LAB 20.62, -22.4, 28.29

 

CMYK 27 / 0 / 91 / 49

HEX #5F820C

RGB 95 130 12

HSL 77.8, 0.83%, 0.28%

LAB 50.01, -28.44, 51.89

 

CMYK 2 / 0 / 91 / 49

HEX #7F820C

RGB 127 130 12

HSL 61.53, 0.83%, 0.28%

LAB 52.4, -14.23, 54.83

 

CMYK 0 / 22 / 91 / 49

HEX #82660C

RGB 130 102 12

HSL 45.76, 0.83%, 0.28%

LAB 44.62, 2.89, 48.73

 

CMYK 0 / 46 / 91 / 49

HEX #82460C

RGB 130 70 12

HSL 29.49, 0.83%, 0.28%

LAB 36.28, 21.7, 42.08

 

CMYK 0 / 71 / 91 / 49

HEX #82260C

RGB 130 38 12

HSL 13.22, 0.83%, 0.28%

LAB 29.81, 38.32, 36.94

 

CMYK 27 / 0 / 91 / 49

HEX #5F820C

RGB 95 130 12

HSL 77.8, 0.83%, 0.28%

LAB 50.01, -28.44, 51.89

 

CMYK 52 / 0 / 91 / 49

HEX #3F820C

RGB 63 130 12

HSL 94.07, 0.83%, 0.28%

LAB 48.32, -40.43, 49.79

 

CMYK 76 / 0 / 91 / 49

HEX #1F820C

RGB 31 130 12

HSL 110.34, 0.83%, 0.28%

LAB 47.34, -48.44, 48.56

 

CMYK 91 / 0 / 82 / 49

HEX #0C8218

RGB 12 130 24

HSL 126.1, 0.83%, 0.28%

LAB 47.12, -50.24, 45.01

 

CMYK 91 / 0 / 57 / 49

HEX #0C8238

RGB 12 130 56

HSL 142.37, 0.83%, 0.28%

LAB 47.4, -46.68, 31.44

 

CMYK 27 / 0 / 91 / 49

HEX #5F820C

RGB 95 130 12

HSL 77.8, 0.83%, 0.28%

LAB 50.01, -28.44, 51.89

 

CMYK 30 / 0 / 100 / 44

HEX #638E00

RGB 99 142 0

HSL 78.17, 1%, 0.28%

LAB 54.03, -32.73, 57.35

 

CMYK 27 / 0 / 91 / 49

HEX #5F820C

RGB 95 130 12

HSL 77.8, 0.83%, 0.28%

LAB 50.01, -28.44, 51.89

 

CMYK 24 / 0 / 81 / 53

HEX #5A7717

RGB 90 119 23

HSL 78.13, 0.68%, 0.28%

LAB 46.22, -24.75, 45.48

 

CMYK 21 / 0 / 67 / 58

HEX #556B23

RGB 85 107 35

HSL 78.33, 0.51%, 0.28%

LAB 42.11, -19.99, 36.44

 

CMYK 16 / 0 / 52 / 62

HEX #51602E

RGB 81 96 46

HSL 78, 0.35%, 0.28%

LAB 38.4, -14.72, 26.48

 

CMYK 10 / 0 / 31 / 67

HEX #4C543A

RGB 76 84 58

HSL 78.46, 0.18%, 0.28%

LAB 34.36, -8.34, 14.18

 

CMYK 0 / 22 / 91 / 49

HEX #82650C

RGB 130 101 12

HSL 45.25, 0.83%, 0.28%

LAB 44.35, 3.48, 48.51

RGB 130 101 12

CMYK 2 / 0 / 91 / 49

HEX #80820C

RGB 128 130 12

HSL 61.02, 0.83%, 0.28%

LAB 52.49, -13.76, 54.94

RGB 128 130 12

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

RGB 97 130 12

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

RGB 65 130 12

CMYK 75 / 0 / 91 / 49

HEX #21820C

RGB 33 130 12

HSL 109.32, 0.83%, 0.28%

LAB 47.39, -48.08, 48.61

RGB 33 130 12

CMYK 27 / 0 / 91 / 78

HEX #283705

RGB 40 55 5

HSL 78, 0.83%, 0.12%

LAB 20.81, -14.69, 26.71

 

CMYK 27 / 0 / 91 / 64

HEX #435C08

RGB 67 92 8

HSL 77.86, 0.84%, 0.2%

LAB 35.72, -21.83, 40.04

 

CMYK 27 / 0 / 91 / 49

HEX #5F820C

RGB 95 130 12

HSL 77.8, 0.83%, 0.28%

LAB 50.01, -28.44, 51.89

 

CMYK 27 / 0 / 91 / 34

HEX #7AA80F

RGB 122 168 15

HSL 78.04, 0.84%, 0.36%

LAB 63.49, -35.1, 63.13

 

CMYK 27 / 0 / 91 / 19

HEX #96CE13

RGB 150 206 19

HSL 77.97, 0.83%, 0.44%

LAB 76.48, -41.04, 73.76

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 91 / 0 / 47 / 49

HEX #0C8245

RGB 12 130 69

HSL 148.98, 0.83%, 0.28%

LAB 47.59, -44.45, 24.75

 

CMYK 11 / 91 / 0 / 49

HEX #740C82

RGB 116 12 130

HSL 292.88, 0.83%, 0.28%

LAB 28.35, 55.16, -40.18

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 0 / 91 / 25 / 49

HEX #820C61

RGB 130 12 97

HSL 316.78, 0.83%, 0.28%

LAB 29.09, 52.92, -17.72

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 91 / 0 / 47 / 49

HEX #0C8245

RGB 12 130 69

HSL 148.98, 0.83%, 0.28%

LAB 47.59, -44.45, 24.75

 

CMYK 65 / 91 / 0 / 49

HEX #2D0C82

RGB 45 12 130

HSL 256.78, 0.83%, 0.28%

LAB 17.61, 45.46, -58.17

 

CMYK 0 / 91 / 44 / 49

HEX #820C49

RGB 130 12 73

HSL 328.98, 0.83%, 0.28%

LAB 28.09, 50.19, -3.37

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 91 / 0 / 20 / 49

HEX #0C8268

RGB 12 130 104

HSL 166.78, 0.83%, 0.28%

LAB 48.31, -36.29, 5.73

 

CMYK 65 / 91 / 0 / 49

HEX #2D0C82

RGB 45 12 130

HSL 256.78, 0.83%, 0.28%

LAB 17.61, 45.46, -58.17

 

CMYK 0 / 91 / 72 / 49

HEX #820C25

RGB 130 12 37

HSL 347.29, 0.83%, 0.28%

LAB 27.14, 47.49, 19.63

 

Description

Color code: RGB 94 129 12 | qconv.com Color code: RGB 94 129 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 129 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 129 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 91 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 91% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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