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Color name
HEX #41820C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41820C it is the complementary color #BE7DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41820C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41820C shade: #468207, #57941A, #68A62D, #79B840 and #8ACA53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41820C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41820C shade: #41820C, #307000, #1F5E00, #0E4C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41820C shade: #41820C, #61820C, #81820C, #82640C and #82440C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41820C shade: #41820C, #21820C, #0C8216, #0C8236 and #0C8256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41820C shade matches the following richer shades: #41820C and #408E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41820C shade: #41820C, #427717, #436B23, #44602E and #46543A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41820C shade: #80820C, #61820C, #41820C, #21820C and #0C8216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41820C shade: #1B3705, #2E5C08, #41820C, #54A80F and #67CE13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41820C shade: #41820C, #0C8265 and #820C70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41820C shade: #41820C, #0C4182 and #820C41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41820C shade: #41820C, #0C8265, #4D0C82 and #820C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41820C shade: #41820C, #0C7C82, #4D0C82 and #82120C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

Complementary color

CMYK 22 / 49 / 0 / 5

HEX #BE7DF3

RGB 190 125 243

HSL 273.05, 0.83%, 0.72%

LAB 63.41, 46.67, -49.82

 

CMYK 46 / 0 / 95 / 49

HEX #468207

RGB 70 130 7

HSL 89.27, 0.9%, 0.27%

LAB 48.61, -38.24, 51.12

 

CMYK 41 / 0 / 82 / 42

HEX #57941A

RGB 87 148 26

HSL 90, 0.7%, 0.34%

LAB 55.36, -39.16, 52.9

 

CMYK 37 / 0 / 73 / 35

HEX #68A62D

RGB 104 166 45

HSL 90.74, 0.57%, 0.41%

LAB 62, -39.72, 53.21

 

CMYK 34 / 0 / 65 / 28

HEX #79B840

RGB 121 184 64

HSL 91.5, 0.48%, 0.49%

LAB 68.55, -40.05, 52.74

 

CMYK 32 / 0 / 59 / 21

HEX #8ACA53

RGB 138 202 83

HSL 92.27, 0.53%, 0.56%

LAB 74.99, -40.22, 51.89

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 57 / 0 / 100 / 56

HEX #307000

RGB 48 112 0

HSL 94.29, 1%, 0.22%

LAB 41.56, -38.38, 46.57

 

CMYK 67 / 0 / 100 / 63

HEX #1F5E00

RGB 31 94 0

HSL 100.21, 1%, 0.18%

LAB 34.59, -36.29, 40.82

 

CMYK 82 / 0 / 100 / 70

HEX #0E4C00

RGB 14 76 0

HSL 108.95, 1%, 0.15%

LAB 27.47, -33.58, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

 

CMYK 1 / 0 / 91 / 49

HEX #81820C

RGB 129 130 12

HSL 60.51, 0.83%, 0.28%

LAB 52.57, -13.3, 55.04

 

CMYK 0 / 23 / 91 / 49

HEX #82640C

RGB 130 100 12

HSL 44.75, 0.83%, 0.28%

LAB 44.07, 4.06, 48.29

 

CMYK 0 / 48 / 91 / 49

HEX #82440C

RGB 130 68 12

HSL 28.47, 0.83%, 0.28%

LAB 35.8, 22.85, 41.7

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 75 / 0 / 91 / 49

HEX #21820C

RGB 33 130 12

HSL 109.32, 0.83%, 0.28%

LAB 47.39, -48.08, 48.61

 

CMYK 91 / 0 / 83 / 49

HEX #0C8216

RGB 12 130 22

HSL 125.08, 0.83%, 0.28%

LAB 47.11, -50.37, 45.64

 

CMYK 91 / 0 / 58 / 49

HEX #0C8236

RGB 12 130 54

HSL 141.36, 0.83%, 0.28%

LAB 47.38, -46.99, 32.44

 

CMYK 91 / 0 / 34 / 49

HEX #0C8256

RGB 12 130 86

HSL 157.63, 0.83%, 0.28%

LAB 47.9, -40.86, 15.6

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 55 / 0 / 100 / 44

HEX #408E00

RGB 64 142 0

HSL 92.96, 1%, 0.28%

LAB 52.33, -45.17, 55.3

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 45 / 0 / 81 / 53

HEX #427717

RGB 66 119 23

HSL 93.13, 0.68%, 0.28%

LAB 44.82, -34.28, 43.67

 

CMYK 37 / 0 / 67 / 58

HEX #436B23

RGB 67 107 35

HSL 93.33, 0.51%, 0.28%

LAB 40.94, -27.47, 34.84

 

CMYK 29 / 0 / 52 / 62

HEX #44602E

RGB 68 96 46

HSL 93.6, 0.35%, 0.28%

LAB 37.47, -20.28, 25.13

 

CMYK 17 / 0 / 31 / 67

HEX #46543A

RGB 70 84 58

HSL 92.31, 0.18%, 0.28%

LAB 33.87, -10.93, 13.44

 

CMYK 2 / 0 / 91 / 49

HEX #80820C

RGB 128 130 12

HSL 61.02, 0.83%, 0.28%

LAB 52.49, -13.76, 54.94

 

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 75 / 0 / 91 / 49

HEX #21820C

RGB 33 130 12

HSL 109.32, 0.83%, 0.28%

LAB 47.39, -48.08, 48.61

 

CMYK 91 / 0 / 83 / 49

HEX #0C8216

RGB 12 130 22

HSL 125.08, 0.83%, 0.28%

LAB 47.11, -50.37, 45.64

 

CMYK 51 / 0 / 91 / 78

HEX #1B3705

RGB 27 55 5

HSL 93.6, 0.83%, 0.12%

LAB 19.95, -20.56, 25.52

 

CMYK 50 / 0 / 91 / 64

HEX #2E5C08

RGB 46 92 8

HSL 92.86, 0.84%, 0.2%

LAB 34.5, -30.37, 38.51

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 50 / 0 / 91 / 34

HEX #54A80F

RGB 84 168 15

HSL 92.94, 0.84%, 0.36%

LAB 61.59, -48.67, 60.78

 

CMYK 50 / 0 / 91 / 19

HEX #67CE13

RGB 103 206 19

HSL 93.05, 0.83%, 0.44%

LAB 74.24, -57.12, 70.99

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 91 / 0 / 22 / 49

HEX #0C8265

RGB 12 130 101

HSL 165.25, 0.83%, 0.28%

LAB 48.24, -37.11, 7.38

 

CMYK 0 / 91 / 14 / 49

HEX #820C70

RGB 130 12 112

HSL 309.15, 0.83%, 0.28%

LAB 29.86, 54.98, -26.2

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 91 / 50 / 0 / 49

HEX #0C4182

RGB 12 65 130

HSL 213.05, 0.83%, 0.28%

LAB 28.04, 10.06, -41.18

 

CMYK 0 / 91 / 50 / 49

HEX #820C41

RGB 130 12 65

HSL 333.05, 0.83%, 0.28%

LAB 27.82, 49.44, 1.62

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 91 / 0 / 22 / 49

HEX #0C8265

RGB 12 130 101

HSL 165.25, 0.83%, 0.28%

LAB 48.24, -37.11, 7.38

 

CMYK 41 / 91 / 0 / 49

HEX #4D0C82

RGB 77 12 130

HSL 273.05, 0.83%, 0.28%

LAB 21.77, 48.96, -51.17

 

CMYK 0 / 91 / 68 / 49

HEX #820C29

RGB 130 12 41

HSL 345.25, 0.83%, 0.28%

LAB 27.21, 47.71, 17.04

 

CMYK 50 / 0 / 91 / 49

HEX #41820C

RGB 65 130 12

HSL 93.05, 0.83%, 0.28%

LAB 48.41, -39.78, 49.89

 

CMYK 91 / 5 / 0 / 49

HEX #0C7C82

RGB 12 124 130

HSL 183.05, 0.83%, 0.28%

LAB 47.11, -25.54, -11.37

 

CMYK 41 / 91 / 0 / 49

HEX #4D0C82

RGB 77 12 130

HSL 273.05, 0.83%, 0.28%

LAB 21.77, 48.96, -51.17

 

CMYK 0 / 86 / 91 / 49

HEX #82120C

RGB 130 18 12

HSL 3.05, 0.83%, 0.28%

LAB 27.31, 45.26, 34.9

 

Description

Color code: HEX #41820C | qconv.com Color code: HEX #41820C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 130 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 130 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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