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Color name
RGB 89 32 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 32 32 it is the complementary color RGB 166 223 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 32 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 32 32 shade: RGB 94 32 27, RGB 111 50 46, RGB 128 68 65, RGB 145 86 84 and RGB 162 104 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 32 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 72 14 13, RGB 55 0 0, RGB 38 0 0 and RGB 21 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 32 32 shade: RGB 89 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 89 47 32, RGB 89 63 32, RGB 89 78 32 and RGB 85 89 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 32 32 shade matches the following richer shades: RGB 89 32 32, RGB 99 22 22, RGB 109 12 12 and RGB 119 2 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 80 42 42, RGB 70 52 52, RGB 60 62 62 and RGB 50 72 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 32 32 shade: RGB 89 32 63, RGB 89 32 47, RGB 89 32 32, RGB 89 47 32 and RGB 89 63 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 32 32 shade: RGB 29 10 10, RGB 59 21 21, RGB 89 32 32, RGB 120 43 43 and RGB 150 54 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 78 89 32 and RGB 32 55 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 32 89 32 and RGB 32 32 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 78 89 32, RGB 32 89 89 and RGB 43 32 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 32 32 shade: RGB 89 32 32, RGB 61 89 32, RGB 32 89 89 and RGB 61 32 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

Complementary color

CMYK 26 / 0 / 0 / 13

HEX #A6DFDF

RGB 166 223 223

HSL 180, 0.47%, 0.76%

LAB 85.1, -18.04, -5.91

 

CMYK 0 / 66 / 71 / 63

HEX #5E201B

RGB 94 32 27

HSL 4.48, 0.55%, 0.24%

LAB 21.91, 27.96, 18.18

 

CMYK 0 / 55 / 59 / 56

HEX #6F322E

RGB 111 50 46

HSL 3.69, 0.41%, 0.31%

LAB 29.05, 26.65, 15.42

 

CMYK 0 / 47 / 49 / 50

HEX #804441

RGB 128 68 65

HSL 2.86, 0.33%, 0.38%

LAB 36.19, 25.36, 13.32

 

CMYK 0 / 41 / 42 / 43

HEX #915654

RGB 145 86 84

HSL 1.97, 0.27%, 0.45%

LAB 43.23, 24.19, 11.65

 

CMYK 0 / 36 / 36 / 36

HEX #A26867

RGB 162 104 103

HSL 1.02, 0.24%, 0.52%

LAB 50.17, 23.16, 10.25

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 81 / 82 / 72

HEX #480E0D

RGB 72 14 13

HSL 1.02, 0.69%, 0.17%

LAB 13.95, 27.19, 16.04

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 47 / 64 / 65

HEX #592F20

RGB 89 47 32

HSL 15.79, 0.47%, 0.24%

LAB 24.52, 17.54, 17.94

 

CMYK 0 / 29 / 64 / 65

HEX #593F20

RGB 89 63 32

HSL 32.63, 0.47%, 0.24%

LAB 28.86, 7.46, 23.22

 

CMYK 0 / 12 / 64 / 65

HEX #594E20

RGB 89 78 32

HSL 48.42, 0.47%, 0.24%

LAB 33.3, -1.88, 28.36

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 78 / 78 / 61

HEX #631616

RGB 99 22 22

HSL 0, 0.64%, 0.24%

LAB 21.15, 34.17, 20.83

 

CMYK 0 / 89 / 89 / 57

HEX #6D0C0C

RGB 109 12 12

HSL 0, 0.8%, 0.24%

LAB 22.09, 40.33, 28.24

 

CMYK 0 / 98 / 98 / 53

HEX #770202

RGB 119 2 2

HSL 0, 0.97%, 0.24%

LAB 23.57, 45.22, 34.62

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 48 / 48 / 69

HEX #502A2A

RGB 80 42 42

HSL 0, 0.31%, 0.24%

LAB 22.05, 17.61, 7.77

 

CMYK 0 / 26 / 26 / 73

HEX #463434

RGB 70 52 52

HSL 0, 0.15%, 0.24%

LAB 23.69, 8.09, 3.12

 

CMYK 3 / 0 / 0 / 76

HEX #3C3E3E

RGB 60 62 62

HSL 180, 0.02%, 0.24%

LAB 26.02, -0.84, -0.3

 

CMYK 31 / 0 / 0 / 72

HEX #324848

RGB 50 72 72

HSL 180, 0.18%, 0.24%

LAB 28.85, -8.48, -2.76

 

CMYK 0 / 64 / 29 / 65

HEX #59203F

RGB 89 32 63

HSL 327.37, 0.47%, 0.24%

LAB 22, 29.99, -6.53

 

CMYK 0 / 64 / 47 / 65

HEX #59202F

RGB 89 32 47

HSL 344.21, 0.47%, 0.24%

LAB 21.44, 27.82, 3.7

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 47 / 64 / 65

HEX #592F20

RGB 89 47 32

HSL 15.79, 0.47%, 0.24%

LAB 24.52, 17.54, 17.94

 

CMYK 0 / 29 / 64 / 65

HEX #593F20

RGB 89 63 32

HSL 32.63, 0.47%, 0.24%

LAB 28.86, 7.46, 23.22

 

CMYK 0 / 66 / 66 / 89

HEX #1D0A0A

RGB 29 10 10

HSL 0, 0.49%, 0.08%

LAB 4.52, 7.97, 2.81

 

CMYK 0 / 64 / 64 / 77

HEX #3B1515

RGB 59 21 21

HSL 0, 0.48%, 0.16%

LAB 12.74, 18.78, 9.28

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 0 / 64 / 64 / 53

HEX #782B2B

RGB 120 43 43

HSL 0, 0.47%, 0.32%

LAB 29.15, 33.68, 17.79

 

CMYK 0 / 64 / 64 / 41

HEX #963636

RGB 150 54 54

HSL 0, 0.47%, 0.4%

LAB 36.72, 40.3, 21.57

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 12 / 0 / 64 / 65

HEX #4E5920

RGB 78 89 32

HSL 71.58, 0.47%, 0.24%

LAB 35.73, -13.64, 30.79

 

CMYK 64 / 38 / 0 / 65

HEX #203759

RGB 32 55 89

HSL 215.79, 0.47%, 0.24%

LAB 22.86, 2.93, -23.16

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 64 / 0 / 64 / 65

HEX #205920

RGB 32 89 32

HSL 120, 0.47%, 0.24%

LAB 33.04, -31.46, 27.02

 

CMYK 64 / 64 / 0 / 65

HEX #202059

RGB 32 32 89

HSL 240, 0.47%, 0.24%

LAB 15.81, 19.42, -34.47

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 12 / 0 / 64 / 65

HEX #4E5920

RGB 78 89 32

HSL 71.58, 0.47%, 0.24%

LAB 35.73, -13.64, 30.79

 

CMYK 64 / 0 / 0 / 65

HEX #205959

RGB 32 89 89

HSL 180, 0.47%, 0.24%

LAB 34.34, -18.22, -5.54

 

CMYK 52 / 64 / 0 / 65

HEX #2B2059

RGB 43 32 89

HSL 251.58, 0.47%, 0.24%

LAB 16.83, 21.85, -32.76

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 31 / 0 / 64 / 65

HEX #3D5920

RGB 61 89 32

HSL 89.47, 0.47%, 0.24%

LAB 34.48, -21.22, 29.05

 

CMYK 64 / 0 / 0 / 65

HEX #205959

RGB 32 89 89

HSL 180, 0.47%, 0.24%

LAB 34.34, -18.22, -5.54

 

CMYK 31 / 64 / 0 / 65

HEX #3D2059

RGB 61 32 89

HSL 270.53, 0.47%, 0.24%

LAB 19, 26.53, -29.16

 

Description

Color code: RGB 89 32 32 | qconv.com Color code: RGB 89 32 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 32 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 32 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 64 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 64% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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