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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555920 it is the complementary color #AAA6DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555920. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555920 shade: #5A591B, #6B6B2E, #7C7D41, #8D8F54 and #9EA167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555920. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555920 shade: #555920, #44470D, #333500, #222300 and #111100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555920 shade: #555920, #594E20, #593E20, #592F20 and #592020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555920 shade: #555920, #465920, #365920, #275920 and #205928

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555920 shade matches the following richer shades: #555920, #5E6316, #666D0C and #6F7702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555920 shade: #555920, #4D502A, #444634, #3C3C3E and #333248

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555920 shade: #593F20, #594E20, #565920, #465920 and #375920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555920 shade: #1B1D0A, #383B15, #555920, #72782B and #8F9636

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555920 shade: #555920, #20592F and #462059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555920 shade: #555920, #205659 and #592056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555920 shade: #555920, #20592F, #242059 and #59204A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555920 shade: #555920, #205941, #242059 and #592039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

Complementary color

CMYK 24 / 26 / 0 / 13

HEX #AAA6DF

RGB 170 166 223

HSL 244.21, 0.47%, 0.76%

LAB 70.28, 13.53, -28.23

 

CMYK 0 / 1 / 70 / 65

HEX #5A591B

RGB 90 89 27

HSL 59.05, 0.54%, 0.23%

LAB 36.74, -8.32, 34.62

 

CMYK 0 / 0 / 57 / 58

HEX #6B6B2E

RGB 107 107 46

HSL 60, 0.4%, 0.3%

LAB 44, -9.09, 33.63

 

CMYK 1 / 0 / 48 / 51

HEX #7C7D41

RGB 124 125 65

HSL 61, 0.32%, 0.37%

LAB 51.08, -9.63, 32.38

 

CMYK 1 / 0 / 41 / 44

HEX #8D8F54

RGB 141 143 84

HSL 62.03, 0.26%, 0.45%

LAB 57.99, -10.03, 31.11

 

CMYK 2 / 0 / 36 / 37

HEX #9EA167

RGB 158 161 103

HSL 63.1, 0.24%, 0.52%

LAB 64.75, -10.34, 29.87

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 4 / 0 / 82 / 72

HEX #44470D

RGB 68 71 13

HSL 63.1, 0.69%, 0.16%

LAB 28.81, -9.5, 32.2

 

CMYK 4 / 0 / 100 / 79

HEX #333500

RGB 51 53 0

HSL 62.26, 1%, 0.1%

LAB 21.02, -8.17, 29.26

 

CMYK 3 / 0 / 100 / 86

HEX #222300

RGB 34 35 0

HSL 61.71, 1%, 0.07%

LAB 12.87, -6.1, 18.89

 

CMYK 0 / 0 / 100 / 93

HEX #111100

RGB 17 17 0

HSL 60, 1%, 0.03%

LAB 4.7, -2.57, 6.99

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 0 / 12 / 64 / 65

HEX #594E20

RGB 89 78 32

HSL 48.42, 0.47%, 0.24%

LAB 33.3, -1.88, 28.36

 

CMYK 0 / 30 / 64 / 65

HEX #593E20

RGB 89 62 32

HSL 31.58, 0.47%, 0.24%

LAB 28.57, 8.1, 22.88

 

CMYK 0 / 47 / 64 / 65

HEX #592F20

RGB 89 47 32

HSL 15.79, 0.47%, 0.24%

LAB 24.52, 17.54, 17.94

 

CMYK 0 / 64 / 64 / 65

HEX #592020

RGB 89 32 32

HSL 0, 0.47%, 0.24%

LAB 21.06, 26.31, 13.54

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 21 / 0 / 64 / 65

HEX #465920

RGB 70 89 32

HSL 80, 0.47%, 0.24%

LAB 35.11, -17.3, 29.92

 

CMYK 39 / 0 / 64 / 65

HEX #365920

RGB 54 89 32

HSL 96.84, 0.47%, 0.24%

LAB 34.05, -24.07, 28.45

 

CMYK 56 / 0 / 64 / 65

HEX #275920

RGB 39 89 32

HSL 112.63, 0.47%, 0.24%

LAB 33.31, -29.41, 27.4

 

CMYK 64 / 0 / 55 / 65

HEX #205928

RGB 32 89 40

HSL 128.42, 0.47%, 0.24%

LAB 33.15, -30.27, 22.79

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 5 / 0 / 78 / 61

HEX #5E6316

RGB 94 99 22

HSL 63.9, 0.64%, 0.24%

LAB 40.18, -12.4, 40.28

 

CMYK 6 / 0 / 89 / 57

HEX #666D0C

RGB 102 109 12

HSL 64.33, 0.8%, 0.24%

LAB 43.93, -14.54, 47.02

 

CMYK 7 / 0 / 98 / 53

HEX #6F7702

RGB 111 119 2

HSL 64.1, 0.97%, 0.24%

LAB 47.72, -15.98, 52.55

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 4 / 0 / 48 / 69

HEX #4D502A

RGB 77 80 42

HSL 64.74, 0.31%, 0.24%

LAB 32.88, -7.84, 21.92

 

CMYK 3 / 0 / 26 / 73

HEX #444634

RGB 68 70 52

HSL 66.67, 0.15%, 0.24%

LAB 29.05, -4.44, 10.61

 

CMYK 3 / 3 / 0 / 76

HEX #3C3C3E

RGB 60 60 62

HSL 240, 0.02%, 0.24%

LAB 25.38, 0.46, -1.23

 

CMYK 29 / 31 / 0 / 72

HEX #333248

RGB 51 50 72

HSL 242.73, 0.18%, 0.24%

LAB 21.77, 6.27, -13.45

 

CMYK 0 / 29 / 64 / 65

HEX #593F20

RGB 89 63 32

HSL 32.63, 0.47%, 0.24%

LAB 28.86, 7.46, 23.22

 

CMYK 0 / 12 / 64 / 65

HEX #594E20

RGB 89 78 32

HSL 48.42, 0.47%, 0.24%

LAB 33.3, -1.88, 28.36

 

CMYK 3 / 0 / 64 / 65

HEX #565920

RGB 86 89 32

HSL 63.16, 0.47%, 0.24%

LAB 36.42, -9.87, 31.75

 

CMYK 21 / 0 / 64 / 65

HEX #465920

RGB 70 89 32

HSL 80, 0.47%, 0.24%

LAB 35.11, -17.3, 29.92

 

CMYK 38 / 0 / 64 / 65

HEX #375920

RGB 55 89 32

HSL 95.79, 0.47%, 0.24%

LAB 34.11, -23.67, 28.53

 

CMYK 7 / 0 / 66 / 89

HEX #1B1D0A

RGB 27 29 10

HSL 66.32, 0.49%, 0.08%

LAB 10.06, -4.76, 10.82

 

CMYK 5 / 0 / 64 / 77

HEX #383B15

RGB 56 59 21

HSL 64.74, 0.48%, 0.16%

LAB 23.75, -7.71, 22.7

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 5 / 0 / 64 / 53

HEX #72782B

RGB 114 120 43

HSL 64.68, 0.47%, 0.32%

LAB 48.49, -13.35, 40.25

 

CMYK 5 / 0 / 64 / 41

HEX #8F9636

RGB 143 150 54

HSL 64.38, 0.47%, 0.4%

LAB 59.82, -15.66, 48.11

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 64 / 0 / 47 / 65

HEX #20592F

RGB 32 89 47

HSL 135.79, 0.47%, 0.24%

LAB 33.26, -29.04, 18.89

 

CMYK 21 / 64 / 0 / 65

HEX #462059

RGB 70 32 89

HSL 280, 0.47%, 0.24%

LAB 20.27, 29.07, -27.05

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 64 / 3 / 0 / 65

HEX #205659

RGB 32 86 89

HSL 183.16, 0.47%, 0.24%

LAB 33.32, -16.55, -7.07

 

CMYK 0 / 64 / 3 / 65

HEX #592056

RGB 89 32 86

HSL 303.16, 0.47%, 0.24%

LAB 23.1, 34, -20.39

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 64 / 0 / 47 / 65

HEX #20592F

RGB 32 89 47

HSL 135.79, 0.47%, 0.24%

LAB 33.26, -29.04, 18.89

 

CMYK 60 / 64 / 0 / 65

HEX #242059

RGB 36 32 89

HSL 244.21, 0.47%, 0.24%

LAB 16.15, 20.25, -33.89

 

CMYK 0 / 64 / 17 / 65

HEX #59204A

RGB 89 32 74

HSL 315.79, 0.47%, 0.24%

LAB 22.48, 31.79, -13.29

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 64 / 0 / 27 / 65

HEX #205941

RGB 32 89 65

HSL 154.74, 0.47%, 0.24%

LAB 33.63, -25.08, 8.45

 

CMYK 60 / 64 / 0 / 65

HEX #242059

RGB 36 32 89

HSL 244.21, 0.47%, 0.24%

LAB 16.15, 20.25, -33.89

 

CMYK 0 / 64 / 36 / 65

HEX #592039

RGB 89 32 57

HSL 333.68, 0.47%, 0.24%

LAB 21.77, 29.11, -2.74

 

Description

Color code: HEX #555920 | qconv.com Color code: HEX #555920 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 89 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 89 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 64 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 64% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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