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Color name
RGB 89 171 49

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 171 49 it is the complementary color RGB 166 84 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 171 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 171 49 shade: RGB 94 171 44, RGB 111 189 63, RGB 128 207 82, RGB 145 225 101 and RGB 162 243 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 171 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 171 49 shade: RGB 89 171 49, RGB 72 153 30, RGB 55 135 11, RGB 38 117 0 and RGB 21 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 171 49 shade: RGB 88 169 49, RGB 121 169 49, RGB 153 169 49, RGB 169 153 49 and RGB 169 120 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 171 49 shade: RGB 88 169 49, RGB 56 169 49, RGB 49 169 74, RGB 49 169 107 and RGB 49 169 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 171 49 shade matches the following richer shades: RGB 88 169 49, RGB 82 187 31 and RGB 76 205 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 171 49 shade: RGB 88 169 49, RGB 94 152 67, RGB 101 134 84, RGB 107 116 102 and RGB 113 98 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 171 49 shade: RGB 153 169 49, RGB 121 169 49, RGB 89 169 49, RGB 57 169 49 and RGB 49 169 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 171 49 shade: RGB 55 106 30, RGB 72 137 40, RGB 88 169 49, RGB 106 198 61 and RGB 131 208 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 171 49 shade: RGB 89 171 49, RGB 49 169 153 and RGB 169 49 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 171 49 shade: RGB 89 171 49, RGB 49 89 169 and RGB 169 49 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 171 49 shade: RGB 89 171 49, RGB 49 169 153, RGB 129 49 169 and RGB 169 49 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 171 49 shade: RGB 89 171 49, RGB 49 149 169, RGB 129 49 169 and RGB 169 69 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

Complementary color

CMYK 19 / 59 / 0 / 19

HEX #A654CE

RGB 166 84 206

HSL 280.33, 0.55%, 0.57%

LAB 50.57, 53.61, -49.6

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 41 / 0 / 67 / 26

HEX #6FBD3F

RGB 111 189 63

HSL 97.14, 0.5%, 0.49%

LAB 69.56, -45.7, 54.1

 

CMYK 38 / 0 / 60 / 19

HEX #80CF52

RGB 128 207 82

HSL 97.92, 0.57%, 0.57%

LAB 75.96, -45.9, 53.29

 

CMYK 36 / 0 / 55 / 12

HEX #91E165

RGB 145 225 101

HSL 98.71, 0.67%, 0.64%

LAB 82.28, -45.96, 52.28

 

CMYK 33 / 0 / 51 / 5

HEX #A2F378

RGB 162 243 120

HSL 99.51, 0.84%, 0.71%

LAB 88.51, -45.95, 51.17

 

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

CMYK 53 / 0 / 80 / 40

HEX #48991E

RGB 72 153 30

HSL 99.51, 0.67%, 0.36%

LAB 56.34, -45.9, 52.37

 

CMYK 59 / 0 / 92 / 47

HEX #37870B

RGB 55 135 11

HSL 98.71, 0.85%, 0.29%

LAB 49.69, -44.79, 51.04

 

CMYK 68 / 0 / 100 / 54

HEX #267500

RGB 38 117 0

HSL 100.51, 1%, 0.23%

LAB 42.97, -42.99, 47.54

 

CMYK 79 / 0 / 100 / 61

HEX #156300

RGB 21 99 0

HSL 107.27, 1%, 0.19%

LAB 36.14, -40.31, 41.94

 

CMYK 48 / 0 / 71 / 34

HEX #58A931

RGB 88 169 49

HSL 100.5, 0.55%, 0.43%

LAB 62.23, -46.05, 51.69

 

CMYK 28 / 0 / 71 / 34

HEX #79A931

RGB 121 169 49

HSL 84, 0.55%, 0.43%

LAB 63.89, -34.45, 53.91

 

CMYK 9 / 0 / 71 / 34

HEX #99A931

RGB 153 169 49

HSL 68, 0.55%, 0.43%

LAB 66.04, -21.39, 56.76

 

CMYK 0 / 9 / 71 / 34

HEX #A99931

RGB 169 153 49

HSL 52, 0.55%, 0.43%

LAB 62.88, -6.08, 54.08

 

CMYK 0 / 29 / 71 / 34

HEX #A97831

RGB 169 120 49

HSL 35.5, 0.55%, 0.43%

LAB 54.12, 12.16, 45.12

 

CMYK 48 / 0 / 71 / 34

HEX #58A931

RGB 88 169 49

HSL 100.5, 0.55%, 0.43%

LAB 62.23, -46.05, 51.69

 

CMYK 67 / 0 / 71 / 34

HEX #38A931

RGB 56 169 49

HSL 116.5, 0.55%, 0.43%

LAB 61.17, -54.41, 50.25

 

CMYK 71 / 0 / 56 / 34

HEX #31A94A

RGB 49 169 74

HSL 132.5, 0.55%, 0.43%

LAB 61.24, -52.94, 39.19

 

CMYK 71 / 0 / 37 / 34

HEX #31A96B

RGB 49 169 107

HSL 149, 0.55%, 0.43%

LAB 61.73, -47.35, 22.72

 

CMYK 71 / 0 / 18 / 34

HEX #31A98B

RGB 49 169 139

HSL 165, 0.55%, 0.43%

LAB 62.42, -40.04, 6.04

 

CMYK 48 / 0 / 71 / 34

HEX #58A931

RGB 88 169 49

HSL 100.5, 0.55%, 0.43%

LAB 62.23, -46.05, 51.69

 

CMYK 56 / 0 / 83 / 27

HEX #52BB1F

RGB 82 187 31

HSL 100.38, 0.72%, 0.43%

LAB 67.6, -55.71, 62.56

 

CMYK 63 / 0 / 94 / 20

HEX #4CCD0D

RGB 76 205 13

HSL 100.31, 0.88%, 0.43%

LAB 73.04, -63.94, 70.46

 

CMYK 48 / 0 / 71 / 34

HEX #58A931

RGB 88 169 49

HSL 100.5, 0.55%, 0.43%

LAB 62.23, -46.05, 51.69

 

CMYK 38 / 0 / 56 / 40

HEX #5E9843

RGB 94 152 67

HSL 100.94, 0.39%, 0.43%

LAB 57.31, -35.07, 38.34

 

CMYK 25 / 0 / 37 / 47

HEX #658654

RGB 101 134 84

HSL 99.6, 0.23%, 0.43%

LAB 52.35, -21.49, 23.25

 

CMYK 8 / 0 / 12 / 55

HEX #6B7466

RGB 107 116 102

HSL 98.57, 0.06%, 0.43%

LAB 47.72, -6.23, 6.58

 

CMYK 6 / 18 / 0 / 53

HEX #716278

RGB 113 98 120

HSL 280.91, 0.1%, 0.43%

LAB 43.66, 10.44, -10.12

 

CMYK 9 / 0 / 71 / 34

HEX #99A931

RGB 153 169 49

HSL 68, 0.55%, 0.43%

LAB 66.04, -21.39, 56.76

 

CMYK 28 / 0 / 71 / 34

HEX #79A931

RGB 121 169 49

HSL 84, 0.55%, 0.43%

LAB 63.89, -34.45, 53.91

 

CMYK 47 / 0 / 71 / 34

HEX #59A931

RGB 89 169 49

HSL 100, 0.55%, 0.43%

LAB 62.27, -45.73, 51.74

 

CMYK 66 / 0 / 71 / 34

HEX #39A931

RGB 57 169 49

HSL 116, 0.55%, 0.43%

LAB 61.19, -54.2, 50.28

 

CMYK 71 / 0 / 57 / 34

HEX #31A949

RGB 49 169 73

HSL 132, 0.55%, 0.43%

LAB 61.23, -53.08, 39.66

 

CMYK 48 / 0 / 72 / 58

HEX #376A1E

RGB 55 106 30

HSL 100.26, 0.56%, 0.27%

LAB 39.94, -31.89, 35.87

 

CMYK 47 / 0 / 71 / 46

HEX #488928

RGB 72 137 40

HSL 100.21, 0.55%, 0.35%

LAB 51.18, -38.72, 43.62

 

CMYK 48 / 0 / 71 / 34

HEX #58A931

RGB 88 169 49

HSL 100.5, 0.55%, 0.43%

LAB 62.23, -46.05, 51.69

 

CMYK 46 / 0 / 69 / 22

HEX #6AC63D

RGB 106 198 61

HSL 100.29, 0.55%, 0.51%

LAB 72.09, -51.08, 57.49

 

CMYK 37 / 0 / 55 / 18

HEX #83D05D

RGB 131 208 93

HSL 100.17, 0.55%, 0.59%

LAB 76.51, -44.21, 49.01

 

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

CMYK 71 / 0 / 9 / 34

HEX #31A999

RGB 49 169 153

HSL 172, 0.55%, 0.43%

LAB 62.78, -36.34, -1.26

 

CMYK 0 / 71 / 19 / 34

HEX #A93189

RGB 169 49 137

HSL 316, 0.55%, 0.43%

LAB 41.9, 57.3, -22.49

 

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

CMYK 71 / 47 / 0 / 34

HEX #3159A9

RGB 49 89 169

HSL 220, 0.55%, 0.43%

LAB 39.01, 13.74, -47.15

 

CMYK 0 / 71 / 47 / 34

HEX #A93159

RGB 169 49 89

HSL 340, 0.55%, 0.43%

LAB 40.17, 51.59, 4.76

 

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

CMYK 71 / 0 / 9 / 34

HEX #31A999

RGB 49 169 153

HSL 172, 0.55%, 0.43%

LAB 62.78, -36.34, -1.26

 

CMYK 24 / 71 / 0 / 34

HEX #8131A9

RGB 129 49 169

HSL 280, 0.55%, 0.43%

LAB 37.35, 53.47, -49.44

 

CMYK 0 / 71 / 62 / 34

HEX #A93141

RGB 169 49 65

HSL 352, 0.55%, 0.43%

LAB 39.6, 49.65, 19.1

 

CMYK 48 / 0 / 71 / 33

HEX #59AB31

RGB 89 171 49

HSL 100.33, 0.55%, 0.43%

LAB 62.9, -46.54, 52.39

 

CMYK 71 / 12 / 0 / 34

HEX #3195A9

RGB 49 149 169

HSL 190, 0.55%, 0.43%

LAB 57.09, -21.78, -18.82

 

CMYK 24 / 71 / 0 / 34

HEX #8131A9

RGB 129 49 169

HSL 280, 0.55%, 0.43%

LAB 37.35, 53.47, -49.44

 

CMYK 0 / 59 / 71 / 34

HEX #A94531

RGB 169 69 49

HSL 10, 0.55%, 0.43%

LAB 42.63, 39.86, 32.49

 

Description

Color code: RGB 89 171 49 | qconv.com Color code: RGB 89 171 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 171 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 171 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 71 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 71% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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