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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAB2C it is the complementary color #A154D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAB2C shade: #63AB27, #74BD3A, #85CF4D, #96E160 and #A7F373

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAB2C shade: #5EAB2C, #4D9919, #3C8706, #2B7500 and #1A6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAB2C shade: #5DAA2B, #7FAA2B, #A1AA2B, #AA902B and #AA6E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAB2C shade: #5DAA2B, #3BAA2B, #2BAA3E, #2BAA60 and #2BAA82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAB2C shade matches the following richer shades: #5DAA2B, #59BB1A and #56CC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAB2C shade: #5DAA2B, #61983D, #65874E, #68765F and #6C6471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAB2C shade: #A1AA2B, #80AA2B, #5EAA2B, #3CAA2B and #2BAA3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAB2C shade: #39681A, #4B8923, #5DAA2B, #6FCA34 and #86D355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAB2C shade: #5EAB2C, #2BAA91 and #AA2B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAB2C shade: #5EAB2C, #2B5EAA and #AA2B5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAB2C shade: #5EAB2C, #2BAA91, #772BAA and #AA2B45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAB2C shade: #5EAB2C, #2B9DAA, #772BAA and #AA382B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

Complementary color

CMYK 24 / 60 / 0 / 17

HEX #A154D3

RGB 161 84 211

HSL 276.38, 0.59%, 0.58%

LAB 50.24, 53.49, -53.03

 

CMYK 42 / 0 / 77 / 33

HEX #63AB27

RGB 99 171 39

HSL 92.73, 0.63%, 0.41%

LAB 63.28, -43.96, 56.48

 

CMYK 39 / 0 / 69 / 26

HEX #74BD3A

RGB 116 189 58

HSL 93.44, 0.53%, 0.48%

LAB 69.76, -44.41, 56.37

 

CMYK 36 / 0 / 63 / 19

HEX #85CF4D

RGB 133 207 77

HSL 94.15, 0.58%, 0.56%

LAB 76.16, -44.67, 55.73

 

CMYK 33 / 0 / 57 / 12

HEX #96E160

RGB 150 225 96

HSL 94.88, 0.68%, 0.63%

LAB 82.47, -44.79, 54.82

 

CMYK 31 / 0 / 53 / 5

HEX #A7F373

RGB 167 243 115

HSL 95.63, 0.84%, 0.7%

LAB 88.71, -44.83, 53.77

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 50 / 0 / 84 / 40

HEX #4D9919

RGB 77 153 25

HSL 95.63, 0.72%, 0.35%

LAB 56.52, -44.63, 54.06

 

CMYK 56 / 0 / 96 / 47

HEX #3C8706

RGB 60 135 6

HSL 94.88, 0.91%, 0.28%

LAB 49.86, -43.51, 52.17

 

CMYK 63 / 0 / 100 / 54

HEX #2B7500

RGB 43 117 0

HSL 97.95, 1%, 0.23%

LAB 43.12, -41.72, 47.73

 

CMYK 74 / 0 / 100 / 61

HEX #1A6300

RGB 26 99 0

HSL 104.24, 1%, 0.19%

LAB 36.26, -39.32, 42.08

 

CMYK 45 / 0 / 75 / 33

HEX #5DAA2B

RGB 93 170 43

HSL 96.38, 0.6%, 0.42%

LAB 62.72, -45.29, 54.48

 

CMYK 25 / 0 / 75 / 33

HEX #7FAA2B

RGB 127 170 43

HSL 80.31, 0.6%, 0.42%

LAB 64.51, -32.94, 56.84

 

CMYK 5 / 0 / 75 / 33

HEX #A1AA2B

RGB 161 170 43

HSL 64.25, 0.6%, 0.42%

LAB 66.9, -18.77, 59.96

 

CMYK 0 / 15 / 75 / 33

HEX #AA902B

RGB 170 144 43

HSL 47.72, 0.6%, 0.42%

LAB 60.49, -1.05, 54.13

 

CMYK 0 / 35 / 75 / 33

HEX #AA6E2B

RGB 170 110 43

HSL 31.65, 0.6%, 0.42%

LAB 51.69, 17.93, 45.42

 

CMYK 45 / 0 / 75 / 33

HEX #5DAA2B

RGB 93 170 43

HSL 96.38, 0.6%, 0.42%

LAB 62.72, -45.29, 54.48

 

CMYK 65 / 0 / 75 / 33

HEX #3BAA2B

RGB 59 170 43

HSL 112.44, 0.6%, 0.42%

LAB 61.53, -54.6, 52.9

 

CMYK 75 / 0 / 64 / 33

HEX #2BAA3E

RGB 43 170 62

HSL 128.98, 0.6%, 0.42%

LAB 61.32, -55.81, 44.86

 

CMYK 75 / 0 / 44 / 33

HEX #2BAA60

RGB 43 170 96

HSL 145.04, 0.6%, 0.42%

LAB 61.75, -50.76, 28.6

 

CMYK 75 / 0 / 24 / 33

HEX #2BAA82

RGB 43 170 130

HSL 161.1, 0.6%, 0.42%

LAB 62.4, -43.55, 11.01

 

CMYK 45 / 0 / 75 / 33

HEX #5DAA2B

RGB 93 170 43

HSL 96.38, 0.6%, 0.42%

LAB 62.72, -45.29, 54.48

 

CMYK 52 / 0 / 86 / 27

HEX #59BB1A

RGB 89 187 26

HSL 96.52, 0.76%, 0.42%

LAB 67.83, -53.98, 64.04

 

CMYK 58 / 0 / 96 / 20

HEX #56CC09

RGB 86 204 9

HSL 96.31, 0.92%, 0.42%

LAB 73.01, -61.28, 70.99

 

CMYK 45 / 0 / 75 / 33

HEX #5DAA2B

RGB 93 170 43

HSL 96.38, 0.6%, 0.42%

LAB 62.72, -45.29, 54.48

 

CMYK 36 / 0 / 60 / 40

HEX #61983D

RGB 97 152 61

HSL 96.26, 0.43%, 0.42%

LAB 57.4, -34.67, 41.38

 

CMYK 25 / 0 / 42 / 47

HEX #65874E

RGB 101 135 78

HSL 95.79, 0.27%, 0.42%

LAB 52.56, -22.89, 26.84

 

CMYK 12 / 0 / 19 / 54

HEX #68765F

RGB 104 118 95

HSL 96.52, 0.11%, 0.42%

LAB 47.91, -9.85, 10.95

 

CMYK 4 / 12 / 0 / 56

HEX #6C6471

RGB 108 100 113

HSL 276.92, 0.06%, 0.42%

LAB 43.5, 5.84, -6.16

 

CMYK 5 / 0 / 75 / 33

HEX #A1AA2B

RGB 161 170 43

HSL 64.25, 0.6%, 0.42%

LAB 66.9, -18.77, 59.96

 

CMYK 25 / 0 / 75 / 33

HEX #80AA2B

RGB 128 170 43

HSL 79.84, 0.6%, 0.42%

LAB 64.57, -32.54, 56.92

 

CMYK 45 / 0 / 75 / 33

HEX #5EAA2B

RGB 94 170 43

HSL 95.91, 0.6%, 0.42%

LAB 62.76, -44.97, 54.54

 

CMYK 65 / 0 / 75 / 33

HEX #3CAA2B

RGB 60 170 43

HSL 111.97, 0.6%, 0.42%

LAB 61.55, -54.38, 52.93

 

CMYK 75 / 0 / 65 / 33

HEX #2BAA3C

RGB 43 170 60

HSL 128.03, 0.6%, 0.42%

LAB 61.3, -56.04, 45.72

 

CMYK 45 / 0 / 75 / 59

HEX #39681A

RGB 57 104 26

HSL 96.15, 0.6%, 0.25%

LAB 39.32, -30.63, 36.98

 

CMYK 45 / 0 / 74 / 46

HEX #4B8923

RGB 75 137 35

HSL 96.47, 0.59%, 0.34%

LAB 51.28, -38.11, 45.76

 

CMYK 45 / 0 / 75 / 33

HEX #5DAA2B

RGB 93 170 43

HSL 96.38, 0.6%, 0.42%

LAB 62.72, -45.29, 54.48

 

CMYK 45 / 0 / 74 / 21

HEX #6FCA34

RGB 111 202 52

HSL 96.4, 0.59%, 0.5%

LAB 73.46, -51.74, 62.2

 

CMYK 36 / 0 / 60 / 17

HEX #86D355

RGB 134 211 85

HSL 96.67, 0.59%, 0.58%

LAB 77.47, -45.3, 53.75

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 75 / 0 / 15 / 33

HEX #2BAA91

RGB 43 170 145

HSL 168.19, 0.6%, 0.42%

LAB 62.77, -39.75, 3.18

 

CMYK 0 / 75 / 15 / 33

HEX #AA2B91

RGB 170 43 145

HSL 311.81, 0.6%, 0.42%

LAB 41.72, 60.76, -27.64

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 75 / 45 / 0 / 33

HEX #2B5EAA

RGB 43 94 170

HSL 215.91, 0.6%, 0.42%

LAB 40.28, 10, -45.71

 

CMYK 0 / 75 / 45 / 33

HEX #AA2B5E

RGB 170 43 94

HSL 335.91, 0.6%, 0.42%

LAB 39.72, 54.54, 0.97

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 75 / 0 / 15 / 33

HEX #2BAA91

RGB 43 170 145

HSL 168.19, 0.6%, 0.42%

LAB 62.77, -39.75, 3.18

 

CMYK 30 / 75 / 0 / 33

HEX #772BAA

RGB 119 43 170

HSL 275.91, 0.6%, 0.42%

LAB 35.11, 54.21, -53.74

 

CMYK 0 / 75 / 59 / 33

HEX #AA2B45

RGB 170 43 69

HSL 347.72, 0.6%, 0.42%

LAB 39.08, 52.45, 15.92

 

CMYK 45 / 0 / 74 / 33

HEX #5EAB2C

RGB 94 171 44

HSL 96.38, 0.59%, 0.42%

LAB 63.08, -45.31, 54.5

 

CMYK 75 / 8 / 0 / 33

HEX #2B9DAA

RGB 43 157 170

HSL 186.14, 0.6%, 0.42%

LAB 59.46, -26.35, -15.8

 

CMYK 30 / 75 / 0 / 33

HEX #772BAA

RGB 119 43 170

HSL 275.91, 0.6%, 0.42%

LAB 35.11, 54.21, -53.74

 

CMYK 0 / 67 / 75 / 33

HEX #AA382B

RGB 170 56 43

HSL 6.14, 0.6%, 0.42%

LAB 40.49, 45.9, 33.54

 

Description

Color code: HEX #5EAB2C | qconv.com Color code: HEX #5EAB2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 171 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 171 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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