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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 149 59 it is the complementary color RGB 170 106 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 149 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 149 59 shade: RGB 90 149 54, RGB 107 167 73, RGB 124 185 92, RGB 141 203 111 and RGB 158 221 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 149 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 68 131 40, RGB 51 113 21, RGB 34 95 2 and RGB 17 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 109 149 59, RGB 134 149 59, RGB 149 140 59 and RGB 149 116 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 61 149 59, RGB 59 149 82, RGB 59 149 106 and RGB 59 149 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 149 59 shade matches the following richer shades: RGB 85 149 59, RGB 78 166 42, RGB 71 183 25 and RGB 64 200 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 92 132 76, RGB 99 115 93, RGB 106 98 110 and RGB 114 81 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 149 59 shade: RGB 134 149 59, RGB 110 149 59, RGB 86 149 59, RGB 62 149 59 and RGB 59 149 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 149 59 shade: RGB 51 90 36, RGB 68 120 47, RGB 85 149 59, RGB 102 179 71 and RGB 125 192 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 59 149 140 and RGB 149 59 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 59 86 149 and RGB 149 59 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 59 149 140, RGB 122 59 149 and RGB 149 59 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 149 59 shade: RGB 85 149 59, RGB 59 131 149, RGB 122 59 149 and RGB 149 77 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

Complementary color

CMYK 13 / 46 / 0 / 23

HEX #AA6AC4

RGB 170 106 196

HSL 282.67, 0.43%, 0.59%

LAB 54.91, 41.1, -36.99

 

CMYK 40 / 0 / 64 / 42

HEX #5A9536

RGB 90 149 54

HSL 97.26, 0.47%, 0.4%

LAB 56.02, -36.51, 42.98

 

CMYK 36 / 0 / 56 / 35

HEX #6BA749

RGB 107 167 73

HSL 98.3, 0.39%, 0.47%

LAB 62.71, -36.6, 41.94

 

CMYK 33 / 0 / 50 / 27

HEX #7CB95C

RGB 124 185 92

HSL 99.35, 0.4%, 0.54%

LAB 69.3, -36.58, 40.77

 

CMYK 31 / 0 / 45 / 20

HEX #8DCB6F

RGB 141 203 111

HSL 100.43, 0.47%, 0.62%

LAB 75.78, -36.49, 39.57

 

CMYK 29 / 0 / 41 / 13

HEX #9EDD82

RGB 158 221 130

HSL 101.54, 0.57%, 0.69%

LAB 82.16, -36.35, 38.39

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 48 / 0 / 69 / 49

HEX #448328

RGB 68 131 40

HSL 101.54, 0.53%, 0.34%

LAB 49.03, -37.49, 41.3

 

CMYK 55 / 0 / 81 / 56

HEX #337115

RGB 51 113 21

HSL 100.43, 0.69%, 0.26%

LAB 42.11, -36.9, 41.54

 

CMYK 64 / 0 / 98 / 63

HEX #225F02

RGB 34 95 2

HSL 99.35, 0.96%, 0.19%

LAB 35.06, -35.75, 40.6

 

CMYK 78 / 0 / 100 / 70

HEX #114D00

RGB 17 77 0

HSL 106.75, 1%, 0.15%

LAB 27.92, -33.33, 35.33

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 27 / 0 / 60 / 42

HEX #6D953B

RGB 109 149 59

HSL 86.67, 0.43%, 0.41%

LAB 57.14, -28.94, 42.21

 

CMYK 10 / 0 / 60 / 42

HEX #86953B

RGB 134 149 59

HSL 70, 0.43%, 0.41%

LAB 58.86, -18.65, 44.61

 

CMYK 0 / 6 / 60 / 42

HEX #958C3B

RGB 149 140 59

HSL 54, 0.43%, 0.41%

LAB 57.52, -7.32, 43.48

 

CMYK 0 / 22 / 60 / 42

HEX #95743B

RGB 149 116 59

HSL 38, 0.43%, 0.41%

LAB 50.92, 6.11, 35.95

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 59 / 0 / 60 / 42

HEX #3D953B

RGB 61 149 59

HSL 118.67, 0.43%, 0.41%

LAB 54.87, -44.84, 39.02

 

CMYK 60 / 0 / 45 / 42

HEX #3B9552

RGB 59 149 82

HSL 135.33, 0.43%, 0.41%

LAB 55.11, -41.97, 27.55

 

CMYK 60 / 0 / 29 / 42

HEX #3B956A

RGB 59 149 106

HSL 151.33, 0.43%, 0.41%

LAB 55.55, -37.28, 14.9

 

CMYK 60 / 0 / 13 / 42

HEX #3B9582

RGB 59 149 130

HSL 167.33, 0.43%, 0.41%

LAB 56.12, -31.5, 2.07

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 53 / 0 / 75 / 35

HEX #4EA62A

RGB 78 166 42

HSL 102.58, 0.6%, 0.41%

LAB 60.83, -48.39, 52.76

 

CMYK 61 / 0 / 86 / 28

HEX #47B719

RGB 71 183 25

HSL 102.53, 0.76%, 0.41%

LAB 65.96, -57.35, 62.4

 

CMYK 68 / 0 / 96 / 22

HEX #40C808

RGB 64 200 8

HSL 102.5, 0.92%, 0.41%

LAB 71.16, -64.95, 69.34

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 30 / 0 / 42 / 48

HEX #5C844C

RGB 92 132 76

HSL 102.86, 0.27%, 0.41%

LAB 51.04, -25.08, 25.87

 

CMYK 14 / 0 / 19 / 55

HEX #63735D

RGB 99 115 93

HSL 103.64, 0.11%, 0.41%

LAB 46.58, -10.49, 10.21

 

CMYK 4 / 11 / 0 / 57

HEX #6A626E

RGB 106 98 110

HSL 280, 0.06%, 0.41%

LAB 42.65, 5.64, -5.62

 

CMYK 10 / 36 / 0 / 50

HEX #72517F

RGB 114 81 127

HSL 283.04, 0.22%, 0.41%

LAB 39.57, 22.71, -20.61

 

CMYK 10 / 0 / 60 / 42

HEX #86953B

RGB 134 149 59

HSL 70, 0.43%, 0.41%

LAB 58.86, -18.65, 44.61

 

CMYK 26 / 0 / 60 / 42

HEX #6E953B

RGB 110 149 59

HSL 86, 0.43%, 0.41%

LAB 57.2, -28.55, 42.29

 

CMYK 42 / 0 / 60 / 42

HEX #56953B

RGB 86 149 59

HSL 102, 0.43%, 0.41%

LAB 55.88, -37.38, 40.44

 

CMYK 58 / 0 / 60 / 42

HEX #3E953B

RGB 62 149 59

HSL 118, 0.43%, 0.41%

LAB 54.9, -44.58, 39.07

 

CMYK 60 / 0 / 46 / 42

HEX #3B9550

RGB 59 149 80

HSL 134, 0.43%, 0.41%

LAB 55.08, -42.31, 28.58

 

CMYK 43 / 0 / 60 / 65

HEX #335A24

RGB 51 90 36

HSL 103.33, 0.43%, 0.25%

LAB 34.28, -25.23, 26.56

 

CMYK 43 / 0 / 61 / 53

HEX #44782F

RGB 68 120 47

HSL 102.74, 0.44%, 0.33%

LAB 45.45, -31.92, 34.08

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 43 / 0 / 60 / 30

HEX #66B347

RGB 102 179 71

HSL 102.78, 0.43%, 0.49%

LAB 66.15, -43.72, 46.78

 

CMYK 35 / 0 / 49 / 25

HEX #7DC062

RGB 125 192 98

HSL 102.77, 0.43%, 0.57%

LAB 71.51, -38.64, 40.54

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 60 / 0 / 6 / 42

HEX #3B958C

RGB 59 149 140

HSL 174, 0.43%, 0.41%

LAB 56.4, -28.81, -3.24

 

CMYK 0 / 60 / 18 / 42

HEX #953B7A

RGB 149 59 122

HSL 318, 0.43%, 0.41%

LAB 39.45, 45.28, -17.32

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 60 / 42 / 0 / 42

HEX #3B5695

RGB 59 86 149

HSL 222, 0.43%, 0.41%

LAB 37.4, 10.17, -37.73

 

CMYK 0 / 60 / 42 / 42

HEX #953B56

RGB 149 59 86

HSL 342, 0.43%, 0.41%

LAB 38.18, 40.44, 3.34

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 60 / 0 / 6 / 42

HEX #3B958C

RGB 59 149 140

HSL 174, 0.43%, 0.41%

LAB 56.4, -28.81, -3.24

 

CMYK 18 / 60 / 0 / 42

HEX #7A3B95

RGB 122 59 149

HSL 282, 0.43%, 0.41%

LAB 36.81, 42.66, -38.31

 

CMYK 0 / 60 / 54 / 42

HEX #953B44

RGB 149 59 68

HSL 354, 0.43%, 0.41%

LAB 37.73, 38.64, 14.08

 

CMYK 43 / 0 / 60 / 42

HEX #55953B

RGB 85 149 59

HSL 102.67, 0.43%, 0.41%

LAB 55.83, -37.71, 40.37

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 18 / 60 / 0 / 42

HEX #7A3B95

RGB 122 59 149

HSL 282, 0.43%, 0.41%

LAB 36.81, 42.66, -38.31

 

CMYK 0 / 48 / 60 / 42

HEX #954D3B

RGB 149 77 59

HSL 12, 0.43%, 0.41%

LAB 41.24, 28.43, 24.21

 

Description

Color code: RGB 85 149 59 | qconv.com Color code: RGB 85 149 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 149 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 149 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 60 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 60% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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